50% off an instant download of the “27 Exercises on Matrix Cycles” PDF Package at: www.jazzlessonvideos.com/downloads Sign up to work with Andrew through the Text Lessons Studio. www.jazzlessonvideos.com/text-lessons
First visit with you was a nice experience. Nice job. You'd be doing a great favor if you added the Bb transcription in addition, but I'll transcribe your example for my practice.
How did you create these examples? Is the process to sit down and write out the formula using the changes? or are these examples you lifted and are analyzing?
Hey Graysen! None of these examples are lifted from recordings, they're all exercises that I came up with and worked through. That being said, they are largely influenced by Coltrane's approach and also other solos and pieces of phrases that I've heard!
@@andrewgould744 gotcha, I’m trying to revisit jazz (haven’t really worked on it since college) and find myself wondering how to get more of the language in my playing. With blues and rock it was a matter of learning the licks and piecing together my own vocabulary. But with jazz I remember my approach was more practicing enclosures, arpeggios, writing out solos using guide tones, etc. Thanks for sharing/clarifying!
@@graysenhagin For sure man I think that your approach to playing rock by learning licks and piecing together your own ideas can still be applied to jazz too! There's a ton of ways to make it happen!
Lately I have been writing the intervals of the progression with numbers... somehow all the chord names I get mixed up and maybe a good idea for someone that feels that way... so the exercise would be b6/M 7/7 3/M 5/7 1/M.... Dont know if it helps anyone but seems to be working pretty good for me.
50% off an instant download of the “27 Exercises on Matrix Cycles” PDF Package at: www.jazzlessonvideos.com/downloads
Sign up to work with Andrew through the Text Lessons Studio.
www.jazzlessonvideos.com/text-lessons
Concert Key versions?
Treble Clef and Bass Clef are both available! www.jazzlessonvideos.com/downloads
awesome, thanks Andrew! I would love a book on how brecker, berg, etc played out!
Thanks so much for checking it out man!!! Love those ideas, good call!!
id also love a 75 phrases on backdoor dominant going through diatonic, approach, melodic cells, pentatonic etc :p
Thanks Sax Spy! Great suggestions
I play piano but I love your diatonic exercise at 4:43. That half step movement is great! I love the exercise!
Thanks so much and I’m so glad you found it helpful!
Thanks for watching! Subscribe to the channel for more videos like this releasing soon!
First visit with you was a nice experience. Nice job. You'd be doing a great favor if you added the Bb transcription in addition, but I'll transcribe your example for my practice.
Treble Clef version for all treble clef reading instruments can be downloaded here: www.jazzlessonvideos.com/downloads
Superb - many thanks! Great course.
Thanks for watching! Subscribe to the channel for more videos like this releasing soon!
Great video! The best explanation of Coltrane ever!
Thanks so much for watching! Subscribe to the channel for more videos like this coming soon!
Nicely done!
Thanks so much for watching! Subscribe to the channel for more videos like this coming soon!
Great video, great lesson, great playing, awesome! And thanks for sharing.
Thank you for checking it all out!!!
Thanks for watching Tony! Subscribe to the channel for more videos like this releasing soon!
Love it!
Thanks for watching Damien!
Great! Thanks👍🎶
Thanks for watching! Subscribe to the channel for more videos like this releasing soon!
How did you create these examples? Is the process to sit down and write out the formula using the changes? or are these examples you lifted and are analyzing?
Hey Graysen! None of these examples are lifted from recordings, they're all exercises that I came up with and worked through. That being said, they are largely influenced by Coltrane's approach and also other solos and pieces of phrases that I've heard!
@@andrewgould744 gotcha, I’m trying to revisit jazz (haven’t really worked on it since college) and find myself wondering how to get more of the language in my playing. With blues and rock it was a matter of learning the licks and piecing together my own vocabulary. But with jazz I remember my approach was more practicing enclosures, arpeggios, writing out solos using guide tones, etc. Thanks for sharing/clarifying!
@@graysenhagin For sure man I think that your approach to playing rock by learning licks and piecing together your own ideas can still be applied to jazz too! There's a ton of ways to make it happen!
Lately I have been writing the intervals of the progression with numbers... somehow all the chord names I get mixed up and maybe a good idea for someone that feels that way... so the exercise would be b6/M 7/7 3/M 5/7 1/M.... Dont know if it helps anyone but seems to be working pretty good for me.
Thanks for your insights! More videos coming soon!
@@jazzlessonvideos Thanks, will have to look further into the next exercise here after getting the first one in a bit!
You teach like Chad Lb