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Music Gems
Приєднався 22 бер 2020
Hello Guys.
I will be uploading classical music pieces with the sheet music in it. I will try to upload solo pieces and chamber music as well. If you like this channel please subscribe.
I will be uploading classical music pieces with the sheet music in it. I will try to upload solo pieces and chamber music as well. If you like this channel please subscribe.
Beethoven(Manuscript-Autograph) : Piano concerto no.5 op.73"Emperor" (Levin)
Pianist: Robert Levin
Allegro (E♭ major) 00:00
Adagio un poco moto (B major) 19:32
Rondo. Allegro (E♭ major) 26:13
Archduke Rudolph, an excellent pianist and brother of the Austrian emperor, became friendly with Beethoven in 1808, and Beethoven agreed to dedicate the fourth piano concerto to him. It seems likely that Rudolph then commissioned the next concerto, for Beethoven’s sketchbook indicates that he began work on his Piano Concerto No 5 in E flat major, Op 73, almost straight after his performance of No 4. The work was more or less finished by April, but life in Vienna was disrupted in May by a French invasion, with Rudolph departing for the countryside and not returning until the following January. Private performances may have taken place thereafter, once Rudolph had learned the piano part, but the only one known to us took place on 13 January 1811, when Johann Nepomuk Chotek recorded that he had heard Rudolph play ‘an extraordinarily difficult and artful’ new concerto by Beethoven, which must have been this one. A copy of the work had meanwhile been sold to Clementi for publication in London, where it appeared in November 1810. A slightly revised edition was then published by Breitkopf & Härtel in February 1811, thus shortly after Rudolph’s performance, which must have been from a manuscript.
The grandiose character of the music has earned the concerto the nickname ‘Emperor’. It begins with three massive chords, each one followed by highly decorative figuration on the piano, before the main orchestral themes are heard in the usual way. The three chords return at the recapitulation, with different but equally ornate figuration on the piano; and as the piano is given so many florid solo passages, a cadenza near the end of the movement would be almost superfluous. Thus Beethoven wrote out just a short one of about twenty bars. Perhaps, too, Rudolph did not trust himself to compose a cadenza that would be adequate for Beethoven’s majestic work.
The second movement is in the unusual key of B major, and is a slow, lyrical one with much piano decoration, as in the first three concertos. At the end the music suddenly changes key, and a slow version of the finale theme is heard on the piano. The finale proper then enters without a break, with the theme heard at normal speed. When everything seems to be over, there is a strange passage for piano and timpani alone, before a final flourish brings the music to a thrilling close.
Allegro (E♭ major) 00:00
Adagio un poco moto (B major) 19:32
Rondo. Allegro (E♭ major) 26:13
Archduke Rudolph, an excellent pianist and brother of the Austrian emperor, became friendly with Beethoven in 1808, and Beethoven agreed to dedicate the fourth piano concerto to him. It seems likely that Rudolph then commissioned the next concerto, for Beethoven’s sketchbook indicates that he began work on his Piano Concerto No 5 in E flat major, Op 73, almost straight after his performance of No 4. The work was more or less finished by April, but life in Vienna was disrupted in May by a French invasion, with Rudolph departing for the countryside and not returning until the following January. Private performances may have taken place thereafter, once Rudolph had learned the piano part, but the only one known to us took place on 13 January 1811, when Johann Nepomuk Chotek recorded that he had heard Rudolph play ‘an extraordinarily difficult and artful’ new concerto by Beethoven, which must have been this one. A copy of the work had meanwhile been sold to Clementi for publication in London, where it appeared in November 1810. A slightly revised edition was then published by Breitkopf & Härtel in February 1811, thus shortly after Rudolph’s performance, which must have been from a manuscript.
