The artificial light was set to daylight, having the natural light changing constantly means one would have to keep changing the white balance and iso.
You're free to use any light you choose in whatever way you want. His scene in his head probably intended the character to be seated in a warmly lit indoors environment, perhaps in the night time. If he had wanted to clearly state - through his style choice - that the scene takes place during the day, he would have shown that instead.
Nana Clarke checkout my video called "how to get cinematic footage" it uses only examples, and it gives *10 tips for ALL skill levels* and is only two minutes long.
This was very well done. Lots of typically misunderstood information delivered in a very simple, easy to comprehend manner. Takes a lot of planning to explain as much as you did in a matter of minutes, not to mention- do it well. Thanks for the time and energy you put into making this.
The apple-bite foley made for a powerful effect at the end. Was thinking to myself, "Well, we can't see him, so I wonder if he's gonna-- oh'p, yep, there it is."
+matrodfilm Same here. I was WAITING for the apple bite...then I thought "oh, great, he's going to skip the apple that I keep on top of him about here in the posts"....then I heard it "crunch!!". YES! The apple is still in!
this channel is honestly super amazing and your technique has helped me to become the best student in my film class :) Now im teaching the entire class about cinematography and i feel extremely thankful that i found you!!! :))) keep up the amazing work.
You are awesome at making tutorials without any extra fluff. All the information needed is stated clearly and succintly, and no extra stuff like a try-hard personality or "HEY GUYS, SO WHAT IM GONNA DO IS THE THING IN MY VIDEO" Keep up the good work!
Hello to anyone who is seeing this. I am Peyton Kendall and I am an aspiring UA-camr. I post once or twice a week and my videos are mostly vlogs and Cinematic sequences. I would appreciate it beyond belief if you would check out my channel and watch a video or two and maybe even subscribe. I am joining the race to the top of the UA-cam world so who's going to help me get there? Anyways, thanks and I hope you have a great day.
you're not an aspiring youtuber, you're aspiring at making money off youtube.. every single video is a plea for your fanbase to donate to your gofundme... that's not what youtube is about
SvendDesigns see that's where your wrong. I've done UA-cam for 3 years now and it's always been for the fun. Hence why I don't even have my videos monetized. It is not a gofundme it is an indigogo meant for raising money to people with a passion.since I don't have monetization I need help raising the money. Everything I need costs 1600 and I'm working to make money and I'm not begging I simply included it in my description. Didn't even mention it in my video
SvendDesigns and that gofundme from 6 months ago. I disconnected and cannot even accept donations. So stop bringing hate to people just trying to make quality videos for there audience
Of all the various video DSLR how-to videos, I've found your series to be the most informative and easiest to understand for beginners like myself. You're doing a great job!
30-40 year old first time filmmakers here and have been watching since using cell phones in 2013. You're channel alone has contributed to likely 50% of where we're at so far. Thanks for these. 1:47 - 1:53... just stuff like this. Simply put. Important. Not over complicating it. Great channel
I really liked the video, I'm studying cinema direction and this is a piece of what we're talking of, but all spins around this and a few more elements, it's impressive. It REALLY IS.
I love your videos so much. There are many tutorial for filmmaking, but yours are the best!! Thank you so much for sharing with us. I will watch every single videos!
Chiaki checkout my video called "how to get cinematic footage" it uses only examples, and it gives *10 tips for ALL skill levels* and is only two minutes long.
It works, but isn't really necessary if you shoot RAW. Because a RAW file picks every bit of info. In video this isn't possible with a dslr. At least, not yet.
Great video, this will definitely come in handy for us. Got to say, getting good shots isn't exactly easy, but I think this will help us improve ours vids in the future. Thanks for the tips!
Stumbled upon this in an attempt to refine grading and I must say, very well done. One of the best videos I've seen in terms of detail and feel. Keep it up!
Been watching your videos for the past few days and I've got to say, these videos are so helpful to beginners like me with no experience with filming or haven't gone to film school. Thank you so much for these awesome videos!
You are just so amazing my friend. I am going to buy a DSLR soon within 2 months and I am stunned by possibilities that you have exposed to me. Thank you so much for so grateful with your knowledge. :)
Good intro. The next most important thing would be lenses and depth of field. And then camera steady-ness and smooth movement. I see those as part of the "look" aspect. But I see how you would split that off into separate videos.
