Händel - Opera Rinaldo, HWV7 | René Jacobs Freiburger Barockorchester
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- Опубліковано 9 чер 2015
- George Frideric Händel (1685 - 1759)
"The story of love, battle and redemption"
Opera Rinaldo, HWV7
Dramma per musica in tre atti
Libretto: Giacomo Rossi
The first performance at the Queen's Theatre in London's Haymarket, on 24 February 1711.
Personaggi:
Rinaldo: a nobleman of the House of Este by Vivica Genaux, mezzo-soprano
Armida, une sirene: Queen of Damascus, Argante's mistress by Inga Kalna, soprano
Almirena, une seriene: daughter of Goffredo by Miah Persson, soprano
Goffredo: Leader of the First Crusade by Lawrence Zazzo, countertenor
Argante: Saracen king of Jerusalem by James Rutherford, bass
Eustazio: brother to Goffredo by Christophe Damaux, countertenor
Mago cristiano: by Dominique Visse, countertenor
ATTO PRIMO
01.Ouverture
02. Recitativo & Aria: Delle nostre fatiche: Sovra balze scoscese
03. Recitativo: Signor, Gia dal tuo senno
04. Aria: Combatti da forte
05. Recitativo & Aria: Questi saggi consigli: Qgn'indugio
06. Chiamata/Recitativo: Signor, che delle stelle: Sulla ruota di fortuna
07. Aria: Sibilar gli angui
08. Recitativo: Goffredo, se t'arrise
09. Aria: No, no, che quest'alma
10. Recitativo & Aria: Infra dubbi di marte vieni, O cara
11. Aria: Furie terribili
12. Recitativo & Accompagnato: Come a tempo giungesti
13. Aria: Molto voglio
14. Aria: Augelletti
15. Recitativo: Adorato mio sposo
16. Duetto: Scherzano sul tuo volto
17. Recitativo & Preludio: Al valor del mio brando
18. Aria: Cara sposa
ATTO SECONDO
01. Recitativo: Ch'insolito stupore
02. Aria: Cor ingrato
03. Recitativo: Io all'ora impugno il brando
04. Aria: Col valor
05. Recitativo & Aria: Di speranza un bel raggio venti, turbini
06. Aria: Siam prossimi al porto
07. Recitativo: A quel sasso bramato
08. Aria A 2: Il vostro maggio
09. Recitativo: Qual incognita forza
10. Aria: Il tricerbero umiliato
11. Recitativo & Aria: Signor, strano ardimento! mio cor, che mi sai dir?
12. Sinfonia
13. Recitativo: Armida dispietata!
14. Aria: Lascia ch'io pianga
15. Recitativo: Tu, del mio cor reina
16. Aria: Basta che sol tu chieda
17. Recitativo: Cingetemi d'allori
18. Duetto: Fermati
19. Recitativo: Crudel, tu ch'involasti
20. Aria: Abbrucio, avvampo e fremo
21. Recitativo: Dunque i lacci d'un volto
22. Aria: Ah, crudel
23. Recitativo: Riprendiam d'almirena
24. Aria: Vo'far guerra
ATTO TERZO
01. Recitativo: Quivi par che rubelle
02. Sinfonia
03. Recitativo & Aria e Recitativo: Qui vomita cocito andate, O forti
04. Preludio
05. Aria: Sorge nel petto
06. Recitativo: Al trionfo s'affretti e' un incendio
07. Recitativo: Chiuso fra quelle mura
08. March
09. Recitativo & Duetto: In quel bosco: Al trionfo del nostro furore
10. Recitativo & Aria: Di quei strani accidenti: Bel piacere
11. Recitativo: Signor, l'oste nemica
12. Aria: Di sion, nell'alta sede
13. March & Recitativo: Se cio te in grado
14. Aria: Or la tromba
15. Recitativo: Miei fidi
16. Battaglia
17. Recitativo: Goffredo, ecco il superbo
18. Coro: Vinto e sol dalla virtu
Performers:
Premier violin: Petra Müllejans
Violins I: Brian Dean, Beatrix Hülsemann, Brigitte Täubl, Annelies van der Vegt, Gerd-Uwe Klein, Franka Palowski
Violins II: Anne Katharina Schreiber, Martina Graulich, Christa Kittel, Karin Dean, Jörn Sebastian Kuhlmann, Kathrin Tröger
Violas: Christian Goosses, Annette Schmidt, Lothar Haass, Werner Saller
Cellos: Guido Larisch, Kristin von der Goltz, Ute Petersilge
Conter-basses: James Munro, Dane Roberts
Flutes: Isabel Lehmann, Thera de Clerck
Oboes: Ann-Kathrin Brüggemann, Maike Buhrow, Katharina Arfken, Saskia Fikentscher
Bassoons: Javier Zafra, Eyal Street
