After painting a few years, I've made every mistake here, lol. This was a wonderful tutorial, bravo! I really hope a new artist will discipline themselves to following this tutorial. Many canvasses will be saved.
This video was a real eye opener. I was like “oh I already keep values as a priority” on tip 1 but when I continued I realized Ive been doing every thing wrong and this video helped a lot! I was so frustrated with painting and I almost never get inspired but I think this video kind of gave me an inspiration to paint more.. Thanks!
I knew about a lot of those but the one for checking values using the reflection in your black phone screen was a new one and I really liked that idea. Thank you for sharing!
The beauty of your program videos and your UA-cam videos is that one, you keep the subject matter simplified, two, you impart your experience and knowledge into the videos, three, your dedication of improvement on each video is so self evident. Well done my friend, keep up the great work.
As a long time photographer I find taking a a photo of it really helps. I love looking at it in black and white because it is easier for me draw what. I know where shadow and light are to create depth. I love black pastel and charcoal for that reason. I am about to try oil paint for the first time.Love your videos!
Very good advice on all points. If you're a painter, beginner or advanced, reading the comments, do an experiment where he talks about getting all the right values in a simple still life with a grisaille underpainting, and then use colors over it that you know are wrong but still the right value. You'll be surprised how well it pulls together when you step back, even though the colors are abstracted. Starting your work with the darkest values, as he says, is also good advice because dark values are scary and we doubt ourselves. Learn to trust what you see in values and not what you "know" and the rest of the painting falls into place.
1. Neglect the Values 2. Avoid Trying to Find the Right Color - try to put it in its context (try, compare, adjust). Start w the darkest parts of the painting 3. Avoid mixing the colors on the canvas - work as much as possible on the pallet. 4. Not stepping back enough to assess and look 5. Not enough or Too much paint
These are literally my favorite videos ever, they're so chill and helpful and they give me hope when I'm stuck and feel like I'm not improving 😂 thank you for making these!!
I've learnt so much from your videos, they are helping me become a better artist! Thank you so much for sharing this knowledge with us, you're awesome!
He is great for beginner like me in oil painting. The 5 mistakes he listed here completely were what I went through the last 3 months. I also made a major mistake of using wrong surface.. I am following him from now on!!!!
I’ve been doing art for a while and still had trouble with values, thank you because your explanation was just GREAT!! It had a better understanding in my eyes than when in art school and my instructor’s explanation was just uncomprehending to me.
Thank you for your videos. I really get a lot out of them. In the current video, I really appreciate point number 4 - stepping back from the painting. Often when I paint, I am so close to the painting and focused on one detail I forget the entire painting. Focusing on a detail is important but it must be tempered. One way I have found to be useful to balance is to take a cell phone photograph. It is like using the reverse mirror (tailored for the modern age). At a stopping point, I take a photo of the work with my cell phone. Granted, modern cell phone cameras enhance the colors way more than looking at it with the naked eye. Never the less, this lets me see my work in a different contextual setting. Often I find that the obsessing over the most minute details, while important, can stop. I have done enough. Learning when to stop is crucial. It is so very hard for artists.
I am always amazed about how much painting and hair styling have in common. From color value, to stepping away from the piece and looking at a distance.
I would say one of the best things you can do to a painting your struggling with. Is first ask another artist to give feedback... And if you still want more... Give up on the painting. Take a break for like a week. When you come back you will find you have a different mindset, different inspirations, and fresh eyes. It can make a world of differance to your work and help you see your own mistakes and help you learn.
I find it very useful to work with a mirror behind me which quickly enables me to view it from a distance . Thank you for sharing your knowledge 👍 keep up the good work
Your paintings are beautiful. I want to thank you for teaching, helping others to try to paint too. You are an excellent teacher. I really appreciate your interesting, instructive tutorials!
Number 4 is so important!!! I learned this around 15 years old. Always step back and see how your work looks from farther away. It makes a load of a difference and you can point out where something needs adjusting, etc
Excellent thank you for what you do. As an artist myself, I also take the opportunity to learn as much as I can. An artist can be a teacher and always a student. Keep safe.
