Recreating the Look of Everything Everywhere All At Once
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- Опубліковано 29 сер 2024
- Everything Everywhere All at Once, which just won 7 Oscars, has a very specific look that heightens the world of the film. But can we recreate that look and feel just through color grading using Davinci Resolve?
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A few red flags in this video ;
- Using the curves in the Linear node : reaally easy to break the image that way, I would recommend only moving the white point or just using the Gain wheel for exposure when in Linear.
- Changing the Max Output of the CST in to 90 : that’s pretty much clamping all of the dynamic range of Davinci Intermediate to below the dynamic range of Rec709… The artefacts caused by the 2383 lut is more of a “out-of-gamut” colors problem than a “highlights” problem.
🤩
I have been watching yall since yall have started! I was a teenager then and am now 37 years old! Yall videos have been not just educational but also incredibly inspiring through my filming career! So thank you for that! One of my biggest weaknesses is deffenitly color grading! I see there is soooo much put into a single shot! Would love to see what a color grading workflow looks like when you have to have the same grades or simular grades on a big project like a feature!
I've witnessed your knowledge grow over the years, and I'm so glad you've learned so much because I get to learn from you! Thank you guys, it's been a great ride and it's only getting better :)
I love how yalls color grading vids tackle such different approaches, always providing value not seen in your previous videos!
Nice looks! Still need to watch this movie! Just be careful with the skin qualifier as it makes grades more difficult to copy across to other shots in a scene. Something more like the Hue vs Hue curves could be used to get the skin where you want it to be and it transfers better to other shots. :)
⬆️ yes
Would love to see y'all bring Monday Challenges back... I miss the scene recreation challenge and I think it would be fun to involve the community!
Please, can you recreate the look from John Wick 4?
I second this. I've seen the film twice now and I'm desperate to find some tutorials
@@scottbellcharlie yeah!
the look for that film is all based on cinematography on set. They have all kinds of lights of various colors on set. So unless you do that, its not possible to achieve the look.
John wick 4 look most done on set only
@@logiknotlogic6586 but, what about exterior shots?
That was very nice and extremely confusing to me. Gotta learn Resolve.
After watching like houndreds of hours of colorgrade tuts, OMG this is the most powerfull and straight forward I ever seen , Really Good Job Guys
I love these. Thank you ❤
I was wanting to know if you could do a video on how to add shadow to green screen so that the actors don't look like they're "floating" in Davinci Resolve.
very complex thing you guys made in an easy way.. amazing
Just switched to DaVinci. Exactly what I needed! Thanks! I am trying to reproduce Wes Anderson look with color grading. And what I have is not even close, even if it looks great. Maybe something from this tutorial will be helpful for me. Thanks again
love you guys! Great video!
Man, you go nuts here!
There is so much in these look remakes. I get that it's not a DaVinci resolve tutorial but dang I'm so lost about a min in.
These walkthroughs are 🔥🔥🔥. Please do Parasite.
Wow this makes my head hurt. But it’s amazing
This is amazing. Is it possible to achieve this similar color correcting on Premier Pro?
CST in and CST out is completely new information to me… who knew
I watched it back the when it was new, in July last year
DaVinci Resolve!! YAS!!!!
Thank you!! Thank you so much!!!
Amazing grade but this process is very confusing. Could someone explain why the 2 CST nodes are necessary, when the project color space settings are already set to DaVinci Intermediate and Rec 709 Gamma 2.4?
THANK YOU FOR EXISTING
I remember the days this used to sound like Star Trek Lingo now I completely understand it.
Is there a walkthrough of this when shooting in Blackmagic Raw?
This is awesome! How would you go about color grading a Full CG render that has been rendered in AcesCG color space and needs a film output of Rec709? Curious how would you set up the input and output transforms, and how effectively you can use the LUTS that come with Davinci in that regard. Would love to see a video on that!
Thanks a mill!
yayyyyy! this has never happened before! First! I am a big fan, this is the best fimmaking channel EVER.
What is a good learning resource for learning how to color grade? I watch tutorials that are very practical with the "how" to do something, but I would like to learn more about the "why", and I don't know where to begin.
Maybe on Skillshare?