Trumpets: Friedemann Immer, Francois Petit-Laurent, Ute Rothkirch, Jaroslav Roucek
Timpani: Charlie Fischer
Lute: Shizuko Noiri
Harp: Mara Galassi
Harpsichord & Organ: Nicolau de Figueiredo, Piers Maxim
Direction: René Jacobs
Assistants musician: Nicolau de Figueiredo, Piers Maxim
René Jacobs, director
Freiburger Barockorchester
[on period instruments]
------------------------
Artwork: Rinaldo Abandoning Armida by Giovanni Battista Tiepolo, 1757
![[柴犬ASMR]曼玉Manyu&小白Bai 毛发护理Spa asmr](http://i.ytimg.com/vi/0TsXQ7z2Dh4/mqdefault.jpg)
Tra le esecuzioni “recenti” questa è quella che maggiormente soddisfa il mio immaginario per la musica che rispetta un andamento ora sontuoso ora sognante, lento quanto basta per gustare il testo e l’orchestra e per dare alla mente il tempo di costruire immagini. Il cast è ottimo con i migliori controtenori di un decennio fa. Tra le svariate esecuzioni, dopo il Rinaldo di Samuel Ramey e Marylin Horne, scelgo questa di René Jacob e la Freiburg Barockorchester. 🧚♀️🎶🦄
Delightfull, graceful, grandiose, opulent, majestic, celestial and divine! in short: Baroque!!
I love this opera. The music is spectacular, orchestral writing with a lot of counterpoint, vocal pyrotechnics and dramatic lyricism. It has some of the most brilliant arias that Handel ever composed, "venti turbini" "furie terribili" "lascia ch'io pianga", "cara sposa", duets, orchestral interludes, battaglia. Handel was without a doubt the best composer of operas and oratorios of the Baroque.
Händel der König des Barock!
I saw Fagioli singing “Venti, Turbini” and really wanted to see a female singing it. Couldn’t find a video of decent performance with good sound quality, so decided to look for it here. Given that this opera is infinite and I wouldn’t find my aria in here any other way, I decided to list all the movements once and for all, since apparently no one had the disposition to do so. =)
My recommendations: >> Di Speranza Un Bel Raggio Venti, Turbini 1:16:27
+1 thanks for this
Thank you :)
Thank you !!!!!!!!!!!!!!!~~~
oh thank you so much for such work, it is helpful!
You, sir, are awesome!
What a great opera
jajajaaaaa, you little modest
I would say that this opera is the best one I have ever written.
Man, you have no videos
Uno de los mejores compositores del barroco, junto a Bach, Vivaldi, Porpora. Un indispensable en una buena colección de música.
Händel fue el mejor compositor de óperas y oratorios dramáticos del Barroco. Sin duda alguna.
Majestueux !!
I don't know much about opera. My brother from my other mom said, go listen to the Rinaldo piece. Oh my Holly! Beautiful!
1:40:36 the most beautiful song ever. Lascia ch'io pianga.♥
listen to "ombra mai fu"
i came here just for that song
yes right !! Same here!
Listen to Sibilar gli angui and Furie terribili.
agree
even that im not handel expert
thank you from cooperstown
Bellissima!
just gorgeous! thank you!
Da Händel in meiner Heimatstadt, Halle/Saale geboren wurde, freuen mich die positiven Bewertungen hier in diesem Forum ganz besonders !!!
Superbe ....j'adore
Thank You! 💙💙💙💙💙🦩
25' 10" till 25' 32" wtf!!! 22 seconds straight of solid belting , that's unbelievable!
No one does it better than Händel in creating tunes so strikingly contemporary...
I totally agree
Nice 💋❤️
Me encanta la ópera barroca. Uff.!
Opera by a extremely brilliant 25 year old young man.
Замечательная опера. Браво Гендель! Браво маэстро Якобс! Браво солисты! Особое восхищение вызывает пение Вивики Жено!!!
Non ho mai sentito un'interpretazione così magistrale dell'opera di Handel. La versione di "Combatti da forte" è senza alcun dubbio la migliore che io abbia mai sentito fino ad oggi. Davvero appagante
It's like being in Heaven. Long live Handel!
