Complete playlist of all of Haydn’s Piano Sonatas: ua-cam.com/play/PLZZAT1pP5dJoL_7cY8k7aICaN4lu1E6MN.html Complete playlist of Beethoven’s Piano Sonatas: ua-cam.com/play/PLZZAT1pP5dJqQ2muffHDx44e9cgnIHi3n.html My Website with links to all of my recordings: www.andrewremillard.com/complete-recording-list-links/
MVT I, Allegro (0:05) EXPOSITION 0:05 - Theme 1 0:15 - Transition to G 0:20 - Theme 2 0:35 - Cadential Theme in G DEVELOPMENT 1:20 - Theme 1 alternating keys in each bar, leading from G minor to A minor 1:31 - A 1-bar motif in A minor also altering keys 1:44 - Theme 1 alternating from A minor to G major RECAPITULATION 1:58 - Theme 2 in C 2:17 - Cadential Theme in C MVT II, Andante (3:36) 3:36 - Theme 1 in C major - G major (4:17) 4:58 - Theme 2 in G major - C major (5:56) MVT III, Menuet (6:32) 6:32 - Menuet 1, in C major (6:46) 6:59 - Menuet 2, in C major (7:20) 7:42 - Trio 1, in C minor (7:55) 8:09 - Trio 2, in E-flat major - C minor (8:33) 8:58 - Menuet 1 & 2 (da capo)
FROM SOWETO IN SOUTH AFRICA.THERE IS A STATION CALL CLASSIC FM . THAT'S WERE I STARTED LISTENING AND FOLLOWING IN LOVE WITH GUYS LIKE BEETHOVEN, HAYDEN, ETC.IM STILL LEARNING A LOT ABOUT THIS BRILLIANT ART OF MUSIC 🙏🙏
I am so happy, this is my first ever sonata to play. Not playing anywhere like this yet, but am working my way there hopefully. Thanks so much for uploading this video, this inspired me more to push myself to practice harder. Thanks so much!
This is a great place to start! When you are done be sure to check the next dozen or so of Haydn's sonatas. You will find them quite playable and very enjoyable.
Yes thanks so much! I’ve got Haydn complete piano sonatas book: 1 :) I’ve practically practiced hard before I go to sleep. Totally worth it! And now I’ll be listening to this sonata again before going to sleep.
I am in the process of recording all of his sonatas, so stay tuned. Currently #20 is in the can, waiting for editing and #21 will be recorded in about a week.
Thank you so much for this outstanding work. I appreciate a lot you’re approaching to Haydn, not falling into fast tempi as we usually hear, becoming the Allegros into prestos and so on. Also I like your elegants variations when you repeat. Bravo!!
Thank you! Yes, pianists often think everything is a race. All but a few of H's sonatas were written for amateurs, there is no reason to turn them into show pieces, You end up destroying their elegance, which is a far more important characteristic than anything else.
@@AndrewRemillard you’re absolutely right. I’m a pianist, conductor and composer, and I try always to understand what is behind the notes. I hate when pianist only try to show off at any cost and, as you say, everything is a race. For instance the first Debussy’s Arabesque. Keep doing this beautiful job. Congratulations and thank you.
