張大千逝世35周年紀念月曆畫册出版-宏觀僑社新聞
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- Опубліковано 2 гру 2017
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這對父子檔，于仁平和于士傑，兩人都是中醫師，也是「國寶畫家張大千」畫作的收藏家，為了紀念張大千辭世35週年，並表揚這位世紀最富盛名和影響力的國畫大師，于士傑醫師特別精選私人珍藏的，十多幅高士人物畫作，印製成2018年月曆畫?，希望舉世聞名的張大千畫作，再度受到國際書畫的愛好者讚賞。
臺灣宏觀電視 管仁卿
美國洛杉磯 採訪報導
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In 1943, after Chang Dai-chien came back from Dunhuang where he stayed for nearly 3 years, his strokes and styles of characters changed greatly. His strokes of faces and hair are as fine as silk, and the clothing fold lines as defined as iron thread. His characters show grace and dignity; this is his prime period as he has reached his peak.
Master Chang's friend, a well known scholar and Chinese painter, Mr. Zhi-Liu Xie once praised him saying "Chang is so well-versed in Dunhuang painting style he is truly a disciple of the Tang!". Unfortunately, his eyesight was later affected by his diabetes so in 1957 when he accidentally injuried his eye while trying to lift a heavy stone during construction in Brazil, his eyesight vision was never healed and recovered which forced him to abandon his famously known fine-line style painting.
@@user-om8sz8ji9y 👌🙂👏
👍🎈👌
@東⛰️居士🙂👌👏
＠東山居士👏🏼👏👏🏾🧏🏻♀️
No matter whether one likes him or not, no one can deny that Chang Dai-chien was not only a master of modern times but also a master of all times.
👏👏🏻👏🏼👌
@Henry Warden🌈🎊🎉👌
@Henry 👌🙂😀🎈
@Henry Warden👌🎊😀
@@alicetsang2742 🙏🙂🥳
張大千敦煌禮佛四十年代盛年期人物精品是延續敦煌壁畫之唐代作風，他們繪畫總是採用重金屬顏料，即是礦物質原料，而不用植物性的顏料，並且上色還不只一次，必定在二、三次以上，這才使畫的顏色，厚上加厚，美上加美。宏觀報導中所展示精品畫作如「文會圖」「高逸圖」丶「西夏觀音像」等等它們畫面的顏色鮮艷耀目，宏偉華麗，百看不厭，美極了!
@Bob 👏👌🙂四十年代戰亂期間，物價飛漲，黃金價格更是上漲，而重金屬如藏青，石綠，珠砂等礦石的價格卻必黃金價格還要高許多，可想製作一幅重彩作品的基本造價是多昂貴！🎊🌟
@@user-ko7gj7sg8e 👌👌🏼㊙️
@@user-ko7gj7sg8e 🙏👌🙂
＠馬成天🌈👏🏽👏🏻👌🎊
@Bob👏👏🏿👏🏼🥳🙂
張大千盛年期（1944-1950）含有中西文化藝術色彩的精細作品，稀有珍貴，傳世之作，收藏界的
𠖥愛。
@Ted Tung🌈🎉🎊🎈
@@meimeei1638 👍👏🏽☺️
@@alexhe2927 👏🏼👏👏🏿🙂🎈
@Ted Tung👍😊👌
@@meimeei1638 🥳🎊👌🏻
張大千四十年代初敦煌探索歸蜀后，閞啓了近十年(盛年期)的第一繪畫高峰，其人物白描的線條非常圆勁，吸收了唐人吴道子、宋人李公麟的白描技法，用筆純熟，功力深厚，近五百年來無人可比肩並起!
