Please disregard my earlier questions concerning the sharp F3. I've since realised that this is to be played as the open (down-tuned) 3rd string. However, my question re the sustained G diad and the playability of the semiquaver run in bar 7 remains. Sorry to keep pestering you. Chris.
Thanks for the video! I think there's a misprint in the music in bar 7. In the manuscripts I've had a look at the bass note seems to be low E not G as written in the score. Trinity seem to have a fair few errors in the early editions of their books. Also capo on 2 isn't a Trinity requirement; I don't think think they actually stipulate where to place the capo, though normally for lute tuning it's up a minor third so capo 3 probably suits more. I thought your slurring ideas were spot on as not only do they help technically but give an extra layer of expression that can be missing from a machine gun of plucked semiquavers!
With reference to guitarsketch370's comments re bar 7 and the notation at the latter, I'm very confused. If I play the G diad, playing the subsequent semiquaver run is impossible if one holds the G diad for its written duration. Also, how can the sharp F3 be an open string? Are these more errors? BTW, the sheet music from which I'm working is the 2012 Schott Music version. Finally, I understand that lute tuning is GCFADG, which would mean putting the capo at fret 3 on a concert tuned guitar. So why do you put the capo at fret 2? I'd be grateful if you'd be kind enough to clear the fog for me, but only if you have the time. Thanks and best wishes. Chris.
Hi! Thanks for making this, just subscribed! Your recording sounds so crisp and great, may I know what mic you used for recording? Your guitar sounds amazing too~ Just curious what brand and model you are using :)
Lovely.. I'm learnign this piece at the moment.. seems perfect music for this time
Gorgeous!!
As always useful and informative
Please disregard my earlier questions concerning the sharp F3. I've since realised that this is to be played as the open (down-tuned) 3rd string. However, my question re the sustained G diad and the playability of the semiquaver run in bar 7 remains. Sorry to keep pestering you. Chris.
Great lesson! And what a beautiful piece to play. Renaissance music is fabulous. Thanks.
Thank you! It is isn't it. I love how free flowing it is, with the melody often dictating the structure.
Thank you so much for the "don't bother with that" permissions. You manage to remove the pomposity and show so much of its beauty.
Wow 🤩
Wonderful to get this tuition with the music school still closed.. Thank you.
"Omg... here it comes... Uggggghh!" Truly loled at 4:50 haaa! Damn XD
Thanks for the video! I think there's a misprint in the music in bar 7. In the manuscripts I've had a look at the bass note seems to be low E not G as written in the score. Trinity seem to have a fair few errors in the early editions of their books.
Also capo on 2 isn't a Trinity requirement; I don't think think they actually stipulate where to place the capo, though normally for lute tuning it's up a minor third so capo 3 probably suits more. I thought your slurring ideas were spot on as not only do they help technically but give an extra layer of expression that can be missing from a machine gun of plucked semiquavers!
With reference to guitarsketch370's comments re bar 7 and the notation at the latter, I'm very confused. If I play the G diad, playing the subsequent semiquaver run is impossible if one holds the G diad for its written duration. Also, how can the sharp F3 be an open string? Are these more errors? BTW, the sheet music from which I'm working is the 2012 Schott Music version. Finally, I understand that lute tuning is GCFADG, which would mean putting the capo at fret 3 on a concert tuned guitar. So why do you put the capo at fret 2? I'd be grateful if you'd be kind enough to clear the fog for me, but only if you have the time. Thanks and best wishes. Chris.
Hi! Thanks for making this, just subscribed! Your recording sounds so crisp and great, may I know what mic you used for recording? Your guitar sounds amazing too~ Just curious what brand and model you are using :)
I learnt this piece not noticing the detuned 3rd string. Now I find it hard to adjust to the right tuning. Does anyone else play it in regular tuning?
Free score download?