Music All of Browne's surviving works are found in the earlier folios of the Eton Choirbook, dating from between 1490 and 1500. According to the index of the Choirbook, ten more Browne compositions were originally published; five of these compositions have been lost, while two survive in fragmentary form. Browne's music is notable for its varied and unusual vocal instrumentation; each of his surviving works calls for a unique array of voices, with no two compositions sharing a given ensemble scoring. A prime example of Browne's penchant for unorthodox groupings is his six-voice antiphon Stabat iuxta, scored for a choir of four tenors and two basses. His choral music often displays careful treatment of the dramatic possibilities of the text and expressive use of imitation and dissonance; the aforementioned Stabat iuxta, in particular, has been noted for its "dense, almost cluster chords" and "harsh" false relations. Works O Maria salvatoris mater Stabat mater dolorosa Stabat virgo mater Christi Stabat juxta Christi crucem O regina mundi clara Salve regina mater misericordiae Salve regina mater misericordiae Ave lux totius mundi (lost) Gaude flore virginali (lost) O mater venerabilis Stabat virgo mater Christi Magnificat: Et exultavit spiritus meus (lost) Magnificat: Et exultavit spiritus meus Magnificat: Et exultavit spiritus meus (lost) Magnificat: Et exultavit spiritus meus (lost)
This Was Most Likely Sung By Young Boys At the Time of its Composition [ Soprano] Because They Did Not Allow Women in the Choir Loft Then . My Point Being -- Imagine the Skill Levels of Boy Choristers of the Era .
Beautiful polyphony from a contemporary of Ockeghem and later des Prez.
Music
All of Browne's surviving works are found in the earlier folios of the Eton Choirbook, dating from between 1490 and 1500. According to the index of the Choirbook, ten more Browne compositions were originally published; five of these compositions have been lost, while two survive in fragmentary form.
Browne's music is notable for its varied and unusual vocal instrumentation; each of his surviving works calls for a unique array of voices, with no two compositions sharing a given ensemble scoring. A prime example of Browne's penchant for unorthodox groupings is his six-voice antiphon Stabat iuxta, scored for a choir of four tenors and two basses. His choral music often displays careful treatment of the dramatic possibilities of the text and expressive use of imitation and dissonance; the aforementioned Stabat iuxta, in particular, has been noted for its "dense, almost cluster chords" and "harsh" false relations.
Works
O Maria salvatoris mater
Stabat mater dolorosa
Stabat virgo mater Christi
Stabat juxta Christi crucem
O regina mundi clara
Salve regina mater misericordiae
Salve regina mater misericordiae
Ave lux totius mundi (lost)
Gaude flore virginali (lost)
O mater venerabilis
Stabat virgo mater Christi
Magnificat: Et exultavit spiritus meus (lost)
Magnificat: Et exultavit spiritus meus
Magnificat: Et exultavit spiritus meus (lost)
Magnificat: Et exultavit spiritus meus (lost)
Very beautiful! Dziękuję.
Wonderful music from a little known composer
Incantevole!
Merci pour ce compositeur si peu connu ici en france.
Como era bela a magnificência humana. Vestígio que dispertara os olhos. stabat officium nostrorum. stabat luxta christi crucem.
A música é inspiradora e que pintura magnífica de Roger V D Weyden para ilustrar
This Was Most Likely Sung By Young Boys At the Time of its Composition [ Soprano] Because They Did Not Allow Women in the Choir Loft Then . My Point Being -- Imagine the Skill Levels of Boy Choristers of the Era .
+hi
1425 the agenda was born
What agenda