👏👍👌
👌👳👏
😃👍👌
👌👨🦳🙂
@高山👏👏👏🙂
難得－見能在海外同時聚集並出版展覽張大千盛年期（1943-1951)
高士人物巨作。
難能可貴！ 可敬可佩！
張大千盛世期人物代表作《文會圖》、《高逸圖》、《夢會圖》、《西園雅集圖》以及山水人物花木结合的巨作《赤壁賦醉舞通屏圖》等等二、三十餘幀聚集於西方展示，可謂難能可貴。張大千四十年代初敦煌探索歸蜀后，閞啓了近十年(盛年期)的第一繪畫高峰，其人物白描的線條非常圆勁，吸收了唐人吴道子、宋人李公麟的白描技法，用筆純熟，功力深厚，近五百年來無人可比肩並起!
近现代著名画家張大千的盛年二時期的作品可謂老少皆宜，雅俗共赏，因為他堅守做為一位大画家，他所創作的艺术形象必须优美，而且要能让人👀看🉐️懂，绘画只有形神兼备，才能创造真正的美，才能被人们接受，做到雅俗共赏。
據于士傑考察：張大千從40年代敦煌禮佛歸蜀後至50年代遠洋遷移南美阿根廷曼多薩（Mendoza) 十餘年間（1943-1953）, 可謂大師人物畫的高峰期。
👏👏👏
🤙👌👏
物以稀為貴，画以真精稀為要。張大千中年之重彩精工画，可稱上乘之佳品。報導展示之画作可為大師盛年期代表之作也！
👏👌😊
👍🌺👏
😷👏👌
👌
👏😁🤙
張大千自四十年代初敦煌禮佛之後，他的人物畫線條、造型及色彩等為之丕變，其工筆畫的人物高士，相貌講究神態，鬢鬚線描如蠢絲，而衣紋的勾勒更有勁如鐵線，故人物形態端莊高秀，堪稱－絕，達到他創作的鼎盛時期。
@何心儀👏🏻👏👏🏼👌
@@alicetsang2742 🙂👏👌
@何心儀👏🏿👏🏼👏👍
＠何心儀👌👏🏼👏🏽👏🏻🥳
何心儀 👏👏🏼👏🏾👌
Chang dai-chien's " Buddha" figures paintings re-created in his prime (1943-1949) are unique in his own style, rare and extraordinary valuable.
For authentication of Master Chang’s colorful paintings in his prime (1943-1951) , in addition to the critical examination on the specific like “the poems, calligraphy, painting and seals” as well as the formation of the brush, ink, line and touches borne in the paintings, Dr. Yu goes even further to apply ultraviolet, as a supporting tool in forensic examination, to explore the bottom layer for the truth of the heavy-coloring mineral pigments, whose price goes higher than gold.
Master Chang's friend, a well known scholar and Chinese painter, Mr. Zhi-Liu Xie once praised him saying "Chang is so well-versed in Dunhuang painting style he is truly a disciple of the Tang!". Unfortunately, his eyesight was later affected by his diabetes so in 1957 when he accidentally injuried his eye while trying to lift a heavy stone during construction in Brazil, his eyesight vision was never healed and recovered which forced him to abandon his famously known fine-line style painting.
