Haydn: Symphony No. 86 in D major (with Score)
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- Опубліковано 27 лип 2024
- Franz Joseph Haydn:
Symphony No. 86 in D major, Hob. I/86 (with Score)
Composed: 1786
Conductor: Sir Neville Marriner
Orchestra: Academy of St Martin in the Fields
00:00 1. Adagio - Allegro (D major)
07:50 2. Capriccio: Largo (G major)
15:03 3. Minuet: Allegretto - Trio (D major)
20:28 4. Finale: Allegro con spirito (D major)
Symphony No. 86 in D Major composed in 1786 is the only piece in the sequence of the six Paris Symphonies which in the “official” sequence as No. 5 coincides with what Joseph Haydn originally intended. Like No. 85 and No. 84, No. 86 features a slow introduction to the first movement. Yet while the introduction to La Reine (No. 85) is supposed to produce a ceremonious atmosphere, the one in No. 86 performs primarily a dramaturgic task: Haydn would not have been able to open the symphony with the theme of the main part in allegro. With this introduction to the symphony Haydn is boldly experimental again. The principal theme of the first movements is not an established musical entity in itself, but in fact a transitional sequence beginning at a subordinate level of the D major circle and only then transitioning into the main key, which is all the more firmly established. This transitional phrase is also manifested at several unexpected points in the movement, thereby furnishing the composer with the opportunity to create subtle effects. The splendid largo is called Capriccio probably because Haydn blends the most diverse elements of form in the most capricious of ways without the movement exhibiting the usual repetitive breaks. The minuet does not dispense with the folkloric moments - yet elements of aristocratic elegance are noticeable, as well, as is a certain melancholy with which Haydn explodes the boundaries of a simple “little dance” - be it aristocratic or folkloric. The return of the beginning part of the minuet is extended by means of “reflective pauses.” Bucolic shepherd melodies waft aloft in the trio (violins and bassoon in octaves accompanied by string pizzicato). Consisting of a single rhythmic impulse, in an animated spirit the finale hastens by. (www.haydn107.com/en/Sinfonien/86)
Oh I absolutely LOVE Symphony #86!! And following along with the score is very exciting for me. Thank you!!!!!
well done st Martin in the fields
16:51 those 20 seconds - beautiful dissonances and chord progression!
Haydn did some innovative things but that second movement must be near the top of the list.
You can certainly see where Beethoven picked up his tricks!
25:55 what a creative texture, especially for the period! It almost sounds like an organ.
Foreshadows late Mozart and early Beethoven
@@loganfruchtman953 This was composed in 1786, that was already the last 5 years of Mozart's life
We've been waiting a while for a score video of this symphony! Thank you.
So true
This is an exceptional symphony, arguably the greatest of the six written for Paris, Symphonies 87, 85, 83, 84, 86, 82.*
Note the discordant off-tonic D# in the bass at the start of the Allegro spiritoso section of the first movement, indicative of the surprises in store throughout.
* Haydn’s explicit written instruction as to the correct order of these symphonies.
The slow movement is unique in the sense that it lacks a memorable theme. The different motifs succeed each other seamlessly without us noticing the total absence of a "tune". I read somewhere that Berlioz was the first to do this in the finale of the Symphonie Fantastique but it seems Haydn was 50 years earlier .
15:45