My parents had a friend who owned a Steinway. It broke his heart when he had to move into a senior living facility and was forced to sell it. Fortunately, the lady who purchased it made arrangements for him to go to her home and play it whenever he wanted to.
That's my dad! An expert ear they say, I can attest to that! He has been tuning pianos by ear his whole life and created his own company designed to make the feel of the piano adjustable to the user. Great video!!!
“A piano can last several decades” well yeah if I’m paying over a hundred grand my grandchildren’s grandchildren better still be able to use that thing
I have a feeling that the lady working on the pressure of the keys has a very underrated talent and job. She’s responsible for how those pianos feel. Probably one of the most important parts of a piano. Maybe even more than the sound.
@@Aliensathome Clueless comment from an over ambitious drone. With no leadership the group will fail...every time. You could make the argument that in today's society CEOs are overpaid, but to assert that "the company will be just fine without the CEO shows your lack of knowledge".
It’s a shame that the price often outbids most musicians. Most pianos are either sold to universities or rich ppl who keep them as furniture. Also Steinway is like Julliard atm. Great but no longer exclusively the best and they’re riding on their reputation/name to overcharge imho.
@@Debbiebabe69 yeah makes sense, he is not world class , but if I talk of majority of pop musicians, Charlie puth is the one that interest me the most. He is a jazz piano major from Manhattan school of music , graduated from Berkelee school of music in music production and engineering. Songwriter , singer , Guy has perfect pitch , never fails to amaze me with that level of talent
As a piano technician from Europe, my opinion on steinway is same as yours. They are all about marketing. Sure, their pianos are top quality, however many others are at the top with them.
My first job outta high school 15 years ago was moving pianos. I wanna say, Steinway's were always my favorite to move. They were beautiful pianos, but from a mover's standpoint they were well built and easily disassembled. Some cheap pianos had weird locking mechanisms for the legs with a piece of wood to wedge them in place. Those would wear out a lot and the leg would become loose making it somewhat dangerous when lowering the piano. Steinway's always had bolts for the legs, 2 large bolts to be exact and they never had that problem, even for obviously old Steinway's that show their age.
Maybe they do it differently in the New York factory than in Hamburg, but in my experience from moving grand pianos it's exactly the other way around. Steinways are the ones with the locking wedge and most others have the two bolts.
I moved pianos for 12 years. We had a contract with Steinway to exclusively move all of their pianos. Moved one that was said to be woth 1.3 million. It was just a baby grand, but it was signed in gold on the harp by three members of the Steinway family. It was quite old and the legs on that one were large threaded dowels that screwed on. All the new ones use wedges and bolts which I loved a lot. Way better than those others with the flathead screws :-)
@@eyeamen Oh god I remember the flat head screws. The ones that were always stripped and some one tried to fix it by shoving a bunch of toothpicks in the hole.
I was a pretty serious classical pianist up until I graduated high school, had the opportunity to play at Carnegie hall many times on a Steinway grand. I’ve found the sound to be a touch darker/mellower than the other pianos I’ve played. The resonance is unbelievable and the feel/action of the keys is perfect. Just the right amount of pressure imo
I used to work at a museum that had a 100 year old Steinway in the auditorium. I was the janitor, and spent so much time playing it instead of cleaning I got fired. But that instrument was sublime. No matter what you did, it sounded glorious . It felt invigorating to play.
“Decades” is a massive understatement. I have my grandmothers Steinway Baby Grand. I don’t really play piano anymore but I did when I was a kid which is when she shipped it to my mother so I could practice on it. It’s very beautiful and sounds amazing.. I can hear a distinct difference when I hear someone playing on literally any other brand. Although it sees very little use, I have it serviced every other year and it stays in a climate controlled room. So unless my house goes up in flames, the baby grand will certainly outlast my existence..
I’ve had the opportunity to play on a grand Steinway piano and I remember the first time I touched the keys it felt like butter. I’ve had been practicing on midi keyboards, weighted electronic pianos (Yamaha), and other upright and grand pianos. So that first time touching and playing it was amazing. The sound was so alive and it sounded so amazing, it filled the whole room and concert hall. Since then I’ve gotten practice on a Steinway and it’s changed the way I thought about expressing the music through the piano. It’s an awesome experience knowing an instrument can be so powerful and so captivating!
I've been playing a digital keyboard that I own ('cause that's what I can afford). My aunt has an upright piano that's old in which I play when there's a family reunion only and the feel's much magical than just playing the one at home. And finally, we went on a mall we usually don't go to (because there are closer malls) and there I saw a grand piano. At first I was hesitant because it's a public piano (and I was feeling quite shy) but I still went for it. And ohgod, I didn't want to leave it but had to. After that, I was determined to save money to buy myself a piano that'd have the same feeling I had with the grand piano.
funny, but kidneys are not that expensive. On black market you can have it for $10k. Selling both kidneys won't give you Steinway. But if you sell your liver you will buy the cheapest Steinway for sure.
The piano my mom wished to buy is a steinways piano since she also has a taste for music and luxury so yeah she really wanted one and ordered it.Still waiting for the delivery to arive for about 6 hours
The difference in a high quality and especially time proven grand piano compared to an "average" home piano is gigantic. You can study a piece for years and you might get it so good at your own house instrument wheere you can do many interpretations of it. But once you sit on one of those masterpieces the instrument is so godlikely good you feel like you don't even need to do anything to make it sound THAT good. Even better - for you a whole new encyclopedia opens up in what you can do with that piece. It's an insane feeling.
Conversely it's a sign of a good non distractible pianist whom when faced with the situation of having to play on a honky-type discard will face the challenge and not back down in rendering a plausible interpretation of said manuscript.
Exactly. I had the same experience playing on a Steinway Model C many years ago. The action was so responsive. The sound was so beautiful. I never felt so connected to a piano before and each piece played was magically so easy. Sadly, I saw the sticker price: $99,999. I then cried. However my credit card laughed.
I love how the black lady explains her job, it’s like when you ask your grandma how she makes that unbelievable dumpling dough and she says that she eyeballs the ingredients and goes from there, because “the most important thing is to listen to what the dough is telling you”. I think that is just how people explain things that are second nature to them. They know how exactly it should be done, they don’t know how they know, they just know That means she breathes piano key balancing. Respect
@@lemarcoX No, I said what I meant to. There is nothing bad about being black. And I don’t acknowledge the stigma that some people may associate with that term. Also using the term “African American” here would be inaccurate, as a Moroccan person in America would also certainly fall under the definition and Moroccans are of rather pale complexion compared to other African peoples. So, in summary I said exactly what I meant, and I don’t believe you need to educate me Also, I made a positive comment showing respect and appreciation and yet the only part you chose to notice was that I used a term that you didn’t like. How very saddening
@@judypatooty4234 yes, you are missing something. Asking the question who? On the internet is like 90% of the time a bait to follow up with “who asked”
mad respect for craftsman out there, tuners and everyone who've worked hard together to make every single masterpiece. many pianists shines out there bcs of you guys
As a pianist myself - Steinway is not the only great piano in the world. Some people might like Fazioli or Boesendoerfer more, some might like different brands. The fact is each piano sounds different - even two Steinways model D grands will sound different. What truly sets Steinways apart in my opinion is combination of 2 factors - their Hamburg pianos are fairly balanced quality-wise and second is the fact that EVERY piano technician in the world knows how Steinway is done and how it needs to be maintained. It's really a shame when you get wonderful Fazioli but nobody knows how to take care of it. Me personally I have an Essex grand at home, a sub-brand of Steinway. It's similar size to Steinway model A and honestly, it beats the model A in sound quality. Steinway is mechanically more percise so mechanically you have better feeling playing it but Essex has better sound.
My friend in salt lake City sells both fazioli and bosendofer. He is also good friends with Paulo. I readily agree with your opinions regarding voicing a fazioli. He is a master at his art, restoring many faziolis and Steinways. It's funny, as accomplished as he is with pianos, he doesn't play them.
Are Fazioli's more common now? I was in piano moving a few years ago and I dont think we ever delivered one to customer, they were always promotional. Unreal quality on those.
@@rogershaffer1 Perhaps, judging by his name, English is not his first language. I understood exactly what he meant by 'sub-brand', and the term makes perfect sense if it were to be regularly used. I'm sure it's better than your attempt to do the equivalent in Czech or whatever his primary language is. And as far as China...having been made in China means nothing. The Chinese can produce as high quality, or as low quality, as anywhere else. It is almost wholly dependent upon the specifications and QA set by the company who engages the factory. The reason so much made in China is sh*t is because the companies selling it are ok with it being sh*t. The higher the quality the more expensive it costs to pay the Chinese manufacturer. I am under the impression that many Chinese manufacturers would actually prefer to make higher quality across the board, but are limited by what their clients, aka our companies, are willing to pay.
I had the opportunity to play one and it's hard to describe. It feels amazing and it really fills the room with sound in a unique way. There's something very inspiring about a Steinway. I found myself play less notes and letting them ring out more. Controlling the dynamics is very easy compared to other pianos I've played. If I ever get rich, I'll definitely buy one. Truly an amazing instrument
Don't worry. I know of one that's in a mountaintop cabin. It had to be transported there by boat and then walked up through the forest by hand so a family could practice while seeking refuge from the cities during wartime. I know of several others that have been donated to small colleges by rich people who bought them originally as furniture. Kids that only knew them as a name and a few trained musicians could come by and plonk all they want on a well-maintained top tier piano. One in particular was a century old and played fantastic, though the sound had mellowed due to some loss of deflection in the soundboard. My father had a tenant who was semi-disabled, semi retired, and the only thing he did was play his steinway that my dad removed a window to have moved in. The guy was poor but he'd been given the piano by a wealthy person way back when. They do get around, slowly.
Steinway is the master of PR. It makes it very easy for music schools and concert halls to have a fleet of them, regularly serviced. It also has its so-called Steinway Artists who are not allowed to mention or be seen playing any other brand. Reminds me of the days when IBM used to own the corporate computer market.
Not to mention their chokehold on the market - if a technician who's not "Steinway certified" works on a Steinway piano, it immediately drops in value or loses it entirely, regardless of the technician's skill.
The part of the Steinway Artist is wrong. The program is not a contract. Steinway artists are loyal to the brand, have own Steinways. They choose Steinway on stage because they are convinced of the piano, because they also own one not because a contract (which does not exist) tells them. And in fact you see Steinway Artists playing on other brands too, when there is no Steinway available, when the Steinway available is in bad shape or if it does not fit the repertoire. Yamaha and other brands are making real contracts with artists. Steinway artist program is based on loyalty and solidarity.
@@DBCisco ferrari especially so, i recenty saw a video where a guy tried to buy a certain ferrari, but they wouldn't sell him that car because he wasnt a long time customer and tried selling him a cheaper car instead like, you arent allowed to buy certain cars if you havent owned the required 10 other ferraris for years..
@@Numnutz At the NYC auto show in 1978 I was tempted to buy a 308 Ferrari. They were selling the show car at half price so they wouldn't have to ship it back to Italy.
I had the pleasure of playing on aged Steinway grands for years as an accompanist at a community college... there ARE other fine pianos, but there is nothing like a Steinway... to be able to take student musicians and back them with such a sound was a privilege... the faculty had number of fabulous pianists in those days as well, and for them to be able to instantly manifest their full ability on an instrument that is best in class even with considerable age and heavy use made them imparting music to their students that much easier. I will likely never make the investment in owning a Steinway grand for myself... even if it were possible, it would not be the best use of that much money. Nevertheless, I fully understand why they are so expensive, and in the years in which I worked daily with and around them, I learned what justifies the price.
In my experience, Steinways produce a very large sound, and the highs and lows are very well balanced in tone, making it perfect for solo performances. However, the weighting is rather heavy, and the sound may be too dark for some applications, such as concertos and dense studio mixes. In these cases, a Yamaha might be better suited.
