great! nice to hear it from stochelo, that in the old days of cassette decks and longplayers you learnt from strictly hearing. but also funny that he admitted to just replay solos. its exact the same experience as i had and the transition to be able to improvise comes gradually from derivating or failing the solos of our heros. thats when you start to develop your own ways. but holy shit 3 days for that solo...thats insanely fast for me, i nee more like 3 weeks to get it straight and i still struggle with certain parts. but today, i can rely on the likes of christiaan, yaakov, denis, clement etc etc...so big ups to give out hte material here on youtube!
That's the most informative vid I've seen for a guitarist interested in this music. Your questions to Stochelo are exactly the ones I would want to ask myself. "How did he personally learn this stuff" You two go about things naturally, without so many preconceptions that plague "how to" vids. Most important you really listen, ask questions, then let him talk! Thanks
Hmmm because we all know we can never play like Stochelo? Seriously though, there is something honest and authentic about this song!! Always loved it too
Very interesting interview with this incredible guitar hero.I think this kind of music is essential for all guitar players for many reasons:improvisation,technique, chords vocabulary,harmony,rhythm...He says that listened to Paco de Lucía and flamenco music.I´m spanish and I like this kind of music too.In fact I consider them the best spanish guitar players. But gypsy players are the kings of improvisation and his technique is perfect too.
Stochelo also probably had a campfire at to jam 3-4 times a week to play what he was working on that day. This is a huge plus for the gypsy campfire jams. It puts playing in the real...and bone to the story behind it. JIMO
I love you guys. Such a glowing warmth. Thank god you weren't born in England like me. Keep up the amazing work. Stochelo who? I pissed myself laughing!
acess to music... when i was 8 i feel in love with the guitar cause i saw a guy playing it was like magic i remember so well, i asked my father for a guitar to learn he slapped me and told me when i could work i could buy one loooll and so i did at 25 hahha he was long dead tho
awesome work guys as always!!! Here is a question... Stochelo said he was inspired by Bossa Dorado when he wrote For Sephora...but he also said he was the first to play the modern "gypsy bossa" strum...so that makes me wonder what rhythm the original Bossa Dorado used?? Thanks dudes!!
Hey! I think You got a really good question so i just listened to both versions again, the original by Dorado Schmitt and the cover by Trio Rosenberg. The difference is that the original Bossa Dorado did not run on a gypsy rythm just "normal" bossa. You might think of the rythm as manouche style... but it's actually Dorados gypsy style lead playing that generates the feeling. The rosenbergs on the other hand added la pompe in the rythm and insanely well walking gypsy jazz bass and lastly they sped up. they practically mixed bossa and swing together. Does this help You? I hope I analysed it correctly, it's nighttime already. greetings from germany
aha... I just found the original version! it doesn't sound like the the two bar brazilian bossa rhythm...but its a one bar pattern with the strums on "1", "and after 2", and "and after 3"... pretty cool!
Yeah, Dorado Schmitt is awesome. Check out Bireli Lagrene's "gypsy project" where he features many guests. Dorado is there, too, haha all amazing dudes. peace EDIT: stochelo and dorado actually play songs thogether there :)
WOW! I never saw this GREAT interview!!!!
Christiaan can you do more gypsy guitarist interviews. Please interview the rest of Stochelos family too! Awesome videos!
great! nice to hear it from stochelo, that in the old days of cassette decks and longplayers you learnt from strictly hearing. but also funny that he admitted to just replay solos. its exact the same experience as i had and the transition to be able to improvise comes gradually from derivating or failing the solos of our heros. thats when you start to develop your own ways. but holy shit 3 days for that solo...thats insanely fast for me, i nee more like 3 weeks to get it straight and i still struggle with certain parts. but today, i can rely on the likes of christiaan, yaakov, denis, clement etc etc...so big ups to give out hte material here on youtube!
