ARRI ALEXA 35 Interview - EVERYTHING You Need to Know About the New Camera
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- Опубліковано 27 лип 2024
- ARRI has just unveiled its latest cinema camera: The ALEXA 35. Sean Dooley, Product Marketing Manager at ARRI, sat down for an interview, telling you EVERYTHING you need to know!
Read more: www.CineD.com/
• ARRI: ARRI ALEXA 35 Production Set - 15mm*
► B&H: cined.co/ARRI-35-1
► CVP: cined.co/ARRI-35-2
• ARRI ALEXA 35 Production Set - 19mm*
► B&H: cined.co/ARRI-19mm-1
► CVP: cined.co/ARRI-19mm-2
• ARRI ALEXA 35 LPL Mount Set*
► B&H: cined.co/ARRI-LPL-1
► CVP: cined.co/ARRI-LPL-2
• ARRI ALEXA 35 PL Mount Set*
► B&H: cined.co/ARRI-PL-1
► CVP: cined.co/ARRI-PL-2
• ARRI ALEXA 35 Lightweight Set*
► B&H: cined.co/ARRI-light-1
► CVP: cined.co/ARRI-light-2
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Timetable:
00:00 - Jump to Chapters
3:00 - Supported formats
4:30 - How Netflix's 4K mandate affected ARRI
7:16 - Crop Factor
8:54 - 17 stops of Dynamic range
13:16 - ISO
15:48 - Enhanced sensitivity
18:33 - Reveal Color Science
20:57 - LogC4
23:30 - ARRI Texture
29:40 - Camera body
31:04 - Batteries
33:32 - Interchangable mount
35:53 - Accessories
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We'll be shooting on this for a full feature, 100%. Pleasure to watch this breakdown, great work Cine D + ARRI.
So going back to focus pulling. Inspirational.
All I need to know is that I can't afford it
I agree 👍👍👍
a heart melting camera.
hope to be part of a production that has the budget to rent this one... sounds to be a different experience
leica-esk
My first short was shot on the Mini. It was such a beautiful image, I almost shed a tear. Wow.
would be good to have the option to apply 'texture' in-camera as currently exist or in post processing as well.
I think the idea is to hand back some control to the DP, and textures are applied before debayering. So having the option to add them in post instead would defeat the purpose. Nino
Who else can't wait for the CineD Lab results??
Yes, all I need to know, is there is no way I could afford it!
Can you buy it? or only rental?
You can buy it.
If you have to ask, you can't afford it.
@@scottslotterbeck3796 that doesn't make sense. You know the alexa 65 you cant buy it, you can only rent it. So there are certain cameras that are not available to purchase
@@AnimeZone247 You can buy anything for the right price.
@@AlmightyUniden so if Elon musk asked if he can buy the Alexa 35 he can’t afford it?
How much is it ?
Is this the best arri camera ?
hii cined..i have a question :
so you have a super 35 sensor built in alexa 35 and it can shoot 4.6 k and it uses the whole surfaces of the sensor
my first question is :
when i want to shoot 1080p with alexa 35 , does it use a small part of the sensor only for this to achieve ?
what if it use the whole surface of the sensor for shooting lower resolutions like 1080 p and 720 but instead it will have bigger pixel size,bigger than 6.5 micro meter
is it possible that the camera merges some 4 pixels together so they represent one pixel to shoot 720p for example?
But Arri said for over a decade that high resolution and small pixel size didn’t matter and was not the “artistic” approach to digital filmmaking. Hilarious.
A decade ago i would have agreed too..but resolutions of devices (not only TVs) has increased dramatically, and now we can watch that stuff and see a real difference. That wasn't the case a decade ago.
Nino
Now I can't wait for companies like BMD to get to the dynamic range of 16+ stops of real dynamic range and democratize the tech by allowing it to be sold at lower prices
You might have to wait a bit, as the original Alexa is 12 years old and older than Black Magic's entire camera line-up, and yet it still has better dynamic range than them - better than any other camera really, except maybe Venice 2 and the R3D Raptor if you prioritize shadows.
the ursa 4.6k is already pretty good, enough for most filmakers/documentary.
You cannot democratise R&D buddy
@@unclejezza umm yes. Have you ever had a look at open source software
Or Magic Lantern raw
Or literally the internet?
Arri cameras are more than high dynamic range. There's a reason they're the best and it's about the people and the engineers working there more than raw power from a new sensor. Fine taste create fine products and I don't think BMD will get you that ever.
still trying to tell myself i cant afford this even though i swear to god somehow i can 😂
Another camera we can't afford.
Marketing spin on whats basically too little too late. 12 years to get 4K that has terrible ISO range and draws way too much power for whats its delivering is bad. Forget the logo thats on it and just look at the specs and it falls short. And its size and weight...
I would have watched this if it didn’t have “EVERYTHING you need to know!“ in the title.
Publications/content producers really need to stop putting that in titles.
Shame, you're missing out. We really tried to cover everything relevant and new about this camera. Which is why the interview is 45 minutes long.
Its everything you need to know. Its not a 5 minute clickbait video but a 45 minute complete overview
Well… -would I dare say this… First, tnx for a great interview and rund down of the camera. Great work. What I would like to know, as I sometimes work alone, is more about the audio side of the camera. All the best.
-run down-
Arri s35 they copied camera body design from canon c 500 ii. Nobody is talking... Every body talking this camera is brilliant...
Can u explain me very practically how arri s35 is brilliant..
.