The grandiose character of the music has earned the concerto the nickname ‘Emperor’. It begins with three massive chords, each one followed by highly decorative figuration on the piano, before the main orchestral themes are heard in the usual way. The three chords return at the recapitulation, with different but equally ornate figuration on the piano; and as the piano is given so many florid solo passages, a cadenza near the end of the movement would be almost superfluous. Thus Beethoven wrote out just a short one of about twenty bars. Perhaps, too, Rudolph did not trust himself to compose a cadenza that would be adequate for Beethoven’s majestic work.
The second movement is in the unusual key of B major, and is a slow, lyrical one with much piano decoration, as in the first three concertos. At the end the music suddenly changes key, and a slow version of the finale theme is heard on the piano. The finale proper then enters without a break, with the theme heard at normal speed. When everything seems to be over, there is a strange passage for piano and timpani alone, before a final flourish brings the music to a thrilling close.
Переглядів: 2 074
Відео
Beethoven(Manuscript-Autograph) : Piano concerto no.3 op.37 (Levin)
Переглядів 2,2 тис.3 роки тому
Pianist: Robert Levin Allegro con brio (C minor) 00:00 Largo (E major) 16:03 Rondo. Allegro - Presto (C minor) 25:50 The earliest ideas for Beethoven’s Piano Concerto No 3 in C minor, Op 37, appear in sketches from around 1796, but the work remained undeveloped for a time, and an almost complete lack of surviving sketches leaves the main period of composition uncertain. Beethoven probably worke...
Beethoven(Manuscript-Autograph) : Piano concerto no.1 op.15 (Levin)
Переглядів 1,1 тис.3 роки тому
Pianist: Robert Levin Allegro con brio (C major) 00:00 Levin´s Cadenza 12:57 Largo (A♭ major) 16:41 Rondo. Allegro (C major) 26:59 The Piano Concerto No. 1 was actually the second of Beethoven’s mature piano concertos. It was first only in order of publication, evidently because he much preferred it to the earlier Concerto “No. 2.” It is a bigger, grander work in every way. Whereas the earlier ...
Liszt: Der Gondelfahrer - Männer-Quartett von F. Schubert, S559-Transcription-Manuscript
Переглядів 1,9 тис.3 роки тому
Pianist: Valerie Tryon The song Der Gondelfahrer, D808, was probably not known to Liszt (it was not published until 1872), but the version for men’s chorus and piano, Op 28/D809, likewise written in March 1824, was the basis for the last and one of the sweetest of Liszt’s Schubert transcriptions. Mayrhofer’s poem tells of a gondolier pondering the human condition whilst plying his craft through...
Liszt- Franz Schuberts Vier Geistliche Lieder, S562. Piano transcriptions-SCORE
Переглядів 7 тис.3 роки тому
Pianists: Vladimir Sofronitsky (no.1) Valerie Tryon 1) Litanei, auf das Fest aller Seelen 00:00 2) Himmelsfunken 4:39 3) Die Gestirne 8:23 4) Hymne 'Geisterchor aus Rosamunde' 13:28 The Vier geistliche Lieder (‘Four Sacred Songs’) were gathered together by Liszt from two sources: the first three originals were published three years after Schubert’s death, and the fourth was issued in a version ...
Liszt: Lob der Tränen, S.557 (after Schubert, D.711)-SCORE
Переглядів 4,8 тис.3 роки тому
Pianist: Jorge Bolet
Reinhold Glière:25 Preludes, Op.30-SCORE
Переглядів 14 тис.3 роки тому
not often played pieces, but great music. Pianist: Anthony Goldstone 1) C 00:00 2) c 1:13 3) Db 4:09 4) c# 5:07 5) D 7:40 6) d 11:04 7) Eb 12:19 8) eb 14:15 9) E 15:21 10) e 18:48 11) F 21:34 12) f 23:34 13) F# 24:45 14) f# 26:50 15) G 29:40 16) g 32:16 17) Ab 33:18 18) g# 34:06 19) A 35:26 20) a 37:18 21) Bb 20:02 22) bb 43:15 23) B 44:40 24) b 46:19 25) C 46:59 Reinhold Glière, Russian in ful...