Haydn, Joseph: HOB XVI #1, Sonata in C Major MVT I: Allegro (0:05) in C major EXPOSITION 0:05 - Theme 1 in I 0:20 - Theme 2 in V 0:35 - Cadential theme in V DEVELOPMENT 1:20 - Theme 1 principal motif (0:05 - 0:08) moving from G minor to A minor 1:31 - 1-bar motif playing in I-IV-I-V in A minor RECAPITULATION 1:44 - Alterated theme 1 moving from A minor to C major 1:58 - Theme 2 playing in I 2:17 - Cadential theme in I MVT II, Andante (3:36) in C major 3:35 - Theme 1 moving from I to V 4:58 - Theme 2 moving from V to I MVT III, Menuet (6:32) in C major MENUETS 6:32 - Menuet 1, introducing motif A (6:32 - 6:42) 6:59 - Menuet 2, resolving in motif A and finishing with a small cadential theme TRIOS 7:43 - Trio 1 in C minor 8:09 - Trio 2, starting in Eb major and finishing with the whole figure of Trio 1 DA CAPO 8:58 - Da capo, Menuets 1 & 2 played with no repetition Pd: I'm the same person from the other analysis, but that gmail account was hacked, so I'm writing it again, with some improvements (I will probably keep posting analysis in other Haydn Sonatas videos) Edit I actually forgot to mention how good the playing was :D
hey man, do you have an idea where I can find the tact numbers? I have to do something for school and I cant find any notes with numbers, so I cant reference where it is
Beautiful! I’ve just become acquainted with your channel and love piano music. I’m 73 and have been dabbling in piano for 60 years! Never had lessons though. I just teach myself by rote and memory the little easy classical pieces. The only Haydn one I can play is Little Serenade as it’s so easy. 👏
Muy bueno el vídeo y excelente la velocidad yo recién voy aprenderlo a tocar mi profesor me la acaba de dejar .me hubiera gustado que haga un tutorial .pero de todas maneras le agradezco algún consejo que pueda darme
There can quite the variation in ornamentation in especially in Haydn's earlier sonatas. I also think the performer has some latitude in what they choose to do.
나는 희빈 장씨니라 꺄아하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하
희빈 장씨(1659∼1701) : 조선 19대왕 숙종의 후궁. 본관은 인동(仁同)이다. 역관 장현(張炫)의 종질녀이다. 어머니의 정부(情夫)였던 조사석(趙師錫)과 종친인 동평군 이항(東平君 李杭)의 주선으로 궁녀로 들어가 숙종의 총애를 독차지했다. 1686년(숙종 12) 숙원(淑媛)이 되었다. 1688년 소의(昭儀)로 승진하고 왕자 이윤(李昀: 뒤의 景宗)을 낳았다. 왕은 기뻐하여 세자로 봉하려 했다. 그러나 송시열(宋時烈) 등 당시 정권을 잡고 있던 서인이 지지하지 않으므로 남인들의 원조를 얻어 책봉하려 했다. 이에 서인의 노론·소론은 모두 왕비 민씨(閔氏)가 나이가 많지 않으니 후일을 기다리자고 주장하였다. 숙종은 듣지 않고 1689년 정월에 이윤을 세자로 봉하고, 장소의는 희빈으로 승격했다. 이 때 송시열이 세자로 봉하는 것이 아직 이르다고 상소하였다. 왕은 이미 명호(名號)가 결정된 다음에 이런 의견을 말하는 것은 무슨 일이냐고 진노했다. 이에 남인 이현기(李玄紀)·남치훈(南致薰)·윤빈(尹彬) 등이 송시열의 상소를 논박하며 파직시켜 제주도로 유배하게 하고 다시 사사(賜死)하게 하였다. 그러나 송시열은 중로 정읍으로 이배(移配)되었다가 사약을 받았다. 이 밖에 서인의 영수들도 파직 또는 유배를 면하지 못했다. 반면에 남인의 권대운(權大運)·김덕원(金德遠) 등이 등용되었다. 이 정권의 교체를 기사환국 또는 기사사화라고 한다. 