Rosenberg is the best !!! Thanks
What a wonderful video! Thank you Chris and Brad and of course the incomparable Stochelo! What a hero! ❤️
Stochelo is like grand cru wines , just goes trough time becomin more and more precious, a maestro thanks...
Agree!
That's the most informative vid I've seen for a guitarist interested in this music.
Your questions to Stochelo are exactly the ones I would want to ask myself. "How did he personally learn this stuff"
You two go about things naturally, without so many preconceptions that plague "how to" vids. Most important you really listen, ask questions, then let him talk! Thanks
Just watching you guys apply your talents with such joy and enthusiasm puts a grin on my face thanks for passing it on
And hats off to Stochelo
wonderful- thank you!
Great to hear Sochelo playing the complete Django's I'll See You in My Dreams solo. 0:11
Thanks Christian, nice videos!
Stochelo comes across like a grounded and humble guy. Very cool. What a talent.
Why do I tear up hearing this song? Great performance! Thank you gentlemen.
Hmmm because we all know we can never play like Stochelo? Seriously though, there is something honest and authentic about this song!! Always loved it too
Thanks!
Such a lovely guy. Stochelo, never change.
Very interesting interview with this incredible guitar hero.I think this kind of music is essential for all guitar players for many reasons:improvisation,technique, chords vocabulary,harmony,rhythm...He says that listened to Paco de Lucía and flamenco music.I´m spanish and I like this kind of music too.In fact I consider them the best spanish guitar players. But gypsy players are the kings of improvisation and his technique is perfect too.
Miss you guys, boy this is a comeback!
Geweldig. Dankje wel voor deze video
A thrilling solo, phenomenal performance
Thank you that was a good one !
Stochelo also probably had a campfire at to jam 3-4 times a week to play what he was working on that day.
This is a huge plus for the gypsy campfire jams. It puts playing in the real...and bone to the story behind it. JIMO
Western traveveler's also played nights on the campfire, Woody Guthrie was a good picker and story song writer
Stochelo is so incredibly amazing.
He is!
Yes boys👍 just seen the notification paused it to say nice one keep strummin✊
very interesting indeed
I love you guys. Such a glowing warmth. Thank god you weren't born in England like me. Keep up the amazing work. Stochelo who? I pissed myself laughing!
acess to music...
when i was 8 i feel in love with the guitar cause i saw a guy playing it was like magic i remember so well,
i asked my father for a guitar to learn he slapped me and told me when i could work i could buy one loooll
and so i did at 25 hahha he was long dead tho
Stocholo speaks English surprisingly well! Great video, guys!
Nice video
awesome work guys as always!!! Here is a question... Stochelo said he was inspired by Bossa Dorado when he wrote For Sephora...but he also said he was the first to play the modern "gypsy bossa" strum...so that makes me wonder what rhythm the original Bossa Dorado used?? Thanks dudes!!
Hey! I think You got a really good question so i just listened to both versions again, the original by Dorado Schmitt and the cover by Trio Rosenberg.
The difference is that the original Bossa Dorado did not run on a gypsy rythm just "normal" bossa. You might think of the rythm as manouche style... but it's actually Dorados gypsy style lead playing that generates the feeling.
The rosenbergs on the other hand added la pompe in the rythm and insanely well walking gypsy jazz bass and lastly they sped up. they practically mixed bossa and swing together.
Does this help You? I hope I analysed it correctly, it's nighttime already. greetings from germany
aha... I just found the original version! it doesn't sound like the the two bar brazilian bossa rhythm...but its a one bar pattern with the strums on "1", "and after 2", and "and after 3"... pretty cool!
Yeah, Dorado Schmitt is awesome. Check out Bireli Lagrene's "gypsy project" where he features many guests. Dorado is there, too, haha all amazing dudes. peace
EDIT: stochelo and dorado actually play songs thogether there :)
Arnold.
This song reminds me of “Fou rire”
I have seen stochelo in person and he is a big guy and really tall those guys make him look tiny WTF