Liszt: 6 Melodien von Franz Schubert, S563(Piano Transcriptions)-SCORE
Переглядів 22 тис.3 роки тому
Pianists: Vladimir Bunin(no.1) John Bingham( no.2,no.3) Boris Zarinkan(no.4) Barry Douglas (no.5) Cyprien Katsaris (no.6) Lebe wohl! 00:00 Mädchens Klage 4:30 Das Sterbeglöcklein 'Das Zügenglöcklein 9:40 Trockne Blumen 18:02 Ungeduld 22:32 Die Forelle (first version) 24:55 When Liszt issued his Sechs Melodien von Franz Schubert in 1844, he was as unaware as most of the musical world at the time...
Liszt S.561- 12 Lieder von Franz Schubert (Winterreise) Piano transcriptions-SCORE
Переглядів 29 тис.3 роки тому
Piano: Avan yu, Boris Zarankin (no.7) Fortepiano: Els Biesemans 1) Gute Nacht 00:00 2) Die Nebensonnen 5:07 3) Muth 9:00 4) Die Post 10:21 5) Erstarrung 13:03 6) Wasserfluth 16:08 fortepiano 7) Der Lindenbaum 18:22 8) Der Leyermann 25:26 9) Täuschung 27:42 10) Das Wirtshaus 29:19 11) Der stürmische Morgen 34:10 fortepiano 12) Im Dorfe 35:13 fortepiano What a pity that Liszt did not transcribe t...
Lecuona, 6 danzas afro-cubanas (afro-cuban dances) (SCORE)
Переглядів 22 тис.3 роки тому
Pianist: Thomas Tirino 1) La conga de media noche 00:00 2) Danza negra 2:52 3)...Y la negra bailaba! 5:21 4) Danza de los Ñañigos 7:52 5) Danza lucumi 10:41 6) La comparsa 13:21
Liszt S.560- 14 Lieder von Franz Schubert (Schwanengesang) Piano transcriptions-SCORE
Переглядів 30 тис.3 роки тому
Pianists:Avan Yu, Can Cakmur and Gleb Ivanov 1 Die Stadt 00:00 2 Das Fischermädchen 2:48 3 Aufenthalt 5:55 4 Am Meer 8:55 5 Abschied 13:32 6 In der Ferne 18:00 7 Ständchen 'Leise flehen' 24:49 8 Ihr Bild 30:30 9 Frühlingssehnsucht 33:12 10 Liebesbotschaft 35:54 11 Der Atlas 39:23 12 Der Doppelgänger 42:00 13 Die Taubenpost 46:32 14 Kriegers Ahnung 51:06
Alkan 25 preludes op.31(COMPLETE)-SCORE
Переглядів 17 тис.3 роки тому
Pianists: Huseyin Sermet and Laurent Martin 1. Lentement 00:00 2. Assez lentement 3:17 3. Dans le genre ancien 6:24 4. Prière du soir 10:46 5. Psaume 150me 12:34 6. Ancienne mélodie de la synagogue 15:17 7. Librement mais sans secousses 19:27 8. La chanson de la folle au bord de la mer 21:23 9. Placiditas 25:15 12. Le temps qui n'est plus 28:05 13. J'étais endormie, mais mon coeur veillait (Can...
Liszt S.558- 12 Lieder von Franz Schubert (erlkönig, ave maria, etc) Piano transcriptions
Переглядів 103 тис.3 роки тому
Pianist: Mikhail Mordvinov -Sei mir gegrüsst, S.558/1: 00:00 Arrangement of Sei mir gegrüsst, D.741 -Auf dem Wasser zu singen, S.558/2 4:16 Arrangement of Auf dem Wasser zu singen, D.774 -Du bist die Ruh, S.558/3 8:38 Arrangement of Du bist die Ruh, D.776 -Erlkönig, S.558/4 13:03 Arrangement of Erlkönig, D.328 -Meeresstille, S.558/5 17:22 Arrangement of Meeres Stille, D.216 -Die junge Nonne, S....
