Lyrics: You will search, babe, at any cost, But how long, babe, can you search for what's not lost ? Everybody will help you, Some people are very kind. But if I can save you any time, Come on, give it to me, I'll keep it with mine. I can't help it if you might think I am odd If I say I'm not loving you for what you are But for what you're not. Everybody will help you, Discover what you set out to find But if I can save you any time, Come on, give it to me, I'll keep it with mine. The train leaves at half past ten But it'll be back tomorrow same time again. The conductor, he's weary, Still stuck on the line. But if I can save you any time, Come on, give it to me, I'll keep it with mine.
This song lends itself to many interpretations. It leaves plenty of room for a vocalist to put their own spin on it. Everybody, however, makes it sound like Nico or Fairport. Why? Dylan doesn't sing it that way. Put some force behind it. When you sing "C'mon give it to me. I'll keep it with mine." make it sound like you are trying to convince her -- almost begging. It definitely adds something to it. As it is, it falls dead on the ear.
the instruments are great, the singer is clearly intimidated and doesn't wish to offend or pretend...she's in a difficult spot but you are right, and I'm not sure a woman should try to sing this..no offense, but if Judy Collins sounds worse than this..maybe we should leave this one alone, and let Bob have one all by himself....
Dean has the coolest speaking voice ever damn
Lyrics:
You will search, babe, at any cost,
But how long, babe, can you search for what's not lost ?
Everybody will help you,
Some people are very kind.
But if I can save you any time,
Come on, give it to me,
I'll keep it with mine.
I can't help it if you might think I am odd
If I say I'm not loving you for what you are
But for what you're not.
Everybody will help you,
Discover what you set out to find
But if I can save you any time,
Come on, give it to me,
I'll keep it with mine.
The train leaves at half past ten
But it'll be back tomorrow same time again.
The conductor, he's weary,
Still stuck on the line.
But if I can save you any time,
Come on, give it to me,
I'll keep it with mine.
Great gig in Newcastle other night !!
Absolutely perfect. Thank you.
Very much like Susannah Hoffs version with Rainy Day
This song lends itself to many interpretations. It leaves plenty of room for a vocalist to put their own spin on it. Everybody, however, makes it sound like Nico or Fairport. Why? Dylan doesn't sing it that way. Put some force behind it. When you sing "C'mon give it to me. I'll keep it with mine." make it sound like you are trying to convince her -- almost begging. It definitely adds something to it. As it is, it falls dead on the ear.
the instruments are great, the singer is clearly intimidated and doesn't wish to offend or pretend...she's in a difficult spot
but you are right, and I'm not sure a woman should try to sing this..no offense, but if Judy Collins sounds worse than this..maybe we should leave this one alone, and let Bob have one all by himself....
Not everybody, check this version with czech lyrics: ua-cam.com/video/85q7tVSrqKI/v-deo.html (although it's just a small part from TV documentary)
my dear, is a version like nico, not Dylan. Ok? It's beautifull
Check out this PS22 version. You might like it. ua-cam.com/video/zwXBVbVfEZk/v-deo.html
Sandy Denny’s (original FC 1969) is unequivocally open-hearted and compelling - everything you say you want.