Another smashing video, It's definitely more common these days to see the writing, production and mixing all happening in the same environment by the same people. Focussing on the bulk or core of the song helps me so much too, I used to sit tweaking the fun stuff for ages before the song was even ready for it. Can't wait for the videos we have planned :)
Hi Friend, the number one thing I've noticed is we now write and record from scratch as we go, just the way a lot of our favourite albums were made. I really enjoyed making this video covering 10 Home Studio Production, Mixing and Mastering Tips, for me this demonstrates all of the things I find most important in spending up my work flow and getting the best out of my creativity!
This guy changed the world, only with a UA-cam Channel... Do you only know how heavenly you are ? Do you know just that ? Thank you so much for all your videos ! You're a Messia to me ! Keep it up !
Yes, we are ever so thankful in you sharing so much of your knowledge and experience with us! That and your uplifting cheerful presence is refreshing and wholesome
Since I have yet to purchase monitors, I literally test my songs on the 45min car ride to and from work every single day. I love that you brought up that point.
11:50 Regarding Stereo Enhancement, i can really recommend the "wider" from infected mushroom, it makes every signal stereo, without loosing the mono compatibility.
I set a 20 minute alarm with a 5 minute snooze to get into the habit of taking breaks. That really helped and I still use it when I'm pressed for time or tracking myself.
I have much the same system, only with beer! And don't worry, I know the limitations of mixing with alcohol and/or dope. Alcohol will dull your top end, dope will accentuate it, and no, both at the same time doesn't balance things out! Never commit to any decisions made while drinking or smoking, always check the next day when sober.
So correct about tweaking and making something sound good when you might not even have a full song finished , I've spent so much time making an intro sound amazing (to me at least ) and then nothing ...the song just stops after the intro and I have nothing else because of hours spent on that intro , I must remember this advice ...it is so so true..
Ah... what great advice from you on this one sir. Marvelously done Warren. I would be lost without your guidance in the recording and mixing process. Thanks for all you do.
I will listen on every device I have. Especially in the car. I love listening to music when I drive, because there is nothing else to do. Sitting there at home trying to listen to an entire album can be boring. I believe headphones are the worst for hearing damage so I use them sparingly. I want to learn how to get that thunderous low end pro's get without blowing small/cheap speakers. I may be wrong, but I'm convinced that it's possible to get pro sounding recordings at home. I'm talking about the best ones, not "OK" ones. Thanks for the tips Warren! I am looking forward to watching more of your videos since I subbed.
Hi Warren, it's always great to hear your advice and tips, the biggest piece of advice I took from this session is to have discipline when working and stick to your workflow, it's such an obvious piece of advice but one which I am guilty of, constantly straying from the task in hand and being distracted. Thankfully having your channel with all the fantastic info from your good self and other guest producers is rubbing off and helping to focus my workflow and production knowledge, thank you ever so much.
I crank up the monitor volume not only to hear how well it "punches", but also to hear how harsh guitars are, and so on. On lower levels, we can accept harsh sounds, but on higher volumes they become painful, so it's a good way to find those frequencies that need treatment. Then I lower it to the point where it's almost too quiet to hear it, to see whether I can still hear the individual insturments, or if all I really hear are guitars and the snare, for example. I use a set of Genelc 8040B's, btw. Genelec still are the best.
I put my hand up for number four. I spend far too much time tweaking and fiddling in the early stages. I am slowly learning so many things from you Warren. I have learned to spend more time setting up busses early on so that much of the tweaking becomes easier and more organised later on! I also treated myself to the Beyer-Dynamic 1990 Pros and they are already making a big difference. these tips are so obvious when they are listed one by one, but hearing them explained so clearly and then having them printed on my wall as a reminder is really helpful.
