Animatronics, Theme Parks, & Race

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  • Опубліковано 22 лип 2024
  • Please use my Amazon Associates link to order Theme Park Design by David Younger: amzn.to/44ltVr1
    I will receive a small commission and you will be supporting the channel to help me continue what I'm doing. This book is a great resource for all theme park fans!
    --
    00:00 - Introduction
    03:00 - Historiography
    11:40 - Methods & Purpose
    16:10 - From World's Fair to Theme Parks
    20:08 - From Wax Figures to Animatronics
    34:00 - Case Study: Africa
    47:04 - Case Study: North American Indians
    57:03 - Case Study: The Middle East
    01:07:25 - Case Study: Pandora & Avatar
    01:11:58 - Conclusion
    Footage of Disneyland's Indian Village was supplied and donated from The Mackenzie Rough channel.
    Embark on a captivating journey through the intricate history of animatronics, theme parks, and racial representation, employing a meticulous historical methodological approach in this thought-provoking video. Join us as we delve into the convergence of culture, technology, and societal dynamics within the realm of theme parks.
    Drawing inspiration from recent refurbishments made by entertainment corporations, such as Disney's transformative changes to The Jungle Cruise, we examine the ongoing debates surrounding cultural representations in theme parks. Witness how these actions reflect an industry's response to growing concerns over unfair racial portrayals and strive for inclusivity.
    By skillfully weaving together historical research and analysis, this project aims to achieve multiple objectives. Firstly, we highlight the cross-cultural depictions, perceptions, and receptions within the themed entertainment industry, tracing their roots back to the historiography of World's Fairs. Secondly, we extend the study of wax figure technology into the emergence of animatronics, uncovering the profound implications of these advancements during the latter half of the twentieth century.
    Recognizing animatronics and their immersive environments as invaluable primary sources, we critically explore how themed entertainment corporations sought to replicate the human form through animatronic technology. However, we acknowledge the persistent dehumanization of non-White and non-Western bodies, which serves as a continuation of Western representations found in public World's Fairs and carried over into the private theme park industry.
    To effectively navigate this multifaceted exploration, this video is organized into distinct parts. We commence with an exploration of historiography and methods, solidifying the significance of theme park attractions as accessible and informative primary sources. Next, we investigate the evolving contexts of wax and animatronic exhibitions, tracing their transition from diplomatic World's Fairs to corporate theme parks.
    Welcome to our UA-cam video exploring the fascinating world of cultural representations in theme parks! In this thought-provoking video, we delve into the twentieth-century debates over these representations and the recent actions taken by entertainment corporations to revise outdated attractions. Discover how themes of inclusivity, racial representation, and the evolution of animatronics have shaped the modern theme park experience.
    Join us as we dissect the historical context, highlight primary sources, and analyze the impact of theme parks on late twentieth-century visual culture. Through a multidisciplinary approach, we explore the intertwining histories of world's fairs, wax figures, robotics, and the body, shedding light on the rich tapestry of themed entertainment.
    With in-depth case studies and insightful theories from renowned scholars, we unravel the construction of the "Other" and the persistence of dehumanizing Western representations. Prepare to be captivated by the complexities of theme parks as both mirrors and windows into society's symbols and desires.
    Don't miss this opportunity to gain a deeper understanding of the cultural significance and implications of theme parks. Subscribe to our channel for more fascinating explorations into history, culture, and society. Let's embark on this enlightening journey together!
    Hashtags:
    #ThemeParks #CulturalRepresentations #Inclusivity #Animatronics #VisualCulture #WorldsFairs #WaxFigures #Robotics #Historiography #TheOther #MaterialCulture ##ThemedEntertainment #PrimarySources
    Attractions Studied:
    Disney's Animal Kingdom: Orlando, Florida - "Africa" themed land, "Kilimanjaro Safari," "Festival of the Lion King," "Animal Kingdom Lodge"
    Disney Parks: Global - "The Jungle Cruise"
    Phantasialand: Brühl, Germany - "Deep in Africa Adventure Trail"
    Busch Gardens Africa/The Dark Continent/Tampa: Tampa, Florida - "Ubanga-banga Bumper Cars," Stanleyville Park area, "Pirates of the Caribbean," "Akbar's Adventure Tours"
    Great Adventure/Six Flags Great Adventure and Safari: Jackson, New Jersey - "Congo Rapids," "Skull Mountain"
    De Efteling: Kaatsheuvel, Netherlands - "Monsieur Cannibale,"