Wow this is really helpful, I've tried to find somewhere that can explain how to properly use a DSLR for video and just given up. But this has made it really clear thanks :)
This video is excellent. I'm pleased to see that you didn't advocate using CineStyle (it's not even supposed to be used by normal humans!) but I should mention that shooting flat in ANY way on a camera with 8-bit color channel output files (pretty much every DSLR or camcorder that exists under $2000) will damage your color quality while only giving you between 1/2 and 1 stop of extra dynamic range. It's not usually worth it. The absolute best advice is to start with a standard or neutral color profile at default settings, take test footage similar to what will be shot, grade and edit that footage to see how it looks, and only try different settings if the results are not right in some way AFTER doing what you can with lighting, composition, etc. to block or avoid the problematic bits. Shooting flat discards some information to allocate that space to other information and since you're basically guaranteed to be shooting with the goal of grading the flat image back to the way the standard image looked "but with better dynamic range" you're throwing out data then throwing out the expansion of the other data, so you've technically increased your total dynamic range while killing your dynamic *resolution.* A simplified way to explain what that means is this: instead of the final product's colors counting the range 16-235 as 16, 17, 18, 19, 20 it might be more like 16, 18, 20 with what used to be 17 or 19 rounded off. Push the exposure of any or all color channels up by a stop and the gap goes from 1 to 2 values in size for that channel; this is how you get a broken-up histogram/RGB parade and blotchy patches of featureless and noticeably incorrect color where a smooth gradient is supposed to be. What's really telling is that after you graded the flat footage, it looked just like the standard footage would have with the exposure dropped, but your face has a lot of color banding and generally looks worse. Go back and compare the standard footage to the graded flat footage; click between them as needed and the banding issues start to become obvious.
One of the best tutorials for DSLR filming for those looking to get into it. Wish I found this video when I started filming 2 years ago. Nice job mate.
this is way cooler than paying thousands of bucks to get educated on video shooting. i reside in Ghana(Africa) and there is no way i could have afforded this kinda education because its super expensive. great work and God richly bless you for your gift and time.
This is incredible! I love how you've incorporated something that takes most film teachers hours to explain into a tiny 5 minute segment. Very well done!
I found myself humming the music in the background after I watched the video. Any chance you are thinking of releasing some of the tracks you write for DSLR Guide? Also, you mentioned in the video that very flat colour profiles aren't very good for DSLRs like yours. I've got a Nikon D5100, which was the direct competitor to the 600D at the time of it's release. I've been using the flattest profile I could find for my camera, and I've been frustrated by how my camera can't seem to produce video with a lot of sharpness or colour accuracy, even after grading and sharpening. This may be due to my image profile, but I'm not sure. What can I look for in a profile that can maximize the quality of the images that come out of my camera? Love your videos, by the way. They've been invaluable to me for learning about filmmaking!
+sensi277 haha maybe one day! to be honest with you the difference between colour profiles are quite small, if you're looking for sharpness & colour accuracy it's probably your lighting that needs some work. That's really the best way to maximise the image quality :)
+Ishank mahale Anamorphic is the effect of the lens. They shoot onto a 4:3 frame then use a reversed lens to get the correct perspective again. That's why you see the elongated bokeh in many films shot like this.
Out of all your videos I've watched today I think this one was one of the best because it shows that with a little effort, using the same equipment, you can go from amateur looking video to professional looking video. Great job, really enjoying your stuff.
+Daten Raten I do use magic lantern, but since this video is about the basics I decided not to get into that this time. magic lantern adds lots of nice features, but doesn't affect the image quality directly so it doesn't add to the 'film look'. makes the camera way easier to use though :)
very well done... propably one of the best videos about gerneral dslr cinematography out there! especially like how you finish up with showing 'the whole picture' of filmmaking
Anyone know where I can download the vision color profile? The vision color website is displaying a "we're working on something big" image on every page, including the download page :(
Hey DSLRguide! Thanks for responding. After doing some extra digging I found that you can purchase it here : visioncolor.cartloom.com/shop/item/101709 My question to you is, do you think it's work the 10$ to upgrade from cinestyle to vision color? Thanks!