👌🧝♂️🙂
@@meeiwei76 👏👏👏
Wei 😄🧔👌
難得一見如此精細重彩的張大千盛年期高士人物畫作，尤其那幅丈二尺「赤壁賦醉舞通屏圖」可調是大師人物與山水完美無瑕结合的盛年代表巨作，讚美至極🎉🎉🎉
@此真嘆為觀止之盛年人物高士大作矣😮🎉😊
@@henrywarden8680What a beautiful 🖼 🎉🎉🎉
@@henrywarden8680張大千可謂是畫大型尺寸作品最多之中國畫家🧏♂️
@@bobyang3045😮難能可貴🎉
@@bobyang3045延续敦煌绘制構法😮
張大千畫人身的比例，是引用一個傳統的方式，即所謂＂行七坐五盤三半＂。就是説站起的人除了頭部之外，身材之長恰恰等於本人七個頭；坐在凳子上的人，其身材之高恰好等於本人的五個頭；而盤坐著之人，其身髙約是他本人頭高的三個半＂。此方式可以用來比較鑒定大千先生人物畫畫作真贗之一。
張大千談《畫人物》曰：古人畫人物，多數以漁、樵、耕、讀四種人為對象，這是象徵士大夫歸隱后的清高生活，不是以這四種 (職業) 為謀生道路。后人不知此意，多畫得愁眉苦臉，大有靠此為生，孜孜為利的樣子，全無精神寄托之意，豈不可笑！
張大千說: 作画要明白物理，体会物情，观察物态，这才算到了微妙的境界。画t物要识得穷通夭壽，画仕女要识得幽娴贞靜、妖娆艳冶。画翎毛更要注意到种类的不同，情、态一定也不同，飞、嗚、食、宿，各极其狀。東坡诗云: " 何处得此无人态，" 就更是体贴入微了。
👌
@@user-sv8lr9he8b 👌👴👏
@@user-sv8lr9he8b 👌👲🌺🍀👏
Master Chang's friend, a well known scholar and Chinese animation painter, Mr. Zhi-Liu Xie once praised him saying "Chang is so well-versed in Dunhuang painting style he is truly a disciple of the Tang!". Unfortunately, his eyesight was later affected by his diabetes so after 1957 he stopped the fine-line painting.
＠東山居士👌中年過後，由於眼疾迫使他創新了潑墨潑彩的新畫風！可謂塞翕失馬、
焉知非福！！！
天生也不過如此！🥳
@@user-qi5ox7cz4r 👌👏🎉😊
@@user-qi5ox7cz4r 👏👏🏿👏🏼👌🏽🥳
@@user-qi5ox7cz4r 👏🏼👌🏼🎉
@@user-qi5ox7cz4r 👍👌☺️🙌
徐悲鴻生前最愛張大千畫，大師常與友人曰：＂張大千，五百年第一人也。＂
張大千人物白描線條筆墨功力，
五百年來無人比肩！
張大千曰：吾畫一落筆可成，而題署必窮神盡氣力為主，如題不稱，則畫毀矣，故必先工書也。故此，鑒賞大師級的神品大作，畫面上的落款書體必定是他的上上之書法，尤其是他《盛年期》中年之作。
@@user-no9ie5hq6f 👌🙂🎋
👌😒👳🤞
@季大盛👏👌🙂
從報導展示中有一幅非常醒目的松下紅衣高士圖，此圖源於由宋徽宗命名的绢本手卷巜高逸圖》，為晩唐畫家孫位唯一存世的作品。這卷巜高逸圖》主要是以「魏、晉朝竹林七賢」為題材，描寫山濤、王戎、劉伶、和阮籍等人夏日園林裡談論玄道，飲酒縱歌之情景。而張大千《高逸圖》主要摹於孫位巜高逸圖》竹林七賢之一⛰️濤的形態一摹，並添加配置一株古木參天老松作背景組🈴️而成圖。畫中表現山濤體形豐腴，抱單膝而席坐於地，上身幾乎裸露，只是鬆鬆掛了件紅衣外套在肩上，頭上裹著灰色葛巾以顯示名士風度。山濤目望前方若有所思，身後右側一株古松從畫面外左上角以奇崛蒼老的姿態盤曲扭轉延伸到山濤的後側右旁，古松枝幹，蒼致挻拔，松針濃密蓊鬱，更加凸顯了高士文人超逸的氣節，而朱紅色重金屬礦物元素點綴的鞋履則將色調襯托的更為集中醒目。此圖從畫法，用色等各方面均受到敦煌壁畫唐宋畫風的影響，畫面再添加盛年大千書體及専用朱、白方印以顯示畫家具有「詩、書、畫、印」四絶之藝術天賦，是張大千人物畫盛年期師法古人而又勝於古人之典範作品。
👍👏👌
👍💐👌
👏👌🤙🌲
👏👌🤙
👌
展覽其中一幅張大千《撥阮圖》源自五代邱文播《停琴聼阮圖》之一幕。描述魏、晉時期竹林七賢之一阮咸，阮自娛娛人的景象。畫中傳神的造型，獨特的白描線條加上典雅的墨彩反映出阮咸閒淡平靜的內心世界和瀟灑脱俗的性格，是一幅值得推廣的佳作。
＠郭太英👏👳🏻♂️🪕🌲👏
@@songsampark1939 👌👴👋
@郭太英👳♂️🙂🎉
