Come on Nadja! Sviatoslav Richter with Big Genius! But The Best Greatest Pianists Are Really=Artur Rubinstein ( The GOD) Grigory Sokolov=THE TITAN OF THE PIANO!) Emil Gilels ( The King!) Wilhelm Kempff ( The most beautiful piano sound Ever!) Mikhail Pletnev ( The most Powerful Ever=Prokoviev piano concerto no 1!) Solomon Cutner ( The perfect structure of music! Solomon Cutner The highest IQ points Ever!) Alexei Lubimov+Mozart piano concerto no 27! Maria Grinberg Rosa Tamarkina!!
He did record it, but with the Chicago and Leinsdorf. The Beethoven #1 from the first half of this concert was recorded and released by RCA. It’s nice to have this one available after all these years.
Come on Doremi Fasolla!! The Best Greatest Brahms piano concerto no 2 players Are really=Grigory Sokolov=THE.TITAN OF THE PIANO!! THE GIANT OF THE PIANO! Grigory Sokolov=His Brahms piano concerto no 2 The Best most beautiful piano sound! Sokolov The Best rhythmic vital beat! Unbeatable vitalness ( 4th movement!) Sokolov The most Titanic!) 2: Sviatoslav Richter with The Paris Orchestra conductor Lorin Maazel recording from 1969! Richter The Big Genius playing Brahms piano concerto no 2! Richter The First How Brahms piano concerto no 2 should Be played!) 3: Edwin Fischer from 1942( The Recording from 1942!) 4: Van Cliburn in 1962 Moscow! Why Van Cliburn because Van Cliburn better than The Stiff Claudio Arrau! Van Cliburn better than The Mechanical Boring dull stiff machine player Ever Krystian Zimerman!)
@@RaineriHakkarainen I don't know;I don't want to listen to any other performances once Richter played the work.I sometimes listen to a few notes...but quit after a few seconds.
Sviatoslav Richter with The Paris Orchestra conductor Lorin Maazel recording from 1969-1970 is My favourite because The piano sound is Better than Richter/Leindsdof or Richter/Kondrashin! The Best greatest Brahms piano concerto no 2 players Are really=1: Grigory Sokolov with The Finnish Radio Symphony Orchestra video UA-cam from 1987! Sokolov The Best piano sound Ever! Sokolov The most rhythmic vital beat! Unbeatable vitalness ( 4th movement!!) 2: Sviatoslav Richter with The Paris Orchestra conductor Lorin Maazel! 3: Edwin Fischer from 1942! 4: Van Cliburn in Moscow!! Why Van Cliburn? Because Van Cliburn better than The stiff Claudio Arrau!! Van Cliburn better than The Mechanical Boring dull stiff machine player Ever Krystian Zimerman)
@@RaineriHakkarainen Duly noted. Here it is, for others to listen and make up their own mind. This was recorded quite a long time after the Leinsdorf. The Paris orchestra is no match for the power of the Chicagoans. ua-cam.com/video/A35xg4KBos0/v-deo.html
That's the one. I have both the 1960 vinyl and the CD that came out years later. I'm glad for that because I wore out the vinyl pretty much. (and because piano is notoriously difficult to get on vinyl without a lot of distortion or needle noise) Sokolov is the only one I've ever heard in the same class with Richter. They play it differently, but equally well I think. I'd give the nod to Richter, but maybe that's because I've heard it so many times.
@@fa-la-mi-mi-re I think Richter recorded it a few days EARLIER with Erich Leinsdorf and the Chicago Symphony on October 17, 1960. This was, I think, a live performance in Boston with Charles Munch and the BSO on November 1, 1960. I've heard (but can't verify) that Richter did not like the fast tempi of Leinsdorf. I would imagine that he liked this performance with Munch better.
@@fa-la-mi-mi-re Thanks, Doremi. I myself usually prefer live performances (even with audience noise) of Richter and almost every other classical musician and opera singer. So much more exciting!
@@jamesnickoloff6692 So do I.Audience noise is part of the recital anyhow. Best example is Richter's New-York recitals;:full of audience noise and enthusiasm.What an atmosphere.Or Pictures at an exhibition from the Sofia recital.That does not bother real music lovers at all!
Thank you very much! For me Richter is the only one! Always to listen to his playing is a great happiness!
Come on Nadja! Sviatoslav Richter with Big Genius! But The Best Greatest Pianists Are Really=Artur Rubinstein ( The GOD) Grigory Sokolov=THE TITAN OF THE PIANO!) Emil Gilels ( The King!) Wilhelm Kempff ( The most beautiful piano sound Ever!) Mikhail Pletnev ( The most Powerful Ever=Prokoviev piano concerto no 1!) Solomon Cutner ( The perfect structure of music! Solomon Cutner The highest IQ points Ever!) Alexei Lubimov+Mozart piano concerto no 27! Maria Grinberg Rosa Tamarkina!!
