@@jaquetpotato813 he was considering himself more a virtuose than a composer. I admire his Annees de pelerinage etc., but most of his life he was transcribing rather than composing,... and of course touring through europe.
Сейчас я очень сильно восхищение Листом ,потому ,как услышала много произведений ,которые не знала ,кроме известных популярных и часто исполняемых пианистами, конечно,теми кто, вообще, может браться за Листа ! Эта музыка потрясающая. ❤
If you ask me there is a misconception on how to perform this though. This super fast pace is deduced from this idea that they are riding fast from the first note till the last, which, if you refer to the lyrics only happens near the end of the piece when the father finally is convinced there is something awry and is literally said in the last couplet: The father now gallops, with terror half wild, He grasps in his arms the poor shuddering child; He reaches his courtyard with toil and with dread, - The child in his arms finds he motionless, dead. The whole piece should be slowed down to actually get the drama and tension that should be there. At this fast pace it loses its meaning, so please do not bother playing it so super fast, this is wrong because if you listen to the lyrical version there is hardly any tension if you play it this fast and as this piece is lauded to be one of the greatest ballades ever written there can only be one conclusion, we play it wrongly.
Try to generate the movement from a combination of wrist and whole arm: the fast repetition comes purely from the wrist, but this movement needs to be "fueled" with a little push from the whole arm on each first note of the trioles.
@@DJStefandeJong you are right about it, and I certainly do this in the original Lied. But Liszt has a kind of "banalised" this music using too much of show off effects, which are necessary to bring out here and which work just this way. At least as I see it.
0:00 No.1 Sei Mir gegrüBt 4:17 No.2 Auf dem Wasser zip singen 8:39 No.3 Du bist die ruh 13:03 No.4 Erlkonig 17:22 No.5 Meeresstille 19:21 No.6 Die junge Nonne 24:24 No.7 Frühlingsglaube 28:02 No.8 Gretchen am Spinnrade 31:44 No.9 Ständchen von Shakespeare 34:32 No.10 Rastlose Liebe 36:19 No.11 Der Wanderer 42:50 No.12 Ave Maria
Thank u so much for all your sheet music videos! Imo, these aren’t played enough Thanks to Yuja Wang and others they have gotten more well-deserved attention
Я слышал,что у Шуберта не было большой аудитории...он не выступал на концертах...он играл и сочинял для свего близкого окружения...именно это в его произведениях,эффект Шуберта-как будто играют лично для тебя...
The idea that Liszt wrote just to be virtuosic (when you think virtuosity is only about technical skill which is a flawed idea in itself) is flawed. If you do some research on him you would know better than to mistake him for an empty technique machine.
I love how much Liszt was inspired by Schubert. This is wonderful.
or he himself was lacking creativity, inventiveness and musicality compared to a genius like SCHUBERT.
@@sebribo1873 Simultaneously begatting the visions of Schönberg, Wagner and Debussy.
@@sebribo1873 I mean look at his late works, he is not lacking creativity in the slightest.
@@jaquetpotato813 he was considering himself more a virtuose than a composer. I admire his Annees de pelerinage etc., but most of his life he was transcribing rather than composing,... and of course touring through europe.
@@sebribo1873 sorry but i disagree, in many of his later works he tends to stay away from virtuosity unless it has to be used to convey his ideas
"Der Wanderer" is not my recording in this video.
The legend himself
La beauté des lieders de Schubert transcendée par le génie de Liszt ! Le paradis sur terre et quel interprète Mordninov !
Сейчас я очень сильно восхищение Листом ,потому ,как услышала много произведений ,которые не знала ,кроме известных популярных и часто исполняемых пианистами, конечно,теми кто, вообще, может браться за Листа ! Эта музыка потрясающая. ❤
Ich konnte die Kraft, die Macht und die Stärke von dem Erlkönig Stück fehlen. Vielen Dank!
I'd like to know how the pianist can play those repeated octaves in Erlkönig without having his hand fall off.