Thanks for all these videos, Warren! Since I've watched them, I think I've improved a lot at getting my songs to sound better. Keep it up! (Also, the "Revolution 9" reference was excellent)
thanks for another great video warren, about the master bus, i find i never put any fx plugins on my master, only meters, i make a submix with all processing, now people have told me this is ok, others that this is completely wrong, thing is i honestly believe that in the field of music whether it be playing or recording, etc.. one can keep learning things until their last moments in life, so i try things, if they work fine, if not fine, I'm NO Expert by any means.. And in my humble opinion as a experienced musician but a novice recorder, there are no experts, only more experienced people, the real trick here is how to deliver your experience in a positive manner to less experienced individuals, and I for one applaud the way you have done this so far :) not only yourself but the wonderful community aswell.. keep it up.. from a smalltime belgian musician living and working on the atlantic coast of spain.
So glad I found your channel. I’m just starting out making and mixing my own music and I really appreciate your thorough and relatable videos. Subscribed. Thanks!
One of the most important things I ever did was challenge myself to sort of master via the mix. Get the loudness and equalization as close to a mastered sounding track before it actually got mastered. It's hard and time consuming but worth the effort. Can't be lazy if you're looking to be on top of your game. Basic knowledge for experienced guys but didn't we all learn this lesson at some point and have it change everything about how we mix? Yep. Some guys needed to see this.
Hi Warren and thank you as usual for your goldmine of knowledge! Regarding the "bass area" in the mix: I don't own widerange monitors, I hav e a pair of Yamaha MSP5 (nothing below 100hz). Even if I use a spectrum analyzer for mix and mastering, I am often not satisfied the basses sound "stuck in the front". Not 360°, not deep and rich. Do you have a suggestion on how to fix this?
the more I'm watching this guy's videos...the more I realise how many seriously wise little tips I'm picking up. On this one, simply him saying, hey, doesn't matter how many inserts/effects plugins you have...you're better off even if you only use a couple but REALLY understand them. So you can use them expertly. So obvious. But I needed someone to tell me that.
I’ve just begun messing around with garage band after buying the iRig HD2 to be able to record without a microphone finally, and I have to say when you talked about listening on different headphones or in the car I 100% realized this very early on. I noticed on different devices I wasn’t getting the sound I really wanted sometimes ending up too muddy. This could be cuz it’s garage band and I don’t have complete control over everything (and I have no fucking clue what I’m actually doing yet) but this was super helpful to realize that that’s an actual thing that people do is listen on other things. You are super helpful, thank you.
Hey Warren, thank you ever so much for making this video. Have a marvelous time recording and mixing. And of course have a marvelous time recording and mixing
Ten tips I'll take to the bank! Question for ya, when using midi drum kits do you still have to use high pass to remove mud? Or because they are recorded drums they should be left as they are? Thanks Warren.
Hi Andy, marvellous question! It really depends! Often I apply gentle low mid cuts to Drum Samples, programmed drum, electronic kits etc. Usually they've applied a lot more EQ before hand, however it's a case by case basis on what's needed.
ANDY TULLIS test them. Solo the track and search withe the eq to find the ugly frequencies in the lows ( and highs if you feel you need to ) . Usually at 128-135 hz , 160 hz and 200 hz and higher you will find disturbing frequencies. If the drums have in these areas too much...you know what to do. Could even be too much at 55 60 or 70 hz sometimes - who knows ?
Thanks for this Warren. It's interesting to hear you mention the pitfalls and habits that we tend to fall into. I found myself nodding at the mention of spending ages getting the perfect sound for a snare for example or adding final flourishes before getting melodies right or finishing the idea for a song first before adding enhancements or 'ear candy'. And yet... we still do it. Haha, still it's reassuring to know the Pro's have been there. One thing I'd love to know Warren, is how you use reference tracks when mixing. Or rather how you go about emulating a sound you hear and desire to achieve in your own mixes? Perhaps in a future video... many thanks for all you do.