Meh that could be said for any concert grand. I like the sound of the Yamaha way more. Steinway is a luxury brand that you buy just for the name and to feel rich just like other stupid crap these days.
@@kishascape from what I understand Steinway stand directly behind a lot of the innovation that the piano has undergone over the many decades, they also iirc have patents on quite a few of the mechanisms of action and pedals. That said, yes they're expensive, but they're also probably one of the only piano brands that can appreciate value with age.
I got to play a Steinway once. I will never forget the incredible dynamic range which is both softer and much louder than anything else I have tried. the responsiveness of the instrument to my touch took me to a new level of awareness which nothing in the decade since has touched.
It's hard to describe just how nice it feels to play on a Steinway. They have perfect touch and key feel. They also have a distinct immediately recognizeable sound. It's weird how playing on one doesn't seem loud to the player even though they're super loud instruments.
It is sometimes possible to tell the vintage of a Steinway based; n sound alone. The pianos from the mid-50s have a distinctive sound to them that makes it fairly easy to tell them from one from a different decade.
My father used to own a wood trading company and Steinway in Hamburg was one of his costumers. They were extremely particular in what they needed. Last year my father got my mum a Steinway piano.
Hamburg Steinways are among the best in the world. They have to compete with the other amazing European brands. I'm the USA, NY Steinway pushed all other piano brands out via aggressive tactics, so their quality has slipped (Mason and Hamlin still exists but they are so small of an operation that they lose no threat to the Steinway mafia).
Trained on a Yamaha, but played a Steinway for a live event. Fingers flew after all the muscle I needed for that Yamaha. Steinway action is unparalleled.
@@sven-sandershestakov5201 I think these are examples of the opposite ends of the spectrum. Steinways are too heavy, Yamaha is too light. I recently had the opportunity to play an Estonia, which I think feels just about perfect. Very bright sound, too.
@@m_a_s6069 There is no such thing as "too light" with acoustic pianos. The purpose of a good piano (grand) action is to be as light as possible. Only with digital pianos can there be too light since you are trying to mimic the characteristics of an acoustic piano.
@@matthewphillips5483 There is such a thing as too light. My parents' Baldwin Acrosonic upright (that I learned on) is WAY too light. It is nearly impossible to play quietly - every note is loud.
My great grandfather worked at Steinway in Astoria in the late 1890’s. From my research it seems the quality of the pianos decreased in the 1960’s and later and never recovered. A great book that gives insight into Steinway is “ A Romance on Three Legs” about Glenn Gould and his tuner Vern Edquist.
I grew up on a Kawai baby grand to which I didn't really understand or think about comparing it to other pianos because I thought that all pianos sounded and played the same. Later in my early years in college, I discovered there definitely was a difference. So, not only is the sound different, but also how they play. How much force it takes to push down the keys, how far down the keys go, and all around what it takes to make the music the way it's meant to be played factor into the quality of instrument you're using to play the music. In contrast to many other pianos, Kawais (at least the one I had) are darker sounding. They take a lot more energy to put out the music (force to push down on the keys). If you want to play something bright and soft, it is something of a trick. This is where I could see somebody, just cresting into playing more difficult pieces on the piano, would probably get frustrated and think they couldn't produce good sounds. For anybody considering getting an instrument, think about what music you want to play, how you want to play it, and what sound you want from it.
@@Gamer2k4 I didn't say it was unusual to me. I find intertesting the juxtaposition of the aggressiveness in this particular task to the lack thereof in pretty much all of the other assembly tasks. I'm not sure how or why you read anything else into my comment.
@@thomasprovencher4611 Yes, that also. With the huge, heavy clamps that are probably covered in grease and old, dried glue. This guy understands what I'm saying!
The real answer: it's all in a name-brand and marketing. Pianos aren't complicated machines by the 21th century standards, but if you start today from a blank page, you will sell nothing. Bösendorfer made magnificent instruments and nevertheless they went bankrupt few years ago, saved only by Yamaha. Steinway is ages behind Yamaha in the terms of mechatronics, but stays afloat just fine.
I used to work at a place that had a 1920 Steinway. It was in rough shape, unable to hold a tune for very long. It was replaced with a brand new Steinway D. I would stay at work well into the night just so I could play that amazing instrument all alone.
Many years ago, my paternal grandfather bought some land and had a house built. He did this as he had just bought a Steinway Concert Grand Piano and the only way to get it into half of the lounge was to have the house built around it!! Many years later when he sold the house, the Piano stayed as there was no way to get it out of the house!! I only found out after he died that my Grandfather was a millionaire who used to conduct Industrial Espionage during WWII!! They are truly beautiful instruments!!
I have played on a Steinway once, I had about a minute to do so, and I thought it would be pretty good, but it was truly as if I had sat down at a completely new instrument. I don't know if I'll ever get to play one again but I think about it often.
I've played several (German) Steinways in my life, and each one feels beautifully unique. The power I felt when playing the initial F in Debussy's Suite Bergamasque prelude gave me shivers when I first did it. Dynamically, they are just astounding to play. So glad that robots can't make a good piano yet.
I'm a terrible pianist, but a really good singer. I remember the first time I stood next to a concert Steinway to rehearse before a performance. The richness of the sound was a pure joy. I wish I could play in a way that could show the world these instruments true greatness, but in the absence of that ability I'll be grateful that those people exist and that I know several of them.
If you ever had the dream of owning a Steinway, try to get one that has been built in Hamburg, not NY. Since Steinway basically owns the market in North America, the quality of their NY-produced pianos slightly dropped over the years - when it comes to Europe though, Steinway has to compete with manufacturers such as Fazioli, Bechstein, or Bosendorfer, which are pretty much on par or sometimes even better, which is why the quality standards of the Hamburg Steinways are generally a little bit higher.
Bosendorfer's are better in my opinion, at least those with the extra keys. Steinways are expensive because they have really good marketing and force their pianos on aspiring pianists. Fazioli as well are very nice.
The 9 foot Steinway D concert hall piano is the hugely expensive piano noted at the beginning of this story. Thats misleading. Very few people put those in their homes. Steinway C is the perfect size for any large room smaller than a concert hall, less expensive, but only available in Europe. Steinway B is the ubiquitous home piano, forever hyped by Steinway … and imho, one out of every 10 is a decent instrument. When you start playing 7+ foot pianos, there are many that are considered superior to Steinway. My favorite - Bosendorfer 225. An astoundingly diverse sounding instrument, with harmonics, and subtleties hard to elicit from a Steinway. Steinways on the other hand are tanks, in a very good way mind you, … loud, brash, (perfect for Billy Joel) and project to the last row of a concert hall. To each his own. I’ve had several 7 foot Baldwin SF10s that blow away Steinway Bs in the low end. Baldwins until late 1990s - especially the SF10 - were remarkable pianos (used by artists like Lenny Bernstein, and Seje Osawa), and extreme bargains compared to Steinway sales hype. If you are in the market for a used Steinway B (6 foot, 11inch) I strongly urge you to look for good 7 foot Baldwin SF10. 1/10th the price and equal in sound and quality - if you find a good one. Just offering my experienced opinion. I’ve owned them all. If budget is no issue - Bosendorfer 225, Fazioli, C. Bechstein (if you’re ok with their 1930s German gov. affiliation), Bluthner, or a Steinway C, which is only made in Hamburg (if your fixated on Steinway) - are probably the best you can buy. All Very different, yet exquisite sounds. If you’re a pianist, Do what I did - travel a bit and try them all.
I don't even play instruments, just purely listening to them. For so many years I've been watching people on UA-cam performing in different pianos, I always found myself drawn into the sound of Steinway & Sons piano more than any other piano I've listened to. The intro to this video what I was expecting. Great
Steinways have been the most expensive pianos on the market for the better part of 150 years, even when all pianos were hand made in much the same way as Steinway is. My father was a piano tuner/rebuilder for many years, and I've had the opportunity to play on a number of different piano brands over the years. I'm convinced that the Real Men of Genius at Steinway have always worked in the marketing department. They've created a mystique around their pianos and have convinced a lot of people that their brand is somehow head and shoulders above the rest. That's not to say that they are not world class pianos, but mostly what you get with the price of a Steinway is the mystique and the pretention of owning a Steinway.
A well broken-in Steinway is like the Rolls Royce of pianos IMO. I've had the pleasure of playing on a few Steinways for piano recitals or competitions for my State associations. They really are something else compared to even the newish Grand Piano Yahama at home. The key and hammer movements are smooth like butter. They seem to react to your intention, whether going soft or forte. The key follows your finger momentum and it's like playing on a cloud at either sound range. The peddle is effortless and doesn't have the awkward clamping sound as it comes back down to muffle the strings again. The keys just fall under your fingers with the slightest push of intention. They really are a treat to play on. Edit: I just got to the part where she compares them to RR at 6:45 lol
Its the piano of choice for so many concert pianists as Steinway contracts ensure it is their only piano of choice. As for American Steinway's this past 30 years quality has been a real issue. Steinways aggressive marketing has pushed so many piano brands both in Europe and the US to the wall to the point we only have here in Europe a small handful left. How many concert stages do you know that doesn't have the obligatory Steinway Model D? From a music perspective it is really quite sad!
yeah true that, it feels like they are shoving steinways down our throats. But still this video is relevant to answer why grand piano are so expensive (except the ok tier ones they make in indonesia and china)
I don't think it's Steinway's aggressive marketing that's done that... It's mostly down to a general decline in the industry. We used to have a whole section of London dedicated to piano manufacture. Putting the demise of other manufacturers at their feet is no different to complaining that Rolls Royce are responsible for Morris and Austin going out of business.
Bosendorfers and Faziolis are better made these days. As some have mentioned Steinway is coasting on their name value. The 97 key Bosendorfer (I think it’s the 290) sounds incredible and Steinway can’t touch the quality/sound of a Fazioli
Is about marketing. Fazioli, C. Bechstein concert, Steingraeber and Sohn, Bosendorfer, heck Shigeru Kawai and Yamaha CF as well all have the same amount of workmanship and quality as Steinways. Hamburg Steinways are wonderful pianos but Steinways are one of the fine pianos made, not the only ones made. Steinway has done a great job creating an image of the ultimate piano unlike others but those familiar with pianos know this isn't really the case.
Absolutely! If I ever have the disposable income for a good piano, I'm getting anything but a NY Steinway (which were incidentally the only kind I got to play in college). There are so many amazing, smaller brands out there that exceed NY Steinway in quality. Heck, I might even consider a Mason and Hamlin just to spite Steinway for making every other American competitor go underwater.
@@vitaminluke5597 Yes, Mason and Hamlin's are wonderful pianos, every bit as good as Steinways. Charles Walter are very good as well, if not quite the same tier.
Exactly. And that marketing includes providing the musicians with the piano, not making them pay for it. Get the performers on a Steinway and the minions will follow.
Steinway has nothing on Yamaha. Agreed that it's all about marketing. There's a story that Glenn Gould tried a Yamaha and liked it better than Steinway. Steinway had a fit and Gould was in the doghouse for a while.
@@vitaminluke5597 Steinway has nothing on Mason and Hamlin. Steinway is like IBM computers. A lot of people think it's the best, but there are other pianos that are as good or better. It's all about marketing and perception.
Worked as the assistant production manager for Spivey Hall in Atlanta in the late 90’s. During my almost 4 year tenure we had some of the greatest pianists in the world that got to choose between a 9’ grand out of the Spivey home built in the 40’s and a newer one bought when the hall opened in the early 90’s. The temp and humidity was meticulously maintained and recorded and we had an amazing tuner on retainer. Both models sounded amazing and it was always a treat to see which instrument a musician would pick based off the repertoire, style, and tone they were going for in the performance. The hall was and still is pristine and has some of the finest acoustics in the world. NPR asked for every concert on our series to be recorded for later broadcast. Cut my teeth their as a production manager. Still 25 years later in the business some of the shows I worked are locked in my memory as to the sound and feel or the night. Was a spiritual experience for sure.