Jigesh Sarjaka it all depends on your budget, but if you can afford a DSLR then I'd recommend spending the extra $10 for vision color. I prefer the results compared to cinestyle about 70% of the time. If i'm lighting the scene, I always shoot vision color, but if it's a high contrast environment (eg sunny day outside) then cinestyle is usually better.
I never comment on videos, but this was so concise, clear and easy to understand I had to tell you that this video really helped me understand the basics better than my video prof's at art school ever did. Thanks!
From a music composers perspective, I dig the thinking that goes into lighting and contrast and color. It's actually very similar to how I visualize music before I write it. Except in sound, it's more about moods and tones. Your channel is awesome, I'm learning a shit ton of stuff.
+Peachy ❆ a flat profile just means that it makes the image less contrasty when you are filming. This means that you can hold more detail in the shadows and highlights, when you add the contrast back in :)
5 років тому+10
That color grading wasn't too impressive. Perfect tutorial though, all that any beginner should see
WOW! What an incredible transformation to watch. I hadn't learned about blocking a light source and bouncing it. Thank you so much and keep on adding value to world!
Dynamic camera movement is another very strong factor in making your film more cinematic. Move the camera, don't always keep it still, and find a way to use it so that the viewer has a sense of space or depth with the setting. By the way nice work!
Good introductory for beginners. But I really love how you mention that film isn't all about the shots because that's a common mistake now in this easily accessible technology these days
8 років тому
I bought the same camera you have, Canon T3i, like 2 months ago and I've been trying to save some money to be able to upgrade it. Just found your channel today and I'm really excited to put it all in practice and save me a lot of money! I'm watching all of your videos! You are amazing!
A quick question. How is there no noise in your video? I have tried to put my ISO to 200 - 400 on my Canon 1100D but it still gets alot of noise. I did do the videos at evening and it was dark outside, so is it because of that?
Also removing the digital sharpening setting on the camera does a lot, helps to remove the "go pro / phone " look that it gives sometimes. Great video and good job getting those images from the good old t3i.
You blew me away with this tutorial, I never thought such images were possible on any rebel series, this is amazing. I have the SL2 but whenever I shoot video in it I always left wanting more with the results.
At 100iso you lose stops on the black information. It's outside of the native iso of the camera. And as a side note dynamic range is different for each camera. It just depends on the stops the camera can do. Like the mini has much more than a DSLR. So it can get information from a low lighted subject and a high light subject in the same frame.
3:33 improve dynamic range shooting with flatter values And then color grade later to push contrasts and whatnot But can only do this if your original video isn’t blown out in the first place
dude, you have covered in 5 minutes all the essentials in visuals. you ma man, are the baaauusss
+Jaime Buitrago Peña cheers Jaime!
i might add that it was well explained, right to the point and very efficiently done
Timli timli
XD[llk'd””{]':
1. changes the white balance to daylight
2. blocks off all daylight and replaces it with artificial light
Artificial lights have to be properly white balanced too, since they too have colour temperature.
The artificial light was set to daylight, having the natural light changing constantly means one would have to keep changing the white balance and iso.
Because it's easier to subtract than to add.
You're free to use any light you choose in whatever way you want. His scene in his head probably intended the character to be seated in a warmly lit indoors environment, perhaps in the night time. If he had wanted to clearly state - through his style choice - that the scene takes place during the day, he would have shown that instead.
The artificial lights are already daylight balanced, so his selection on the camera was correct.
Hey UA-cam, couldn't you recommend me this amazing video sooner?
I know right!
Hew do u wanna join my team for making a movie ?
Right?
As a beginner trying to figure out how to correctly film in a cinematic sense, this video helped me SO MUCH. About to binge watch all your vids lol
so glad it helped :)
Nana Clarke checkout my video called "how to get cinematic footage" it uses only examples, and it gives *10 tips for ALL skill levels* and is only two minutes long.
your consistency for producing great videos is amazing
MajorInkPeoples I it ddcv. C. J. F b bye. Jjmfmdf
stfu
This was very well done. Lots of typically misunderstood information delivered in a very simple, easy to comprehend manner. Takes a lot of planning to explain as much as you did in a matter of minutes, not to mention- do it well. Thanks for the time and energy you put into making this.
why thank you:)
@@DSLRguide
Can you make a review video for the cinematic pictures and the colors for this movie👇
" The Lady Of heaven" 2M views at trailer
You have a talent for coming back around to the point of it all in your videos.