이 해 5월에 민비를 폐하고 장희빈을 왕비로 삼으려 할 때 서인 오두인(吳斗寅)·박태보(朴泰輔) 등 80여 명이 상소하여 이를 반대했다. 그러나 이들은 참혹한 형문을 받게 되니 이후 정국은 남인의 세상이 되었다. 기사환국 후 시간이 흐르면서 숙종은 폐비사건을 후회하게 되었다. 그러던 중 1694년 서인의 김춘택(金春澤)·한중혁(韓重爀) 등이 폐비 복위운동을 꾀하다가 고발되었다. 이 때 남인의 영수요 당시 우의정이었던 민암(閔黯) 등이 이 기회에 반대당 서인을 완전히 제거하려고 김춘택 등 수십 명을 하옥하고 범위를 넓혀 일대 옥사를 일으켰다. 이 때 숙종은 폐비에 대한 반성으로 옥사를 다스리던 민암을 파직하고 사사했으며, 권대운·목내선(睦來善)·김덕원 등을 유배했다. 이어 소론 남구만(南九萬)·박세채(朴世采)·윤지완(尹趾完) 등을 등용하고 장씨를 희빈으로 내렸는데 이것을 갑술옥사라고 한다. 또한, 이미 죽은 송시열·김수항(金壽恒) 등은 복작(復爵)되고 남인은 정계에서 물러나게 되었다. 소론이 들어서고 남인이 물러날 때 장희빈의 오빠 장희재(張希載)가 희빈에게 보낸 서장(書狀) 속에 폐비 민씨에 관련된 문구가 있어 논쟁이 벌어졌다. 여러 사람이 장희재를 죽이자고 했으나 세자에게 화가 미칠까 염려하여 남구만·윤지완 등이 용서하게 했다. 그런데 왕비 민씨가 죽은 다음에, 장희빈이 취선당(就善堂) 서쪽에 신당(神堂)을 설치하고 민비가 죽기를 기도한 일이 발각되었다. 이 일에 관련된 희빈과 장희재는 처형되고 궁인(宮人)·무녀와 그 족당(族黨)도 화를 입었다. 이것을 무고(巫蠱)의 옥(獄)이라고 한다. 이 때 장희빈에 대해 관대한 태도를 취한 남구만·최석정(崔錫鼎)·유상운(柳尙運) 등 소론의 선비들도 몰락하고 다시 노론이 득세하였다. 숙종은 이후 빈(嬪)을 후비(后妃)로 승격하는 일을 없애는 법을 만들었다.
I have recorded almost all of Haydn's piano sonatas. Maybe, since your deep understanding is so evident in your comment, you could listen to all of them and help me gain in understanding.
Actually very common for the early Classical period and much of Haydn's sonatas have both sets of repeats. Yes, as development sections got bigger, the repeats became less frequent.
@@AndrewRemillard I didn't knew that. I rarely listen Mozart sonatas (and when i do it i use to listen mature sonatas), and this is my first approaching to Haydn sonatas.
This is a holdover from the baroque dance suite in which both halves were always repeated. What's far stranger to my ears is having all 3 movements in the same key. This is not characteristic of the high classical style but is also a common occurrence in baroque dance suites.
Complete playlist of all of Haydn’s Piano Sonatas:
ua-cam.com/play/PLZZAT1pP5dJoL_7cY8k7aICaN4lu1E6MN.html
Complete playlist of Beethoven’s Piano Sonatas:
ua-cam.com/play/PLZZAT1pP5dJqQ2muffHDx44e9cgnIHi3n.html
My Website with links to all of my recordings:
www.andrewremillard.com/complete-recording-list-links/
Thanks!
It helped me a lot thanks
Fantastic
Thanks for sharing friend
MVT I, Allegro (0:05)
EXPOSITION
0:05 - Theme 1
0:15 - Transition to G
0:20 - Theme 2
0:35 - Cadential Theme in G
DEVELOPMENT
1:20 - Theme 1 alternating keys in each bar, leading from G minor to A minor
1:31 - A 1-bar motif in A minor also altering keys
1:44 - Theme 1 alternating from A minor to G major
RECAPITULATION
1:58 - Theme 2 in C
2:17 - Cadential Theme in C
MVT II, Andante (3:36)
3:36 - Theme 1 in C major - G major (4:17)
4:58 - Theme 2 in G major - C major (5:56)
MVT III, Menuet (6:32)
6:32 - Menuet 1, in C major (6:46)
6:59 - Menuet 2, in C major (7:20)
7:42 - Trio 1, in C minor (7:55)
8:09 - Trio 2, in E-flat major - C minor (8:33)
8:58 - Menuet 1 & 2 (da capo)
@@JuanSantos-yq1jnyou are welcome!