Paintings are an optical illusion' you don't see the illusion yourself until you walk away and come back to it. Standing back and looking, looking at the painting in a mirror (so see a 'different' painting, and walking away (even for 30 seconds) then looking back...all good habits. Great video as ever, just wish you had thought of a mistake that I haven't made at some time...but then mistakes are a great way to learn. Thanks.
A very good tutorial. I only wish that you had given examples for No 2: "Try, Compare, Adjust". I think a beginner might be a bit flummoxed without some demonstration.
Don't forget skilled as well, a talent you don't learn you just have the natural ability for it. Painting takes time to learn and with that become a better artist.
This is fantastic- I have been muddling value and chroma- your slide is so clear that the same value can have different chroma. I think also the habit of naming colours can confuse chroma as the different intesities are named different things and we think of the different chromas as colours/hues
Thanks, Dannielle. Color naming and color theory is a gigantic mess, for sure! Everyone sees and names colors differently. But as painters, we have to learn to understand colors more in depth.
Also there is a soft look to painting on canvas and a harder texture and quality when painting on board and wood panels. Choose the painting surface based on the project
Florent - so right - No' 4: standing too close to the canvas. Trying to get students to stand back and look at their work can be SO difficult but it's something I stress to them constantly.
Florent your videos are fantastic, your advice so useful, thank you for sharing your vast knowledge. You are an incredibly talented and skilled artist, I just love your work. ❤️
To be honest I am just learning how to paint but I start by kind of sketching with a lot of dry brush in a light color. Sometimes white or grey. I then begin to paint “in” adding light or dark still basically sketching in paint and using mostly a dry brush. In this way I gradually build up the composition constantly refining and adding color, revising, refining and blending. I start sort of ambiguously and ending with decisive details.
thanks! that was very useful. The idea of mixing paint on your painting is in fact ok if it’s watercolour where you can achieve the most surprising effects.. I’m trying to move away from watercolour and of course I get into my old habits
Kate Beedot he has a video showing a sphere he did by mixing on the canvas vs going back to the palette and picking up new transitional color. The one where he uses new paint instead of mixing on canvas looks way better. But that’s for beginners, I think once you’re more experienced you can do that and you know how to make it not look flat.
It's also ok for oil painting, but it's not a reliable color mixing strategy for beginners... It's too unpredictable. But with experience, it's possible.
It's a common mistake, never hesitate to try a small color sample, even if you know it will be wrong... then look, compare and change if necessary. Oil paint can always be removed or covered so no worries. It also removes a lot of the "color anxiety", normal for beginners.
Hy ! I really like your videos they are v helpful. Today I wanted to know about this certain problem, so I gessoed my canvas and let it dry for 36 hours then when I tried to put my undertone it started peeling off (the gesso). Can you help me with this one.. it is the first time that has happened 😓 How should I fix it ?
Thank you for a great video, I shall be checking out more of your videos Can I just ask what was the beautiful piece of piano music? I’d love to listen to it in full! Thanks
Thankyou again. Do you find that you still use grisaille underpainting? Or a form of it? Do you think it adds structure and depth or do you not worry with this step once you are more proficient with understanding values? One more question :) what is the normal timeframe for your paintings from the first layer to the final detail layers, allowing for various drying times in between layers and so forth?
Hey Audrey! Given that I don't do a preparatory outline for my main work, a grisaille is often useful for complex compositions. The grisaille is basically a helpful substitute for the prep drawing. I would say that I start with a very basic brush block-in, but if I am not satisfied, I will make a more sophisticated grisaille to make sure my project is coherent. And time is impossible to measure as I have several paintings at the same time... I would two three weeks in general.
thankyou for sharing your approach, that is really interesting and useful to hear. I have found the grisaille to help the whole painting look more unified even if it feels like a time consuming extra step. I have seen landscape painters where I live do a fairly detailed grisaille in burnt umber type of colours as well - what kind of difference does it make whether the underpainting is in greys or umbers or another scale? is this something peculiar to landscape painting?
the internet is amazing, all these resources for free! thank you so much for sharing with the world :)
You're welcome, I'm glad my work can help others.
Beautiful
☺❤🙏
After painting a few years, I've made every mistake here, lol. This was a wonderful tutorial, bravo! I really hope a new artist will discipline themselves to following this tutorial. Many canvasses will be saved.