Villa-Lobos -Brinquedo de roda, W045 (Rubinsky-SCORE)
Переглядів 5 тис.3 роки тому
0:00 : Tira o seu pezinho 2:16 : A moda da carranquinha 4:40 : Os três cavalheirozinhos 6:28 : Uma, duas angolinhas 8:07 : Garibaldi foi à missa 9:55 : Vamos todos cirandar
Botessini-Fantasia on 'La sonnambula' (PIANO- DOUBLE BASS-SCORE)
Переглядів 1,6 тис.3 роки тому
Botessini-Fantasia on 'La sonnambula' (PIANO- DOUBLE BASS-SCORE)
Scarlatti Sonata in G Major, Kk. 523: Allegro (arr. Ignaz Friedman)
Переглядів 7794 роки тому
Scarlatti Sonata in G Major, Kk. 523: Allegro (arr. Ignaz Friedman)
Schumann: Fantasiestücke Op.73 CELLO VERSION (Argerich-Capuçon)LIVE-SCORE
Переглядів 47 тис.4 роки тому
Schumann: Fantasiestücke Op.73 CELLO VERSION (Argerich-Capuçon)LIVE-SCORE
Finzi: Five Bagatelles op.23 (SCORE)
Переглядів 151 тис.4 роки тому
Finzi: Five Bagatelles op.23 (SCORE)
Stjepan Šulek: Trombone Sonata Vox Gabrieli (SCORE)
Переглядів 38 тис.4 роки тому
Stjepan Šulek: Trombone Sonata Vox Gabrieli (SCORE)
Ernesto Lecuona: Ante El Escorial (SCORE)
Переглядів 7 тис.4 роки тому
Ernesto Lecuona: Ante El Escorial (SCORE)
Ernesto Lecuona: San Fracisco El Grande (SCORE)
Переглядів 1,1 тис.4 роки тому
Ernesto Lecuona: San Fracisco El Grande (SCORE)
Beethoven: Piano Concerto No.1 Op.15 in C major (Schiff) LIVE-SCORE
Переглядів 1634 роки тому
Beethoven: Piano Concerto No.1 Op.15 in C major (Schiff) LIVE-SCORE
Elgar: Cello Concerto in E minor Op.85(Sheku Kanneh-Mason) LIVE-SCORE
Переглядів 33 тис.4 роки тому
Elgar: Cello Concerto in E minor Op.85(Sheku Kanneh-Mason) LIVE-SCORE
Bach inventions BWV 772-786 (Hewitt) LIVE
Переглядів 12 тис.4 роки тому
Bach inventions BWV 772-786 (Hewitt) LIVE
Alkan 👏👏👏 ❤
Are these photos of Beethovens original manuscripts?....If so where are they, which museum?...I know the 'Morgan Library and Museum has an original sketch from the 1st movement but I'd love to know where the 2nd movement original is...
About 15 years ago, there was a young pianist posting on the Piano World forums. We were all incredibly impressed by the professionalism and beauty of his playing. Not too long after that, he started winning major competitions and getting record deals. That was Can Çakmur. Since then, everything I've heard from him has been completely dazzling. His Liebesbotschaft is to die for!
I'm thinking about playing the second movement for my solo this year! I absolutely fell in love with every note from the moment I played it❤
12:40
Liszt's genial and brilliant "arrangements, transcriptions, and paraphrases"... although their results are quite difficult, but they're worthwhile to listen many times and fully understand what was Schubert's original thoughts (Schubert was too poor to buy a piano - fortunately he finally had a piano at the final part of his life, but today's pianists say that his piano works are unpianistical sometimes...).
100th comment.
The audio is a slightly different version from the score on screen.
I LOVE these. The main melody [1:07] of conga de media noche is sublime-- luminous. The whole set is a marvel and a joy.
I absolutely agree!!
Very nice 😊
Best Cello Concerto in History!
Im crying now...