Super Amazing info . the first 4 I have down so my workflow really is above average I think. but my biggest obstacle is myself. I start projects and tell myself I won't quut until I am done and then two days later I am off on another idea. needless to say I have a lot of unfinished songs . my favorite tip is to leave the tweaking until the end very guilty of not . Thanks again Warren You are just awesome And God bless .
Now, im not producing music and not all of the tips works for me BUT some of your insights and tips have helped me with Mixing in short story films. Thank you Warren.
Thanks Warren.. I'm going thru the stage of wondering what the hell to do with the master bus, and have not a clue in reality.. so by default, i do nothing and work like hell to get the mix as good as i can.. which is what i should be doing.. your advice here confirmed my instinct on it.. keeping it simple and only going for a better balance with light compression (or whatever..) seems the way to go for me.. knowing what to do in this stage is the mystery i haven't unravelled yet.. do you have a video on this stuff?
Thanks Warren. Just want to say, there are many videos on music production, out of which there are many good ones and there are many bad ones. But yours is one that we can really trust. Thanks again sir 👍🏻
Thank you for the helpful tips Warren- as always😀! I just realized that you have linked the wrong Cheat Sheet. Any chance you can provide the 10 home studio tips instead of the LCR panning and mixing in Mono? Thanks much!
Thanks Warren, number 7 answered a question I asked in one other video about why some music out there sounds uncomfortably bright. I first noticed this when I noticed a consistent number of edms have that phenomena which got me comparing with other genres and they are also present in some. Got me wondering how that could happen. soThanks.
Okay, that's it. This video said what I needed to hear. (not necessarily what I wanted to hear.) I will be signing up for the academy as soon as I can! Very useful!!
I should have watched this video before I started mixing my songs. Very informative, and enjoyable to watch. If you haven't mentioned this in another video, what I would like to throw in as well is that you won't be able to mix and master like a pro overnight. Like any other skill or trade, it takes a lot of time to perfect. Heck, my mixing skills are in the "amateur" category right now and will be for some time. Practice, patience, and time. That's what it takes.
Great advice! I've been using Yamaha HS5 monitors, Beyerdynamics 990s, Philips SHP9500, ATH-m50 cans & Edifier R12 usb small speakers for the analytical reference method of madness. Can hear some difference in the mixes.
Thank you once again Warren. The cheat sheet will definitely help me keep my projects in focus and your video was a welcomed reminder in assisting me in being more aware of several of my own mixing pitfalls. (I have dug a hole many times.) :) Great video!
That's a very wise video. As part of speeding my workflow, I had to abandon a DAW I was using for more than 5 years for final mixing/gluing which sounded great but was a chaos to work with. So, I decided to use only the one I really love and have a pleasure to work with. Seeing your #1 and #8 tips gave me sort of a relief for doing the right decision, believe it. Thanks!
Knowing the plug ins is excellent. I have been a Reason user since 2007. Every few years they come out with an upgrade with so many new sounds, effects, instruments and patches. I still feel like I'm barely scratching the surface, but I do have my favorite go to plugins and sounds to improve my workflow. I have some instruments and effects that I haven't even touched yet. Haha Other monitoring environments is also great. I will actually step out of the room sometimes while the mix is playing just to get that perspective. Sometimes I can catch a few blaring issues moving around the room or stepping out of the room. Maybe I'm just weird..haha
Thanx mr Huart for another great video with some marvellous really hands on advice! 👍Even as a hopeless amature much of your advice confirms some of the experiences I have had and will for sure help me improve.☺
He Warren hope your doing well 😊🙏 I was wondering if you could help me with connecting my patch bay I can’t get my head around it for some reason I have a Behrenger PX 3000 and I have a 2 channel outboard compressor and a two channel preamp and a studio 192 interface and a Apollo Twin X and a 4 channel DBX compressor as well and I would love to connect everything so I can just patch stuff in but I can’t figure out how to connect my gear to it ?? And love watching your videos keep up the awesome work 👌
Thanks again for your videos this one was a good one for me coz to day I will mix my first new singel reslese in about 6 years. so tanks for some reminders. Be safe and skilful. Pinge
Thank you so much Warren for this video. It was very helpful and above all else, very interesting too. Covered issues that I never really thought of. Many thanks. Sean
Good day Warren thanks so much for the info, its been so helpful. I have a question regarding the use of reference tracks. If I use a reference track what should the EQ setting be on that song?
