잃어버린 우리 청화백자의 맥을 잇다 | Continuing Legacy of the Cheonghwa Baekja | 정은(Jeong-eun) 이(Lee) | TEDxSNU

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  • Опубліковано 22 вер 2024
  • 수많은 혼란과 부침을 겪었던 근대로의 이행기에서 우리의 도자기는 후대로 전승되지 못했습니다. 특히 조선의 예술 중 핵심이라고 꼽을 수 있는 청화백자가 대표적이었습니다. 이런 상황에서 끊어진 이 명맥의 형태와 색감을 되살리고, 현대적인 감각으로 과거에 다뤄지지 않았던 맥락을 풀어내는 백암요의 이정은 작가님의 이야기를 들어보고자 합니다.
    In the transition toward the modern era, which was comprised of so many disarrays and chaos, Korean ceramics were not handed down to future generations. Especially among those were Cheonghwa Baekja, which is considered to be the essence of Joseon's art. Let us listen to the story of porcelain artist Jeong-eun Lee of Baekamyo, who revives the form and color of the once lost identity of Korean art, and unravels a context that has not been dealt with in the past with a modern view.
    "Continuing Legacy of the Cheonghwa Baekja."
    In the transition toward the modern era, which was comprised of so many disarrays and chaos, our ceramics were not handed down to future generations. Especially among those were Cheonghwa Baekja, which is considered to be the essence of Joseon's art. Let us listen to the story of porcelain artist Jeong-eun Lee of Baekamyo, who revives the form and color of the once lost identity of Korean art, and unravels a context that has not been dealt with in the past with a modern view. This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at www.ted.com/tedx

КОМЕНТАРІ • 2

  • @The_pottery_of_Won
    @The_pottery_of_Won 11 місяців тому

    누구보다 깔끔한 도자기와 청화 장식의 선으로 한분야의 상징이 되신 백암요 두작가님... 작품들을 보면 그저 감탄만 나옵니다..

  • @야채를싫어하는스님
    @야채를싫어하는스님 2 роки тому

    중국교수의 감상평이 중국에있는 도자기보다 잘만들었다고...ㅋㅋㅋ 자기자랑만ㅋㅋㅋ우리청화백자맥을만든다면서 중국으로 ㄱ ㄱ