Strong form with no tension
If you ask me there is a misconception on how to perform this though. This super fast pace is deduced from this idea that they are riding fast from the first note till the last, which, if you refer to the lyrics only happens near the end of the piece when the father finally is convinced there is something awry and is literally said in the last couplet:
The father now gallops, with terror half wild,
He grasps in his arms the poor shuddering child;
He reaches his courtyard with toil and with dread, -
The child in his arms finds he motionless, dead.
The whole piece should be slowed down to actually get the drama and tension that should be there. At this fast pace it loses its meaning, so please do not bother playing it so super fast, this is wrong because if you listen to the lyrical version there is hardly any tension if you play it this fast and as this piece is lauded to be one of the greatest ballades ever written there can only be one conclusion, we play it wrongly.
Try to generate the movement from a combination of wrist and whole arm: the fast repetition comes purely from the wrist, but this movement needs to be "fueled" with a little push from the whole arm on each first note of the trioles.
Vibration feeling and free wrist.
@@DJStefandeJong you are right about it, and I certainly do this in the original Lied. But Liszt has a kind of "banalised" this music using too much of show off effects, which are necessary to bring out here and which work just this way. At least as I see it.
Damned, can litterally see how the hands of Mikhail Mordvinov are jumping around playing Ave Maria like this!
0:00 No.1 Sei Mir gegrüBt
4:17 No.2 Auf dem Wasser zip singen
8:39 No.3 Du bist die ruh
13:03 No.4 Erlkonig
17:22 No.5 Meeresstille
19:21 No.6 Die junge Nonne
24:24 No.7 Frühlingsglaube
28:02 No.8 Gretchen am Spinnrade
31:44 No.9 Ständchen von Shakespeare
34:32 No.10 Rastlose Liebe
36:19 No.11 Der Wanderer
42:50 No.12 Ave Maria
Me gusta amanecer con Lizst ,graciias .Un gran dia
I love how I will never be able to play this in front of my family. But mark my words, I will
Thank you for sharing these masterpieces!
Liszt was an incredible composer, so many variants of compositions in different styles.
Thank u so much for all your sheet music videos!
Imo, these aren’t played enough
Thanks to Yuja Wang and others they have gotten more well-deserved attention
this are the best works of shubert
No.8 definitely my favorite
제가 찾던 악보와 음악이었어요. 감사합니다^^
13:03 Транскрипція Ф. Шуберт. "Вільшаний король"
28:01 Транскрипція Ф. Шуберт. "Гретхен за прядкою"
Mind Boggling to say the least!
I wonder when Liszt ever slept doing all these monumental transcriptions and Beethoven symphonies transcriptions and many others
Not to mention his own "original" works, including his religious masterpieces Christus and Via Crucis.
Thx for uploading
슈베르트 선율들 넘 맘에 드네요....ㅠㅠ
Я слышал,что у Шуберта не было большой аудитории...он не выступал на концертах...он играл и сочинял для свего близкого окружения...именно это в его произведениях,эффект Шуберта-как будто играют лично для тебя...
as pianists we love liszt for these work, as musicians we hate him for it.
They’re good pieces in their own right.
Эти переложения песен - карикатура, не более того
Nice try, Liszt, but it’s still not as hard as Ernst’s haha
@J S Like Paganini he wrote pieces which are extremely difficult for Violin.
Fuck, time to whip out don juan and sonata in b minor on guess
The idea that Liszt wrote just to be virtuosic (when you think virtuosity is only about technical skill which is a flawed idea in itself) is flawed. If you do some research on him you would know better than to mistake him for an empty technique machine.
@@stefandejong8545 relax its just a joke for some giggles
@@iamhorny4542 jokes, when uninformed about something are not funny in my book
Gretchen is too fast.
Auf dem Wasser zu singen, eine scheußliche Interpretation.
interpretation by mordvinov or transcription by liszt?