J'ai découvert la sublime voix d' Amarilli Nizza dans l'opéra EDGAR de Puccini (avec J. CURA) ou elle était (déjà) bouleversante. Son "senza mamma" est déchirant ! Un fan assoluto . Bravo dalla Francia.
Bellissima messa in scena. Emozionante la vestizione di S. Angel. durante l intermezzo. Amarilli magica, stratosferica il più vibrante do fuori pentagramma mai sentito in quest' opera.
Bellissima rappresentazione di "Suor Angelica". Amarilli Nizza brava come al solito, ma anche le altre interpreti e l'orchestra sono degne di ottima menzione.
Place: A convent in Italy Time: The latter part of the 17th century The opera opens with scenes showing typical aspects of life in the convent - all the sisters sing hymns, the Monitor scolds two lay-sisters, everyone gathers for recreation in the courtyard. The sisters rejoice because, as the mistress of novices explains, this is the first of three evenings that occur each year when the setting sun strikes the fountain so as to turn its water golden. This event causes the sisters to remember Bianca Rosa, a sister who has died. Sister Genevieve suggests they pour some of the "golden" water onto her tomb. The nuns discuss their desires. While the Monitor believes that any desire at all is wrong, Sister Genevieve confesses that she wishes to see lambs again because she used to be a shepherdess when she was a girl, and Sister Dolcina wishes for something good to eat. Sister Angelica claims to have no desires, but as soon as she says so, the nuns begin gossiping - Sister Angelica has lied, because her true desire is to hear from her wealthy, noble family, whom she has not heard from in seven years. Rumors are that she was sent to the convent in punishment. The conversation is interrupted by the Infirmary Sister, who begs Sister Angelica to make a herbal remedy, her specialty. Two tourières arrive, bringing supplies to the convent, as well as news that a grand coach is waiting outside. Sister Angelica becomes nervous and upset, thinking rightly that someone in her family has come to visit her. The Abbess chastises Sister Angelica for her inappropriate excitement and announces the visitor, the Princess, Sister Angelica's aunt. The Princess explains that Angelica's sister is to be married and that Angelica must sign a document renouncing her claim to her inheritance. Angelica replies that she has repented for her sin, but she cannot offer up everything in sacrifice to the Virgin - she cannot forget the memory of her illegitimate son, who was taken from her seven years ago. The Princess at first refuses to speak, but finally informs Sister Angelica that her son died of fever two years ago. Sister Angelica, devastated, signs the document and collapses in tears. The Princess leaves. Sister Angelica is seized by a heavenly vision - she believes she hears her son calling for her to meet him in paradise. She makes a poison and drinks it, but realizes that in committing suicide, she has committed a mortal sin and has damned herself to eternal separation from her son. She begs the Virgin Mary for mercy and, as she dies, she sees a miracle: the Virgin Mary appears, along with Sister Angelica's son, who runs to embrace her.
Sister Angelica: Amarilli Nizza, soprano Her Aunt the Princess: Rosalind Plowright, mezzo soprano The Abbess: Silvia Mazzoni, mezzo soprano The Monitress: Giovanna Lanza , mezzo soprano Mistress of the Novices: Katerina Nikolic , mezzo soprano Sister Genevieve: Elisabetta Martorana , soprano Sister Osmina: Maria Luisa Amodeo, soprano Sister Dolcina: Antonella De Luca, soprano Sister of the Infirmary: Patrizia Gentile , mezzo soprano A Novice: Pinuccia Passarello , soprano First Alms Sister: Sabrina Testa , soprano Second Alms Sister: Mariella Guarnera , soprano First Lay Sister: Adriana Calì , soprano Second Lay Sister: Lorena Scarlata Rizzo, mezzo soprano
OLHOS VIRGINAIS Na paisagem onírica, contemplei os belos olhos virginais De uma freira que teve a vivência terrena em celibato No claustro em que ouvia hinos e sagrados madrigais. Isto não é nenhuma especulação, é, de fato, um fato. O olhar que me chamou a atenção pela profundeza Em que se revestia todas as dores sofridas do mundo Onde a sensualidade e vileza das mulheres era safadeza A jogar-lhes no mundo das trevas em pranto profundo. Bendito o celibato saudável em que o sexo não escraviza Elevando os inefáveis pensamentos ao recanto sublime Onde a longa estrada, coberta de flores, em tudo suaviza. Nesta transição planetária a escolha de uma vida feliz Em que a dor angustiante do planeta não mais oprime Porque a jovem em celibato percorreu o caminho que quis. (*) (*) FERNANDO PINHEIRO, presidente da Academia de Letras dos Funcionários do Banco do Brasil. - OLHOS VIRGINAIS (poesia), de Fernando Pinheiro. - in O mundo de Morfeu, de Fernando Pinheiro.
