Bin sehr beeindruckt! Es ist ewig her, als ich diese Etüde gespielt habe, hat mich damals sehr gequält, drum hab ich mich auch nicht mehr dran gesetzt 😂 Klasse Technik!! 👏🏻
Oh, dankeschön für das Lob, das freut mich riesig! 😊👍🎶 Ja, das kann ich mir gut vorstellen - nicht jedes Stück liegt einem - zum Glück haben wir mehr als genug Literatur, so dass man auswählen kann… 😊
1:46 I think is where the earthquake happened. Amazing performance this piece is a very difficult etude, the fact that you pulled this off so well is astonishingly impressive. Good job!
That’s great! I’m sure one can play the piece convincingly in 2:45 as well! After all, Chopin wrote Presto and not Prestissimo. I think one therefore shouldn’t play it at one’s top limit. It’s not a race.
I didn’t do any specific exercise. I practice the piece a bit slower (but not very slow), in a tempo that allows me to keep the same movement patterns but where I have more control. In this slower tempo, I aim for increasing both precision and relaxation at the same time, and I enjoy the melodic lines. It’s also key to group movements and think not of every note individually, but rather in chunks. And in the end, most importantly, just let go and feel the passion! 🔥 Hope you can make some sense of that… Thanks for your appreciation, I am very happy you liked it!
@csgovalacc My approach to this is usually as follows: I use IMSLP (usually with the latest available edition) for a first glimpse of the piece. If I decide to properly study it, I buy myself a proper new Urtext edition (such as Henle or Bärenreiter). These are edited with great care and offer comparative editorial notes that allow you to really study the details. I sometimes then also compare with the first edition, which was often printed during the composer's lifetime, which are often to be found on IMSLP also. All the best for your studies!
Can you spot the place where my playing created a little indoor earthquake that shook the camera stand? 😅
1:47?
@xJuno641 Well spotted! 👏 💯
all of chopin's pieces cause earthquakes idk what youre talking about 🤷
@@mbas1420 oh yes, they do indeed!
Beautiful 😎
Thank you so much! 🙂
wow this is amazing, extremely underrated. keep at it!
@@Rutharless aww, thank you so much, this motivates me a lot! 😊👍
Amazing!
@@PAJAJE666 thank you so much! 😊
Bin sehr beeindruckt! Es ist ewig her, als ich diese Etüde gespielt habe, hat mich damals sehr gequält, drum hab ich mich auch nicht mehr dran gesetzt 😂
Klasse Technik!! 👏🏻
Oh, dankeschön für das Lob, das freut mich riesig! 😊👍🎶
Ja, das kann ich mir gut vorstellen - nicht jedes Stück liegt einem - zum Glück haben wir mehr als genug Literatur, so dass man auswählen kann… 😊
@ absolut 😁
beautifull playing
I’m happy you liked it, thanks a lot!
1:46 I think is where the earthquake happened. Amazing performance this piece is a very difficult etude, the fact that you pulled this off so well is astonishingly impressive. Good job!
You’re right, well spotted!
Thank you so much for your kind words, that motivates me a lot on my journey towards the next recordings.
@@oliveemilwetter8387 My pleasure!
It is a tough piece, I'm now at 2:45 minutes speed
That’s great! I’m sure one can play the piece convincingly in 2:45 as well! After all, Chopin wrote Presto and not Prestissimo. I think one therefore shouldn’t play it at one’s top limit. It’s not a race.
wow you are so precise in your movement. Hope I will reach this level soon. Continue you are playing so great!
Thank you so much, that’s great to hear. All the best to you! 😊
can you make a video on chopin's first ballade? I really want to hear your interpretation on it
I only ever played the fourth ballad. So yes, that’s a very good suggestion, thank you! I’ll think about it.
Can I ask you what exercises you recommend to learn this piece? My left hand is weak fyi, greeaaaat playing btw, love it!
I didn’t do any specific exercise. I practice the piece a bit slower (but not very slow), in a tempo that allows me to keep the same movement patterns but where I have more control. In this slower tempo, I aim for increasing both precision and relaxation at the same time, and I enjoy the melodic lines. It’s also key to group movements and think not of every note individually, but rather in chunks. And in the end, most importantly, just let go and feel the passion! 🔥
Hope you can make some sense of that…
Thanks for your appreciation, I am very happy you liked it!
@@oliveemilwetter8387 Thanks for that comment, did you find the sheets on IMSLP? If so, what publisher?
@csgovalacc My approach to this is usually as follows: I use IMSLP (usually with the latest available edition) for a first glimpse of the piece. If I decide to properly study it, I buy myself a proper new Urtext edition (such as Henle or Bärenreiter). These are edited with great care and offer comparative editorial notes that allow you to really study the details. I sometimes then also compare with the first edition, which was often printed during the composer's lifetime, which are often to be found on IMSLP also.
All the best for your studies!