+The Librarian Story :)
hmm
Hey do you wanna join my team for making a movie ??
dude, you deserve way more than what you have! You are amazing.
I'm always impressed with the image quality you are able to pull off with that T3i. Great job Simon!
The apple-bite foley made for a powerful effect at the end. Was thinking to myself, "Well, we can't see him, so I wonder if he's gonna-- oh'p, yep, there it is."
+matrodfilm Same here. I was WAITING for the apple bite...then I thought "oh, great, he's going to skip the apple that I keep on top of him about here in the posts"....then I heard it "crunch!!". YES! The apple is still in!
matrodmedia .
EDSONG UEIRREIRO BAHIA
Anyone here in 2024? This video is so nostalgic!
WTF! I just learned more than ever in less than 5 minutes. Thank you man!
no problem Lucas :)
The first video I've seen of yours and it is by far the best display of how to shoot video step by step. Brilliant work! Liked + subscribed!
this channel is honestly super amazing and your technique has helped me to become the best student in my film class :) Now im teaching the entire class about cinematography and i feel extremely thankful that i found you!!! :))) keep up the amazing work.
You know you are a f*cking genius right? You are honestly one of the most TALENTED people i've EVER seen on UA-cam! NICE WORK CADE!
+Simon Rockstream very true
You are awesome at making tutorials without any extra fluff. All the information needed is stated clearly and succintly, and no extra stuff like a try-hard personality or "HEY GUYS, SO WHAT IM GONNA DO IS THE THING IN MY VIDEO"
Keep up the good work!
haha thank you :)
There one more very important aspect: The Location!
It makes a huge difference and can enhance your lighting and composition
+Ramon Odenbach I agree 100%. location, set design, props & costume are all huge factors :)
I love when you do the technical stuff like this. Liked the "phantom apple," too.
to dope, real information, and direct solutions. I'm so happy on finding your chanel.
I appreciate that :)
your channel is awesome, thanks for the great tips!
no problem
Hello to anyone who is seeing this. I am Peyton Kendall and I am an aspiring UA-camr. I post once or twice a week and my videos are mostly vlogs and Cinematic sequences. I would appreciate it beyond belief if you would check out my channel and watch a video or two and maybe even subscribe. I am joining the race to the top of the UA-cam world so who's going to help me get there? Anyways, thanks and I hope you have a great day.
you're not an aspiring youtuber, you're aspiring at making money off youtube.. every single video is a plea for your fanbase to donate to your gofundme... that's not what youtube is about
SvendDesigns see that's where your wrong. I've done UA-cam for 3 years now and it's always been for the fun. Hence why I don't even have my videos monetized. It is not a gofundme it is an indigogo meant for raising money to people with a passion.since I don't have monetization I need help raising the money. Everything I need costs 1600 and I'm working to make money and I'm not begging I simply included it in my description. Didn't even mention it in my video
SvendDesigns and that gofundme from 6 months ago. I disconnected and cannot even accept donations. So stop bringing hate to people just trying to make quality videos for there audience
This is the most helpful video you have ever done, covers most things and is super straight to the point!
Of all the various video DSLR how-to videos, I've found your series to be the most informative and easiest to understand for beginners like myself. You're doing a great job!
I appreciate that, thanks for the encouragement :)
I had to stop watching midway to tell you that I absolutely appreciate how you clearly put effort in even the simplest tutorial videos. Mad respect.
30-40 year old first time filmmakers here and have been watching since using cell phones in 2013. You're channel alone has contributed to likely 50% of where we're at so far. Thanks for these. 1:47 - 1:53... just stuff like this. Simply put. Important. Not over complicating it. Great channel
I really liked the video, I'm studying cinema direction and this is a piece of what we're talking of, but all spins around this and a few more elements, it's impressive. It REALLY IS.
you resumed the vital aspects so well. really like it.
I love your videos so much. There are many tutorial for filmmaking, but yours are the best!! Thank you so much for sharing with us.
I will watch every single videos!
thank you, that really means a lot!
Chiaki checkout my video called "how to get cinematic footage" it uses only examples, and it gives *10 tips for ALL skill levels* and is only two minutes long.
The DIY bedsheet bounce sounds like a dance move.
haha
It works, but isn't really necessary if you shoot RAW.
Because a RAW file picks every bit of info.