КОМЕНТАРІ • 13

  • @HistoricalMethodMan
    @HistoricalMethodMan  Рік тому +2

    SUBSCRIBE! Sources below!
    Please use my Amazon Associates link to order Theme Park Design by David Younger: amzn.to/44ltVr1
    I will receive a small commission and you will be supporting the channel to help me continue what I'm doing. This book is a great resource for all theme park fans!
    --
    PRIMARY SOURCES
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    SECONDARY SOURCES
    The Abandoned History of Akbar’s Adventure Tours - Busch Gardens Tampa’s Forgotten Simulator. UA-cam. Expedition Theme Park, 2021.
    “Akbar’s Adventure Tours: May 1998 - August 2007.” (Blogpost) Theme Park Nostalgia. August 6, 2013.
    Alexie, Sherman. “ART VIEW; Beyond Talking Indian Chiefs.” The New York Times. October 23, 1994.
    Bailar, Melissa. “Uncanny Anatomies/Figures of Wax.” The Journal of the Midwest Modern Language Association 49, no. 2 (2016): 29-53.
    Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction,” trans. Harry Zohn (New York, NY: Schocken Books, 1969).
    Berkhofer, Robert F. Jr. The White Man's Indian: Images of the American Indian from Columbus to Present. New York, NY: Random House, 1979.
    Bruner, Edward M. “The Maasai and the Lion King: Authenticity, Nationalism, and Globalization in African Tourism.” American Ethnologist 28, no. 4 (2001): 881-908.
    Caroll, Austin. “The Origins of the World’s Famous Jungle Cruise.” (Blogpost) Medium.
    Comstock-Skipp, Jaimee K. “From The World’s Fair to Disneyland: Pavilions as Temples.” Open Arts Journal.
    Dixon, Steve. “Metal Performance Humanizing Robots, Returning to Nature, and Camping About.” TDR (1988-) 48, no. 4 (2004): 15-46.
    Francaviglia, Richard. “History after Disney: The Significance of ‘Imagineered’ Historical Places.” The Public Historian 17, no. 4 (1995): 69-74.
    Francaviglia, Richard. “Walt Disney’s Frontierland as an Allegorical Map of the American West.” The Western Historical Quarterly 30, no. 2 (1999): 155-82.
    “Fritz” (User). “Marc Davis and His Early Days at WED.” Imagineering Disney.com.
    Ginneken, Jaap Van. “The Enduring Strength of Hollywood: The ‘Imperial Adventure’ Genre and Avatar.” In Internationalizing “International Communication,” edited by Chin-Chuan Lee, 134-55. University of Michigan Press, 2015.
    Goldgar, Anne. “The British Museum and the Virtual Representation of Culture in the Eighteenth Century.” Albion: A Quarterly Journal Concerned with British Studies 32, no. 2 (2000): 195-231.
    Grazian, David. “Where the Wild Things Aren’t: Exhibiting Nature in American Zoos.” The Sociological Quarterly 53, no. 4 (2012): 546-65.
    Grootenboer, Hanneke. “Introduction: On the Substance of Wax.” Oxford Art Journal 36, no. 1 (2013): 1-12.
    Hendry, Joy. “Foreign Country Theme Parks: A New Theme or an Old Japanese Pattern?” Social Science Japan Journal 3, no. 2 (2000): 207-20.
    Hom, Stephanie Malia. “Simulated Imperialism.” Traditional Dwellings and Settlements Review 25, no. 1 (2013): 25-44.
    Istvan, Ormos. “Cairo Street at the World's Columbian Exposition in 1893 at Chicago | 2012.” Foundation Max Van Berchem Genéve.
    Jeffers, Carol S. “In a Cultural Vortex: Theme Parks, Experience, and Opportunities for Art Education.” Studies in Art Education 45, no. 3 (2004): 221-33.
    Jost, Daniel. “Designing Disney.” Landscape Architecture 99, no. 5 (2009): 54-65.
    Keim, Curtis A. Mistaking Africa: Curiosities and Inventions of the American Mind. Boulder, CO: Westview Press, 1999.
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    Kolesnikov-Jessop, Sonia. “Automatons and Ingenuity.” The New York Times. March 8, 2012.
    Lantzer, Jason S. “Disney, History, and Uses of the Past in Walt Disney’s World.” History News 74, no. 1 (2019): 30-35.
    “Late Seventies,” Roller Coaster History Timeline, Ultimate Roller Coaster.
    Maxwell, Lynn. “Wax Magic and The Duchess of Malfi.” Journal for Early Modern Cultural Studies 14, no. 3 (2014): 31-54.
    McClintock, Anne. “Soft-Soaping Empire: Commodity Racism and Imperial Advertising (excerpt from chapter 5).” In Imperial Leather: Race, Gender and Sexuality in the Colonial Contest. New York, NY: Routledge, 1995. 207-214.
    Mongello, Louis A. “World Showcase’s Africa Pavilion.” (Blogpost) Allears. January, 2006:
    Moon, Kat. “How Disney’s Controversial Jungle Cruise Ride was Adapted for the Screen -- and What It Means for Indigenous Representation.” Time, Time.com (December 1, 2021).
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    Edward Said. “On ‘Orientalism.’” Media Education Foundation (Transcript), 1998.
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    Walker, Lauren. “De Efteling adjusts controversial ‘racist’ attraction.” The Brussels Times. June 25, 2021.
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  • @Pro_Gamer672
    @Pro_Gamer672 9 місяців тому +2