As a professional pianist the best piano is the piano that most moves you- The piano that makes you want to play. I've been moved by unexpected brands: a 6 foot petrof I played on a cruise ship for a few months for example. It helped that it was less than 2 years old. I've never come across one again.
Petrofs indeed have something special in them, in our college, all instruments are very old and worn, but even a very uneven Petrof makes it hard for me to stop practicing
I’m not a professional, but I completely agree with you. I’ve played lots and lots of pianos including a Steinway. While they are amazing instruments, I always come back to the warm sound of a gently-used Yamaha C3 or C5. I love the warm tone and the action. It shouldn’t be about the name or the price tag, but about what instrument speaks to you as a musician.
We had a stunning Steinway grand piano at my music school in a small town right by Saint Petersburg. It was donated to our school by one of our graduates who went onto having a phenomenal career as a pianist. I’ll never forget how proud we all felt about having such an incredible jewel of an instrument
My piano teacher used to be friends with the owner of a steinway and sons so we'd have our recitals on this 9ft steinway :') It was 176k I believe, i didn't know how lucky I was to play on it
Back in the 1980's when I worked for Four Season Hotels, they did a remodel of the Biltmore in Santa Barbara and wanted to replace the Steinway Concert Grand with a shiny, new Yamaha. A piano guy came in and looked inside the belly and after getting the number of the piano, looked it up in the book. He proceeded to tell me the history of this particular instrument. Each Steinway comes with a provenance of when it was made, who the technicians were and where it's been since then. The piano expert (and also a concert pianist himself) was astonished that such a high class hotel would want to get rid of a Steinway to replace it with a machine processed Japanese model just because the best of the two instruments wasn't shiny and new looking anymore. BTW, most famous classical pianists have their own preferred Steinways that they have shipped to their performances. The famous Vladimir Horowitz would only play his Steinway no 503, no matter where in the world he performed. I suggest anyone commenting that they're not worth the money watch "Note by Note: the making of Steinway L1037.
I got to touch and attempt to play one of these pianos, they really are a piece of art and a marvel of engineering. I can’t play well but I can respect the craftsmanship put into these pianos.
I am a member of the City of Edinburgh music school, in Scotland, and we have no less than 5 Steinway and Sons grand pianos, and about 15 upright pianos. The music school has about 50 pupils in it (naturally there's always a high demand to get to practice on one of the grand pianos) and I think we take for granted the sound, and the fact that we have access to such incredible instruments. Plus, from what I gather, Steinway and Sons gave our school all of those pianos for free!
You can’t compare the sounds between brands of piano just by a UA-cam video, seeing it in person, hearing it and playing it is a totally different experience.
@@abouttime2569 I agree. Also you need the best quality microphone to record with the top notch audio equipment to even get a sense of the quality difference from a recording. EDIT: But don't be confused. It doesn't mean the difference is small. Far from it.
@@michaelsmith953 not really, your tiny speakers and cheap consumer grade components cannot hope to reproduce the sound of a real piano. it introduces distortion and ruins harmonics. you can only hear them live. which is why they're pointless. just get something that sounds as good in a recording and be done with it, no need to spend house money in a damn piano.
@@abouttime2569 Indeed, as grand piano is probably the hardest instrument to record. Every recording engineer may tell you their way to record grand piano but none of them is perfect.
Steinway's are nice, there's no doubt, however I can't help but listen to a Bosendorfer and know that when I win the lottery, I'll be buying one of them!
true that ! bosendorfer's sound is so warm i love it. However if i win the lottery i would get more tan one Grand depending on what i play i feel different piano tones matter.
If not for Steinway's aggressive, predatory marketing, we in the English-speaking world would be able to more frequently enjoy the sound of Bösendorfer, C. Bechstein, Blüthner, Shigeru Kawaii, and of course Fazioli. Instead, we have musicians whose fundamentally precarious position in life cause then to understandably sign a "Steinway only" contact, which then forces every concert hall of worth to need a Steinway on hand, otherwise they would not be allowed to host many pianists. Because a good piano is expensive, most smaller concert halls only have one concert grand, which because of the above is usually a Steinway. This is how they have maintained their illusion of superiority, not because they're somehow the best. They're good, don't get me wrong, but to use a car analogy, they're like Lexus while the aforementioned brands are the true ultraluxury, hand crafted Rolls Royce and Bentleys.
Say it louder! 😂. My partner is a hard core fan of Bosendorfer (we got 2 of the GF in the house) as he plays almost exclusively Chopin’s pieces. Bosendorfer and Chopin are just a match made in heaven 😩😻.
@@irioagungkalabak3627 i can't agree more on the chopin bit. Hence my sorrow when i got to a recital to hear it and it's a Steinway (basically evrytime)
as a pianist, owning a piano from Steinway would honestly be such a dream. I've played on it at showrooms and the touch of the steinway just somehow feels more delicate yet powerful, just different.
Steinway‘s are great without a doubt (those from Hamburg, NY produced are just for US market), but their ubiquitousness on the concert stages around the world is a pity nevertheless, as so many other manufactures have great pianos with distinctive sounds, too.
If not for Steinway's aggressive, predatory marketing, we in the English-speaking world would be able to more frequently enjoy the sound of Bösendorfer, C. Bechstein, Blüthner, Shigeru Kawaii, and of course Fazioli. Instead, we have musicians whose fundamentally precarious position in life cause then to understandably sign a "Steinway only" contact, which then forces every concert hall of worth to need a Steinway on hand, otherwise they would not be allowed to host many pianists. Because a good piano is expensive, most smaller concert halls only have one concert grand, which because of the above is usually a Steinway. This is how they have maintained their illusion of superiority, not because they're somehow the best. They're good, don't get me wrong, but to use a car analogy, they're like Lexus while the aforementioned brands are the true ultraluxury, hand crafted Rolls Royce and Bentleys.
@@vitaminluke5597 You're absolutely correct. Steinway is the bully of the piano world, which is our loss. I'm personally quite fond of Mason & Hamlin which equal to Steinway in quality in every way. Steinway has a very homogenous sound which we are so used to hearing, we don't even notice it.
@@robbicu If I like how they feel to play, I'd definitely consider a Mason and Hamlin, if nothing else than to spite Steinway and show them that even in the USA there are other high quality alternatives.
Consider an even better brand: If not for Steinway's aggressive, predatory marketing, we in the English-speaking world would be able to more frequently enjoy the sound of Bösendorfer, C. Bechstein, Blüthner, Shigeru Kawaii, and of course Fazioli. Instead, we have musicians whose fundamentally precarious position in life cause then to understandably sign a "Steinway only" contact, which then forces every concert hall of worth to need a Steinway on hand, otherwise they would not be allowed to host many pianists. Because a good piano is expensive, most smaller concert halls only have one concert grand, which because of the above is usually a Steinway. This is how they have maintained their illusion of superiority, not because they're somehow the best. They're good, don't get me wrong, but to use a car analogy, they're like Lexus while the aforementioned brands are the true ultraluxury, hand crafted Rolls Royce and Bentleys.
I would say try other brands as well, like Mason and Hamlin, Bosendorfer, Bechstein, Fazioli or higher level Kawai and Yamahas. When you play Steinways, you'll notice some aren't so special while others are quite lovely. But that's true of a lot of pianos. Pianos are very variable even within the same model and same year built. One really needs to play many of them and they change tones going from space to space.
@@vitaminluke5597 don’t get me wrong, I greatly appreciate these greats you speak of, but I hold Steinway as #1 (maybe I’ve fallen for that marketing). I have a Kawai right now and love it very much, can’t see me ever getting rid of it. But, it’s Steinways with their so called “rapid action” that I love above all.
@@ivanporsche2572 No worries! Steinway still do make excellent pianos, and if there is some feature that you particularly like, that's good enough reason to want one! I just always like to point out the competition, but I'm glad that you're already aware
Here in Midland, Michigan, we have this thing called Keybordfest where a bunch of local piano students learn piano duets, and then the Detroit Steinway Gallery brings up a bunch of pianos for the performance. It’s really fun, and definitely one of the best parts is getting to play on a Steinway. A couple years ago I played on this $100K+ white piano, it looked amazing, it felt amazing, it sounded amazing, and I really wanted it, but it was so dang expensive.
All model D i played were amazing (i even remembered playing on a recent model C in a piano shop, i just loved it) But the thing is, i was also sometimes disappointed with some Model B for example, while i found Model O (yet smaller) better. Steinway’s piano (especially model D) have in general a « safe » sound and also have always the same touch, which concert pianists can definitely enjoy especially when they don’t have the time to test the piano before concert. That being said, there are plenty of others great piano brands (Bosendorfer, Beichstein, CX Yamaha, Fazioli, Shigeru, Steingraeber...) that would deserve more credit, it’s just as i said, pianists feel very at ease with Steinway, no bad surprise.
I'd say quality wise Fazioli, Bechstein and Bosendorfer are in the same level as Steinway. The decision should be based on the sound you prefer (my favorite is Fazioli)
Compared to NY Steinway, those brands are higher in quality. The Hamburg Steinways are as good as those brands because they have to compete with them. Not here in the USA, where predatory capitalism has even ruined pianos. No competition means no need to make the best in the world, just a good piano with contacts that ensure no competition or innovation.
I preferred the Bechstein grands from the old Berlin factory. The move to Siefhennersdorf was accompanied by changes in design, construction and methods of assembly.
@@vitaminluke5597 actually I am shocked to find the RRP of Bosendorfer is much higher than Steinway (for the same type) as my partner got two Bosendorfer grand pianos 170S and I never thought the price of them was so fuck*n expensive 😂 , and of course, I love the sounds especially for Chopin’s pieces.
I played Steinway pianos frequently during my college days. I relish the memories decades later. Steinway grand pianos are still my favorites because of the awesome tones and responsive feel.
Im an aspiring pianist and i havent touched an acoustic piano for a while. Well i touched an upright piano in my school 2 years ago and that sparked my love for the piano. But ever since then i am only playing at my cheap 25$ digital piano. You are very lucky to have played steinways my friend.
As a piano player for most of my life, one of my life goals is to have to beautiful full concert grand in my home, but first I need a home big enough for it lol
My family had a music store when I was young. No Steinways to be found there but my parents didn’t want them. The store was geared towards the people of our town, not to show off or anything. Lots of my friends grew up with our family’s pianos and lessons from my parents. I was the lucky young man who got to deliver (oh, the pain!) them and eventually tune them. My father also rebuilt several 100+ y.o. models. I loved helping him with that aspect. I learned a ton about the piano and wound up playing guitar. 😎🤘
I had the pleasure of playing on one of these pianos a few years ago, the quality and feeling is something unmatched. I was interested in learning to play the piano because of an anime called Your lie in april, in the show, the main character plays on one at several points and I took note of the design and brand. Fast forward a few years later and i was beyond impressed that i was able to do the same. Though I don't play the piano anymore, I won't forget that recital and what it felt like to play on an elite instrument. For me, it was never about continuing my musical education or refining my skill, I just wanted to see if I could do it.
I am a piano technician for 30+ years, serviced many many Steinways. Steinway are no doubt a world class piano (odd mediocre one though) but at this stratum of elite piano they are not the "best", simply provide a different offering than other top manufactures. Most of these top manufactures have equally impressive wood selections, design and manufacturing techniques. I have been to the Yamaha and Kawai factories in Asia so seen first hand the attention and tight tolerances given to each piano. Although one has to bear in mind in terms of "bang for buck" Steinway are right at the bottom of the range. Their manufacturing costs are much higher than brands coming from Japan Indonesian China etc plus they can command a higher price due to brand prestige . The industry is much more complicated and global than it used to be. Steinway can still produce most things in house and command the price tag for it, whereas other manufactories have utilised international availability of materials and expert craftsmanship and importantly tax laws. In 30+ years I have seen the vast majority of buyers choose Steinway due to prestige and generous budgets, their skill level is nowhere near the ability an instrument like this can produce. In reality they would have been served just as well with any of the other producers at half the price. Side note: I recently have been servicing Hailun. Not much experience with them. However I must say for the price they are seriously impressive!