In video this isn't possible with a dslr.
At least, not yet.
Great video, this will definitely come in handy for us. Got to say, getting good shots isn't exactly easy, but I think this will help us improve ours vids in the future. Thanks for the tips!
Stumbled upon this in an attempt to refine grading and I must say, very well done. One of the best videos I've seen in terms of detail and feel. Keep it up!
+Wyatt Tornabene thanks Wyatt!
Been watching your videos for the past few days and I've got to say, these videos are so helpful to beginners like me with no experience with filming or haven't gone to film school. Thank you so much for these awesome videos!
You are just so amazing my friend. I am going to buy a DSLR soon within 2 months and I am stunned by possibilities that you have exposed to me. Thank you so much for so grateful with your knowledge. :)
holy crap, this is such a helpful video. Thank you, man.
Thank you so much Simon! You are a genius. This is so helpful. U are my favorite UA-camr! Such a help and an inspiration !!
Man, I'm always like "Shiiiittt" at the end of your videos. Thanks for restoring the motivation about "work with what you have" in me.
The commentary was amazing, so thorough and simple to take in. Thank you!
Dude, Thanks for the subtitles in Spanish!
It's very helpful!
The Ezee Wrap what the fuck is wrong with you
Carlos Castillo wt👍
@@quasimoto5656 what did he say?
Treebender117 he said that real men speak English.
YOU are a master my friend! Thank you for such great presentation and training video!
Man, all of your videos look like they're from real movie and all those simple tricks really help me a lot as a beginner, thanks.
Thank you SO MUCH for making this! I've recently bought a t5i and this improved my footage a TON!
Keep up the great work!
White balance is a miracle. :)
Almost hitting the deserved 100k mate. Well done! :D
Probably the most useful "How to" for the cinematic look that I've seen :]
+Keagan Riley (Zombies8keagan) thanks Keagan
Literally the best channel. I’m glad I discovered. You get down to business rather than filling your videos full of worthless info. Thank you.
Good intro.
The next most important thing would be lenses and depth of field.
And then camera steady-ness and smooth movement.
I see those as part of the "look" aspect.
But I see how you would split that off into separate videos.
I LOOOOOVE YOUR CHANNEL SO MUCH
+Camila Valgas (vidasemsalto) thanks Camila ;)
*>>>>The FroKnowsPhoto Guide to DSLR Video
the link doesn't work
Wow this is really helpful, I've tried to find somewhere that can explain how to properly use a DSLR for video and just given up. But this has made it really clear thanks :)
How can 820 people NOT appreciate this information????? This is good stuff!
This video is excellent. I'm pleased to see that you didn't advocate using CineStyle (it's not even supposed to be used by normal humans!) but I should mention that shooting flat in ANY way on a camera with 8-bit color channel output files (pretty much every DSLR or camcorder that exists under $2000) will damage your color quality while only giving you between 1/2 and 1 stop of extra dynamic range. It's not usually worth it. The absolute best advice is to start with a standard or neutral color profile at default settings, take test footage similar to what will be shot, grade and edit that footage to see how it looks, and only try different settings if the results are not right in some way AFTER doing what you can with lighting, composition, etc. to block or avoid the problematic bits.
Shooting flat discards some information to allocate that space to other information and since you're basically guaranteed to be shooting with the goal of grading the flat image back to the way the standard image looked "but with better dynamic range" you're throwing out data then throwing out the expansion of the other data, so you've technically increased your total dynamic range while killing your dynamic *resolution.* A simplified way to explain what that means is this: instead of the final product's colors counting the range 16-235 as 16, 17, 18, 19, 20 it might be more like 16, 18, 20 with what used to be 17 or 19 rounded off. Push the exposure of any or all color channels up by a stop and the gap goes from 1 to 2 values in size for that channel; this is how you get a broken-up histogram/RGB parade and blotchy patches of featureless and noticeably incorrect color where a smooth gradient is supposed to be.
What's really telling is that after you graded the flat footage, it looked just like the standard footage would have with the exposure dropped, but your face has a lot of color banding and generally looks worse. Go back and compare the standard footage to the graded flat footage; click between them as needed and the banding issues start to become obvious.
You honestly are super inspiring, I love your videos.. They help me a lot and give me great ideas. Thank you. :)
that was seriously a 10/10 video
you are the future of today's film industry. I am an acting student and do hope to get an opportunity to work with you someday. thanks!