Amarilli Nizza es una gran cantante y gran actriz.... pero hace falta que Suor Angelica se suicide medio desnuda?? No tiene nada que ver con el contexto de la obra. Son esas liviandades de los directores de escena y regisseurs, que imponen en sus puestas en escena cosas que nada tiene que ver con el autor. Hermosa mujer y hermosas piernas.. pero una religiosa de fines del 1600 no se desnuda ni arroja al suelo el rosario mientras implora a la Virgen María que la salve.
una versione magnifica , ogni volta che la ascolto e la guardo!
MARAVILLOSA ESCUCHARLA COMPLETA
sencillamente maravillosa
Que hermosa.....
From my favorite Italian composer.
Mitica. Che interpretazione! Senza parole!!!
La Mejor versión de esta Magnífica Obra.
Amarilli Sensacional, Sin Palabras.
J'ai découvert la sublime voix d' Amarilli Nizza dans l'opéra EDGAR de Puccini (avec J. CURA) ou elle était (déjà) bouleversante. Son "senza mamma" est déchirant ! Un fan assoluto . Bravo dalla Francia.
Bellissima messa in scena. Emozionante la vestizione di S. Angel. durante l intermezzo. Amarilli magica, stratosferica il più vibrante do fuori pentagramma mai sentito in quest' opera.
Absolute tour de force! Brava!!!!
Meravigliosa come sempre!
¡...y qué delicia de público que nos permitió disfrutar hasta la última nota!
Gorgeous voice!
Bellissima rappresentazione di "Suor Angelica". Amarilli Nizza brava come al solito, ma anche le altre interpreti e l'orchestra sono degne di ottima menzione.
Meravigliosa!
¡ BRAVO ! ¡ Qué maravilla !
Wonderful Angelica!
The princess.... Rosalind Plowright born in my hometown - Worksop in Nottinghamshire! Now who'd've thought it?
Incredible...talk about a singing actress!!!!!!!!!!!!
This is overwhelming.
Place: A convent in Italy
Time: The latter part of the 17th century
The opera opens with scenes showing typical aspects of life in the convent - all the sisters sing hymns, the Monitor scolds two lay-sisters, everyone gathers for recreation in the courtyard. The sisters rejoice because, as the mistress of novices explains, this is the first of three evenings that occur each year when the setting sun strikes the fountain so as to turn its water golden. This event causes the sisters to remember Bianca Rosa, a sister who has died. Sister Genevieve suggests they pour some of the "golden" water onto her tomb. The nuns discuss their desires. While the Monitor believes that any desire at all is wrong, Sister Genevieve confesses that she wishes to see lambs again because she used to be a shepherdess when she was a girl, and Sister Dolcina wishes for something good to eat. Sister Angelica claims to have no desires, but as soon as she says so, the nuns begin gossiping - Sister Angelica has lied, because her true desire is to hear from her wealthy, noble family, whom she has not heard from in seven years. Rumors are that she was sent to the convent in punishment. The conversation is interrupted by the Infirmary Sister, who begs Sister Angelica to make a herbal remedy, her specialty. Two tourières arrive, bringing supplies to the convent, as well as news that a grand coach is waiting outside. Sister Angelica becomes nervous and upset, thinking rightly that someone in her family has come to visit her. The Abbess chastises Sister Angelica for her inappropriate excitement and announces the visitor, the Princess, Sister Angelica's aunt. The Princess explains that Angelica's sister is to be married and that Angelica must sign a document renouncing her claim to her inheritance. Angelica replies that she has repented for her sin, but she cannot offer up everything in sacrifice to the Virgin - she cannot forget the memory of her illegitimate son, who was taken from her seven years ago. The Princess at first refuses to speak, but finally informs Sister Angelica that her son died of fever two years ago. Sister Angelica, devastated, signs the document and collapses in tears. The Princess leaves. Sister Angelica is seized by a heavenly vision - she believes she hears her son calling for her to meet him in paradise. She makes a poison and drinks it, but realizes that in committing suicide, she has committed a mortal sin and has damned herself to eternal separation from her son. She begs the Virgin Mary for mercy and, as she dies, she sees a miracle: the Virgin Mary appears, along with Sister Angelica's son, who runs to embrace her.