@Milo Prager for me personally I still prefer a good acoustic grand over a digital besides the sound and responce is because once they reach a point of needing restoration they're worth restoring, and the parts don't get obsoleat🎹🎶
@Milo Prager I do get your point though. Owning an expensive piano with out having the skill is pointless. I'm not a perfect pianist, however there were times that I played beter on some expensive instruments compared to the ones I practice on. I can't see what I'm doing nor can I read notes, however the sound sort of givs me an idea on how I should play the piece🎹🎶
After playing for 10 years I have really come to appreciate the consistent force to press each key on a Stienway. My parents have a Yamaha baby grand, which is still an amazing piano, but when I had the chance to play a Model D the difference was clear.
@@MERCEDES-BENZS600GUARD_V12 I was just pointing out there is a major difference. I got to play a CFX one time too, and I would have a similar complaint. The baby grand is just what I am used to.
When I was a kid, my piano teacher had a beautiful vintage Steinway. They literally built the house around the thing. I never knew the chance I had to play one every week
Consider an even better brand: If not for Steinway's aggressive, predatory marketing, we in the English-speaking world would be able to more frequently enjoy the sound of Bösendorfer, C. Bechstein, Blüthner, Shigeru Kawaii, and of course Fazioli. Instead, we have musicians whose fundamentally precarious position in life cause then to understandably sign a "Steinway only" contact, which then forces every concert hall of worth to need a Steinway on hand, otherwise they would not be allowed to host many pianists. Because a good piano is expensive, most smaller concert halls only have one concert grand, which because of the above is usually a Steinway. This is how they have maintained their illusion of superiority, not because they're somehow the best. They're good, don't get me wrong, but to use a car analogy, they're like Lexus while the aforementioned brands are the true ultraluxury, hand crafted Rolls Royce and Bentleys.
I was fortunate to purchase, 30 years ago, a Steinway upright 42" mahogany piano. It sounds just as lovely now as it did then; I have carefully had it tuned yearly, lately twice a year. I also have a Kawai ES920 Digital Piano which is very good but honestly, the sound is nowhere as rich and gorgeous as from the Steinway. I paid $4000 then, and a used piano dealer says I can get the same if I sold it now but selling it is out of the question. I'd be very stupid to sell it. However, except for Steinways and Yamahas and such, people have to pay to haul away old upright pianos. Digital pianos have mostly killed the market for small upright acoustics.
@@TheMusicalKnokcers "Harmony table"? Many old piano SOUNDBOARDS have cracks. There was an extensive scientific article in the PTG (Piano Technicians' Guild) Journal years ago, illustrating how cracks in the soundboard DO NOT ALWAYS affect a piano's tone materially or in a negative way. It depends on where they are in the board, how big (long, wide) they are, etc etc. They CAN reduce the volume of tone of a piano, and/or cause buzzing, rattling etc like a broken loudspeaker, as well as (flat) soundboards giving old pianos that 'old piano' (flat, lifeless) sound. After all, every regular grand or vertical soundboard I've ever heard of (EXCEPT perhaps some giraffe piano soundboards which are probably more like a harp's and are oblong or lozenge-shaped and much smaller than a regular soundboard, and so THEORETICALLY could be cut out of a large enough diameter piece of wood), is not a single piece of wood but is MADE UP from various strips of wood glued together diagonally along their edges, bent/steamed into the convex shape, and then held there with the diagonal 'ribs' which are glued on in the back. This convex shape is partly to make the soundboard into a giant acoustic 'loudspeaker', which it is, and partly to counteract the ENORMOUS tension of the tuned piano strings, which is usually in the tons in most modern pianos. Most of this tonnage pulls on the iron piano PLATE, though, (and pinblock etc) and the stout hardwood frame / case / (rim in a grand) of the piano holding it, and only a portion of that force pushes down on the soundboard ("downbearing"). But it's enough that the board has to be strong to withstand it, and after 100+ years, many soundboards are no longer convex due to all the tension (plus the glue or in some cases wood giving up the ghost) and are flat or even concave(!). So they need to be rebuilt. Whether the soundboard is actually rebuildable is different for each individual piano, and not every technician can do this. But many of these boards are savable, cracks or no cracks. Some techs always fit a new soundboard, reasoning that the 'new wood is always better' (it isn't ALWAYS...), while others are loath to do so, reasoning that the old soundboard has 'aged in' and once rebuilt should sound nice (whereas a new board would take time to go through this 'aging in' process). Again, this situation varies from instrument to instrument so there is no hard and fast rule for the proper course of action, just try not to spoil the original tone and get as close to 'factory' as possible if you want to preserve the original idea of the original tone.
why you reply to me i know already all of that, don't be scornfull for my words as i just made a guess while translating, keep in mind americans are only a fraction of all internet users. When someone like the original commenter knows nothing it's easier to stay simple, so i just stated the obvious. If it's metal the tension from the string will be better supported and there's chances that less damage will be present. Of course everything will be case by case because it all depends on the storage condition of the instrument, how much it was used..... But we should agree that it's easier and less significant to replace the fabric or the hammers than to woodwork your way on the soundboard. Ok you can do small repairs on a soundboard like it's done with violins but if there's a huge crack, chances are you're in for troubles. Anyway this kind of things she/he has not to think of, it's up to the technician to decide if a restoration is worth it and what's to be done.
I used to be in the piano trade many years ago, I had the pleasure of seeing a gentleman from Steinway, Max Matthias and Peter Lemmel from Bozendorfer at the conservatorium of music in Sydney NSW Australia and learned a lot about the factories including repairs, and piano action regulation.
My parents had a friend who owned a Steinway. It broke his heart when he had to move into a senior living facility and was forced to sell it. Fortunately, the lady who purchased it made arrangements for him to go to her home and play it whenever he wanted to.
Damn that’s really sweet and thoughtful of her. Hope in humanity restored :)
Well she should pay for him playing lol
That's a nice story
He didn’t had to
Why did she got forced to sell it?
That's my dad! An expert ear they say, I can attest to that! He has been tuning pianos by ear his whole life and created his own company designed to make the feel of the piano adjustable to the user. Great video!!!
Your dad is awesome bro.😌
damn you got a cool dad
Jealous of your dad. He’s an awesome guy.
Tell your dad he's a legend
@@ethandeister6567 is this serious? 🙂
“A piano can last several decades” well yeah if I’m paying over a hundred grand my grandchildren’s grandchildren better still be able to use that thing
They probably will as long as your family takes care of it.
@@carlangelo653 well yeah I’ve seen some pianos that are nearly a century old that people still take care of but my question is how..
@@carlangelo653 So true, just as most other instruments require. If it is maintained to be in good condition, it will stay in good condition.
@@carlangelo653 wish i could have got my grandparents but after they died my aunt sold it off :'/
@@carlangelo653 yeah
I have a feeling that the lady working on the pressure of the keys has a very underrated talent and job. She’s responsible for how those pianos feel. Probably one of the most important parts of a piano. Maybe even more than the sound.
I was just thinking that she's kind of a genius in her own right. What a character
@@Aliensathome Clueless comment from an over ambitious drone. With no leadership the group will fail...every time. You could make the argument that in today's society CEOs are overpaid, but to assert that "the company will be just fine without the CEO shows your lack of knowledge".
Exactly, and a great example of why theyre so expensive! All this human labor and time.
I have mad respect for that Piano dealer. He is all in on his passion
Cheese
I have mad respect for people that don't steal other people's content. I have 0 respect for you.
*sniffs* you got any pianos?? *scratches*
they say that one should never get high from their own supply... I guess it works differently with pianos
My wrist is so stupid they call it Verlisify
It’s a shame that the price often outbids most musicians. Most pianos are either sold to universities or rich ppl who keep them as furniture.
Also Steinway is like Julliard atm. Great but no longer exclusively the best and they’re riding on their reputation/name to overcharge imho.
I know you! I really respect your covers, and the cool piano competitions you would do with your friends
There are some exceptions, Charlie puth has a grand piano in his LA house. That piano is so lucky
@@pratyakshyt Pop musicians are generally millionaires though. Concert musicians typically are not. Charlie Puth is hardly a world class pianist...
@@Debbiebabe69 yeah makes sense, he is not world class , but if I talk of majority of pop musicians, Charlie puth is the one that interest me the most. He is a jazz piano major from Manhattan school of music , graduated from Berkelee school of music in music production and engineering. Songwriter , singer , Guy has perfect pitch , never fails to amaze me with that level of talent
As a piano technician from Europe, my opinion on steinway is same as yours. They are all about marketing. Sure, their pianos are top quality, however many others are at the top with them.
My first job outta high school 15 years ago was moving pianos. I wanna say, Steinway's were always my favorite to move. They were beautiful pianos, but from a mover's standpoint they were well built and easily disassembled. Some cheap pianos had weird locking mechanisms for the legs with a piece of wood to wedge them in place. Those would wear out a lot and the leg would become loose making it somewhat dangerous when lowering the piano. Steinway's always had bolts for the legs, 2 large bolts to be exact and they never had that problem, even for obviously old Steinway's that show their age.
Christ I’d probably shit myself if I had to move some rich persons $100000 + piano
@@boozy8659 same, i’d definitely drop it 😂
Maybe they do it differently in the New York factory than in Hamburg, but in my experience from moving grand pianos it's exactly the other way around. Steinways are the ones with the locking wedge and most others have the two bolts.
I moved pianos for 12 years. We had a contract with Steinway to exclusively move all of their pianos. Moved one that was said to be woth 1.3 million. It was just a baby grand, but it was signed in gold on the harp by three members of the Steinway family. It was quite old and the legs on that one were large threaded dowels that screwed on. All the new ones use wedges and bolts which I loved a lot. Way better than those others with the flathead screws :-)
@@eyeamen Oh god I remember the flat head screws. The ones that were always stripped and some one tried to fix it by shoving a bunch of toothpicks in the hole.
I was a pretty serious classical pianist up until I graduated high school, had the opportunity to play at Carnegie hall many times on a Steinway grand. I’ve found the sound to be a touch darker/mellower than the other pianos I’ve played. The resonance is unbelievable and the feel/action of the keys is perfect. Just the right amount of pressure imo
i played at carnegie hall for the first time this march ❤️ wonderful experience
Are they as good as a Yamaha or Baldwin ? Asking for a friend
@@tracykingston9668 significantly better in a drastic way I cannot describe, but the price shows.
@@zackl7467 Thanks.
@@tracykingston9668 jeez. Much much better ofc
They really glossed over her saying “I used to dream about the pianos chasing me.”
Exactly! Now Ms. Folk just listens to what the hammer wants… I wonder if the other key weighter also has PTSD? That job better pay well.
That was the best part of the whole video.
I fell in love with that lady!
Like horror movie with piano sound
I thought that would make a good Disney short like the Sorcerer's Apprentice.
“But ultimately the value of the piano is up to how much the musician values it.”
*Me:* _“Can I have this for free?”_
*Me as a broke person:*
Value =/= cost
@@cupa6285 you mean as a musician?? Same here hahaha
A money is an enslavement tool
@@starseed_Wanderer Ah yes, because slaves are paid.
I used to work at a museum that had a 100 year old Steinway in the auditorium. I was the janitor, and spent so much time playing it instead of cleaning I got fired.
But that instrument was sublime. No matter what you did, it sounded glorious . It felt invigorating to play.
Smiles... I would have done same 😄
Job is temporary, the joy of playing such a good instrument lasts a lifetime.
You're so lucky to play that kind of piano
Totally worth it 😂
Vandals.