＠郭太英👏👏👏💫
@@songsampark1939 🥳👌🏻🎊
據于士傑道：《赤壁賦醉舞通屏圖》是張大千盛年期人物與山水完美結合的代表巨作。具有＂真、精、稀、新、大＂收藏畫五大要點，是-幅影射蘇軾豁達超然的格性和瀟灑脱俗的內心世界，並達到了畫家要求的「大、亮、曲」藝術之最高境界，可諝彌足珍寶。
👏👏👏💫
大、亮、曲＝=＝美、🎇、👯♀️
@隙玉潔👌大、亮、曲的畫面是藝術創作的最高領域！㊙️
@陳玉潔👌☺️👏
@@bobbyyang3217 👏👌💯㊙️
2018年適逢張大千仙逝35週年［中和堂］出版＂張大千高士神品集＂與吾輩書畫愛好者－起從畫中探索這位偉大藝術家的另一個內心世界，洞悉他在戰爭亂世輾轉播遷之中，如何作到像宋朝大文學家蘇東坡那樣超脱自處。以懷念大千居士盛年期人物畫之雄麗輝煌，高華超邁的藝術風彩，再次肯定他為現代中國畫所付出輝耀的貢獻。
報導中有展示一幅八尺横幅六高士《赤壁賦醉舞通屏圖》是描述蘇東坡豁達超然的格性和瀟灑脱俗的內心世界，達到了「詩、書、畫、印」四絶完美结合神完氣足的意象表現，以及畫家自我要求的「大、亮、曲」藝術之最高境界, 可謂彌足
珍貴。
👌🧝♂️🙂
何先生分析到位！👌👏🙂
@@user-un3ow2gm5x 👌😊👏
@高⛰️👌👏😊
Many experts consider Chang’s “ Literary Gathering ” 〈文會圖〉a masterpiece and the most representative of Chang’s character paintings. Arguably there are no more than 7 known versions of “ Literary Gathering “ during his prime period (1943-1951). Among the handful versions of “ Literary Gathering “, the one gifted to Mr. Shi Hu 楊石湖 dated in June of 1944 is arguably the best.
"Free-Spirited Dance by Scholars Reminiscing the Battle of Red Cliffs", "Literary Gathering", and "Elegant Gathering scene in the West Garden" are representative of Chang Dai-chien's masterpiece figure paintings created at his prime period in the 40's , as they are majestic, grandiose, sophisticated, and refined. They are masterpieces because they represent the perfect balance between aesthetics and philosophy, visual art and study of art, as well as inward feelings and outward objects.
@sandy👌🙂👏
@@sandywang3239 👌👲🙂👏
@@user-un3ow2gm5x 👍😎👏
😀👌👏
"Free-Spirited Dance by Scholars Reminiscing the Battle of Red Cliffs", "Literary Gathering", and "Elegant Gathering scene in the West Garden" are representative of Chang Dai-chien's masterpiece figure paintings created at his prime period in the 40's , as they are majestic, grandiose, sophisticated, and refined. They are masterpieces because they represent the perfect balance between aesthetics and philosophy, visual art and study of art, as well as inward feelings and outward objects.