Thank you!! You truly helped a music theory student out :D
Ty bud
el primer movimiento es un muy buen ejemplo para estudiar la forma sonata
Wtf dude what is this
FROM SOWETO IN SOUTH AFRICA.THERE IS A STATION CALL CLASSIC FM . THAT'S WERE I STARTED LISTENING AND FOLLOWING IN LOVE WITH GUYS LIKE BEETHOVEN, HAYDEN, ETC.IM STILL LEARNING A LOT ABOUT THIS BRILLIANT ART OF MUSIC 🙏🙏
A masterfully dainty exposition of Haydn's sublimity. Many congratulations!
This is the best interpretation of this sonata I’ve heard.
Beautifully played! Hayden is happiness ☺️ I admire your hard work 😊👌
I am so happy, this is my first ever sonata to play. Not playing anywhere like this yet, but am working my way there hopefully. Thanks so much for uploading this video, this inspired me more to push myself to practice harder. Thanks so much!
This is a great place to start! When you are done be sure to check the next dozen or so of Haydn's sonatas. You will find them quite playable and very enjoyable.
Yes thanks so much! I’ve got Haydn complete piano sonatas book: 1 :) I’ve practically practiced hard before I go to sleep. Totally worth it! And now I’ll be listening to this sonata again before going to sleep.
I am in the process of recording all of his sonatas, so stay tuned. Currently #20 is in the can, waiting for editing and #21 will be recorded in about a week.
Thanks! I definitely will. I’ve also subscribed!
Can you play it now??? Hope so,
Thank you so much for this outstanding work. I appreciate a lot you’re approaching to Haydn, not falling into fast tempi as we usually hear, becoming the Allegros into prestos and so on. Also I like your elegants variations when you repeat. Bravo!!
Thank you! Yes, pianists often think everything is a race. All but a few of H's sonatas were written for amateurs, there is no reason to turn them into show pieces, You end up destroying their elegance, which is a far more important characteristic than anything else.
@@AndrewRemillard you’re absolutely right. I’m a pianist, conductor and composer, and I try always to understand what is behind the notes. I hate when pianist only try to show off at any cost and, as you say, everything is a race. For instance the first Debussy’s Arabesque. Keep doing this beautiful job. Congratulations and thank you.
Thank you
Merry Christmas everyone to this channel
Happy 2023
Such charming piece! Thank you for uploading this.
Thanks, be sure to check out all of the other Haydn sonatas I have recorded. Stay tuned for No. 20 which is in the can.
Haydn, Joseph: HOB XVI #1, Sonata in C Major
MVT I: Allegro (0:05) in C major
EXPOSITION
0:05 - Theme 1 in I
0:20 - Theme 2 in V
0:35 - Cadential theme in V
DEVELOPMENT
1:20 - Theme 1 principal motif (0:05 - 0:08) moving from G minor to A minor
1:31 - 1-bar motif playing in I-IV-I-V in A minor
RECAPITULATION
1:44 - Alterated theme 1 moving from A minor to C major
1:58 - Theme 2 playing in I
2:17 - Cadential theme in I
MVT II, Andante (3:36) in C major
3:35 - Theme 1 moving from I to V
4:58 - Theme 2 moving from V to I
MVT III, Menuet (6:32) in C major
MENUETS
6:32 - Menuet 1, introducing motif A (6:32 - 6:42)
6:59 - Menuet 2, resolving in motif A and finishing with a small cadential theme
TRIOS
7:43 - Trio 1 in C minor
8:09 - Trio 2, starting in Eb major and finishing with the whole figure of Trio 1
DA CAPO
8:58 - Da capo, Menuets 1 & 2 played with no repetition
Pd: I'm the same person from the other analysis, but that gmail account was hacked, so I'm writing it again, with some improvements (I will probably keep posting analysis in other Haydn Sonatas videos)
Edit I actually forgot to mention how good the playing was :D
hey man, do you have an idea where I can find the tact numbers? I have to do something for school and I cant find any notes with numbers, so I cant reference where it is
What is a "tact" number?