“Decades” is a massive understatement. I have my grandmothers Steinway Baby Grand. I don’t really play piano anymore but I did when I was a kid which is when she shipped it to my mother so I could practice on it. It’s very beautiful and sounds amazing.. I can hear a distinct difference when I hear someone playing on literally any other brand.
Although it sees very little use, I have it serviced every other year and it stays in a climate controlled room. So unless my house goes up in flames, the baby grand will certainly outlast my existence..
my great grandmother bought a steinway, and it’s a family heirloom now. the piano will be 100 years old in two years:)
Wow whether steinway or not incredible it’s been passed down that’s long
Bought in 1923...that's really cool!
maybe it will get a telegraph from the Queen
@@godsinbox haha
I hope someone is still playing it or learning how to play it today?
I’ve had the opportunity to play on a grand Steinway piano and I remember the first time I touched the keys it felt like butter. I’ve had been practicing on midi keyboards, weighted electronic pianos (Yamaha), and other upright and grand pianos. So that first time touching and playing it was amazing. The sound was so alive and it sounded so amazing, it filled the whole room and concert hall. Since then I’ve gotten practice on a Steinway and it’s changed the way I thought about expressing the music through the piano. It’s an awesome experience knowing an instrument can be so powerful and so captivating!
Whoaaah damn lucky
I've been playing a digital keyboard that I own ('cause that's what I can afford). My aunt has an upright piano that's old in which I play when there's a family reunion only and the feel's much magical than just playing the one at home. And finally, we went on a mall we usually don't go to (because there are closer malls) and there I saw a grand piano. At first I was hesitant because it's a public piano (and I was feeling quite shy) but I still went for it. And ohgod, I didn't want to leave it but had to. After that, I was determined to save money to buy myself a piano that'd have the same feeling I had with the grand piano.
Yes, it's like butter. And it gets rancid if not stored properly.
I love the fact that pretty much all pianos also have a slightly different feel to them, creating a “personality” with each piano
a church i go to just has a steinway piano laying in the basement storage area
8:03 Chopin's Nocturne in B Flat Minor Opus 9 No.1 if anyone's wondering.
Thank you!
Thank you!
Really Thank You ,, I Spent A Lot Of Time For Searching and Didn't Found Any Result .
Thank you
THANK YOU :D
Went for a tour of the Steinway factory in Queens years ago. To say these things are a labor of love is an understatement.
I bought a steinway piano last year, and it is fuckin awesome
I just miss having my left kidney with me
Pitajee Deshpande, now that's funny
lol
Lol
Truck went to buy salmon in wrench
funny, but kidneys are not that expensive. On black market you can have it for $10k. Selling both kidneys won't give you Steinway. But if you sell your liver you will buy the cheapest Steinway for sure.
i remembered playing on a Horowitz's steinway. My god it's so easy to play. The sound of heaven singing in front of you.
Sounds magnificent
How did you get the chance to play on his piano? I'm jealous
My highschool had one of the concert Pianos. It was so beautiful to play on it brings me to tears
The piano my mom wished to buy is a steinways piano since she also has a taste for music and luxury so yeah she really wanted one and ordered it.Still waiting for the delivery to arive for about 6 hours
@@Founderschannel123 thumbs down for the waiting duration. Thumbs up for mama
The difference in a high quality and especially time proven grand piano compared to an "average" home piano is gigantic. You can study a piece for years and you might get it so good at your own house instrument wheere you can do many interpretations of it. But once you sit on one of those masterpieces the instrument is so godlikely good you feel like you don't even need to do anything to make it sound THAT good. Even better - for you a whole new encyclopedia opens up in what you can do with that piece. It's an insane feeling.
agreed
Conversely it's a sign of a good non distractible pianist whom when faced with the situation of having to play on a honky-type discard will face the challenge and not back down in rendering a plausible interpretation of said manuscript.
the difference is the resonance. It's soundwave.
Yeah true
Exactly. I had the same experience playing on a Steinway Model C many years ago. The action was so responsive. The sound was so beautiful. I never felt so connected to a piano before and each piece played was magically so easy. Sadly, I saw the sticker price: $99,999. I then cried. However my credit card laughed.
“I used to dream about the pianos chasing me “
*mario 64 piano flashbacks*
Nice.
@@Real_Redstone15 haha, good one!
Reminds me of that PS1 game _RayMan_
I love how the black lady explains her job, it’s like when you ask your grandma how she makes that unbelievable dumpling dough and she says that she eyeballs the ingredients and goes from there, because “the most important thing is to listen to what the dough is telling you”. I think that is just how people explain things that are second nature to them. They know how exactly it should be done, they don’t know how they know, they just know
That means she breathes piano key balancing.
Respect
you mean african american lady.
@@lemarcoX No, I said what I meant to. There is nothing bad about being black. And I don’t acknowledge the stigma that some people may associate with that term. Also using the term “African American” here would be inaccurate, as a Moroccan person in America would also certainly fall under the definition and Moroccans are of rather pale complexion compared to other African peoples. So, in summary I said exactly what I meant, and I don’t believe you need to educate me
Also, I made a positive comment showing respect and appreciation and yet the only part you chose to notice was that I used a term that you didn’t like. How very saddening
@@lemarcoX You mean American?
@@piotrzwirowski8435 so what do you call a middle easterner, that brown guy? 😂 how very saddening
@@lemarcoX yes, because he would likely be brown?
My family has a 130 year old Steinway that is an insured family heirloom, some great memories
Who?
@Tom R Found the edgy manchild who still lives in his mother's basement.
@@alvinsmith3894 Am i missing something? the comment you are responding to isnt even that "edgy"
@@judypatooty4234 yes, you are missing something. Asking the question who? On the internet is like 90% of the time a bait to follow up with “who asked”
So you care about the price not how good the quality it is lmaoo
mad respect for craftsman out there, tuners and everyone who've worked hard together to make every single masterpiece. many pianists shines out there bcs of you guys
As a pianist myself - Steinway is not the only great piano in the world. Some people might like Fazioli or Boesendoerfer more, some might like different brands. The fact is each piano sounds different - even two Steinways model D grands will sound different.
What truly sets Steinways apart in my opinion is combination of 2 factors - their Hamburg pianos are fairly balanced quality-wise and second is the fact that EVERY piano technician in the world knows how Steinway is done and how it needs to be maintained. It's really a shame when you get wonderful Fazioli but nobody knows how to take care of it.
Me personally I have an Essex grand at home, a sub-brand of Steinway. It's similar size to Steinway model A and honestly, it beats the model A in sound quality. Steinway is mechanically more percise so mechanically you have better feeling playing it but Essex has better sound.
My friend in salt lake City sells both fazioli and bosendofer. He is also good friends with Paulo. I readily agree with your opinions regarding voicing a fazioli. He is a master at his art, restoring many faziolis and Steinways. It's funny, as accomplished as he is with pianos, he doesn't play them.
Are Fazioli's more common now? I was in piano moving a few years ago and I dont think we ever delivered one to customer, they were always promotional. Unreal quality on those.
@@rogershaffer1 Perhaps, judging by his name, English is not his first language. I understood exactly what he meant by 'sub-brand', and the term makes perfect sense if it were to be regularly used. I'm sure it's better than your attempt to do the equivalent in Czech or whatever his primary language is. And as far as China...having been made in China means nothing. The Chinese can produce as high quality, or as low quality, as anywhere else. It is almost wholly dependent upon the specifications and QA set by the company who engages the factory. The reason so much made in China is sh*t is because the companies selling it are ok with it being sh*t. The higher the quality the more expensive it costs to pay the Chinese manufacturer. I am under the impression that many Chinese manufacturers would actually prefer to make higher quality across the board, but are limited by what their clients, aka our companies, are willing to pay.
@@rogershaffer1 I actually hadn't either 😆😅
Sir Elton seems quite taken with Yamaha
I had the opportunity to play one and it's hard to describe. It feels amazing and it really fills the room with sound in a unique way. There's something very inspiring about a Steinway. I found myself play less notes and letting them ring out more. Controlling the dynamics is very easy compared to other pianos I've played. If I ever get rich, I'll definitely buy one. Truly an amazing instrument
So sad that many of this Grand Piano ended up in richman's house being a decorative luxurious item rather than an actual hard working piano.
Don't worry. I know of one that's in a mountaintop cabin. It had to be transported there by boat and then walked up through the forest by hand so a family could practice while seeking refuge from the cities during wartime. I know of several others that have been donated to small colleges by rich people who bought them originally as furniture. Kids that only knew them as a name and a few trained musicians could come by and plonk all they want on a well-maintained top tier piano. One in particular was a century old and played fantastic, though the sound had mellowed due to some loss of deflection in the soundboard. My father had a tenant who was semi-disabled, semi retired, and the only thing he did was play his steinway that my dad removed a window to have moved in. The guy was poor but he'd been given the piano by a wealthy person way back when. They do get around, slowly.
@@jcarry5214 that is one big ass window.
@@fVNzO if you stand them on their side and take the legs off, not really.
@@fVNzO I sincerely hope that the 'ass window' never becomes a thing. 😂
Kinda like expensive supercars that rich people store it in the garage instead of driving them
Steinway is the master of PR. It makes it very easy for music schools and concert halls to have a fleet of them, regularly serviced. It also has its so-called Steinway Artists who are not allowed to mention or be seen playing any other brand.
Reminds me of the days when IBM used to own the corporate computer market.
Not to mention their chokehold on the market - if a technician who's not "Steinway certified" works on a Steinway piano, it immediately drops in value or loses it entirely, regardless of the technician's skill.
The part of the Steinway Artist is wrong. The program is not a contract. Steinway artists are loyal to the brand, have own Steinways. They choose Steinway on stage because they are convinced of the piano, because they also own one not because a contract (which does not exist) tells them. And in fact you see Steinway Artists playing on other brands too, when there is no Steinway available, when the Steinway available is in bad shape or if it does not fit the repertoire. Yamaha and other brands are making real contracts with artists. Steinway artist program is based on loyalty and solidarity.
@@LrdVnm Just like Ferrari and Lamborghini.
@@DBCisco ferrari especially so, i recenty saw a video where a guy tried to buy a certain ferrari, but they wouldn't sell him that car because he wasnt a long time customer and tried selling him a cheaper car instead
like, you arent allowed to buy certain cars if you havent owned the required 10 other ferraris for years..
@@Numnutz At the NYC auto show in 1978 I was tempted to buy a 308 Ferrari. They were selling the show car at half price so they wouldn't have to ship it back to Italy.
I had the pleasure of playing on aged Steinway grands for years as an accompanist at a community college... there ARE other fine pianos, but there is nothing like a Steinway... to be able to take student musicians and back them with such a sound was a privilege... the faculty had number of fabulous pianists in those days as well, and for them to be able to instantly manifest their full ability on an instrument that is best in class even with considerable age and heavy use made them imparting music to their students that much easier.
I will likely never make the investment in owning a Steinway grand for myself... even if it were possible, it would not be the best use of that much money. Nevertheless, I fully understand why they are so expensive, and in the years in which I worked daily with and around them, I learned what justifies the price.
Pianos get worse, not better, with age.
@@thebubbacontinuum2645 damn not like that was implicitly stated in the text but thanks sherlock
@@thebubbacontinuum2645 The value appreciates a ton though
not really, unless it's a really old one with a highly respected legacy @@DefenestrateYourself
In my experience, Steinways produce a very large sound, and the highs and lows are very well balanced in tone, making it perfect for solo performances. However, the weighting is rather heavy, and the sound may be too dark for some applications, such as concertos and dense studio mixes. In these cases, a Yamaha might be better suited.
I agree. I've played both and had the same interpretation. Both are well balanced but the Steinway is noticeably more mellow
I think Yamaha's factory downweight is heavier
Meh that could be said for any concert grand. I like the sound of the Yamaha way more. Steinway is a luxury brand that you buy just for the name and to feel rich just like other stupid crap these days.