👌✌️👏
☺️👏
👌👏😀
👌👳👏
👌🌹🦩👏
張大千敦煌禮佛臨研壁画三戴，歸蜀中之十年盛年期間(1943~1953）所創作的白描人物、双鉤花竹等，其筆墨功力已可与吳道子、李公麟唐宋二大家相媲美，足以證實張大千盛年期工细重彩的人物花鳥画的珍貴極美！
比起張大千的花鳥画，他的重彩工细的动物走獸画作傳世不過幾十幀，更為彌足珍貴！
@@user-om8sz8ji9y 東山居士您比喻的應是張大千盛年期(1943-1950）精工重彩之走獸作吧！
👌🎈👍
👏🍀🌺👲👍
@@user-om8sz8ji9y 👌🏻👌🏼👌㊙️
報導中有展示一幅八尺横幅六高士《赤壁賦醉舞通屏圖》是描述蘇東坡豁達超然的格性和瀟灑脱俗的內心世界，達到了「詩、書、畫、印」四絶完美结合神完氣足的意象表現，以及畫家自我要求的「大、亮、曲」藝術之最高境界, 可謂
彌足珍貴。
@🌈🎉🎊👌
@@meimeei1638 👍👏🏽☺️
@高山👏🏼👏👏🏿🙂🎊
@高山👍💎👌🏻
@ 高山🙂👏🥳
近现代著名画家張大千的盛年二時期的作品可謂老少皆宜，雅俗共赏，因為他堅守做為一位大画家，他所創作的艺术形象必须优美，而且要能让人👀看🉐️懂，绘画只有形神兼备，才能创造真正的美，才能被人们接受，做到雅俗共赏。
👌🤙
👏😀👍
👌👴🌲🙂
👌🙂👍
@郭少蘭🌈🥳🎉🙂
張大千畫說：「畫中的人物要
眉目生動，衣袂好似要會飄動。」
@ 金鴻寶🤡🙂😀
@@user-wn9jl6tq4q 👏👏👏🙂
@金鴻寶🙂㊙️👏
＠金鴻寶🌈🙂👌
金鴻寶 👏😊👌
張大千人物白描的線條筆墨功力，
五百年來第一人也！
己近宋唐，一千年矣乎？
👌🙂👏
🤙😎👌
👏👴👌
👌
張大千有對大風堂弟子曰：畫面上的題字，也是很重要的。若字寫得不好，就會影響整個畫面，所以畫家還得好好練字。這即是鑒定張大千真跡字畫的首要考量因素。
＠董天✍🏻✍🏻✍🏻👌
@董天👌✍️👀
@董天👏✍✍🏻✍🏼😸
＠董天👌🙂🥳
@@henrywarden8680 😊👌
徐雯波女士曾說，張大千贈送友人美女像之密碼：「我先生送给人的畫呀，如果畫的是人物，其相貌總是像受贈者，這樣别人就更喜歡。」
😀👌
👍👏😊
👍👴😊
👌😇👏
👌👨🦳😁
報覽其中有－幅红衣高士圖可為大千先生敦煌歸蜀中后三年所創作，它以唐人筆法仿製唐孫位《高逸圖》，畫中運筆如曲鉄，敷色如鼎彝，真神品也！
@陳玉潔👀👌👏👏🏼👏🏻
@陳玉潔👌👳♂️🙂
＠陳玉潔👌👏🏻🥳
＠陳玉潔👏😇🙂
＠陳玉潔👌張大千仿唐孫位之「高逸圖」 雖不是原作、卻勝過原作。👏
Arguably there are no more than 7 known versions of " Literary Gathering " " 文會圖 " painted during his prime period. Among them the second one inscribed and gifted to Stonelake Y. P. Young ( 楊石湖1898-1966) in June, 1944 and the third one gifted to his fourth wife Xu Wenbo in 1945 were the best of them all. I have fortunately had a chance to observe closely to both versions in person, Su's version in Taipei national history museum, 2012 and Yang's version in 2018 atTCM art institute in Arcadia , CA during their private invitation only exhibits. Even though I enjoyed observing both versions but preferred Mr. Yang's version due to its superior vivid facial expressions, sophisticated long strokes, magnificent composition and elegant ambience with natural balance. 🥳Seeing is believing! Talking is cheap🙃 You have to see it yourself and do comparisons then draw your conclusion from your research.