    2:25 These boats are really going slowly! 🚤

    • @HistoricalMethodMan
      @HistoricalMethodMan  9 місяців тому +2

      They sure are. Please share any thoughts or questions you might have

  • @JeremyWeed
    @JeremyWeed 9 місяців тому +1

    My favorite animatronic is probably Buzzy, just because of his kidnapping lol

    • @HistoricalMethodMan
      @HistoricalMethodMan  9 місяців тому

      My favorite animatronic is the walking Ben Franklin in the American Adventure (as a Philadelphia native). Plus the technology was quite unprecedented and very well done. The American Adventure's nationalism is another discussion, however.

    • @JeremyWeed
      @JeremyWeed 9 місяців тому +1

      @HistoricalMethodMan I thought about it more and I might change my answer to the Yeti at Expedition Everest (maybe there's a discussion to be had about that ride and how it depicts foreign culture's and native people?). I really like sasquaches so it's a really neat experince seeing it, even if it doesn't move anymore. I haven't seen the walking Ben Franklin, ill have to visit it at some point. What are your thoughts on the Hall of Presidents at Magic Kingdom? Very strong nationalist views, but it's an outstanding show in my opinion, especially the newest version.

    • @HistoricalMethodMan
      @HistoricalMethodMan  9 місяців тому +1

      Yes, I enjoy how they hired local artists from the Himalayas, but I am unsure to what extent these artists benefitted.
      I have many thoughts on the Hall of Presidents, but those are more surface level. It does its story, the history of the executive branch. I think it does a better job than The American Adventure with its nationalism, but it is definitely apolitical in its nature, expected by Disney.

  • @ScantyPanties
    @ScantyPanties Рік тому +2

    This is so cool

  • @JeremyWeed
    @JeremyWeed 9 місяців тому +1

    Awesome video! Very informative!

    • @HistoricalMethodMan
      @HistoricalMethodMan  9 місяців тому

      I'm glad you found it informative! What ideas struck you the most?

    • @JeremyWeed
      @JeremyWeed 9 місяців тому +1

      @HistoricalMethodMan one thing I thought about a lot after watching was how significant these theme parks, their attractions and their characters can be on us as people as we develop. It's easy to dismissive the significance of this topic by saying it's for children, it doesn't matter, but for a lot of people, visiting Disney world becomes an early core memory that can shape them for the rest of their lives and I think the people that design these parks have a duty to make sure the narratives their pushing aren't harmful. I enjoyed how you deconstructed and talked about how it takes steps to distance itself from more problematic installments, at its core, it still follows the same themes of colonialism. You drew some really interesting comparisons. I think theme parks are art and as a result they're subjective and reflect the views of the people who design them, which can lead to some interesting discussion and analysis.

    • @HistoricalMethodMan
      @HistoricalMethodMan  9 місяців тому +1

      Thank you so much. Theme parks are not above being subjected to a critical eye.