He is an amazing artist, with a heart of a genius human being. Meeting him in person is a total humbling experience. What a nice humble Master… He even signed my book. I’m stoked for life….
Sounded like he described a tool I’ve seen folks use for making soft impressions in clay. They come in many shapes, angled, toothed, pointed. The toothed are very short stubby joints.
Hello John. I never work with polyvine. What are the open time of that material? For how long can you work the surface? Can you give a little more info about that material? Thanks
He is an amazing artist, with a heart of a genius human being. Meeting him in person is a total humbling experience.
What a nice humble Master…
He even signed my book. I’m stoked for life….
perfeito,maravilhoso, um artista impar.. parabéns
Holy fk.
What is he tool being used directly after the burlap? Some sort of rubber mark out tool? Or a stuff brush? Thanks.
Sounded like he described a tool I’ve seen folks use for making soft impressions in clay. They come in many shapes, angled, toothed, pointed. The toothed are very short stubby joints.
Not sure tho. Either way this is legitimately outrageous technique and steps. Not even sure what is happening or what half of the products/terms are.
goooooood
does anyone know what type of glaze he used ? make manufacturer etc ?
the art of faux by p finklestein, his book he makes his own glaze the book is excellent
Steven Field hi Steven I agree his books are excellent but there is no way in knowing what the glaze he uses is personally I use polyvine
Hello John. I never work with polyvine. What are the open time of that material? For how long can you work the surface? Can you give a little more info about that material? Thanks
One hour open time.
Thanks