Very interesting photos, too. Thanks
Бесценно.СПАСИБО!
Absolute Raritet!
He did record it, but with the Chicago and Leinsdorf. The Beethoven #1 from the first half of this concert was recorded and released by RCA. It’s nice to have this one available after all these years.
Any way, that's recording is priceless Munch's special conductor--accompanist, S.Richter's 45 y.o.-- wonderful rendition!!!
Absolutely gorgeous slowly tempo of 3-th movement--great breathe 's Ensemble & sound everywhere!
Best 3Rd movement ever!
Come on Doremi Fasolla!! The Best Greatest Brahms piano concerto no 2 players Are really=Grigory Sokolov=THE.TITAN OF THE PIANO!! THE GIANT OF THE PIANO! Grigory Sokolov=His Brahms piano concerto no 2 The Best most beautiful piano sound! Sokolov The Best rhythmic vital beat! Unbeatable vitalness ( 4th movement!) Sokolov The most Titanic!) 2: Sviatoslav Richter with The Paris Orchestra conductor Lorin Maazel recording from 1969! Richter The Big Genius playing Brahms piano concerto no 2! Richter The First How Brahms piano concerto no 2 should Be played!) 3: Edwin Fischer from 1942( The Recording from 1942!) 4: Van Cliburn in 1962 Moscow! Why Van Cliburn because Van Cliburn better than The Stiff Claudio Arrau! Van Cliburn better than The Mechanical Boring dull stiff machine player Ever Krystian Zimerman!)
Grigory Sokolov Brahms piano concerto no 2 with The Finnish Radio Symphony Orchestra video UA-cam from 1987!!
@@RaineriHakkarainen I don't know;I don't want to listen to any other performances once Richter played the work.I sometimes listen to a few notes...but quit after a few seconds.
beatifuly played , time 30:20
The studio recording is the one to have with Chicago / Leinsdorf
Sviatoslav Richter with The Paris Orchestra conductor Lorin Maazel recording from 1969-1970 is My favourite because The piano sound is Better than Richter/Leindsdof or Richter/Kondrashin! The Best greatest Brahms piano concerto no 2 players Are really=1: Grigory Sokolov with The Finnish Radio Symphony Orchestra video UA-cam from 1987! Sokolov The Best piano sound Ever! Sokolov The most rhythmic vital beat! Unbeatable vitalness ( 4th movement!!) 2: Sviatoslav Richter with The Paris Orchestra conductor Lorin Maazel! 3: Edwin Fischer from 1942! 4: Van Cliburn in Moscow!! Why Van Cliburn? Because Van Cliburn better than The stiff Claudio Arrau!! Van Cliburn better than The Mechanical Boring dull stiff machine player Ever Krystian Zimerman)
@@RaineriHakkarainen Duly noted. Here it is, for others to listen and make up their own mind.
This was recorded quite a long time after the Leinsdorf. The Paris orchestra is no match for the power of the Chicagoans.
ua-cam.com/video/A35xg4KBos0/v-deo.html
That's the one. I have both the 1960 vinyl and the CD that came out years later. I'm glad for that because I wore out the vinyl pretty much. (and because piano is notoriously difficult to get on vinyl without a lot of distortion or needle noise) Sokolov is the only one I've ever heard in the same class with Richter. They play it differently, but equally well I think. I'd give the nod to Richter, but maybe that's because I've heard it so many times.
A very particular kind of performance. A lot of coughing. It's really slow too so you can really hear every part. A really rare old thing. Best
This is a document-no less.No matter how good or bad it is.Richter recorded this work a few days later in a studio.
@@fa-la-mi-mi-re I think Richter recorded it a few days EARLIER with Erich Leinsdorf and the Chicago Symphony on October 17, 1960. This was, I think, a live performance in Boston with Charles Munch and the BSO on November 1, 1960. I've heard (but can't verify) that Richter did not like the fast tempi of Leinsdorf. I would imagine that he liked this performance with Munch better.
@@jamesnickoloff6692 Yes you are right.i checked myself.
@@fa-la-mi-mi-re Thanks, Doremi. I myself usually prefer live performances (even with audience noise) of Richter and almost every other classical musician and opera singer. So much more exciting!
@@jamesnickoloff6692 So do I.Audience noise is part of the recital anyhow.
Best example is Richter's New-York recitals;:full of audience noise and enthusiasm.What an atmosphere.Or Pictures at an exhibition from the Sofia recital.That does not bother real music lovers at all!
He played Beethoven PC n°1 op 15 at first part-