No pathos in their deaths, no drama, no great battles, this film was poorly directed. It did not arouse the emotions it was supposed to arouse; it was more a concatenation of events placed one overlapping the other without a shadow of a linear narrative.
she litteraly has no time to feel sad and cry. thats litteraly point of the arc and galaxia's plan. the movie made it long because you know to fit it in 4 hours. the manga chapters are actually goes one after another. thats litteraly the plan of galaxia awakening the crystal's power. to make sailor moon to reach breaking point
@blep8336 She has no time to feel sad or cry but literally one scene later has time to go to school, go to a concert, hang out with friends, and chill at the top of the school like nothing happened. Things can happen quick but still show there’s impact, Cosmos and the manga did this poorly. It just felt like “oh no they died anyway…” that it makes it hard for many viewers to even empathize with Usagi (it doesn’t help the series didn’t do well at fleshing the characters out beyond their love for Usagi) The 90s anime we at least got a very tragic scene and saw the impact it had on Usagi. Madoka Magica was 12 episodes and we were given more time and emotion for each character.
Exactly what I was thinking. Cause there was quite a few more deaths in the movie. The 3 Sailor Star Lights Luna, Artemis and Diana Deimos and Phobos All the Sailor Anima Should’ve also showed how Pluto and Saturn died too.
And this is why I hold fast to my long-standing assertion that the Dead Moon arc is where the series should have ended, because that was really where everything peaked. Instead, in a misguided attempt to raise the stakes even higher, after all the characters had reached their full potential, we're forced to endure the all-too aptly-named "Chaos" arc, where EVERYTHING just goes COMPLETELY off the rails. Random Sailors are just popping up out of the ether, for no rhyme nor reason. Everyone is getting killed off, left and right, complete scorched earth. And in the end, everything gets so fu...mucked up beyond all repair, that even Sailor Moon can't save the day this time, and the story needs to rely on an 11th-hour deus ex machina from a literal MAGIC FAIRY to reboot the entire universe back to the last-known point it worked. So, did we absolutely NEED to go through all that? I'm not kidding, you could have just tacked on the wedding scene to the end of the Dead Moon arc and everything would have been perfectly fine. Seriously, am I right or am I right?
You are absolutely right, in fact the author didn’t even want to continue after the first arc but was forced by her director and Toei Animation. That’s why the entire manga series (and the reboot) is so weak She worked on the live action series and even that has an ending where there would be no possibility for a continuation and gives them actual dreams not just “we love Usagi”
@@kstarnovagal6672 Well, I have no direct knowledge of what you're claiming, so I can't speak to that one way or the other. I will say that I thought the manga was stronger than the 90s series in a lot of ways. I mean, one of the main examples has GOT to be Tuxedo Mask, who was given actual roles to play in the manga, as opposed to the 90s anime, which tried its level best to keep his character stymied and out of the spotlight. This was kind of a universal trend with Magical Girl shows of the era, where, if there was a relevant male protagonist anywhere in the picture, the showrunners would do everything in their power to keep him off to the side and involved in the main story as little as possible, because there was always this creeping dread that if they gave him even the tiniest SLIVER of agency, that he would completely overshadow everyone else and just run away with the entire series. And some might even say that Mamoru was where this trend got started. Throughout the entire 90s series, we’d see a near-endless array of moments and plot contrivances, purposely designed to keep Mamoru on the outside looking in, either by finding ways to turn him into an enemy or coming up with some excuse for him to just not be around. On balance, the manga had him doing a lot more, overall, even though Naoko Takeuchi admits that even she wound up sidelining him more than she intended to. However, it's the Dead Moon Arc where the rubber truly meets the road. While the manga still gave him relevant moments leading up to this, it was here that Mamoru learned things about himself of which he was previously unaware. And through this discovery, he ultimately learns that he DOES, in fact, have a role to play on the team besides just being (LITERALLY) "the odd man out". Sailor Moon Super S saw the 90s series try playing to this, to a far lesser extent, by having Mamoru interacting with the Sailors more frequently in social situations than he ever had before. But as far as overall importance to the plot, he was still relegated to the back burner, using his illness brought on by the Dead Moon’s corruption of Earth to keep him off the field for the final battle entirely, when in the manga, he was actually one of the key players. However, for everything I’ve just said, there are two more characters to whom the 90s series arguably did an even greater disservice than Tuxedo Mask. And those are, of course, Sailor Uranus and Sailor Neptune. Does it annoy anyone else how the 90s anime just COMPLETELY missed the point with those two? I mean, when the showrunners screwed over Mamoru's character, at least they tried to make it up to him occasionally. Uranus and Neptune just got done DIRTY at almost every turn. Here’s the thing. When you look at the original manga, the main theme with the Outer Sailors in general was how they were just stuck in the past and had to clue into the fact that the Silver Millenium was dead and all the old rules they were so hung up on didn't exist anymore, so they didn't have to follow them if they didn't want to. The 90s adaptation, however, just took Uranus and Neptune and went completely sideways with them. The idea there was they both had to DO this job, but neither of them WANTED the job. And yeah, it was all about the showrunners trying to make them look TRAGIC, but instead, all it REALLY did was make them look PATHETIC, because it was why they always insisted on the most destructive answer to ANY problem. Sure, they were legitimately trying to stop the bad guys, but they were also legitimately trying to KILL THEMSELVES at the same time. And that mindset just NEVER worked out...for EVERYONE. Because whenever those two got involved, anytime something BIG was about to go down, their martyr complex would start flaring up again and you just KNEW they were gonna screw everything up (which, of course, they usually DID).