@@frankniemand2171 what is a tact number
Love this work.
Beautiful! I’ve just become acquainted with your channel and love piano music. I’m 73 and have been dabbling in piano for 60 years! Never had lessons though. I just teach myself by rote and memory the little easy classical pieces. The only Haydn one I can play is Little Serenade as it’s so easy. 👏
Great🎉
Haydn, es inconmensurable, Gracias por compartir, Andrew.
And from such humble beginnings came one of the most foundational forms in music history…
Hello
I love this song, I play these song and I love the song.
You said I love the song 2x
Thanks!
3:54… that’s not right… right??
LMAO
@@chuming8893 hahah like wtf
@@cursedmoonfilms ME IN LUNCH TIME BE LIKE ,ASMR
My favorite
Favorite Haydn sonata or favorite sonata ever?
Very nice
Thanks!
Great sonata!
Yes it is!
great tempo-much better than the presto tempos on other recordings..Only one clinker-measure 4, 2nd beat of the Andante..nice ornamentation..
I think mozart got his idea from this piece to compose his first sonata
It's the same like Mozart,very beautifull
What! This os composed 1750-1755.
Its Hayden?
Haydn actually was Mozart's piano teacher. So there is a lot of Haydn in Mozart.
@@bergspot ohhh that’s cool!
@@bergspot Uh no
1:19
Hi
Somebody can help me for give this partitura in PDF.
Helpppp!!!!
ks4.imslp.info/files/imglnks/usimg/d/d5/IMSLP471943-PMLP01623-1_IMSLP463088-PMLP751942-sonatas.pdf
@@AndrewRemillard hey míster. Thank so much .
Your save me. Man..
Thanks for ever !!!
No problem! ISMLP is the first and usually the last place I look for sheet music. If they don't have it, nobody does.
Your left hand is perfect on this
7 bar in the opening, but sounds good!
??
@@AndrewRemillard Haydn I meant. He composed the first theme in 7 bars in the opening which was unusual that time. But sounds good though.
Still don’t get it
Very well done- an not too fast, so I can follow :-) !
When will you reach 30k
Maybe 3 months
Thanks
You are close to 30k 30:00k
30k🎉🎉🎉🎉
Muy bueno el vídeo y excelente la velocidad yo recién voy aprenderlo a tocar mi profesor me la acaba de dejar .me hubiera gustado que haga un tutorial .pero de todas maneras le agradezco algún consejo que pueda darme
Can you record yourself and post it on UA-cam?
This is nice sonata. Though it deviates from the Wiener Urtext. Barok allows to vary, play with the ornaments
There can quite the variation in ornamentation in especially in Haydn's earlier sonatas. I also think the performer has some latitude in what they choose to do.
나는 희빈 장씨니라 꺄아하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하
Bruh
희빈 장씨(1659∼1701) : 조선 19대왕 숙종의 후궁.
본관은 인동(仁同)이다. 역관 장현(張炫)의 종질녀이다. 어머니의 정부(情夫)였던 조사석(趙師錫)과 종친인 동평군 이항(東平君 李杭)의 주선으로 궁녀로 들어가 숙종의 총애를 독차지했다.
1686년(숙종 12) 숙원(淑媛)이 되었다. 1688년 소의(昭儀)로 승진하고 왕자 이윤(李昀: 뒤의 景宗)을 낳았다. 왕은 기뻐하여 세자로 봉하려 했다. 그러나 송시열(宋時烈) 등 당시 정권을 잡고 있던 서인이 지지하지 않으므로 남인들의 원조를 얻어 책봉하려 했다.
이에 서인의 노론·소론은 모두 왕비 민씨(閔氏)가 나이가 많지 않으니 후일을 기다리자고 주장하였다. 숙종은 듣지 않고 1689년 정월에 이윤을 세자로 봉하고, 장소의는 희빈으로 승격했다. 이 때 송시열이 세자로 봉하는 것이 아직 이르다고 상소하였다. 왕은 이미 명호(名號)가 결정된 다음에 이런 의견을 말하는 것은 무슨 일이냐고 진노했다.
