Thank you for the cover! I'm used to Castlevania themes now, but this one feels much more adventurous and daring, to go with the mysterious feel that I would normally hear!
Having listened to Pinnacle after also listening to Rhapshody, I realise that to a certain extent Rhapshody takes up some of Pinnacle's emotional work, although each one follows different styles. Pinnacle is dominated by emotion and Rhapshody allows itself to develop a bit more of the serene between somewhat enigmatic tones without giving up emotional force. The fact that you have published both in a short time makes it somewhat evident that there are some similarities between the two. Perhaps when you are interpreting Castlevania, you are obtaining, without intending to, a greater intuition of the Yamane style. That is the great thing about reinterpreting, not only does it maintain a musical tradition, it also makes more evident sound subtleties and affinities that are not usually perceived or are complicated otherwise. It is a success on your part to have interpreted Rhapshody and Pinnacle in a short time. You give continuity to a starting point of the legacy. castellano: Habiendo escuchado Pinnacle tras escuchar también Rhapshody, me doy cuenta de que en cierta medida Rhapshody retoma algo de la obra emocional de Pinnacle, aunque cada uno sigue estilos diferentes. Pinnacle está dominado por la emoción y Rhapshody se permite desarrollar un poco más de lo sereno entre tonos algo enigmáticos sin renunciar a la fuerza emocional. El hecho de que hayas publicado ambos en poco tiempo hace que sea algo evidente que hay algunas similitudes entre ambos. Quizá cuando estás interpretando Castlevania, estás obteniendo, sin pretenderlo, una mayor intuición del estilo de Yamane. Eso es lo bueno de reinterpretar, no sólo mantiene una tradición musical, también hace más evidentes sutilezas sonoras y afinidades que no se suelen percibir o son complicadas de otra manera. Es un acierto por tu parte haber interpretado Rhapshody y Pinnacle en poco tiempo. Das continuidad a un punto de partida del legado.
This, and on the release of the second season of Castlevania Nocturne. That series is so awesome, and the new season is great. Are you going to do Where Winds Meet on UA-cam? (Called 16 Sounds of Yanyun in China?) I think Dawn of Sorrow is my favorite of the 3 GBA and 3 DS Castlevanias, with Aria of Sorrow and Portrait of Ruin being my next two faves. I like Order of Ecclesia and Harmony of Dissonance okay, and don't like Circle of the Moon that much.
Thank you for the cover!
I'm used to Castlevania themes now, but this one feels much more adventurous and daring, to go with the mysterious feel that I would normally hear!
Yes!! Favourite castlevania soundtrack. Fantastic cover!
每次聽到妳以小提琴 去演奏惡魔城 都讓我性奮不已 我本身是一位惡魔城玩家 也是古典樂愛好者
妳的小提琴真的很美 完美去詮釋 惡魔城那種 冒險 優雅 邪魅感
尤其是Shurai-阿嬳打扮城 夏諾雅 夏姊 真的很適合妳
今後我會繼續支持妳 請繼續加油!!!
KACCHOI敬上
Such a cool cover!
The playing is wonderful, your wardrobe is beautiful, and the motion-effect musical notes are a nice detail!
What a wonderful performance. As sublime and beautiful as ever, congratulations
One of the best tracks in the game
Love this track, I often use it in TTRPG sessions. Wonderful cover!
Please smile shurai 🌹
Broooooo i cant wait ❤
Having listened to Pinnacle after also listening to Rhapshody, I realise that to a certain extent Rhapshody takes up some of Pinnacle's emotional work, although each one follows different styles. Pinnacle is dominated by emotion and Rhapshody allows itself to develop a bit more of the serene between somewhat enigmatic tones without giving up emotional force. The fact that you have published both in a short time makes it somewhat evident that there are some similarities between the two. Perhaps when you are interpreting Castlevania, you are obtaining, without intending to, a greater intuition of the Yamane style. That is the great thing about reinterpreting, not only does it maintain a musical tradition, it also makes more evident sound subtleties and affinities that are not usually perceived or are complicated otherwise. It is a success on your part to have interpreted Rhapshody and Pinnacle in a short time. You give continuity to a starting point of the legacy.
castellano: Habiendo escuchado Pinnacle tras escuchar también Rhapshody, me doy cuenta de que en cierta medida Rhapshody retoma algo de la obra emocional de Pinnacle, aunque cada uno sigue estilos diferentes. Pinnacle está dominado por la emoción y Rhapshody se permite desarrollar un poco más de lo sereno entre tonos algo enigmáticos sin renunciar a la fuerza emocional. El hecho de que hayas publicado ambos en poco tiempo hace que sea algo evidente que hay algunas similitudes entre ambos. Quizá cuando estás interpretando Castlevania, estás obteniendo, sin pretenderlo, una mayor intuición del estilo de Yamane. Eso es lo bueno de reinterpretar, no sólo mantiene una tradición musical, también hace más evidentes sutilezas sonoras y afinidades que no se suelen percibir o son complicadas de otra manera. Es un acierto por tu parte haber interpretado Rhapshody y Pinnacle en poco tiempo. Das continuidad a un punto de partida del legado.
Beautiful edit!!💀👍
Give a Like 1st, my fav Dawn of Sorrow soundtrack!
OMG!
This, and on the release of the second season of Castlevania Nocturne. That series is so awesome, and the new season is great. Are you going to do Where Winds Meet on UA-cam? (Called 16 Sounds of Yanyun in China?)
I think Dawn of Sorrow is my favorite of the 3 GBA and 3 DS Castlevanias, with Aria of Sorrow and Portrait of Ruin being my next two faves. I like Order of Ecclesia and Harmony of Dissonance okay, and don't like Circle of the Moon that much.
んー…アガるねぇ…！！
Hi Shurai! you think you can do a cover of a song from a game called YS VIII called A to Z?
Your covers are so incredible, always love to hear them ♥
Maybe she will do Suikoden I and II covers when the remasters are released.....those games are classics.