One of the best tutorials for DSLR filming for those looking to get into it. Wish I found this video when I started filming 2 years ago. Nice job mate.
I've learned a lot from your channel and it really shows in my videos, Also you should do a q&a
First - you set up white balance and THEN you set up your lights?
bump on this question! (also interested)
He set it to sunlight. Those LEDs were mimicking the sunlight. There's no change to be made afaik
I think he was demonstrating shooting when no lighting is available and only being able to use natural light
You're channel and videos should not be free. You are too talented. Youre tutorials have helped me so much, its amazing
Your channel is one of the most inspiring channels on UA-cam. I've learned so much from you. Thank you.
This was insanely inspirational and helpful :)))
Thanks for this! Just got the VisionColor profile installed on my T3i. Hopefully this makes me color grading experience easier. haha
this is way cooler than paying thousands of bucks to get educated on video shooting. i reside in Ghana(Africa) and there is no way i could have afforded this kinda education because its super expensive.
great work and God richly bless you for your gift and time.
+Prince Extasy so glad to hear this :)
This is incredible! I love how you've incorporated something that takes most film teachers hours to explain into a tiny 5 minute segment. Very well done!
Awesome video. Learning has occurred. Thank you!
I found myself humming the music in the background after I watched the video. Any chance you are thinking of releasing some of the tracks you write for DSLR Guide?
Also, you mentioned in the video that very flat colour profiles aren't very good for DSLRs like yours. I've got a Nikon D5100, which was the direct competitor to the 600D at the time of it's release. I've been using the flattest profile I could find for my camera, and I've been frustrated by how my camera can't seem to produce video with a lot of sharpness or colour accuracy, even after grading and sharpening. This may be due to my image profile, but I'm not sure. What can I look for in a profile that can maximize the quality of the images that come out of my camera?
Love your videos, by the way. They've been invaluable to me for learning about filmmaking!
+sensi277 haha maybe one day! to be honest with you the difference between colour profiles are quite small, if you're looking for sharpness & colour accuracy it's probably your lighting that needs some work. That's really the best way to maximise the image quality :)
This one is purely amazing. Will constantly come back and rewatch this one for reference!
That apple bite at the end was pure genius!
Thank you so much from South America
It`s easy to understand
Yeah!!
I see that you forgot to tell them that you used 2.35:1 Anamorphic aspect ratio.
+Ishank mahale Anamorphic is the effect of the lens. They shoot onto a 4:3 frame then use a reversed lens to get the correct perspective again. That's why you see the elongated bokeh in many films shot like this.
+Ishank mahale I think he's using 2.40:1 in this.
+S&S Pictures no its 2:35.1
Film Life No... this is definitely 2.40:1. That's why it's wider.
Out of all your videos I've watched today I think this one was one of the best because it shows that with a little effort, using the same equipment, you can go from amateur looking video to professional looking video. Great job, really enjoying your stuff.
Its 2019 i am still coming back to this video..
Who else
This guy
All great tips (as usual)
Ayy aidin here, love seeing old comments of now famous creators when they were just starting ❤
Are you not using magic lantern after all? Also, visioncolor is the way to go indeed.
+Daten Raten I do use magic lantern, but since this video is about the basics I decided not to get into that this time. magic lantern adds lots of nice features, but doesn't affect the image quality directly so it doesn't add to the 'film look'. makes the camera way easier to use though :)
+DSLRguide Could you do a video ONLY on magic lantern, where you explain what you use and why? I know many people who get lost in the ML menus.
+DSLRguide I agree with David. Please make a video on Magic Lantern!
I did that video a while ago: ua-cam.com/video/CqCXMARQgU8/v-deo.html
very well done... propably one of the best videos about gerneral dslr cinematography out there! especially like how you finish up with showing 'the whole picture' of filmmaking
All of this guy's content is gold.
This is a pretty good video. Shows that filming isn't that easy.
Thanks for this video, Great Tips.
Your channel is AWESOME. Thanks for consistently putting out such amazing content on filmmaking!
I just learnt more in this 5minuet clip than I have done about shooting cinematic style in months !!! THANK YOU SO MUCH
Anyone know where I can download the vision color profile? The vision color website is displaying a "we're working on something big" image on every page, including the download page :(
that's a shame! hopefully it'll be back soonish?
