Great study! I've read that tempera grassa can be used with great results on top of oil paint, when the oil layers are almost dry but not completely (they should be sticky). Very sharp and linear higlights can be painted like this, look especially to how Dürer painted very fine highlights in the hair, line by line (almost impossible in just oil). Maybe you should give it a try in your next oil paintings.
@@PaintingtheLight Watch from minute 14:44 on this video ua-cam.com/video/MDmiOmYnwKk/v-deo.html it's a restaurator showing how to paint very thin lines in tempera over an oily varnish. This is more or less the principle of how tempera works over an oily surface. And here you have a more elaborate technique of alternating egg tempera with oil glazes www.davidpendery.org/painting/mischeexample.htm I think the easiest way to try this is to use fat tempera over some rather thin (not impasto) oil paint. And it's important that the oil layer is not perfectly dry, just tacky/sticky. And keep it for the highlights and fine details only- like the pure whites you put at the very end or some very fine hair detail. Good luck!
another great study! I agree with you regarding the light in the eyes, the image comes to life and that is why sometimes in the icons I paint the eyes not least, they guide my hand towards the conclusion. Thanks for all the study ideas you offer
Woww this study of Raphael’s work is super beautiful you are amazing and so talented antonis. Can you do a study of one of cimbue’s work like an icon of his thank you love from Philippe!! 🙏🏼❤️
I am.comfused in many tutorial they start with a white base and then the dark and you started from the dark to light, please someone help me and also I want to know the time to continue with the next layer
Once again, very helpful video 😊 Your videos also helped me with college assignments and thesis, l mentioned your channel in a chapter about contemporary icon painting, maybe my professors who read it will subscribe hahaha
Antonis hi, please dont stop sharing videos just because not getting the views it deserve. Thanks. By the way, why dont you use your full name as the channel name,are you on instagram? greetings from Turkey
Le nez ne comporte pas de ligne, ce n'est que la différence d'intensité de la lumière entre l'arête du nez et la joue derrière. The nose does not have a line, it is only the difference in intensity of light between the bridge of the nose and the cheek behind. Bon travail!
Άρτεμις γειά σου. Είμαι κ εγώ Έλληνας! Πως είναι δυνατόν λοιπόν να μας υποτιμώ? Πως σου ήρθε αυτή η σκέψη? Είναι στα αγγλικά τα βιντεο γιατί υπάρχουν άνθρωποι που θέλουν πολύ να μάθουν σε όλο τον κόσμο και δεν έχουν κάποιο δάσκαλο να τους δείξει. Αυτοί οι άνθρωποι μιλάνε αγγλικά ως επί το πλείστον. Δεν υποτιμώ κανένα, ίσα ίσα χαίρομαι όλοι να μαθαινουν κάτι.
My grandparents love this painting so much they hung it up in their living room.
This is most impressive. I have learned such a lot from this technique. Thank you so much.
Thank YOU Tom! Really nice of you to comment!
Stupendo! Bravo. So beautiful.
Beautiful experience watching this study of Raphael!
The little hands, expression on the little Angel's face are just so beautiful
Great study! I've read that tempera grassa can be used with great results on top of oil paint, when the oil layers are almost dry but not completely (they should be sticky). Very sharp and linear higlights can be painted like this, look especially to how Dürer painted very fine highlights in the hair, line by line (almost impossible in just oil). Maybe you should give it a try in your next oil paintings.
Thank you always for the amazing advises!!! I might try that as soon!!!
Can you please write the source of this truly amazing tip that you shared?
@@PaintingtheLight Watch from minute 14:44 on this video ua-cam.com/video/MDmiOmYnwKk/v-deo.html
it's a restaurator showing how to paint very thin lines in tempera over an oily varnish. This is more or less the principle of how tempera works over an oily surface. And here you have a more elaborate technique of alternating egg tempera with oil glazes www.davidpendery.org/painting/mischeexample.htm I think the easiest way to try this is to use fat tempera over some rather thin (not impasto) oil paint. And it's important that the oil layer is not perfectly dry, just tacky/sticky. And keep it for the highlights and fine details only- like the pure whites you put at the very end or some very fine hair detail. Good luck!
i am learning so much from you. Thank you so very much.
another great study! I agree with you regarding the light in the eyes, the image comes to life and that is why sometimes in the icons I paint the eyes not least, they guide my hand towards the conclusion. Thanks for all the study ideas you offer
Lia Thank you for your always beautiful comments!!! Really rewarding to me...