G.f.handel is heaven
Fantastic, moving to tears by "Lascia Ch'io Pianga" from 1:40:00. Kowtow, kowtow, kowtow... How could people manage to compose such heavenly music masterpiece 300 years ago??? Like this, like this to death!
the real question is why have we not learned to write real music today? It almost impossible to find a modern classical OR pop composer that can write a melody, or that has words that matter. Mozart said, "Prima la parola! La música segunda!" or something like that!
Lascia ch'io pianga... magnificient at 1:40:36...sung with such grace and sentiment that it draws tears. Overall maestro Jacobs demonstrates his superior mastery of this very rich opera by Haendel who made it his only Italian opera. The music is serving the voice as it should be and the tempo is restrained throughout. All voices are perfectly well cast and enjoyable but Miah Persson enchants here.
Patrick Memmi: Handel wrote many Italian operas.
@@jsbrules
Exactly more than 40 Italian operas, 32 dramatic oratorios, as well as operettas and serenades such as Acis & Galatea and Alexander's feast . He was the best composer of Baroque operas and oratorios, without a doubt.
Love IT ❤️ So beautiful
One of Handel's nicest opera's with a splendid performance
Inspiring performance bringing back memories - thank you
At 58:34 my most favorite piece: Cara sposa, amante cara....!
It's just my best aria for Farinelli "Il Castrato", obviously sang by Philippe
Jaroussky! Sublime. A voice that soothes my entire body and soul!
Speechless; bewildered, indeed!
omg seriously I am also in love with that aria since I discovered that film!
But Farinelli never sang it. He did never sing a Handel's opera, actually. Perhaps Senesino did
I actually trink that the vibrato is way too much
Really good! Great artist great orchestra
Generally I can't stand opera but anything from Handel........... (Forgive the poor English) Pure amazing!!!
What a way to start my Saturday morning
Hello, I was wondering what software you use to make these videos. I'm planning on uploading Handel's complete works, but the software that I'm presently using (an audio to video converter) has a limit of around an hour and thirty minutes, and obviously the operas and oratorios need much longer than that. Also if anyone here has good suggestions, please reply! It has to be compatible with Chrome.
fantastic! excellent!
This opera is about me
Energetically Brilliant or Brilliantly Energetic!
What's a great opera
Ein hoch auf Händel. Schöne alte Musik des Barockes.
06:22 The Orchestral arrangement here, the melody, got me hooked.
i love this opera
Rosie, it was 5 years ago when you write that comment, however it is still relevant. Love it too.
Eine wunderschöne Arie, und so unbekannt!
ATTO SECONDO starts at 1:21:07 - ATTO PRIMO ends with "Venti, turbini, prestate", not with "Vo'far guerra"!
2:22:25 ATTO TERZO
Did I hear Marilyn's lovely voice in the mist of greatness that is this album?
Great!
1:40:35 we all came here for this. Thank you, Lars.
Antichrist was hardly the sentiment intended by the composer methinks.
Armida, Queen of Damascus, Argante's mistress (and a mermaid) by Inga Kalna, soprano
Almirena, daughter of Goffredo (and a mermaid) by Miah Persson, soprano
2:02:54 : Ah crudel.
ATTO SECONDO:
1:21:09
Best performance I have heard, love it, but does anyone know where I can buy an original CD/DVD recording? This one is good but I'm sure there must be a better quality one somewhere? I have googled it obviously, but no luck....
Estava concentrado no piano, volume máximo no fone de ouvido e... 2:22:06 levei um susto aqui, bicho
@fquaranta8093 FOR ME TOO ! RENÈ JACOB AND THE FREIBURG BAROCKORCHESTER , ARE TOP SPECIALIST FOR BAROCK OPERA . THIS CD ONCE BY WEEK I GOT TO LIESTEN TO IT . HAPPY SUNDAY TO YOU & CIAO !
U N G E N I O !
Premiered #otd in 1711 💐💐💐
03:05:16
Was für eine Trompetenkadenz!
props to rinaldo
💞🌸🎶💮🇻🇦✝️🇲🇬🌿💐🌺⛑🇻🇦🌸💞✒📃🎶📚🐈⬛💮💒🦊🌿🦁🎶💐🌺🥰🎶🌸💞🌺🦁💮💒🌿🇻🇦⛑🇻🇦😇🌺✌🎶💐💮🌿🇬🇧😉🇬🇧🌺🪅😇🇲🇬🫂🇲🇬💞💐🧸🎶🙋♂️
The cool
6:22, Sovra balze scoscese
1:16:28 Recit and Aria Venti turbini
great bassoon solo....
Is it René Jacobs himself filling in the small tenor role of the araldo at 20:26? I thought that was pretty funny and odd :)
+Luis Ortega Sadly No, It is Dominique Visse, a belgian countertenor
1:30 Castañuelas?