@@kishascape from what I understand Steinway stand directly behind a lot of the innovation that the piano has undergone over the many decades, they also iirc have patents on quite a few of the mechanisms of action and pedals. That said, yes they're expensive, but they're also probably one of the only piano brands that can appreciate value with age.
The sound of Steinway is clearly the best.
I got to play a Steinway once. I will never forget the incredible dynamic range which is both softer and much louder than anything else I have tried. the responsiveness of the instrument to my touch took me to a new level of awareness which nothing in the decade since has touched.
"I used to dream about the pianos chasing me" I'm sorry what 😂
I thought that was funny too!
lsd
I believe she is talking about the counterweight of each key and when as a pianist, you let go of a key and it follows your fingers!
@@oliviao2238 what utter horse bollocks.
did she stutter
It's hard to describe just how nice it feels to play on a Steinway. They have perfect touch and key feel. They also have a distinct immediately recognizeable sound. It's weird how playing on one doesn't seem loud to the player even though they're super loud instruments.
It is sometimes possible to tell the vintage of a Steinway based; n sound alone. The pianos from the mid-50s have a distinctive sound to them that makes it fairly easy to tell them from one from a different decade.
That's probably because big momma is listening to the keys as she is wont to do.
My father used to own a wood trading company and Steinway in Hamburg was one of his costumers. They were extremely particular in what they needed. Last year my father got my mum a Steinway piano.
Hamburg Steinways are among the best in the world. They have to compete with the other amazing European brands. I'm the USA, NY Steinway pushed all other piano brands out via aggressive tactics, so their quality has slipped (Mason and Hamlin still exists but they are so small of an operation that they lose no threat to the Steinway mafia).
Damn ur lucky
Trained on a Yamaha, but played a Steinway for a live event. Fingers flew after all the muscle I needed for that Yamaha. Steinway action is unparalleled.
:0
I've had the exact opposite with every Steinway i've ever played. I vastly prefer the Yamaha action 🤷♂️
@@sven-sandershestakov5201 I think these are examples of the opposite ends of the spectrum. Steinways are too heavy, Yamaha is too light. I recently had the opportunity to play an Estonia, which I think feels just about perfect. Very bright sound, too.
@@m_a_s6069 There is no such thing as "too light" with acoustic pianos. The purpose of a good piano (grand) action is to be as light as possible. Only with digital pianos can there be too light since you are trying to mimic the characteristics of an acoustic piano.
@@matthewphillips5483 There is such a thing as too light. My parents' Baldwin Acrosonic upright (that I learned on) is WAY too light. It is nearly impossible to play quietly - every note is loud.
"I used to dream about the pianos chasing me," I love this woman!
My great grandfather worked at Steinway in Astoria in the late 1890’s. From my research it seems the quality of the pianos decreased in the 1960’s and later and never recovered. A great book that gives insight into Steinway is “ A Romance on Three Legs” about Glenn Gould and his tuner Vern Edquist.
I grew up on a Kawai baby grand to which I didn't really understand or think about comparing it to other pianos because I thought that all pianos sounded and played the same. Later in my early years in college, I discovered there definitely was a difference.
So, not only is the sound different, but also how they play. How much force it takes to push down the keys, how far down the keys go, and all around what it takes to make the music the way it's meant to be played factor into the quality of instrument you're using to play the music. In contrast to many other pianos, Kawais (at least the one I had) are darker sounding. They take a lot more energy to put out the music (force to push down on the keys). If you want to play something bright and soft, it is something of a trick. This is where I could see somebody, just cresting into playing more difficult pieces on the piano, would probably get frustrated and think they couldn't produce good sounds.
For anybody considering getting an instrument, think about what music you want to play, how you want to play it, and what sound you want from it.
I appreciate all of these artisan's dedication and skills. I hope they're paid well.
I love how everyone building the pianos seems to do their job so meticulously, then there's the woman sawing wildly and crazily banging her chisel! 😂
I'm curious how you think saws and chisels work if that seems unusual to you.
@@Gamer2k4 I didn't say it was unusual to me. I find intertesting the juxtaposition of the aggressiveness in this particular task to the lack thereof in pretty much all of the other assembly tasks. I'm not sure how or why you read anything else into my comment.
once you start a saw cut properly, you can pretty much go ham, especially when using a saw like that women did, because the cut is narrow
Or the team of people using raw force to bend the lamination around the form before the glue set up
@@thomasprovencher4611 Yes, that also. With the huge, heavy clamps that are probably covered in grease and old, dried glue. This guy understands what I'm saying!
Always a joy and treat to play a Steinway piano! The most expensive grand I ever played was $500,000 in a concert hall
How wonderful to see that humans are still integral to building every stage of this lovely instrument.
Answer: they only use a specific type/quality wood, and have meticulous quality standards.
and have a lot of qualified people working in the process, built by hand all patience and care.
And it's the name and brand.
thank you, now I can go to the next video
Welp, thanks but I'll still watch the video
The real answer: it's all in a name-brand and marketing. Pianos aren't complicated machines by the 21th century standards, but if you start today from a blank page, you will sell nothing. Bösendorfer made magnificent instruments and nevertheless they went bankrupt few years ago, saved only by Yamaha. Steinway is ages behind Yamaha in the terms of mechatronics, but stays afloat just fine.
I have a Steinway from the late 1890’s. It still sounds amazing.
That's a treasure lucky you, I would be curious to know who from the famous may have had played it.
I used to work at a place that had a 1920 Steinway. It was in rough shape, unable to hold a tune for very long. It was replaced with a brand new Steinway D. I would stay at work well into the night just so I could play that amazing instrument all alone.
Many years ago, my paternal grandfather bought some land and had a house built. He did this as he had just bought a Steinway Concert Grand Piano and the only way to get it into half of the lounge was to have the house built around it!! Many years later when he sold the house, the Piano stayed as there was no way to get it out of the house!! I only found out after he died that my Grandfather was a millionaire who used to conduct Industrial Espionage during WWII!! They are truly beautiful instruments!!
Seriously, damn !
Very amazing story. Thank you for sharing!
"it's on the internet, it must be true"
Samuel Lee Jackson.
@@charlesimagoodguymanson1337
Somebody had poo in their cereal this morning
The guy up above said Steinways were the easiest to move. Obviously they were made to be moved otherwise they wouldn't leave the Steinway factory
I have a Steinway upright from 1902 and it’s one of my most prized possessions. It tells such a beautiful story whenever it’s played.
The craftsmanship of these pianos is amazing. Everyone is so meticulous. Truly a magnificent piano.
I have a 1932 model M. Still not learned to play but it’s lovely to have it and when guests play it who really are good it’s a real treat.
"That was a priceless Steinway!"
"Not Anymore"
Inspector Clouseau: Who are you? I'm Mrs Livalili... Inspector Clouseau: Mrs. Loveliver where were you at the night of the kidnaping?
I almost died laughing at that scene!
Just crafting these pianos alone can be considered as a work of art. They're truly worth it in the end though.
Again on your recommended page, mine too.
3rd 🥉
Imagine not having one
found you again
Wherever I go I see him.......
That energy and emotions held by the piano throug generations is just incredible!
I have played on a Steinway once, I had about a minute to do so, and I thought it would be pretty good, but it was truly as if I had sat down at a completely new instrument. I don't know if I'll ever get to play one again but I think about it often.
I've played several (German) Steinways in my life, and each one feels beautifully unique. The power I felt when playing the initial F in Debussy's Suite Bergamasque prelude gave me shivers when I first did it. Dynamically, they are just astounding to play.
So glad that robots can't make a good piano yet.
I'm a terrible pianist, but a really good singer. I remember the first time I stood next to a concert Steinway to rehearse before a performance. The richness of the sound was a pure joy. I wish I could play in a way that could show the world these instruments true greatness, but in the absence of that ability I'll be grateful that those people exist and that I know several of them.
The lady at 5:01 is lovely, "you see the hesitation, it's no good"
The craftsman are the real masters here
If you ever had the dream of owning a Steinway, try to get one that has been built in Hamburg, not NY. Since Steinway basically owns the market in North America, the quality of their NY-produced pianos slightly dropped over the years - when it comes to Europe though, Steinway has to compete with manufacturers such as Fazioli, Bechstein, or Bosendorfer, which are pretty much on par or sometimes even better, which is why the quality standards of the Hamburg Steinways are generally a little bit higher.
yeap... agree!
Good point. No offense to the folks shown in this video, but the fact is that piano craftsmanship is largely a lost art in the States. Not in Europe.
Bosendorfer's are better in my opinion, at least those with the extra keys. Steinways are expensive because they have really good marketing and force their pianos on aspiring pianists. Fazioli as well are very nice.
ahh yes i shall look up the prices online after finishing my bowl of cup ramen
The 9 foot Steinway D concert hall piano is the hugely expensive piano noted at the beginning of this story. Thats misleading. Very few people put those in their homes. Steinway C is the perfect size for any large room smaller than a concert hall, less expensive, but only available in Europe. Steinway B is the ubiquitous home piano, forever hyped by Steinway … and imho, one out of every 10 is a decent instrument. When you start playing 7+ foot pianos, there are many that are considered superior to Steinway. My favorite - Bosendorfer 225. An astoundingly diverse sounding instrument, with harmonics, and subtleties hard to elicit from a Steinway. Steinways on the other hand are tanks, in a very good way mind you, … loud, brash, (perfect for Billy Joel) and project to the last row of a concert hall. To each his own. I’ve had several 7 foot Baldwin SF10s that blow away Steinway Bs in the low end. Baldwins until late 1990s - especially the SF10 - were remarkable pianos (used by artists like Lenny Bernstein, and Seje Osawa), and extreme bargains compared to Steinway sales hype. If you are in the market for a used Steinway B (6 foot, 11inch) I strongly urge you to look for good 7 foot Baldwin SF10. 1/10th the price and equal in sound and quality - if you find a good one. Just offering my experienced opinion. I’ve owned them all. If budget is no issue - Bosendorfer 225, Fazioli, C. Bechstein (if you’re ok with their 1930s German gov. affiliation), Bluthner, or a Steinway C, which is only made in Hamburg (if your fixated on Steinway) - are probably the best you can buy. All Very different, yet exquisite sounds. If you’re a pianist, Do what I did - travel a bit and try them all.
I don't even play instruments, just purely listening to them. For so many years I've been watching people on UA-cam performing in different pianos, I always found myself drawn into the sound of Steinway & Sons piano more than any other piano I've listened to. The intro to this video what I was expecting. Great
Steinways have been the most expensive pianos on the market for the better part of 150 years, even when all pianos were hand made in much the same way as Steinway is. My father was a piano tuner/rebuilder for many years, and I've had the opportunity to play on a number of different piano brands over the years. I'm convinced that the Real Men of Genius at Steinway have always worked in the marketing department. They've created a mystique around their pianos and have convinced a lot of people that their brand is somehow head and shoulders above the rest. That's not to say that they are not world class pianos, but mostly what you get with the price of a Steinway is the mystique and the pretention of owning a Steinway.
A well broken-in Steinway is like the Rolls Royce of pianos IMO. I've had the pleasure of playing on a few Steinways for piano recitals or competitions for my State associations. They really are something else compared to even the newish Grand Piano Yahama at home. The key and hammer movements are smooth like butter. They seem to react to your intention, whether going soft or forte. The key follows your finger momentum and it's like playing on a cloud at either sound range. The peddle is effortless and doesn't have the awkward clamping sound as it comes back down to muffle the strings again. The keys just fall under your fingers with the slightest push of intention. They really are a treat to play on.