Sister Angelica: Amarilli Nizza, soprano
Her Aunt the Princess: Rosalind Plowright, mezzo soprano
The Abbess: Silvia Mazzoni, mezzo soprano
The Monitress: Giovanna Lanza
, mezzo soprano
Mistress of the Novices: Katerina Nikolic
, mezzo soprano
Sister Genevieve: Elisabetta Martorana
, soprano
Sister Osmina: Maria Luisa Amodeo, soprano
Sister Dolcina: Antonella De Luca, soprano
Sister of the Infirmary: Patrizia Gentile
, mezzo soprano
A Novice: Pinuccia Passarello
, soprano
First Alms Sister: Sabrina Testa
, soprano
Second Alms Sister: Mariella Guarnera
, soprano
First Lay Sister: Adriana Calì
, soprano
Second Lay Sister: Lorena Scarlata Rizzo, mezzo soprano
donde ha sido esta puesta? y cuando?
@@roxanamusica479 Catania. 2008.
Gracias.
bellissima voce magnigica nell'interpretazione .... commossa e commovente
tks god maria and child there aren't !
39:56
這齣歌劇完全沒有男聲，很特殊。女高音安潔麗卡(Angelica)在落幕前所唱出的『沒有媽媽，你一個人先死了』，是一首非常感人的詠嘆調。
Actually there are tenors and basses in the offstage choir of Angels during the final scene.
Sei bravva Amarilli!!!!!!
Splendida esecuzione. Regia come al solito paraculistica
OLHOS VIRGINAIS
Na paisagem onírica, contemplei os belos olhos virginais
De uma freira que teve a vivência terrena em celibato
No claustro em que ouvia hinos e sagrados madrigais.
Isto não é nenhuma especulação, é, de fato, um fato.
O olhar que me chamou a atenção pela profundeza
Em que se revestia todas as dores sofridas do mundo
Onde a sensualidade e vileza das mulheres era safadeza
A jogar-lhes no mundo das trevas em pranto profundo.
Bendito o celibato saudável em que o sexo não escraviza
Elevando os inefáveis pensamentos ao recanto sublime
Onde a longa estrada, coberta de flores, em tudo suaviza.
Nesta transição planetária a escolha de uma vida feliz
Em que a dor angustiante do planeta não mais oprime
Porque a jovem em celibato percorreu o caminho que quis. (*)
(*) FERNANDO PINHEIRO, presidente da Academia de Letras dos Funcionários do Banco do Brasil. - OLHOS VIRGINAIS (poesia), de Fernando Pinheiro. - in O mundo de Morfeu, de Fernando Pinheiro.
17:14
al minuto 38:00 "Senza Mamma"
Thank you.
Amarilli Nizza es una gran cantante y gran actriz.... pero hace falta que Suor Angelica se suicide medio desnuda?? No tiene nada que ver con el contexto de la obra. Son esas liviandades de los directores de escena y regisseurs, que imponen en sus puestas en escena cosas que nada tiene que ver con el autor. Hermosa mujer y hermosas piernas.. pero una religiosa de fines del 1600 no se desnuda ni arroja al suelo el rosario mientras implora a la Virgen María que la salve.
Che strazio.Mica bene.
....che fatica....
fraseggi fuori luogo...peccato
Awful!
The opera is already boring, but with that production is just unbearable even though the voices are great and the orchestra is OK.