@ Bob Wood 👍👏🙂🐂
@Bob Wood🤙🤫🎉㊙️
＠Bob Wood👏🏽👏👌👍
@@shawnlin6596 👌😇✌🥳
@@user-wn9jl6tq4q 🤙👌🧚♂️🥳
張大千曰: 要謙虚謹慎，善于学习，力戒骄傲自滿，不准妄议他人。要向传统学习，向他人学习，在学习中，不可偏愛，不可只按自己的筆路去追求，不可只学一人; 学习前人还要进得去，出得來，不可固守师法，食古不化。
@Bob👌🏻👌😎
@Bob👌🏻🙂👌🥳
＠Bob👏🏼👏👌🉐️
＠Bob👏🏻👏👏🏽🎊
@Bob👌🏻👌🏽👌🥳
Chang Dai-chien is arguably recognized by experts worldwide as the most magnificent and remarkably versatile artist in the Modern Chinese painting.
Those superb masterpieces of heavy mineral color figure paintings by Chang dai chien created in his prime, with just a few available versions passed down, are rare, elegant, extremely valuable and precious.
👍☺️👌
A Master Chang's friend, a well known scholar and Chinese painter, Mr. Zhi-Liu Xie once praised him saying "Chang is so well-versed in Dunhuang painting style he is truly a disciple of the Tang!". Unfortunately, his eyesight was later affected by his diabetes so in 1957 when he accidentally injuried his eye while trying to lift a heavy stone during construction in Brazil, his eyesight vision was never healed and recovered which forced him to abandon his famously known fine-line style painting.
👏🙂
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張大千認為創新一幅中國畫，它需要展現三美：
曰亮、曰大、曰曲。
＠Ted Tung🌈🎉🪅🎈
@@meimeei1638 👍👏🏽☺️
@Ted Tung👏🏼👏🏻👏😊
@@alexhe2927 👌🏻🎊👏🏼
@Ted Tung🙂💃🏻👍
For authentication, in addition to the critical examination on the specifics like "the poems, calligraphy, painting and seals" as well as the formation of the brush, ink, line and touches borne in
the paintings, Dr. Yu goes even further to apply ultraviolet, as a supporting tool in forensic examination, to explore the bottom layer for the truth of the heavy-coloring mineral pigments,
whose price goes higher than gold.
@Henry👌🏻👌🏼👌😎
@Henry🙂😀🥳
@@wenhansu5886 🙂😀😎👌
＠Henry 👏🏻👏👏🏽👌
@Henry Warden👌🏻🤔👌🙂
徐悲鸿言：嗚呼, 大千之画美矣！
張大千中年盛年期 (1943-1950）精工重彩的人物、花卉.动物.青绿山水等方面的画作即稀少又珍貴。
據于士傑考察：張大千從40年代敦煌禮佛歸蜀後至50年代遠洋遷移南美阿根廷曼多薩（Mendoza) 十餘年間（1943-1953）, 可謂大師人物畫的高峰期。
近來發現看多重彩精細的張大千盛年時大師級水平的人物、花鳥、動物、青綠山水等不同類畫作，相比三百年來之明清文人畫己過如山積不見。。
@@tungdisay8311 吾有同感！
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張大千談《畫人物》曰：古人畫人物，多數以漁、樵、耕、讀四種人為對象，這是象徵士大夫歸隱后的清高生活，不是以這四種 (職業) 為謀生道路。后人不知此意，多畫得愁眉苦臉，大有靠此為生，孜孜為利的樣子，全無精神寄托之意，豈不可笑！
＠李太白🌈🎉🎊👌
@@meimeei1638 👏🪁🎊
@李太白👌👌🏻😊
@李太白🙂🤙👌🏼
@李太白🤙👏👌🏽
封面的画就是假画！也好意思拿出来晒！