Θαυμάσιο!...μα πόσο χαρισματικός!!
so beautiful, totally in awe. 🙏
Thank you. Such a touching and beautiful video. ❤️
You are a super talented artist! I am so lucky to find your page! Thank you for your videos and tips! It’s a pleasure to watch and listen!
Ksenia thank you soo much!! Your support keeps these videos coming! Thank you!!!
Woww this study of Raphael’s work is super beautiful you are amazing and so talented antonis. Can you do a study of one of cimbue’s work like an icon of his thank you love from Philippe!! 🙏🏼❤️
Thank you Phillipe!!!
Thank you for continuing sharing your talent!
Thank you so much Leo!!!! You are an asset for this channel!
@@PaintingtheLight and you are an amazing asset to us all! Thank you again!
Thank you for another wonderful and instructive video!
Mark. You are so great!! Thank you!!
Sehr gut ❤
Wonderful. Grazie. So is the ground egg tempera or non-egg tempera?
Is this Egg Tempera or Oil? Beautiful Work Anthonis!!
What effect has the verdaccio over the next layers of the painting as well as the painting finished?
¡Maravilloso trabajo! Felicidades. Ojalá puedas colocar los subtítulos en español.
Thank you Erik!!!!
This is very impressive and helpful 👍 also would like to see a annunciation study by leonardo da Vinci😊
Joshua thank you so much!!!! That's a great idea!!
Good video but a small nitpick. Sfumato was Leonardo's technique. Raphael combined Leonardo and Michaelangelo's style to create unione.
Thank you so much! Of course!
I am.comfused in many tutorial they start with a white base and then the dark and you started from the dark to light, please someone help me and also I want to know the time to continue with the next layer
❤❤❤❤❤
the singular for "putti" is "putto". The "little angel" is a putto.
you paint faster than my dads epilepsy!
Once again, very helpful video 😊 Your videos also helped me with college assignments and thesis, l mentioned your channel in a chapter about contemporary icon painting, maybe my professors who read it will subscribe hahaha
Υπέροχο!!!
Με τι υλικό ήταν το πρωτότυπο?
Anna thank you so much!!!
@@elenimeletiou1797 l don't speak Greek sadly :(
Antonis hi, please dont stop sharing videos just because not getting the views it deserve. Thanks. By the way, why dont you use your full name as the channel name,are you on instagram? greetings from Turkey
Is this oil paint?
Hello, are you on Instagram? Thank you for your video. Can you do a list of the full pallets. Thank you!
Thank you Harjot... No Instagram.... 😔😔😔
Le nez ne comporte pas de ligne, ce n'est que la différence d'intensité de la lumière entre l'arête du nez et la joue derrière. The nose does not have a line, it is only the difference in intensity of light between the bridge of the nose and the cheek behind. Bon travail!
🤩👏👨🎨🎨
❤❤❤❤❤❤❤❤❤❤🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉
37 when he died as for Van Gogh as well.
Μήπως μας υποτιμάτε και κάνετε παρουσιάσεις μόνο στα αγγλικά λέω τώρα ,ξέρετε στεναχωριέμαι γιατί αγαπώ αυτό πού βλέπω και δεν σας καταλαβαίνω λειπαμε
Άρτεμις γειά σου. Είμαι κ εγώ Έλληνας! Πως είναι δυνατόν λοιπόν να μας υποτιμώ? Πως σου ήρθε αυτή η σκέψη? Είναι στα αγγλικά τα βιντεο γιατί υπάρχουν άνθρωποι που θέλουν πολύ να μάθουν σε όλο τον κόσμο και δεν έχουν κάποιο δάσκαλο να τους δείξει. Αυτοί οι άνθρωποι μιλάνε αγγλικά ως επί το πλείστον. Δεν υποτιμώ κανένα, ίσα ίσα χαίρομαι όλοι να μαθαινουν κάτι.
@@PaintingtheLight na russkom speak !
I would rather paint the whole canvas with a dark tone and then draw and paint a flesh tone on a dark canvas.