Thanks for the great info Warren! Does anyone know how you set the kick to activate the synth compression? That’s a really cool trick. Do you just send the kick to an aux that has the comp and synth? Is it that simple? Thanks!
Love your videos,, just ordered some recording equipment and want to learn as much as I can. I’m a singer/drummer with a little guitar and bass experience. Keep the videos coming.
Another smashing video, It's definitely more common these days to see the writing, production and mixing all happening in the same environment by the same people. Focussing on the bulk or core of the song helps me so much too, I used to sit tweaking the fun stuff for ages before the song was even ready for it. Can't wait for the videos we have planned :)
Aw shucks! Thanks ever so much Michael! You Rock my friend!!
Hi Friend, the number one thing I've noticed is we now write and record from scratch as we go, just the way a lot of our favourite albums were made. I really enjoyed making this video covering 10 Home Studio Production, Mixing and Mastering Tips, for me this demonstrates all of the things I find most important in spending up my work flow and getting the best out of my creativity!
Truly amazing Warren, thank you for all the great information
Produce Like A Pro thank you Warren
Amazing video Warren, great information, really helps me!
Thanks ever so much Darlene!
Thank you Andy! You Rock!
The best channel on youtube for mixing engineers and artist
WOW ! I´m more than 30 years in the business and I´m completely with you - you´re absolutely right with all advices.
I have to thank you Warren for your demeanor, it’s so relatable and your knowledge and experience is unsurpassed. Thank you for your help.
I love this guy he’s so nice and not a old head rude snob ! So helpful !!
Warren, why do you print the mix in the session? I just bounce to disk but don't add it to the session.
I don’t know why when i watch your videos makes me happy. You are amazing. Thanks 🙏
This guy changed the world, only with a UA-cam Channel... Do you only know how heavenly you are ? Do you know just that ? Thank you so much for all your videos ! You're a Messia to me ! Keep it up !
You are really blessed and I’m happy that you share your blessings with our wonderful community. Stay blessed Mr Huart!
Hi Richard, Thanks ever so much! All the best to you my friend!!
Yes, we are ever so thankful in you sharing so much of your knowledge and experience with us! That and your uplifting cheerful presence is refreshing and wholesome
Since I have yet to purchase monitors, I literally test my songs on the 45min car ride to and from work every single day. I love that you brought up that point.
I'm really enjoying these pearls of wisdom. What frequency analyser would you recommend?
11:50 Regarding Stereo Enhancement, i can really recommend the "wider" from infected mushroom, it makes every signal stereo, without loosing the mono
compatibility.
These tips are golden for a beginner like me who have already fallen into the tweaking-rabbithole. Thanks!
My day job is really cramping my style.
haha Clay!
I feel you! 40+ hours of hard work, social obligations etc. etc... too little time, too many ideas
Yes, indeed Martin!
tell me about it
I am always so impressed with everybody's work rate! Working full time jobs and then coming home and working on music is a serious work rate!
So beautiful seeing a sensible and experienced musician/producer share these organized spot-on thoughts.
Thanks so much.
Thanks ever so much
I set a 20 minute alarm with a 5 minute snooze to get into the habit of taking breaks. That really helped and I still use it when I'm pressed for time or tracking myself.
Very smart Danny!
I have much the same system, only with beer!
And don't worry, I know the limitations of mixing with alcohol and/or dope. Alcohol will dull your top end, dope will accentuate it, and no, both at the same time doesn't balance things out! Never commit to any decisions made while drinking or smoking, always check the next day when sober.