Edit: I just got to the part where she compares them to RR at 6:45 lol
It is such a pleasure to read this😫 I felt how you described it🤯
Its the piano of choice for so many concert pianists as Steinway contracts ensure it is their only piano of choice. As for American Steinway's this past 30 years quality has been a real issue. Steinways aggressive marketing has pushed so many piano brands both in Europe and the US to the wall to the point we only have here in Europe a small handful left. How many concert stages do you know that doesn't have the obligatory Steinway Model D? From a music perspective it is really quite sad!
yeah true that, it feels like they are shoving steinways down our throats. But still this video is relevant to answer why grand piano are so expensive (except the ok tier ones they make in indonesia and china)
@@TheMusicalKnokcers masa
Yamaha grands are incredible, and the CFX concert grand is one of the best concert grands I’ve played on for the price
I don't think it's Steinway's aggressive marketing that's done that... It's mostly down to a general decline in the industry. We used to have a whole section of London dedicated to piano manufacture. Putting the demise of other manufacturers at their feet is no different to complaining that Rolls Royce are responsible for Morris and Austin going out of business.
Bosendorfers and Faziolis are better made these days. As some have mentioned Steinway is coasting on their name value. The 97 key Bosendorfer (I think it’s the 290) sounds incredible and Steinway can’t touch the quality/sound of a Fazioli
Is about marketing. Fazioli, C. Bechstein concert, Steingraeber and Sohn, Bosendorfer, heck Shigeru Kawai and Yamaha CF as well all have the same amount of workmanship and quality as Steinways. Hamburg Steinways are wonderful pianos but Steinways are one of the fine pianos made, not the only ones made. Steinway has done a great job creating an image of the ultimate piano unlike others but those familiar with pianos know this isn't really the case.
Absolutely! If I ever have the disposable income for a good piano, I'm getting anything but a NY Steinway (which were incidentally the only kind I got to play in college). There are so many amazing, smaller brands out there that exceed NY Steinway in quality. Heck, I might even consider a Mason and Hamlin just to spite Steinway for making every other American competitor go underwater.
@@vitaminluke5597 Yes, Mason and Hamlin's are wonderful pianos, every bit as good as Steinways. Charles Walter are very good as well, if not quite the same tier.
Exactly. And that marketing includes providing the musicians with the piano, not making them pay for it. Get the performers on a Steinway and the minions will follow.
Steinway has nothing on Yamaha. Agreed that it's all about marketing. There's a story that Glenn Gould tried a Yamaha and liked it better than Steinway. Steinway had a fit and Gould was in the doghouse for a while.
@@vitaminluke5597 Steinway has nothing on Mason and Hamlin. Steinway is like IBM computers. A lot of people think it's the best, but there are other pianos that are as good or better. It's all about marketing and perception.
Worked as the assistant production manager for Spivey Hall in Atlanta in the late 90’s.
During my almost 4 year tenure we had some of the greatest pianists in the world that got to choose between a 9’ grand out of the Spivey home built in the 40’s and a newer one bought when the hall opened in the early 90’s.
The temp and humidity was meticulously maintained and recorded and we had an amazing tuner on retainer.
Both models sounded amazing and it was always a treat to see which instrument a musician would pick based off the repertoire, style, and tone they were going for in the performance.
The hall was and still is pristine and has some of the finest acoustics in the world.
NPR asked for every concert on our series to be recorded for later broadcast.
Cut my teeth their as a production manager. Still 25 years later in the business some of the shows I worked are locked in my memory as to the sound and feel or the night.
Was a spiritual experience for sure.
As a pianist, I've been waiting for this.
As a professional pianist the best piano is the piano that most moves you- The piano that makes you want to play. I've been moved by unexpected brands: a 6 foot petrof I played on a cruise ship for a few months for example. It helped that it was less than 2 years old. I've never come across one again.
A friend of mine had a Petrof 6 foot piano. I thought it was a very good piano.
Petrofs indeed have something special in them, in our college, all instruments are very old and worn, but even a very uneven Petrof makes it hard for me to stop practicing
I’m not a professional, but I completely agree with you. I’ve played lots and lots of pianos including a Steinway. While they are amazing instruments, I always come back to the warm sound of a gently-used Yamaha C3 or C5. I love the warm tone and the action. It shouldn’t be about the name or the price tag, but about what instrument speaks to you as a musician.
"I used to dream of the pianos chasing me."
When you are good at your job, sometimes there is a little stress.
God bless her.
Super Mario 64 type beat
@@sgocllewsgocShe dreamed of getting chased by pianos
We had a stunning Steinway grand piano at my music school in a small town right by Saint Petersburg. It was donated to our school by one of our graduates who went onto having a phenomenal career as a pianist. I’ll never forget how proud we all felt about having such an incredible jewel of an instrument
My piano teacher used to be friends with the owner of a steinway and sons so we'd have our recitals on this 9ft steinway :') It was 176k I believe, i didn't know how lucky I was to play on it
lucky.. Steinway is like the Gucci of pianos except it’s not exactly over rated
@@jackthecommenter2768 try going to all Steinway schools🎹🎶
Back in the 1980's when I worked for Four Season Hotels, they did a remodel of the Biltmore in Santa Barbara and wanted to replace the Steinway Concert Grand with a shiny, new Yamaha. A piano guy came in and looked inside the belly and after getting the number of the piano, looked it up in the book. He proceeded to tell me the history of this particular instrument. Each Steinway comes with a provenance of when it was made, who the technicians were and where it's been since then. The piano expert (and also a concert pianist himself) was astonished that such a high class hotel would want to get rid of a Steinway to replace it with a machine processed Japanese model just because the best of the two instruments wasn't shiny and new looking anymore.
BTW, most famous classical pianists have their own preferred Steinways that they have shipped to their performances. The famous Vladimir Horowitz would only play his Steinway no 503, no matter where in the world he performed. I suggest anyone commenting that they're not worth the money watch "Note by Note: the making of Steinway L1037.
I got to touch and attempt to play one of these pianos, they really are a piece of art and a marvel of engineering. I can’t play well but I can respect the craftsmanship put into these pianos.
I am a member of the City of Edinburgh music school, in Scotland, and we have no less than 5 Steinway and Sons grand pianos, and about 15 upright pianos. The music school has about 50 pupils in it (naturally there's always a high demand to get to practice on one of the grand pianos) and I think we take for granted the sound, and the fact that we have access to such incredible instruments. Plus, from what I gather, Steinway and Sons gave our school all of those pianos for free!
You can’t compare the sounds between brands of piano just by a UA-cam video, seeing it in person, hearing it and playing it is a totally different experience.
if you cant tell the difference in a recording then the difference was in the hype of that in person experience not the actual sound waves
@@michaelsmith953 Not true at all. Recordings can't catch everything. Recording technology isn't that advanced as you think it is.
@@abouttime2569 I agree. Also you need the best quality microphone to record with the top notch audio equipment to even get a sense of the quality difference from a recording.
EDIT: But don't be confused. It doesn't mean the difference is small. Far from it.
@@michaelsmith953 not really, your tiny speakers and cheap consumer grade components cannot hope to reproduce the sound of a real piano. it introduces distortion and ruins harmonics. you can only hear them live.
which is why they're pointless. just get something that sounds as good in a recording and be done with it, no need to spend house money in a damn piano.
@@abouttime2569 Indeed, as grand piano is probably the hardest instrument to record. Every recording engineer may tell you their way to record grand piano but none of them is perfect.
Steinway's are nice, there's no doubt, however I can't help but listen to a Bosendorfer and know that when I win the lottery, I'll be buying one of them!
true that ! bosendorfer's sound is so warm i love it. However if i win the lottery i would get more tan one Grand depending on what i play i feel different piano tones matter.
If not for Steinway's aggressive, predatory marketing, we in the English-speaking world would be able to more frequently enjoy the sound of Bösendorfer, C. Bechstein, Blüthner, Shigeru Kawaii, and of course Fazioli. Instead, we have musicians whose fundamentally precarious position in life cause then to understandably sign a "Steinway only" contact, which then forces every concert hall of worth to need a Steinway on hand, otherwise they would not be allowed to host many pianists. Because a good piano is expensive, most smaller concert halls only have one concert grand, which because of the above is usually a Steinway. This is how they have maintained their illusion of superiority, not because they're somehow the best. They're good, don't get me wrong, but to use a car analogy, they're like Lexus while the aforementioned brands are the true ultraluxury, hand crafted Rolls Royce and Bentleys.
Tori Amos' choice of Piano, and she could play anything.
Say it louder! 😂. My partner is a hard core fan of Bosendorfer (we got 2 of the GF in the house) as he plays almost exclusively Chopin’s pieces. Bosendorfer and Chopin are just a match made in heaven 😩😻.
@@irioagungkalabak3627 i can't agree more on the chopin bit. Hence my sorrow when i got to a recital to hear it and it's a Steinway (basically evrytime)
as a pianist, owning a piano from Steinway would honestly be such a dream. I've played on it at showrooms and the touch of the steinway just somehow feels more delicate yet powerful, just different.
I played a Steinway a month or so ago for a small concert. I loved it! I didn't want to stop playing….EVER!
I'm drooling... Just drooling
ok
oh hello dude
Steinway‘s are great without a doubt (those from Hamburg, NY produced are just for US market), but their ubiquitousness on the concert stages around the world is a pity nevertheless, as so many other manufactures have great pianos with distinctive sounds, too.
If not for Steinway's aggressive, predatory marketing, we in the English-speaking world would be able to more frequently enjoy the sound of Bösendorfer, C. Bechstein, Blüthner, Shigeru Kawaii, and of course Fazioli. Instead, we have musicians whose fundamentally precarious position in life cause then to understandably sign a "Steinway only" contact, which then forces every concert hall of worth to need a Steinway on hand, otherwise they would not be allowed to host many pianists. Because a good piano is expensive, most smaller concert halls only have one concert grand, which because of the above is usually a Steinway. This is how they have maintained their illusion of superiority, not because they're somehow the best. They're good, don't get me wrong, but to use a car analogy, they're like Lexus while the aforementioned brands are the true ultraluxury, hand crafted Rolls Royce and Bentleys.
@@vitaminluke5597 You're absolutely correct. Steinway is the bully of the piano world, which is our loss. I'm personally quite fond of Mason & Hamlin which equal to Steinway in quality in every way. Steinway has a very homogenous sound which we are so used to hearing, we don't even notice it.
@@robbicu If I like how they feel to play, I'd definitely consider a Mason and Hamlin, if nothing else than to spite Steinway and show them that even in the USA there are other high quality alternatives.
@@robbicu Steinway = Bully. That's a nice accurate summary!
@@vitaminluke5597 a Lexus can easily outlast any of those other brands.
My dream is to one day have one of these incredible pianos in my home. Always loved Steinway.
Consider an even better brand: If not for Steinway's aggressive, predatory marketing, we in the English-speaking world would be able to more frequently enjoy the sound of Bösendorfer, C. Bechstein, Blüthner, Shigeru Kawaii, and of course Fazioli. Instead, we have musicians whose fundamentally precarious position in life cause then to understandably sign a "Steinway only" contact, which then forces every concert hall of worth to need a Steinway on hand, otherwise they would not be allowed to host many pianists. Because a good piano is expensive, most smaller concert halls only have one concert grand, which because of the above is usually a Steinway. This is how they have maintained their illusion of superiority, not because they're somehow the best. They're good, don't get me wrong, but to use a car analogy, they're like Lexus while the aforementioned brands are the true ultraluxury, hand crafted Rolls Royce and Bentleys.
I would say try other brands as well, like Mason and Hamlin, Bosendorfer, Bechstein, Fazioli or higher level Kawai and Yamahas. When you play Steinways, you'll notice some aren't so special while others are quite lovely. But that's true of a lot of pianos. Pianos are very variable even within the same model and same year built. One really needs to play many of them and they change tones going from space to space.
@@vitaminluke5597 don’t get me wrong, I greatly appreciate these greats you speak of, but I hold Steinway as #1 (maybe I’ve fallen for that marketing). I have a Kawai right now and love it very much, can’t see me ever getting rid of it. But, it’s Steinways with their so called “rapid action” that I love above all.
@@benjaminsmith2287 I have yet to play a Bosendorfer! But, even time I get to play a Steinway, it really is a magical experience.