It makes me feel to cry along with Usagi-chan But I love the way she grows stonger and takes her resability very serious than in the anime of the 1992s.
So if we are including mamoru then this is definitely not all sailors as you left out the animates and the starlights Saturn altogether and Phobos and Demos as honorary mentions. And that was just at 1:55 seconds.
sì, probabilmente ho sbagliato un po' hahah hai ragione, Mamoru non avrebbe dovuto essere incluso. da Sailor Saturn I yeah, i probably messed up a bit hahah you're right, mamoru shouldn't have been included. i cut the sailor saturn scene by mistake :( the intention was to include the inner and outer senshi scenes anyway
Tuxedo mask Sailor Jupiter Sailor Mercury Sailor Venus Sailor Mars Sailor Pluto Sailor Uranus Sailor Neptune Sailor Saturn Sailor Fighter Sailor Maker Sailor Healer Princess Kakayu Sailor Mini moon All gone man that Galaxia is insane for some powerful Alien overlord she's the Thanos of Sailor moon franchise
Se ci fosse sarebbe bellissimo! Anche se purtroppo, mi sa che finirà tutto così. A meno che no facciano un altro remake/reboot (o magari incontrano la storia su Chibiusa) per i 50 anni 🤣🤣🤣💫💫💫
You are supposed to kill main characters with sad or dramatic music if you wanna transmit some feelings, not epic battle background song + action effects. This is POOR movie direction…
I admit that my intention was only to cut the parts where the sailors die: the music and the dubbing are original to the film, I didn't add anything else. I thank you anyway for the comment, and I'll be more careful next time 🥰
do you mean the VIDEO is useless? that's not very nice to say. I posted it thinking it was okay, but actually it's not since there are some errors. I'll improve
@@who4440 bad writing. Galaxia acted more in character in 90s anime. She's not just the strongest sailor warrior, she's also a general/empress. Any strategist would send scouts first before striking, in the scenes she seems too attached to common fights. Killing Mamoru first herself from a distant attack is terrible plot. And she knows that Usagi is on her level, therefore every galaxia's sailor will perish doing nothing, I do not see a good explanation of her strategy, she failed in every move. Combining their powers against chaos would benefit her more.