Варіант п'єси на ф-но: 4 - арпеджіо + акорди 11 світла, але на праву руку 14 - акорди 21 - на ліву руку
What a fantastic style. Resembles Rachmaninov but sometimes even darker, and sometimes lighter like Arensky.
10:01 4th Movement
10:06
Literally gonna cry. I’m in 8th grade and my solo contest is this Saturday (for reference it’s Wednesday) HELP 😭😭😭😭
SAMEE I HAVE TO PLAY FIRST SECOND AND FIFTH MOVEMENT
13분
3:28
1:18 - Chopin - Prelude op. 28 no. 20
yes, we know
I don't understand the 3/2 6/4 time signature at movement 3. Can someone explain me please?
The piece has 6 beats in a bar, but the grouping of those beats (melodically) are either 3 groups of 2 (like in the first 5 bars) or 2 groups of 3 (at bar 6). Part of the feel of the piece is the gentle alternation of these two groupings...sometimes even different between clarinet and piano (i.e. clarinet is doing 2 of 3, while piano is 3 of 2). It wouldn't make sense to change the time signature from 3/2 (when it's 3 of 2) to 6/4 (when it's 2 of 3) every few bars (in different parts). Putting both 'options' up front indicates that whichever is most appropriate is the 'option'. Remember music is fluid, like language, and the shift from 2 of 3 to 3 of 2 (and back again) is quite subtle - especially in a flowing and gentle movement like this. I hope this helps
No.8 definitely my favorite
0:01 8:04
Liszt a real cuckoo bird
요즘엔 왜 음악 안 올려주시나요?
The last one starts just like one from Schumann's pieces for kids. Cute
8:04 10:01
2:31
Never heard these great works before. Dah. Thank you all for sharing.
0:23
0:40
I play the piano. It's very difficult!!😂
If you end up liking it, I highly, HIGHLY recommend looking up his op. 10 work, Eclogue for piano and strings. It is one of the most beautiful chamber works I’ve heard
0:05
0:00
Die Forelle is spectacular. I don't think I've heard that version. I think he wrote 2 versions. This one is a beast.
43:49
13:03 Транскрипція Ф. Шуберт. "Вільшаний король" 28:01 Транскрипція Ф. Шуберт. "Гретхен за прядкою"
24:49 Транскрипція. Ф. Шуберт. "Лебедина пісня". "Серенада" 42:00 Транскрипція. Ф. Шуберт. "Лебедина пісня". "Двійник"
21:23
15:18
the no. 8 is very haunting
1:04
where did you find the score?
IMSLP
What a nightmarish score! How on earth did they come up with a definite version?
29:23 Bold of Levin to go up to a high A-Flat there! He generally stays within the compass of the keyboard for which the piece was written.
This piece was written for a keyboard that goes up to G but when it was published Beethoven had a keyboard that went up to a C and has actually updated some of the passages to go higher up but not all.
@@avivdor1454 What's very strange is that he didn't update that one, the most important one!
Beethoven works mysterious ways@@GSHAPIROY
Me reafirmo en mi comentario de hace dos años. Le falta profundidad de sonido, sobre todo en los tonos graves o bajos, a las grabaciones de este excelente pianista, Thomas Tirino. El sonido que Chandos le brinda a las grabaciones de Kathryn Stott sobrepasa al sonido de las grabaciones de Tirino. Lástima. El debía hablar con Chandos para que vuelva a grabarlo todo pero con mejor sonido, porque sus versiones son excelentes. Mi comentario es exclusivamente de técnica sonora, que nada tienen que ver con la inobjetable calidad artística del Sr. Tirino.
I wonder when Liszt ever slept doing all these monumental transcriptions and Beethoven symphonies transcriptions and many others
Not to mention his own "original" works, including his religious masterpieces Christus and Via Crucis.
where did you find the sheet music?
Lindas músicas.
Un petit rien 1:05:28, so elegant.
A marginal talent bordering on amateurism. Can we just be honest about Sulek?