@@ivanporsche2572 No worries! Steinway still do make excellent pianos, and if there is some feature that you particularly like, that's good enough reason to want one! I just always like to point out the competition, but I'm glad that you're already aware
Love the Chopin at the end, he played that intro beautifully.
@@leahbrownmusic It’s one of the Nocturnes -
Op. 9 No 1
Such a beautiful piece.
Here in Midland, Michigan, we have this thing called Keybordfest where a bunch of local piano students learn piano duets, and then the Detroit Steinway Gallery brings up a bunch of pianos for the performance. It’s really fun, and definitely one of the best parts is getting to play on a Steinway. A couple years ago I played on this $100K+ white piano, it looked amazing, it felt amazing, it sounded amazing, and I really wanted it, but it was so dang expensive.
All model D i played were amazing (i even remembered playing on a recent model C in a piano shop, i just loved it)
But the thing is, i was also sometimes disappointed with some Model B for example, while i found Model O (yet smaller) better.
Steinway’s piano (especially model D) have in general a « safe » sound and also have always the same touch, which concert pianists can definitely enjoy especially when they don’t have the time to test the piano before concert. That being said, there are plenty of others great piano brands (Bosendorfer, Beichstein, CX Yamaha, Fazioli, Shigeru, Steingraeber...) that would deserve more credit, it’s just as i said, pianists feel very at ease with Steinway, no bad surprise.
I'd say quality wise Fazioli, Bechstein and Bosendorfer are in the same level as Steinway. The decision should be based on the sound you prefer (my favorite is Fazioli)
Compared to NY Steinway, those brands are higher in quality. The Hamburg Steinways are as good as those brands because they have to compete with them. Not here in the USA, where predatory capitalism has even ruined pianos. No competition means no need to make the best in the world, just a good piano with contacts that ensure no competition or innovation.
I preferred the Bechstein grands from the old Berlin factory. The move to Siefhennersdorf was accompanied by changes in design, construction and methods of assembly.
@@vitaminluke5597 actually I am shocked to find the RRP of Bosendorfer is much higher than Steinway (for the same type) as my partner got two Bosendorfer grand pianos 170S and I never thought the price of them was so fuck*n expensive 😂 , and of course, I love the sounds especially for Chopin’s pieces.
I played Steinway pianos frequently during my college days. I relish the memories decades later. Steinway grand pianos are still my favorites because of the awesome tones and responsive feel.
Im an aspiring pianist and i havent touched an acoustic piano for a while. Well i touched an upright piano in my school 2 years ago and that sparked my love for the piano. But ever since then i am only playing at my cheap 25$ digital piano. You are very lucky to have played steinways my friend.
As a piano player for most of my life, one of my life goals is to have to beautiful full concert grand in my home, but first I need a home big enough for it lol
My family had a music store when I was young. No Steinways to be found there but my parents didn’t want them. The store was geared towards the people of our town, not to show off or anything. Lots of my friends grew up with our family’s pianos and lessons from my parents. I was the lucky young man who got to deliver (oh, the pain!) them and eventually tune them. My father also rebuilt several 100+ y.o. models. I loved helping him with that aspect. I learned a ton about the piano and wound up playing guitar. 😎🤘
I had the pleasure of playing on one of these pianos a few years ago, the quality and feeling is something unmatched. I was interested in learning to play the piano because of an anime called Your lie in april, in the show, the main character plays on one at several points and I took note of the design and brand. Fast forward a few years later and i was beyond impressed that i was able to do the same. Though I don't play the piano anymore, I won't forget that recital and what it felt like to play on an elite instrument. For me, it was never about continuing my musical education or refining my skill, I just wanted to see if I could do it.
I am a piano technician for 30+ years, serviced many many Steinways. Steinway are no doubt a world class piano (odd mediocre one though) but at this stratum of elite piano they are not the "best", simply provide a different offering than other top manufactures. Most of these top manufactures have equally impressive wood selections, design and manufacturing techniques. I have been to the Yamaha and Kawai factories in Asia so seen first hand the attention and tight tolerances given to each piano.
Although one has to bear in mind in terms of "bang for buck" Steinway are right at the bottom of the range. Their manufacturing costs are much higher than brands coming from Japan Indonesian China etc plus they can command a higher price due to brand prestige .
The industry is much more complicated and global than it used to be. Steinway can still produce most things in house and command the price tag for it, whereas other manufactories have utilised international availability of materials and expert craftsmanship and importantly tax laws.
In 30+ years I have seen the vast majority of buyers choose Steinway due to prestige and generous budgets, their skill level is nowhere near the ability an instrument like this can produce. In reality they would have been served just as well with any of the other producers at half the price.
Side note: I recently have been servicing Hailun. Not much experience with them. However I must say for the price they are seriously impressive!
@Milo Prager for me personally I still prefer a good acoustic grand over a digital besides the sound and responce is because once they reach a point of needing restoration they're worth restoring, and the parts don't get obsoleat🎹🎶
@Milo Prager I do get your point though. Owning an expensive piano with out having the skill is pointless. I'm not a perfect pianist, however there were times that I played beter on some expensive instruments compared to the ones I practice on. I can't see what I'm doing nor can I read notes, however the sound sort of givs me an idea on how I should play the piece🎹🎶
Would have loved to hear more from that Chopin op. 9 no. 1 in the end, it sounded incredible!!
Me, barely employed on minimum wage: "ah, yes, you want to get a Steinway, of course."
After playing for 10 years I have really come to appreciate the consistent force to press each key on a Stienway. My parents have a Yamaha baby grand, which is still an amazing piano, but when I had the chance to play a Model D the difference was clear.
If you compare a Yamaha baby grand to a Steinway concert grand you will most likely choose the Steinway🎹🎶
@@MERCEDES-BENZS600GUARD_V12 I was just pointing out there is a major difference. I got to play a CFX one time too, and I would have a similar complaint. The baby grand is just what I am used to.
@@alech9418 sorry for the misunderstanding I thought you prefer the Steinway concert grand over the Yamaha baby grand
@@MERCEDES-BENZS600GUARD_V12 I do, I aas saying the CFX has the same problem as the baby grand, but to a lesser degree.
@@alech9418 what problem?🎹🎶
2:36 - completely ignores Canada where the vast majority of the Sika Spruce grows 🤣 Good work seppos, you never disappoint
When I was a kid, my piano teacher had a beautiful vintage Steinway. They literally built the house around the thing. I never knew the chance I had to play one every week
If I had money this is what I would buy, these pianos are pieces of art
Consider an even better brand: If not for Steinway's aggressive, predatory marketing, we in the English-speaking world would be able to more frequently enjoy the sound of Bösendorfer, C. Bechstein, Blüthner, Shigeru Kawaii, and of course Fazioli. Instead, we have musicians whose fundamentally precarious position in life cause then to understandably sign a "Steinway only" contact, which then forces every concert hall of worth to need a Steinway on hand, otherwise they would not be allowed to host many pianists. Because a good piano is expensive, most smaller concert halls only have one concert grand, which because of the above is usually a Steinway. This is how they have maintained their illusion of superiority, not because they're somehow the best. They're good, don't get me wrong, but to use a car analogy, they're like Lexus while the aforementioned brands are the true ultraluxury, hand crafted Rolls Royce and Bentleys.
@@vitaminluke5597 That's so interesting! I have a bechstein I love it
0:53 - Named the "Rolls-Royce of pianos" by the BBC...
Yep, BBC, a world-renowned, trustful and reputable piano specialist.
These pianos are totally hand crafted. I once watched a documentary about the Steinway factory. It makes you really appreciate why they're so pricey.
I was fortunate to purchase, 30 years ago, a Steinway upright 42" mahogany piano. It sounds just as lovely now as it did then; I have carefully had it tuned yearly, lately twice a year. I also have a Kawai ES920 Digital Piano which is very good but honestly, the sound is nowhere as rich and gorgeous as from the Steinway. I paid $4000 then, and a used piano dealer says I can get the same if I sold it now but selling it is out of the question. I'd be very stupid to sell it. However, except for Steinways and Yamahas and such, people have to pay to haul away old upright pianos. Digital pianos have mostly killed the market for small upright acoustics.
My Dad has a 1912 Steinway, rosewood finish, had no idea it was so valuable.
Only the new one. Unlike Violin or other string instruments, piano goes down in value overtime.
Its value depends on its sound. Not because it is old.
@@LucielStarz123 still pretty expensive. if the frame is metal and the harmony table isn't cracked it can be restored pretty good.
@@TheMusicalKnokcers "Harmony table"?
Many old piano SOUNDBOARDS have cracks.
There was an extensive scientific article in the PTG (Piano Technicians' Guild) Journal years ago, illustrating how cracks in the soundboard DO NOT ALWAYS affect a piano's tone materially or in a negative way.
It depends on where they are in the board, how big (long, wide) they are, etc etc. They CAN reduce the volume of tone of a piano, and/or cause buzzing, rattling etc like a broken loudspeaker, as well as (flat) soundboards giving old pianos that 'old piano' (flat, lifeless) sound.
After all, every regular grand or vertical soundboard I've ever heard of (EXCEPT perhaps some giraffe piano soundboards which are probably more like a harp's and are oblong or lozenge-shaped and much smaller than a regular soundboard, and so THEORETICALLY could be cut out of a large enough diameter piece of wood), is not a single piece of wood but is MADE UP from various strips of wood glued together diagonally along their edges, bent/steamed into the convex shape, and then held there with the diagonal 'ribs' which are glued on in the back.
This convex shape is partly to make the soundboard into a giant acoustic 'loudspeaker', which it is, and partly to counteract the ENORMOUS tension of the tuned piano strings, which is usually in the tons in most modern pianos.
Most of this tonnage pulls on the iron piano PLATE, though, (and pinblock etc) and the stout hardwood frame / case / (rim in a grand) of the piano holding it, and only a portion of that force pushes down on the soundboard ("downbearing"). But it's enough that the board has to be strong to withstand it, and after 100+ years, many soundboards are no longer convex due to all the tension (plus the glue or in some cases wood giving up the ghost) and are flat or even concave(!). So they need to be rebuilt.
Whether the soundboard is actually rebuildable is different for each individual piano, and not every technician can do this.
But many of these boards are savable, cracks or no cracks.
Some techs always fit a new soundboard, reasoning that the 'new wood is always better' (it isn't ALWAYS...), while others are loath to do so, reasoning that the old soundboard has 'aged in' and once rebuilt should sound nice (whereas a new board would take time to go through this 'aging in' process).
Again, this situation varies from instrument to instrument so there is no hard and fast rule for the proper course of action, just try not to spoil the original tone and get as close to 'factory' as possible if you want to preserve the original idea of the original tone.
why you reply to me i know already all of that, don't be scornfull for my words as i just made a guess while translating, keep in mind americans are only a fraction of all internet users. When someone like the original commenter knows nothing it's easier to stay simple, so i just stated the obvious. If it's metal the tension from the string will be better supported and there's chances that less damage will be present. Of course everything will be case by case because it all depends on the storage condition of the instrument, how much it was used.....
But we should agree that it's easier and less significant to replace the fabric or the hammers than to woodwork your way on the soundboard. Ok you can do small repairs on a soundboard like it's done with violins but if there's a huge crack, chances are you're in for troubles. Anyway this kind of things she/he has not to think of, it's up to the technician to decide if a restoration is worth it and what's to be done.
6:00 him: "you'll hear that note change...it becomes a little bit smaller"
me: if you say so
I mean I heard it
It sounded much nicer to me after the adjustment.
Ut's more notisable with headphones🎹🎶
I used to be in the piano trade many years ago, I had the pleasure of seeing a gentleman from Steinway, Max Matthias and Peter Lemmel from Bozendorfer at the conservatorium of music in Sydney NSW Australia and learned a lot about the factories including repairs, and piano action regulation.
I love that woman who listens to what the keys want!! She talks to them. They talk to her!