@@blandon93I agree with you. The 90s anime did a better job with this arc and even they made their deaths more impactful than in here. I guess they were just afraid of making them as brutal as in the manga because of what parents would probably say Renember when Precure used to have a lot of action fights but they were removed? Yeah... they kinda prefer to add more talking scenes nowadays, only exception of the Magical Girl genre would be Madoka Magica, Lyrical Nanoha (the last two movies had a whole lot of action), and maybe that one whose name I don't renember now since I watched it a couple of years ago but it had a lot of good fights too Sailor Moon... well, the 90s anime is unique because the scenes focused in other characters that aren't Usagi doesn't seem forced while in the Eternal and Cosmos movies they seem to be very rushed, and the whole Rei x Minako (yes, people ship them because of the manga and maybe that's why they had some individual scenes in Cosmos) doesn't make sense when in Crystal when she isn't with Artemis or Usagi, Minako is often with Makoto, but barely with Rei or even Ami The movies have pretty style, a bit inconsistent at times but still way better than the Eternal ones, but the characters aren't the same, and they spend too much time explaining things that we already know and they even give a "reason" of why Galaxia is evil (the context is that she was nearly r*ped in the past) when we already had that with Neheneira, like; can't we have one villain that is just evil because she just likes to be like that?! That's why I prefer 90s Galaxia, because she's truly a menace and the moment she takes everything away from Usagi it feels more impactful Oh, and let's not forget that the best part of the 90s anime what that Chibiusa wasn't in the last arc, which they could have done in this movie (I don't like her much since certain scene from Crystal, sorry) No wonder why Cosmos didn't have much hype as the Eternal movies, it just tries too hard to be like the manga, but in the final result some moments are that really forced that you just end wondering when is going to finish A whole series with that style would have been better, but nooo, most of Toei budget goes to either Dragon Ball (I don't know if they will keep going with the Daima series now that the creator sadly passed away), One Piece or Precure Besides, they could have done the Codename Sailor V spin off instead of doing Cosmos, that could've saved the whole franchise
No pathos in their deaths, no drama, no great battles, this film was poorly directed. It did not arouse the emotions it was supposed to arouse; it was more a concatenation of events placed one overlapping the other without a shadow of a linear narrative.
you're kind of right. I personally was moved when sailor moon kills her companions, and when she herself dies
she litteraly has no time to feel sad and cry. thats litteraly point of the arc and galaxia's plan. the movie made it long because you know to fit it in 4 hours. the manga chapters are actually goes one after another. thats litteraly the plan of galaxia awakening the crystal's power. to make sailor moon to reach breaking point
This is why the 90s series have advantage. We have time to grow to care about the characters. Crystal shows the weakness of the manga.
Yup, maybe if they maid it into two or three movies... Or a whole series...
@blep8336 She has no time to feel sad or cry but literally one scene later has time to go to school, go to a concert, hang out with friends, and chill at the top of the school like nothing happened. Things can happen quick but still show there’s impact, Cosmos and the manga did this poorly. It just felt like “oh no they died anyway…” that it makes it hard for many viewers to even empathize with Usagi (it doesn’t help the series didn’t do well at fleshing the characters out beyond their love for Usagi)
The 90s anime we at least got a very tragic scene and saw the impact it had on Usagi. Madoka Magica was 12 episodes and we were given more time and emotion for each character.
You should have also included the deaths of the anima mates and of Galaxia as well.
I would like to make another video 💫
Exactly what I was thinking. Cause there was quite a few more deaths in the movie.
The 3 Sailor Star Lights
Luna, Artemis and Diana
Deimos and Phobos
All the Sailor Anima
Should’ve also showed how Pluto and Saturn died too.
@@myhappyplace9272im sorry i left a comment not knowing someone already said this. Thank you for uploading videos of Sailor Moon ❤
mars and Venus's death is the most devastating for me
I was moved by the scene in Sailor Moon where she kills all the sailors when they are bad
And this is why I hold fast to my long-standing assertion that the Dead Moon arc is where the series should have ended, because that was really where everything peaked. Instead, in a misguided attempt to raise the stakes even higher, after all the characters had reached their full potential, we're forced to endure the all-too aptly-named "Chaos" arc, where EVERYTHING just goes COMPLETELY off the rails. Random Sailors are just popping up out of the ether, for no rhyme nor reason. Everyone is getting killed off, left and right, complete scorched earth. And in the end, everything gets so fu...mucked up beyond all repair, that even Sailor Moon can't save the day this time, and the story needs to rely on an 11th-hour deus ex machina from a literal MAGIC FAIRY to reboot the entire universe back to the last-known point it worked.
So, did we absolutely NEED to go through all that? I'm not kidding, you could have just tacked on the wedding scene to the end of the Dead Moon arc and everything would have been perfectly fine. Seriously, am I right or am I right?
not even close
@@blep8336 In what way?
You are absolutely right, in fact the author didn’t even want to continue after the first arc but was forced by her director and Toei Animation. That’s why the entire manga series (and the reboot) is so weak
She worked on the live action series and even that has an ending where there would be no possibility for a continuation and gives them actual dreams not just “we love Usagi”
@@kstarnovagal6672 Well, I have no direct knowledge of what you're claiming, so I can't speak to that one way or the other. I will say that I thought the manga was stronger than the 90s series in a lot of ways.