Wow! I love this
Thus is probably a complex question but does anyone know how to recreate the colors in photography? I wanna put the lighting of the film into some of my photos to try & recreate the style but I don’t know where to begin
if we shoot slog 3 profile a7s3 on sony camera so the color space transform setting will apply same like this plz reply ?
Wow I didn't think there were so many things to adjust in 2023...wasn't like that in the 2010's just had to change white balance, levels and saturation 😂.
is there a list out there that tells you what LUT goes to Cineon/DCI/Fuji?
Nice!
Is there a way to check clips extracted with ACES from davinci properly in AE?
I searched and asked various materials on the ACES forum, but I couldn't find it.
It was a drama filmed with an arri camera, and the DI team gave it to the ACES region as a .EXR source.
When I worked with AE, I didn't set the settings, so the highlights went over and black came out white.
There was no problem when I worked on it and sent it, but there were many cases where compositing became awkward after coloring.
I took rec709 as a standard, but the colors I saw in the field and the versions I had in the editing room appeared different.
This only happened with ACES workflow.
I'm really confused.
Please forgive my poor English skills. But I am wondering if there is any way to fix it.
Always looking good. Thank you.
How does the film grain in davinci resolve compare to film convert Nitrate?
Can someone tell me why they don't use CTS from Redlog to rec 709 in 1 note
The indy film / movie experience will never be the same again after this one.
please do the dceu flash vfx ae
2:00 like this one) Looks like screenshot from Hackers)
Wow that's amazing. Do most people grading follow this node path?
No..
No.
Ok cool, so I guess it's a no, but elaborate 🤣
@@ifell3 this is quite overkill and time consumming.
@@dp_zee sweet, do you have a best bang for buck workflow? Regards
Your no tree structure just blew my brains out smh lmfao... 🤔 I DID NOT think I could do a layer mixer or parallel mixer with more than one node 🤯🤯🤯
Thanks Film Riot for showing me how to do stuff and stuff...🤘😎 K Bye
Can you recreate the color grade from the hbo series “The Last of Us” please?
more of these, do peaky blinders next
graet!
do john wick 4 next
OOOH! I'm early!
aint doin all that
This is why I don't watch color grading tutorial, how do you guys use color transform... That sh*t is confusing
I'm gonna guess this guy weighs as much as a duck...
What program is this?
Did you not watch the video? It's DaVinci Resolve
@@clonkex this is the first time watching a color grading video, how was i to known?
@@Fil13 That would be a fair argument except 0:56 2:15 7:30
Thats why everyone is switching to DR!
Love from Pakistan ❤ Allah more success you i following 2016 dear
And the left foot goes in front of the right foot, up down left, right, left, right, B, A start!
Jesus! I can't keep up with all this. Just roll the movie. 😵
I feel like this movie is extremely overrated
Yeah preachy movies are boring
Nah.
I hated this movie. It's overly long. It's extremely boring in parts. It's confusing. I genuinely don't understand why it won so many Oscars. Jamie Lee Curtis wins for best supporing actress - Are you kidding me? What's so special?
Me too. I think it's over-rated.
Unnecessarily complex. Says stuff that could/has been said more succintly.
I hope with ai you can just type "color grade like this film" and done lol
Respect to anyone who not skipped the movie after the first 30 minutes of nonsense.
Haha! We had to stop at the 56min mark I think, it was just absolute hobwash. I don't understand how people can put so much time into something so not worth while.
The first 30 minutes of nonsense? That first half-hour is probably the most "normal" part and it only keeps getting better as it continues lmao.
@@BloodyMunchkin Yeah, I think you're right😆
Given that it was by the same college-age humor duo as the "turn down for what" music video and that movie centered around a farting corpse, this was just more of the same. I can't believe they keep getting stuff greenlit.
@@kimtae858 You have just displayed how little thought you actually give their films, and possibly films in general. If you did, you would've understood that the Daniels use ridiculous concepts and weird/fun ideas as a vehicle for their stories' thematic messages. A farting corpse washed up on an island, interdimensional kung-fu and hotdog fingers ... these are just surface-level elements that conceal the deeper meanings. And THAT'S why they keep getting greenlit, homie.
tbh from what I see of the movie - that is, from what you've shown - the camera-work looks terrible, mushy, wierd color, foggy.