Really been enjoying your videos Warren, thanks so much for sharing your wisdom. I'm learning a TON!!! 😀🙏
As always, great tips from Warren! Worth revisiting often. Thank you!!!
So correct about tweaking and making something sound good when you might not even have a full song finished , I've spent so much time making an intro sound amazing (to me at least ) and then nothing ...the song just stops after the intro and I have nothing else because of hours spent on that intro , I must remember this advice ...it is so so true..
Ah... what great advice from you on this one sir. Marvelously done Warren. I would be lost without your guidance in the recording and mixing process. Thanks for all you do.
Thank you ever so much SouthEast Home Recording!! You are very kind!
I will listen on every device I have. Especially in the car. I love listening to music when I drive, because there is nothing else to do. Sitting there at home trying to listen to an entire album can be boring. I believe headphones are the worst for hearing damage so I use them sparingly. I want to learn how to get that thunderous low end pro's get without blowing small/cheap speakers. I may be wrong, but I'm convinced that it's possible to get pro sounding recordings at home. I'm talking about the best ones, not "OK" ones. Thanks for the tips Warren! I am looking forward to watching more of your videos since I subbed.
Hi Warren, it's always great to hear your advice and tips, the biggest piece of advice I took from this session is to have discipline when working and stick to your workflow, it's such an obvious piece of advice but one which I am guilty of, constantly straying from the task in hand and being distracted. Thankfully having your channel with all the fantastic info from your good self and other guest producers is rubbing off and helping to focus my workflow and production knowledge, thank you ever so much.
I crank up the monitor volume not only to hear how well it "punches", but also to hear how harsh guitars are, and so on. On lower levels, we can accept harsh sounds, but on higher volumes they become painful, so it's a good way to find those frequencies that need treatment.
Then I lower it to the point where it's almost too quiet to hear it, to see whether I can still hear the individual insturments, or if all I really hear are guitars and the snare, for example.
I use a set of Genelc 8040B's, btw. Genelec still are the best.
Perfect timing, Warren. Can't thank you enough.
You're very welcome Larry! Thanks for the comment!
how about mixing and eq drum room kits like front room wide room ext
Truly amazing Warren, thank you for all the great information
Thanks ever so much Darlene! I am so glad to be able help!
Thank goodness for notifications....now I have a valid reason for a coffee break, Thanks Warren......Best wishes from Wales!
As if we need reasons for coffee breaks! haha! Thanks for stopping in!
I put my hand up for number four. I spend far too much time tweaking and fiddling in the early stages. I am slowly learning so many things from you Warren. I have learned to spend more time setting up busses early on so that much of the tweaking becomes easier and more organised later on! I also treated myself to the Beyer-Dynamic 1990 Pros and they are already making a big difference. these tips are so obvious when they are listed one by one, but hearing them explained so clearly and then having them printed on my wall as a reminder is really helpful.
Thanks. I need to remember the reference sounds, and also breaks.
Agreed Audrey!
This channel is a god send. Thank you thank you thank you!!
Wow! Thanks ever so much
Thank you Warren, these cheat sheets are really great reminders.
You're very welcome!!
This is Gold. Thanks Warren
Thanks Darkjoint! You rock!
Thanks for all these videos, Warren! Since I've watched them, I think I've improved a lot at getting my songs to sound better. Keep it up!
(Also, the "Revolution 9" reference was excellent)
Thanks ever so much Charlie! I am so glad to be able to help! Haha yes! Revolution Number 9! Good spot!
thanks for another great video warren, about the master bus, i find i never put any fx plugins on my master, only meters, i make a submix with all processing, now people have told me this is ok, others that this is completely wrong, thing is i honestly believe that in the field of music whether it be playing or recording, etc.. one can keep learning things until their last moments in life, so i try things, if they work fine, if not fine, I'm NO Expert by any means.. And in my humble opinion as a experienced musician but a novice recorder, there are no experts, only more experienced people, the real trick here is how to deliver your experience in a positive manner to less experienced individuals, and I for one applaud the way you have done this so far :) not only yourself but the wonderful community aswell.. keep it up.. from a smalltime belgian musician living and working on the atlantic coast of spain.