I mean, one of the main examples has GOT to be Tuxedo Mask, who was given actual roles to play in the manga, as opposed to the 90s anime, which tried its level best to keep his character stymied and out of the spotlight. This was kind of a universal trend with Magical Girl shows of the era, where, if there was a relevant male protagonist anywhere in the picture, the showrunners would do everything in their power to keep him off to the side and involved in the main story as little as possible, because there was always this creeping dread that if they gave him even the tiniest SLIVER of agency, that he would completely overshadow everyone else and just run away with the entire series. And some might even say that Mamoru was where this trend got started. Throughout the entire 90s series, we’d see a near-endless array of moments and plot contrivances, purposely designed to keep Mamoru on the outside looking in, either by finding ways to turn him into an enemy or coming up with some excuse for him to just not be around. On balance, the manga had him doing a lot more, overall, even though Naoko Takeuchi admits that even she wound up sidelining him more than she intended to.
However, it's the Dead Moon Arc where the rubber truly meets the road. While the manga still gave him relevant moments leading up to this, it was here that Mamoru learned things about himself of which he was previously unaware. And through this discovery, he ultimately learns that he DOES, in fact, have a role to play on the team besides just being (LITERALLY) "the odd man out". Sailor Moon Super S saw the 90s series try playing to this, to a far lesser extent, by having Mamoru interacting with the Sailors more frequently in social situations than he ever had before. But as far as overall importance to the plot, he was still relegated to the back burner, using his illness brought on by the Dead Moon’s corruption of Earth to keep him off the field for the final battle entirely, when in the manga, he was actually one of the key players.
However, for everything I’ve just said, there are two more characters to whom the 90s series arguably did an even greater disservice than Tuxedo Mask. And those are, of course, Sailor Uranus and Sailor Neptune. Does it annoy anyone else how the 90s anime just COMPLETELY missed the point with those two? I mean, when the showrunners screwed over Mamoru's character, at least they tried to make it up to him occasionally. Uranus and Neptune just got done DIRTY at almost every turn.
Here’s the thing. When you look at the original manga, the main theme with the Outer Sailors in general was how they were just stuck in the past and had to clue into the fact that the Silver Millenium was dead and all the old rules they were so hung up on didn't exist anymore, so they didn't have to follow them if they didn't want to. The 90s adaptation, however, just took Uranus and Neptune and went completely sideways with them. The idea there was they both had to DO this job, but neither of them WANTED the job. And yeah, it was all about the showrunners trying to make them look TRAGIC, but instead, all it REALLY did was make them look PATHETIC, because it was why they always insisted on the most destructive answer to ANY problem. Sure, they were legitimately trying to stop the bad guys, but they were also legitimately trying to KILL THEMSELVES at the same time. And that mindset just NEVER worked out...for EVERYONE. Because whenever those two got involved, anytime something BIG was about to go down, their martyr complex would start flaring up again and you just KNEW they were gonna screw everything up (which, of course, they usually DID).
プルート！💦ウラヌス！💦ネプチューン！💦サターン！💦
It makes me feel to cry along with Usagi-chan But I love the way she grows stonger and takes her resability very serious than in the anime of the 1992s.
So if we are including mamoru then this is definitely not all sailors as you left out the animates and the starlights Saturn altogether and Phobos and Demos as honorary mentions. And that was just at 1:55 seconds.
sì, probabilmente ho sbagliato un po' hahah hai ragione, Mamoru non avrebbe dovuto essere incluso. da Sailor Saturn I yeah, i probably messed up a bit hahah you're right, mamoru shouldn't have been included. i cut the sailor saturn scene by mistake :( the intention was to include the inner and outer senshi scenes anyway
もらったわ！セーラークリスタル！
Tuxedo mask
Sailor Jupiter
Sailor Mercury
Sailor Venus
Sailor Mars
Sailor Pluto
Sailor Uranus
Sailor Neptune
Sailor Saturn
Sailor Fighter
Sailor Maker
Sailor Healer
Princess Kakayu
Sailor Mini moon
All gone man that Galaxia is insane for some powerful Alien overlord she's the Thanos of Sailor moon franchise
Technically, Galaxia wasn't evil, per se. She just wanted to defeat Chaos, though she was still misguided.
@@JadenYukifan28I thinks it's more like she wants to find the perfect home fit for a Golden Empress
ガーディアンプルート！💦
セーラームーン!危ない!