You had me at get coffee 😯 im listening
This video was a real eye opener. I was like “oh I already keep values as a priority” on tip 1 but when I continued I realized Ive been doing every thing wrong and this video helped a lot! I was so frustrated with painting and I almost never get inspired but I think this video kind of gave me an inspiration to paint more.. Thanks!
I knew about a lot of those but the one for checking values using the reflection in your black phone screen was a new one and I really liked that idea. Thank you for sharing!
Absolutely correct, I've been painting for years and I discovered all this the hard way
The beauty of your program videos and your UA-cam videos is that one, you keep the subject matter simplified, two, you impart your experience and knowledge into the videos, three, your dedication of improvement on each video is so self evident. Well done my friend, keep up the great work.
As a long time photographer I find taking a a photo of it really helps. I love looking at it in black and white because it is easier for me draw what. I know where shadow and light are to create depth. I love black pastel and charcoal for that reason. I am about to try oil paint for the first time.Love your videos!
Very good advice on all points. If you're a painter, beginner or advanced, reading the comments, do an experiment where he talks about getting all the right values in a simple still life with a grisaille underpainting, and then use colors over it that you know are wrong but still the right value. You'll be surprised how well it pulls together when you step back, even though the colors are abstracted. Starting your work with the darkest values, as he says, is also good advice because dark values are scary and we doubt ourselves. Learn to trust what you see in values and not what you "know" and the rest of the painting falls into place.
1. Neglect the Values
2. Avoid Trying to Find the Right Color - try to put it in its context (try, compare, adjust). Start w the darkest parts of the painting
3. Avoid mixing the colors on the canvas - work as much as possible on the pallet.
4. Not stepping back enough to assess and look
5. Not enough or Too much paint
Learning about oil, after decades of gouache, pen & ink, is daunting. This is so good I'm going to look for it again.
These are literally my favorite videos ever, they're so chill and helpful and they give me hope when I'm stuck and feel like I'm not improving 😂 thank you for making these!!
I've learnt so much from your videos, they are helping me become a better artist! Thank you so much for sharing this knowledge with us, you're awesome!
I'm glad I can help ! :)
He is great for beginner like me in oil painting. The 5 mistakes he listed here completely were what I went through the last 3 months. I also made a major mistake of using wrong surface.. I am following him from now on!!!!
I’ve been doing art for a while and still had trouble with values, thank you because your explanation was just GREAT!! It had a better understanding in my eyes than when in art school and my instructor’s explanation was just uncomprehending to me.
Thank you for your videos. I really get a lot out of them. In the current video, I really appreciate point number 4 - stepping back from the painting. Often when I paint, I am so close to the painting and focused on one detail I forget the entire painting. Focusing on a detail is important but it must be tempered. One way I have found to be useful to balance is to take a cell phone photograph. It is like using the reverse mirror (tailored for the modern age). At a stopping point, I take a photo of the work with my cell phone. Granted, modern cell phone cameras enhance the colors way more than looking at it with the naked eye. Never the less, this lets me see my work in a different contextual setting. Often I find that the obsessing over the most minute details, while important, can stop. I have done enough. Learning when to stop is crucial. It is so very hard for artists.
I am always amazed about how much painting and hair styling have in common. From color value, to stepping away from the piece and looking at a distance.
I would say one of the best things you can do to a painting your struggling with. Is first ask another artist to give feedback... And if you still want more... Give up on the painting. Take a break for like a week. When you come back you will find you have a different mindset, different inspirations, and fresh eyes. It can make a world of differance to your work and help you see your own mistakes and help you learn.
Also, hold your painting in front of a mirror or upsidedown. Reversing what you see will bring out a lot of what you'll want to correct.
I find it very useful to work with a mirror behind me which quickly enables me to view it from a distance . Thank you for sharing your knowledge 👍 keep up the good work
Your paintings are beautiful. I want to thank you for teaching, helping others to try to paint too. You are an excellent teacher. I really appreciate your interesting, instructive tutorials!
Number 4 is so important!!! I learned this around 15 years old. Always step back and see how your work looks from farther away. It makes a load of a difference and you can point out where something needs adjusting, etc
Excellent thank you for what you do. As an artist myself, I also take the opportunity to learn as much as I can. An artist can be a teacher and always a student. Keep safe.