Always learn so much
Thanks ever so much Spitfire!
The Beatles Revolution 9. The White Album. You Rock Warren. Your a good Teacher.
Michael Jones aw schucks! Thanks ever so much! YOU Rock!!
I will active the dim switch every so often when I'm mixing, it's a great way to get a new perspective and give my ears a rest.
Revolution 9!
So glad I found your channel. I’m just starting out making and mixing my own music and I really appreciate your thorough and relatable videos. Subscribed. Thanks!
One of the best tip videos ever. He she'd a ton of light on topics.
We love you Warren!😀
Thank you Randal!
One of the most important things I ever did was challenge myself to sort of master via the mix. Get the loudness and equalization as close to a mastered sounding track before it actually got mastered. It's hard and time consuming but worth the effort. Can't be lazy if you're looking to be on top of your game. Basic knowledge for experienced guys but didn't we all learn this lesson at some point and have it change everything about how we mix? Yep. Some guys needed to see this.
At 12:15 how do you do that? Kick drum controlling the compression? Ok Sidechain I’ll google! Thanks Warren for the amazing tips! God bless you!
Search for "ducking" too.
Amazing video Warren, great information, really helps me!
Thanks ever so much Apple!! You Rock!
Hi Warren and thank you as usual for your goldmine of knowledge! Regarding the "bass area" in the mix: I don't own widerange monitors, I hav e a pair of Yamaha MSP5 (nothing below 100hz). Even if I use a spectrum analyzer for mix and mastering, I am often not satisfied the basses sound "stuck in the front". Not 360°, not deep and rich. Do you have a suggestion on how to fix this?
Always the best info from the warren
Thank you ever so much Harmony!!
the more I'm watching this guy's videos...the more I realise how many seriously wise little tips I'm picking up. On this one, simply him saying, hey, doesn't matter how many inserts/effects plugins you have...you're better off even if you only use a couple but REALLY understand them. So you can use them expertly. So obvious. But I needed someone to tell me that.
I’ve just begun messing around with garage band after buying the iRig HD2 to be able to record without a microphone finally, and I have to say when you talked about listening on different headphones or in the car I 100% realized this very early on. I noticed on different devices I wasn’t getting the sound I really wanted sometimes ending up too muddy. This could be cuz it’s garage band and I don’t have complete control over everything (and I have no fucking clue what I’m actually doing yet) but this was super helpful to realize that that’s an actual thing that people do is listen on other things. You are super helpful, thank you.
Hey Warren, thank you ever so much for making this video. Have a marvelous time recording and mixing. And of course have a marvelous time recording and mixing
Thanks ever so much my friend! You have a marvellous time too!
I love your sincerity and passion. Thanks so much, sir!
Thankyou so much for this. And what I like overall is your positive energy, love of music that transpires. Inspiring ! 🤗
Thanks ever so much!!
Love this. I’ve heard all these already but the way it’s put across here sinks in way more. Cheers Warren 👍
Ten tips I'll take to the bank! Question for ya, when using midi drum kits do you still have to use high pass to remove mud? Or because they are recorded drums they should be left as they are?
Thanks Warren.
Hi Andy, marvellous question! It really depends! Often I apply gentle low mid cuts to Drum Samples, programmed drum, electronic kits etc. Usually they've applied a lot more EQ before hand, however it's a case by case basis on what's needed.
ANDY TULLIS test them. Solo the track and search withe the eq to find the ugly frequencies in the lows ( and highs if you feel you need to ) . Usually at 128-135 hz , 160 hz and 200 hz and higher you will find disturbing frequencies. If the drums have in these areas too much...you know what to do. Could even be too much at 55 60 or 70 hz sometimes - who knows ?