No hay ninguna castañuela. Es efectivamente un flautín con un fagot, una de las tantas libertades que se tomo Jacobs en esta grabación.
At home, coronavirus recommends this to me hhhh
gostei dessa opera
Pure at from 1:28:00 onwards.
And 1:48:00 too!
So beautiful. My heart is melting.
How can I find a cast list for this opera (or any other on UA-cam for that matter)?
Handel one of the 3 apex composers.
6:22
Mükemmel ❤
Italian FTW
02:00:35 - 21. Recitativo: Dunque i lacci d'un volto
Vi piacerebbero è aver il mio nome è????
53:53
splendide duo .
I have ticket for JJO singing this at Glyndebourne next week. Excited doesn’t even get near it!!!!!!!
Wonderful arias. Not only " Cara sposa" . Extra belisima
Sibilar gl'angui d'aletto 24:08
Vieni, o cara 33:35
Furie terribili 38:20
Augelletti che cantate 46:00
It is very surprising that his operas were largely ignored for over a hundred years
Cara sposa 58:30
38:20 58:33 01:54:03 02:02:53
ㅁㄴㅇㄹ
02:02:53
What is the mame of 38:20?
@@wuuuunderbar Oh You're welcome
@@SandraYepesJuliana Sorry I don't know
De Handell.La mejor opera.
R.I.P. Kobe Bean Bryant
16:00
33:03
Bravissimo, très belle interprétation !
24:10
No consigo Scorta Rea
03:05:00 That cadenza!
Wie stark ist nicht dein Zauberton, Herr Händel!!!
@ ossibock8949 HALLO ! NICHT ZU VERGESSEN DIE HÄNDEL FESTSPIELE . ICH GEHE SCHON EIN PAAR JAHRE NICHT MEHR NACH HALLE / SAALE , DA MIR DAS PROGRAMM DER FESTSPIELE NICHT MEHR ZUSAGEN . LIEBE GRÜSSE AUS BASEL !
min 58:35
At what moment is the 'aria almirena'?
1:40 or so - if you mean the Lascia Ch'io Pianga aria
I've just come here to hear "Lascia Ch'io Pianga" :O
M
38:20 este “Furie terribili” es muy inferior de la versión de Hogwood, incluso los gritos de la soprano resultan hasta desagradables.
HOGWOOD's version is my favorite. Except Cecilia Bartoli
In fact CB ruins it for me.
Or la tromba is definitely too slow, it makes it sound not much like a triumph. And not a very good idea of using the recorders alone in some of the ouverture solos, they are extremely weak and barely audible, and the ouverture looses all its heroic character: leaving the solos to the violins would have been a much better solution, maybe doubled by the oboes.
a remarkable piece by handel, even that there's a tendency for stereotyping basing in the religion, like, the christian characters are the heroes, while the pagans are portrayed as villains who, in the end of the opera, abdicate their beliefs to follow what society considered "right" (christianity). My point is, all relligions are tolerable and people have the right to stand for different beliefs. this is the only thing that bothers me in the opera, but well, we must consider we were in the XVIII century europe, and the opera is about the Crusades Holy War. What I thik is that art mirrors history many times.
Why not just sit down, relax and enjoy. What a wonderful opera!
Anaïs Lekapene I agree with you...
It is based on Tasso's "Jerusalem Delivered" -he was Italy's second greatest poet.In those times there were major conflicts of civilizations -everyone attacked and invaded everyone else.
Nicht aus jedem Vielfraß wird ein Komponist.
wernertrptube Na, aus Ihnen ganz bestimmt nicht!
was das für nen scheiß?!
Hä?
geiler Scheiß
ATTO TERZO
01. Recitativo: Quivi par che rubelle
02. Sinfonia
03. Recitativo & Aria e Recitativo: Qui vomita cocito andate, O forti
04. Preludio
05. Aria: Sorge nel petto
06. Recitativo: Al trionfo s'affretti e' un incendio
07. Recitativo: Chiuso fra quelle mura
08. March
09. Recitativo & Duetto: In quel bosco: Al trionfo del nostro furore
10. Recitativo & Aria: Di quei strani accidenti: Bel piacere
11. Recitativo: Signor, l'oste nemica
12. Aria: Di sion, nell'alta sede
13. March & Recitativo: Se cio te in grado
14. Aria: Or la tromba
15. Recitativo: Miei fidi
16. Battaglia
17. Recitativo: Goffredo, ecco il superbo
18. Coro: Vinto e sol dalla virtu
32:23