Oh My God! Where were you Florent? Thanks for being here and so generously creative.
Paintings are an optical illusion' you don't see the illusion yourself until you walk away and come back to it. Standing back and looking, looking at the painting in a mirror (so see a 'different' painting, and walking away (even for 30 seconds) then looking back...all good habits.
Great video as ever, just wish you had thought of a mistake that I haven't made at some time...but then mistakes are a great way to learn.
Thanks.
Great video for beginners. These tips will avoid a great deal of frustration for them. Thank you!
A very good tutorial. I only wish that you had given examples for No 2: "Try, Compare, Adjust". I think a beginner might be a bit flummoxed without some demonstration.
You are one of the best I have seen - thanks!
Thank you so much ! ;)
I would have picked the exact same 5 points. Especially your point on values and also viewing from a distance.
Great advice as always
This is the best video I saw this year. Thank you!❤️
I can't believe I haven't thought about using a dropper for the solvent, thanks for that.
Wow, aren't you just Wonderful!
Your channel is definitely the most informative.. easy to follow and and answers my questions when I'm struggling.
Your paintings are awesome! You're so talented
Thank you so much !
Don't forget skilled as well, a talent you don't learn you just have the natural ability for it. Painting takes time to learn and with that become a better artist.
Thank you Florent, stepping back is helpful. The hardest thing for me is I get too detailed too early in the painting. It's hard to pace yourself
I guess it comes with loads of practice.
this answered many questions i didnt even know i had, thank you
another great tips of painting mate
Your explanations are so clear and helpful!
This is fantastic- I have been muddling value and chroma- your slide is so clear that the same value can have different chroma. I think also the habit of naming colours can confuse chroma as the different intesities are named different things and we think of the different chromas as colours/hues
Thanks, Dannielle. Color naming and color theory is a gigantic mess, for sure! Everyone sees and names colors differently. But as painters, we have to learn to understand colors more in depth.
Been wanting to learn how to oil paint might start w your lessons! Thanks
I have never seen glass as palete for colours, that is brilliant idea. It is easier to clean it as on wooden palette.
very, very helpful. Thank you!
Also there is a soft look to painting on canvas and a harder texture and quality when painting on board and wood panels. Choose the painting surface based on the project
I am a beginner, and definitely guilty of all of these! Thank you for a great, super helpful video!:)
You're an amazing teacher, thank you so much!
Thank you for sharing your tips, Florent! You are a true professional
I concur with the mistakes mentioned. Thanks for the reminders!
Wow these tips were AMAZING thank u!!! 🙌🏻🙌🏻😍😍 i really think these tips were for all mediums
Thank you for sharing this, I've been struggeling for so long!!
Thank you so much! I am struggling with oil as a beginner, I use acrylic mostly and finding oil very difficult
Very good advise! Thank you so much!
This was so, very, helpful!!! Thank you for your clear explanations!
Thank you Sir,for this videos it helps me to improve my artwork,and thank you for the technique.God Bless
Thank you . One day Im going to try painting. Really inspired right now by the work of Hannah Van Bart.
Florent - so right - No' 4: standing too close to the canvas. Trying to get students to stand back and look at their work can be SO difficult but it's something I stress to them constantly.
So helpful 😍
You explain so well - THANK YOU!
That dropper in the paint was kinda what I’ve been looking for. Cool
A HUGE THANK YOU!!!
I love your channel !
Hi Florent! These are some great tips. I’m just learning to oil paint and this has helped a lot. Thank you for these videos!
Thank you so much for your video's!!!!! Love them.
I have to say that I love your eyebrows. Thank you for the video too.
He does have excellent eyebrows, I have always thought that! Along with huge talent, skill, incredible knowledge and that really lovely French accent.
@@BlueKungFu ~ Agreed! ❤️
Florent your videos are fantastic, your advice so useful, thank you for sharing your vast knowledge. You are an incredibly talented and skilled artist, I just love your work. ❤️
Thank you so much :)
@@FlorentFargesarts You're very welcome Florent, it's you who deserves the thanks. 🙏
Tons of great information. For beginner or advanced.
Thanks, it helps me a lot!
OMG! Amazing content. You got a new subscriber
Fantastic video, Florent! I love your work and your videos!!