マーズ！💦ヴィーナス！💦
Chi sa se ci sarà un altro film che spiega bene il continuo come questo ❤
Se ci fosse sarebbe bellissimo! Anche se purtroppo, mi sa che finirà tutto così. A meno che no facciano un altro remake/reboot (o magari incontrano la storia su Chibiusa) per i 50 anni 🤣🤣🤣💫💫💫
マーキュリー！💦ジュピター！💦
ありがとう(^.^)
Aren’t you missing Sailor Pluto and Saturn’s deaths?
unfortunately yes! 😅😭😭😭
I've just realised they did not show Hotaru's death. 😅
I'm the one who made a mistake and I don't show the scene of his death 😭😭😭
@@myhappyplace9272 haha I know just said they because I thought you were a team. 😊 Thanks for the video thou. ❤️
You are supposed to kill main characters with sad or dramatic music if you wanna transmit some feelings, not epic battle background song + action effects. This is POOR movie direction…
I admit that my intention was only to cut the parts where the sailors die: the music and the dubbing are original to the film, I didn't add anything else. I thank you anyway for the comment, and I'll be more careful next time 🥰
@@myhappyplace9272 sure! All I said I was referring to the original movie direction not your cut or edit. Thanks for uploading content!
Amm ellos estan en guerra asi que no es culpa de los que dirijieron la pelicula si no de la situación en la película 😊
I’ll stick with the original this has been the worst reboot since it started
And Sailor Saturn???
😭😭😭😭😭😭😭😭
I made a mistake in cutting and excluded sailor saturn 😭😭😭😭
Shame on meeeee😭😭😭😭
@@myhappyplace9272 🥲
so useless
do you mean the VIDEO is useless? that's not very nice to say. I posted it thinking it was okay, but actually it's not since there are some errors. I'll improve
This movie was boring as fuck
why do you think this? anyway it's the adaptation of the manga
@@myhappyplace9272 too much talking too little action
@@Android-gd8wlSailor Moon needs definitely improvement with the action and choreography of fights. The Sailor Senshis deserve much bigger battles
@@who4440 bad writing. Galaxia acted more in character in 90s anime. She's not just the strongest sailor warrior, she's also a general/empress. Any strategist would send scouts first before striking, in the scenes she seems too attached to common fights. Killing Mamoru first herself from a distant attack is terrible plot. And she knows that Usagi is on her level, therefore every galaxia's sailor will perish doing nothing, I do not see a good explanation of her strategy, she failed in every move. Combining their powers against chaos would benefit her more.
@@blandon93I agree with you. The 90s anime did a better job with this arc and even they made their deaths more impactful than in here. I guess they were just afraid of making them as brutal as in the manga because of what parents would probably say
Renember when Precure used to have a lot of action fights but they were removed? Yeah... they kinda prefer to add more talking scenes nowadays, only exception of the Magical Girl genre would be Madoka Magica, Lyrical Nanoha (the last two movies had a whole lot of action), and maybe that one whose name I don't renember now since I watched it a couple of years ago but it had a lot of good fights too
Sailor Moon... well, the 90s anime is unique because the scenes focused in other characters that aren't Usagi doesn't seem forced while in the Eternal and Cosmos movies they seem to be very rushed, and the whole Rei x Minako (yes, people ship them because of the manga and maybe that's why they had some individual scenes in Cosmos) doesn't make sense when in Crystal when she isn't with Artemis or Usagi, Minako is often with Makoto, but barely with Rei or even Ami
The movies have pretty style, a bit inconsistent at times but still way better than the Eternal ones, but the characters aren't the same, and they spend too much time explaining things that we already know and they even give a "reason" of why Galaxia is evil (the context is that she was nearly r*ped in the past) when we already had that with Neheneira, like; can't we have one villain that is just evil because she just likes to be like that?! That's why I prefer 90s Galaxia, because she's truly a menace and the moment she takes everything away from Usagi it feels more impactful
Oh, and let's not forget that the best part of the 90s anime what that Chibiusa wasn't in the last arc, which they could have done in this movie (I don't like her much since certain scene from Crystal, sorry)
No wonder why Cosmos didn't have much hype as the Eternal movies, it just tries too hard to be like the manga, but in the final result some moments are that really forced that you just end wondering when is going to finish
A whole series with that style would have been better, but nooo, most of Toei budget goes to either Dragon Ball (I don't know if they will keep going with the Daima series now that the creator sadly passed away), One Piece or Precure
Besides, they could have done the Codename Sailor V spin off instead of doing Cosmos, that could've saved the whole franchise