Thank you for all the great information Warren , and Good enrergy and lots of tips that are so crucial , love this!!
Great video, as usual. Very helpful!
Great information as always! Between yours and Glenns knowledge, i've definitely seen an improvement in my drum mixes. Thank you!
Hi Cameron, thanks ever so much my friend! Glad to be able to help!
Thanks for this Warren. It's interesting to hear you mention the pitfalls and habits that we tend to fall into. I found myself nodding at the mention of spending ages getting the perfect sound for a snare for example or adding final flourishes before getting melodies right or finishing the idea for a song first before adding enhancements or 'ear candy'. And yet... we still do it. Haha, still it's reassuring to know the Pro's have been there. One thing I'd love to know Warren, is how you use reference tracks when mixing. Or rather how you go about emulating a sound you hear and desire to achieve in your own mixes? Perhaps in a future video... many thanks for all you do.
Super Amazing info . the first 4 I have down so my workflow really is above average I think. but my biggest obstacle is myself. I start projects and tell myself I won't quut until I am done and then two days later I am off on another idea. needless to say I have a lot of unfinished songs . my favorite tip is to leave the tweaking until the end very guilty of not . Thanks again Warren You are just awesome And God bless .
Really good video. I also tweak a lot, but hey, it's because I'm actually in the learning process, including learning my plugins and the "best uses".
Tweak my friend! Enjoy the process!
Great stuff! a lot of the points helped me confirm what I need to work on like "oh yeah, I actually should be doing that"
Now, im not producing music and not all of the tips works for me BUT some of your insights and tips have helped me with Mixing in short story films. Thank you Warren.
Hey Warren! Amazing video! So useful. Do you suggest using stereo width on high freq instruments that are already hard panned?
Thanks Warren.. I'm going thru the stage of wondering what the hell to do with the master bus, and have not a clue in reality.. so by default, i do nothing and work like hell to get the mix as good as i can.. which is what i should be doing.. your advice here confirmed my instinct on it.. keeping it simple and only going for a better balance with light compression (or whatever..) seems the way to go for me.. knowing what to do in this stage is the mystery i haven't unravelled yet.. do you have a video on this stuff?
Thanks again and again Warren for these wonderful tips as I fine tune my skills.
You`re doing such a great job Warren, thanks for sharing your knowledge with us!
Thanks Warren. Just want to say, there are many videos on music production, out of which there are many good ones and there are many bad ones. But yours is one that we can really trust. Thanks again sir 👍🏻
wonder when it comes to mastering.Is there a need for mastering for broadcast on radio and tv
Yes, Mastering is a very important process when it comes to TV, Film and Radio.
Thank you for the helpful tips Warren- as always😀! I just realized that you have linked the wrong Cheat Sheet. Any chance you can provide the 10 home studio tips instead of the LCR panning and mixing in Mono? Thanks much!
The template is a game changer. Great video.
Thank you very much for your time and expertise!
Thanks Warren, number 7 answered a question I asked in one other video about why some music out there sounds uncomfortably bright. I first noticed this when I noticed a consistent number of edms have that phenomena which got me comparing with other genres and they are also present in some. Got me wondering how that could happen. soThanks.
Splendid video! Thanks a lot.
Okay, that's it. This video said what I needed to hear. (not necessarily what I wanted to hear.) I will be signing up for the academy as soon as I can! Very useful!!
Thank you for being honest and going into detail about mixing and using filters.... you made me subscribe 👍👊
i like this camera angle more! oldskool
Thanks Mihkel!
Agree!
Agree!2
Agreed. Well done sir.
Thanks Meta! Yes, from 3 years ago when I started!
For me you are like my audio production professor without having to pay the tuition!!!🙏🙏🙏
I should have watched this video before I started mixing my songs. Very informative, and enjoyable to watch.