이에 남인 이현기(李玄紀)·남치훈(南致薰)·윤빈(尹彬) 등이 송시열의 상소를 논박하며 파직시켜 제주도로 유배하게 하고 다시 사사(賜死)하게 하였다. 그러나 송시열은 중로 정읍으로 이배(移配)되었다가 사약을 받았다.
이 밖에 서인의 영수들도 파직 또는 유배를 면하지 못했다. 반면에 남인의 권대운(權大運)·김덕원(金德遠) 등이 등용되었다. 이 정권의 교체를 기사환국 또는 기사사화라고 한다.
이 해 5월에 민비를 폐하고 장희빈을 왕비로 삼으려 할 때 서인 오두인(吳斗寅)·박태보(朴泰輔) 등 80여 명이 상소하여 이를 반대했다. 그러나 이들은 참혹한 형문을 받게 되니 이후 정국은 남인의 세상이 되었다.
기사환국 후 시간이 흐르면서 숙종은 폐비사건을 후회하게 되었다. 그러던 중 1694년 서인의 김춘택(金春澤)·한중혁(韓重爀) 등이 폐비 복위운동을 꾀하다가 고발되었다. 이 때 남인의 영수요 당시 우의정이었던 민암(閔黯) 등이 이 기회에 반대당 서인을 완전히 제거하려고 김춘택 등 수십 명을 하옥하고 범위를 넓혀 일대 옥사를 일으켰다.
이 때 숙종은 폐비에 대한 반성으로 옥사를 다스리던 민암을 파직하고 사사했으며, 권대운·목내선(睦來善)·김덕원 등을 유배했다. 이어 소론 남구만(南九萬)·박세채(朴世采)·윤지완(尹趾完) 등을 등용하고 장씨를 희빈으로 내렸는데 이것을 갑술옥사라고 한다. 또한, 이미 죽은 송시열·김수항(金壽恒) 등은 복작(復爵)되고 남인은 정계에서 물러나게 되었다.
소론이 들어서고 남인이 물러날 때 장희빈의 오빠 장희재(張希載)가 희빈에게 보낸 서장(書狀) 속에 폐비 민씨에 관련된 문구가 있어 논쟁이 벌어졌다. 여러 사람이 장희재를 죽이자고 했으나 세자에게 화가 미칠까 염려하여 남구만·윤지완 등이 용서하게 했다.
그런데 왕비 민씨가 죽은 다음에, 장희빈이 취선당(就善堂) 서쪽에 신당(神堂)을 설치하고 민비가 죽기를 기도한 일이 발각되었다. 이 일에 관련된 희빈과 장희재는 처형되고 궁인(宮人)·무녀와 그 족당(族黨)도 화를 입었다. 이것을 무고(巫蠱)의 옥(獄)이라고 한다.
이 때 장희빈에 대해 관대한 태도를 취한 남구만·최석정(崔錫鼎)·유상운(柳尙運) 등 소론의 선비들도 몰락하고 다시 노론이 득세하였다. 숙종은 이후 빈(嬪)을 후비(后妃)로 승격하는 일을 없애는 법을 만들었다.
Bruh
Need more understanding and articulation, can be improved lots
I have recorded almost all of Haydn's piano sonatas. Maybe, since your deep understanding is so evident in your comment, you could listen to all of them and help me gain in understanding.
Weird sonata form. Development and Reprise both repeated???? It's a bit awkward
Actually very common for the early Classical period and much of Haydn's sonatas have both sets of repeats. Yes, as development sections got bigger, the repeats became less frequent.
@@AndrewRemillard I didn't knew that. I rarely listen Mozart sonatas (and when i do it i use to listen mature sonatas), and this is my first approaching to Haydn sonatas.
This is a holdover from the baroque dance suite in which both halves were always repeated. What's far stranger to my ears is having all 3 movements in the same key. This is not characteristic of the high classical style but is also a common occurrence in baroque dance suites.
L'interprétation est un peu tristounette.