To be honest I am just learning how to paint but I start by kind of sketching with a lot of dry brush in a light color. Sometimes white or grey. I then begin to paint “in” adding light or dark still basically sketching in paint and using mostly a dry brush. In this way I gradually build up the composition constantly refining and adding color, revising, refining and blending. I start sort of ambiguously and ending with decisive details.
awesome videos thx! love to know what you listen to when you paint!
Very good! Thanks for sharing!!!
You're welcome Henrique :)
Great idea to use a dropper to add the medium!
Perfect thank you...just what i needed🖒
Great video, thanks!
thanks! that was very useful. The idea of mixing paint on your painting is in fact ok if it’s watercolour where you can achieve the most surprising effects.. I’m trying to move away from watercolour and of course I get into my old habits
Kate Beedot he has a video showing a sphere he did by mixing on the canvas vs going back to the palette and picking up new transitional color. The one where he uses new paint instead of mixing on canvas looks way better. But that’s for beginners, I think once you’re more experienced you can do that and you know how to make it not look flat.
It's also ok for oil painting, but it's not a reliable color mixing strategy for beginners... It's too unpredictable. But with experience, it's possible.
Amazing advice, you're the best! Thank you!!!
Very true. Very useful.
This channel is so underrated.
Thank you for those useful tips.
Well it's ten o'clock at night but now I feel absolutely compelled. I must make coffee.
Thank you very much for your counsels. I appreciate it.
The picking and finding the color like a puzzle is exactly what I have been doing. Ugh.
It's a common mistake, never hesitate to try a small color sample, even if you know it will be wrong... then look, compare and change if necessary. Oil paint can always be removed or covered so no worries. It also removes a lot of the "color anxiety", normal for beginners.
Me too! All the time and paint I have wasted..
Thanks for such great tips!
Just started the video...Man, your beard has such a pretty colour.
Mathilda !
Great advice, and I also want to compliment you on your English. If I could speak your language as well as you speak mine I would be very proud.
Great. 😊👍
Thank you so much! This is very helpful. 😀
Hy ! I really like your videos they are v helpful.
Today I wanted to know about this certain problem, so I gessoed my canvas and let it dry for 36 hours then when I tried to put my undertone it started peeling off (the gesso).
Can you help me with this one.. it is the first time that has happened 😓
How should I fix it ?
Thank you so much for this video! It is very informative! :D
Oh how much I wish I had a studio instead of sitting in my tiny room, especially in this pandemic
Just subscribed, do you have a video on oiling out? I want to rework a painting after a long time.
Hi. Thanks for the newbie tips, they are so helpful. What medium do you have in the dropper? Or is it a mixture of stand, linseed and OMS?
Thank you for a great video, I shall be checking out more of your videos
Can I just ask what was the beautiful piece of piano music? I’d love to listen to it in full! Thanks
Thanks for the video bro. Also...you look like the guy of that band bring me the horizon
Hi! What is the technique called when you do black and white first amd then color?
Hello! Have you tried water mixable oils? what's your opinion?
Thank you for your video :)
Does someone have the name of the music at the end please?
Thank you!
Good recomendations bro, thanks
Thanks
You make me want a coffee. Lol. I. Knew all five rules, but not follow them often.
Thankyou again. Do you find that you still use grisaille underpainting? Or a form of it? Do you think it adds structure and depth or do you not worry with this step once you are more proficient with understanding values? One more question :) what is the normal timeframe for your paintings from the first layer to the final detail layers, allowing for various drying times in between layers and so forth?
Hey Audrey! Given that I don't do a preparatory outline for my main work, a grisaille is often useful for complex compositions. The grisaille is basically a helpful substitute for the prep drawing. I would say that I start with a very basic brush block-in, but if I am not satisfied, I will make a more sophisticated grisaille to make sure my project is coherent. And time is impossible to measure as I have several paintings at the same time... I would two three weeks in general.
thankyou for sharing your approach, that is really interesting and useful to hear. I have found the grisaille to help the whole painting look more unified even if it feels like a time consuming extra step. I have seen landscape painters where I live do a fairly detailed grisaille in burnt umber type of colours as well - what kind of difference does it make whether the underpainting is in greys or umbers or another scale? is this something peculiar to landscape painting?