If you haven't mentioned this in another video, what I would like to throw in as well is that you won't be able to mix and master like a pro overnight. Like any other skill or trade, it takes a lot of time to perfect. Heck, my mixing skills are in the "amateur" category right now and will be for some time.
Practice, patience, and time. That's what it takes.
This info is GOLD!!! Actually, it’s PLATINUM!❤️🎶
Great advice! I've been using Yamaha HS5 monitors, Beyerdynamics 990s, Philips SHP9500, ATH-m50 cans & Edifier R12 usb small speakers for the analytical reference method of madness. Can hear some difference in the mixes.
Great way to start out the week with your great tips!
Thanks ever so much! So glad to be able to help!!
Thank you once again Warren. The cheat sheet will definitely help me keep my projects in focus and your video was a welcomed reminder in assisting me in being more aware of several of my own mixing pitfalls. (I have dug a hole many times.) :) Great video!
That's a very wise video. As part of speeding my workflow, I had to abandon a DAW I was using for more than 5 years for final mixing/gluing which sounded great but was a chaos to work with. So, I decided to use only the one I really love and have a pleasure to work with. Seeing your #1 and #8 tips gave me sort of a relief for doing the right decision, believe it. Thanks!
Knowing the plug ins is excellent. I have been a Reason user since 2007. Every few years they come out with an upgrade with so many new sounds, effects, instruments and patches. I still feel like I'm barely scratching the surface, but I do have my favorite go to plugins and sounds to improve my workflow. I have some instruments and effects that I haven't even touched yet. Haha
Other monitoring environments is also great. I will actually step out of the room sometimes while the mix is playing just to get that perspective. Sometimes I can catch a few blaring issues moving around the room or stepping out of the room. Maybe I'm just weird..haha
Thank you Warren, great advice as always
Thanks ever so much!
After 5 years I’ll be making that template now. Thanks for the reminder :)
I do love that a lot of this video is about drums 👍🏼
Thanx mr Huart for another great video with some marvellous really hands on advice! 👍Even as a hopeless amature much of your advice confirms some of the experiences I have had and will for sure help me improve.☺
He Warren hope your doing well 😊🙏 I was wondering if you could help me with connecting my patch bay I can’t get my head around it for some reason I have a Behrenger PX 3000 and I have a 2 channel outboard compressor and a two channel preamp and a studio 192 interface and a Apollo Twin X and a 4 channel DBX compressor as well and I would love to connect everything so I can just patch stuff in but I can’t figure out how to connect my gear to it ?? And love watching your videos keep up the awesome work 👌
Amazing information as always
Thanks ever so much!
Thanks again for your videos this one was a good one for me coz to day I will mix my first new singel reslese in about 6 years. so tanks for some reminders. Be safe and skilful. Pinge
Thank you so much Warren for this video. It was very helpful and above all else, very interesting too. Covered issues that I never really thought of. Many thanks. Sean
Thanks ever so much!
Thanks for the great video Warren. Awesome 👍🏻👍🏻
Thank you my friend! I hope you're well Steve!
Good day Warren thanks so much for the info, its been so helpful. I have a question regarding the use of reference tracks.
If I use a reference track what should the EQ setting be on that song?
Thanks for the great info Warren!
Does anyone know how you set the kick to activate the synth compression? That’s a really cool trick. Do you just send the kick to an aux that has the comp and synth? Is it that simple? Thanks!
That's a massive video!!! Really good content💟
Thanks ever so much AMB! You Rock my friend! I'm so glad to be able to help!
Hi warren. what is a good stereo bus chain when you only have the two track to mix?
Love your videos,, just ordered some recording equipment and want to learn as much as I can. I’m a singer/drummer with a little guitar and bass experience. Keep the videos coming.
Very Very Help Full
I love these videos! This may be a dumb question, how does monitor calibration play into monitoring levels during mixing?