Hey DSLRguide! Thanks for responding. After doing some extra digging I found that you can purchase it here :
visioncolor.cartloom.com/shop/item/101709
My question to you is, do you think it's work the 10$ to upgrade from cinestyle to vision color? Thanks!
Jigesh Sarjaka it all depends on your budget, but if you can afford a DSLR then I'd recommend spending the extra $10 for vision color. I prefer the results compared to cinestyle about 70% of the time. If i'm lighting the scene, I always shoot vision color, but if it's a high contrast environment (eg sunny day outside) then cinestyle is usually better.
DSLRguide Dope thanks, I forgot to mention but I have a t3i as well :). Thanks for all the info I'll for sure be getting it then!
Well I think I found 3kikphillips brother
holy shit
Derp scoot who?
HAHAHAHAHA XD
I never comment on videos, but this was so concise, clear and easy to understand I had to tell you that this video really helped me understand the basics better than my video prof's at art school ever did. Thanks!
MAN.. YOUR CHANNEL IS AWESOME. You explain everything so well, and provide clear examples... I've learned quite a bit.
Very good .... I will be watching a lot more of your videos, for sure !
thumbnail photo showing train station and video all about a man sitting on couch
From a music composers perspective, I dig the thinking that goes into lighting and contrast and color. It's actually very similar to how I visualize music before I write it. Except in sound, it's more about moods and tones. Your channel is awesome, I'm learning a shit ton of stuff.
I just found your videos the other day & I can't stop watching them. Keep up the great work, I'm learning so much from them. Thanks!
and also what does "Flat profile" exactly mean? and what is the difference between the two?
+Peachy ❆ a flat profile just means that it makes the image less contrasty when you are filming. This means that you can hold more detail in the shadows and highlights, when you add the contrast back in :)
That color grading wasn't too impressive.
Perfect tutorial though, all that any beginner should see
Yeah i thought so too, not a fan of the colour grading. Almost like all the hard work he did to make the shot look nice went down the drain
Yeah I felt like the image was way darker than it needed to be. It didn't do anything to improve the previous state of the picture.
@@EggiTheShadow colour grading is good when done correctly. here he probably made it too yellow and bumped up the contrast too high
WOW! What an incredible transformation to watch. I hadn't learned about blocking a light source and bouncing it. Thank you so much and keep on adding value to world!
Dynamic camera movement is another very strong factor in making your film more cinematic. Move the camera, don't always keep it still, and find a way to use it so that the viewer has a sense of space or depth with the setting. By the way nice work!
Just personal critique - I find that your pictures have too much contrast. But great vid!
+Malcolm T fair enough :)
No hablo inglés pero entiendo muchas cosas. Gracias. Si colocarías subtítulos sería genial.
Good introductory for beginners. But I really love how you mention that film isn't all about the shots because that's a common mistake now in this easily accessible technology these days
I bought the same camera you have, Canon T3i, like 2 months ago and I've been trying to save some money to be able to upgrade it. Just found your channel today and I'm really excited to put it all in practice and save me a lot of money! I'm watching all of your videos! You are amazing!
(chomps internally)
A quick question. How is there no noise in your video? I have tried to put my ISO to 200 - 400 on my Canon 1100D but it still gets alot of noise. I did do the videos at evening and it was dark outside, so is it because of that?
try this video for tips about avoiding noise: ua-cam.com/video/Flh31ZosL-Y/v-deo.html
Also removing the digital sharpening setting on the camera does a lot, helps to remove the "go pro / phone " look that it gives sometimes.
Great video and good job getting those images from the good old t3i.
You blew me away with this tutorial, I never thought such images were possible on any rebel series, this is amazing. I have the SL2 but whenever I shoot video in it I always left wanting more with the results.
nice information! and .. dude smile please 😁
Correcting the color is enough, and the extra officials only feel fake, making
At 100iso you lose stops on the black information. It's outside of the native iso of the camera.
And as a side note dynamic range is different for each camera. It just depends on the stops the camera can do. Like the mini has much more than a DSLR. So it can get information from a low lighted subject and a high light subject in the same frame.
3:33 improve dynamic range shooting with flatter values
And then color grade later to push contrasts and whatnot
But can only do this if your original video isn’t blown out in the first place