Leonardo's technique

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  • Опубліковано 22 гру 2024

КОМЕНТАРІ • 104

  • @harina7872
    @harina7872 10 місяців тому +16

    I love that it’s not only informative but also demonstrative, it helps me understand visually of the techniques used.

  • @AFAskygoddess
    @AFAskygoddess 5 днів тому

    I was planning to go to Florence next year to take a workshop of Old Master's oil painting techniques. After watching this informative video, I might change my plans and spend this year utilizing the information in this video. Thank you for taking the time to share this with us.

  • @danlewis7707
    @danlewis7707 3 місяці тому +3

    This extremely patient and painstaking technique might seem archaic to an artist of our time except that it allows one to create images which seem to leap off the canvas or wooden panels and breathe and move. The perspective and landscape techniques have been improved with time but the ethereal yet grounded effect of high Renaissance figure work seems to match or surpass anything that later artists have tried to do outside of the area of abstract art.
    A pleasing relational balance between an evocation of the spirit and feeling of the figures and scenes depicted and conveying a sculptural structured representational image.
    The sum of which conveys the beautiful spirit of the master impressionists without fully abandoning the idea of depicting what is seen by the eye.
    The result is a poetry so rich that it continues to captivate us even after centuries of progress.

  • @michaelhanrahanmoore1622
    @michaelhanrahanmoore1622 Рік тому +30

    An entire education in one video. Thankyou so much. The mystery of Leonardos methods broken down and explained. I would love to see an explanation of rembrandts methods and also rubens and velasquez.

    • @ARTEnet1
      @ARTEnet1  Рік тому +10

      Maybe Rubens, I had already started studying the technique but it's very difficult.
      Thanks for the comment

    • @romulusbuta9318
      @romulusbuta9318 Рік тому +4

      @@ARTEnet1 in the future PLEASE do about great Masters of 1400-es : van Eyck, Rogier van der Wayden and Hans Memling, Antonello da Messina.........They ALL are quite in the same range,small variations in using some different materials but SHURLY the made the same steps in building a painting....layer nu layer

  • @emilleum48
    @emilleum48 Рік тому +17

    This is so incredible, and the wealth of knowledge presented is astounding, thank you,
    MSG Leum

  • @enn7205
    @enn7205 Рік тому +9

    this is so an informative video! I always wanted to know more about the artists and their way of painting. I came across this video by coincidence. really appreciate all the hard work that was put together in this clip.

  • @Tyrell_Corp2019
    @Tyrell_Corp2019 Рік тому +6

    This man was beyond. Great video. Thank you!

  • @jeanlanz2344
    @jeanlanz2344 3 місяці тому +1

    Amazing! Thank you for beautifully showing us the many layers and techniques used by Leonardo to create his masterpieces! The narration give us the important details. God bless you.

  • @nassimhadjbenali3819
    @nassimhadjbenali3819 Рік тому +5

    No doubt, the best lesson about Sfumato ! ❤

    • @ensotao1
      @ensotao1 Рік тому

      Look into DaVinci writing

  • @jasongraham9783
    @jasongraham9783 Рік тому +2

    The best video yet on the master’s technique!

  • @AldoOlivera-vw8ir
    @AldoOlivera-vw8ir 11 місяців тому +2

    Larga vida al gran..
    Leonardo Da Vinci

  • @MissIdolize
    @MissIdolize Рік тому +6

    Fantastic demonstration - thank you!

  • @ballyantonia
    @ballyantonia Рік тому +3

    Breathtaking.Thank you.

  • @lisaoloughlin6476
    @lisaoloughlin6476 Рік тому +1

    Boy oh Boy what a treat , thank you so much for your beautiful work and working knowledge, enjoyed this sooooooooooo much

  • @adriansoto5964
    @adriansoto5964 6 місяців тому

    This is pure gold. Thank you for the great lesson and explanation about Leonardo's technique 🙏

  • @leonidasCorfu
    @leonidasCorfu 2 роки тому +3

    Thank you once again!

  • @martybaggenmusic
    @martybaggenmusic Рік тому +4

    I've never enjoyed "watching paint dry" more... wonderful piece.

  • @MrGeez42
    @MrGeez42 2 роки тому +4

    Amazing technical informations!! thank you so much!. please make more!!

  • @GnaReffotsirk
    @GnaReffotsirk 2 роки тому +10

    Thank you for this english version!

  • @AdCreative-ik7dg
    @AdCreative-ik7dg Рік тому +2

    So beautiful and incredible ❤️👍👋

  • @jimpreston3017
    @jimpreston3017 5 місяців тому +1

    This is superb. Thank you.

  • @inezdruminez4196
    @inezdruminez4196 Рік тому +1

    Thankyou you. So wonderful

  • @edwinharrison5992
    @edwinharrison5992 Рік тому +1

    Thank you for posting this informative video with your explanation and demonstration to these techniques it helps understand some of the things i find in the book i have which is an entire translation of his norebooks and they are confusing esspecially where i wanted to learn some handy techniques to improve my work plus its just interesting and entertaining so again thanxs

  • @sharky9493
    @sharky9493 4 місяці тому

    Thank you for the video! Great! I never thought, that Leonardo user up to 30 Layers! Incredible!

  • @sp9138
    @sp9138 Рік тому +1

    Brilliant artist

  • @EuropeArtHeritage
    @EuropeArtHeritage 2 роки тому +3

    Magnificent.

  • @dont-want-no-wrench
    @dont-want-no-wrench Рік тому +4

    that was quite interesting, and the repro results speak for themselves.
    today of course, using the finger we know is risky, probably we could find a substitute for that.

  • @bozoclown2098
    @bozoclown2098 11 місяців тому +2

    Thanks , this gave me a few ideas . WOW

  • @allanaguilar
    @allanaguilar 2 роки тому +3

    Awesome!!! Thanx for a great video…

  • @СььсТьб
    @СььсТьб 9 місяців тому +1

    Excellent visual presentation! Thank you very much...The question is how long required to wait between each layer of coating to paint further? And another question, before you start painting with flesh paints, is it necessary to oil out the previous (dry) layer or it is better to paint with flesh colors immediately on a dry layer?

    • @ARTEnet1
      @ARTEnet1  9 місяців тому +1

      These are two very interesting questions but it is not possible to give a precise answer.
      As regards the first, it depends on many factors (from a couple of days to more than a month): type of medium used, quantity (binding pigment ratio), absorption capacity of the layer on which the color is placed, different motion is the waiting time if spread on an absorbent preparation or on a previous layer of core, even pigments have different drying times, some such as lacquers, zinc white or blacks have very long times.
      Painting on a damp or wet surface is very different, generally painters preferred to moisten the surface they worked on to have greater smoothness of the brushstroke but (as always in painting) there are no rules, it depends on what you want to achieve. However, a layer of pure oil is rarely applied, more often this is mixed with resins in order to make the surface less slippery.

    • @СььсТьб
      @СььсТьб 9 місяців тому

      @@ARTEnet1 Thank you for your answer...Let me please clarify my question: My question is: When in Уour nice video demonstration Уou begin to paint with flesh tones over yellow-ocherish- umber-greenish modeling and white in the lights (the second layer ) , You begin to apply live flesh tones right away without drying the previous (mentioned by me layer) or did you dry it a week before and then continued with the living tones application in Your video demonstration? I hope my question is clear. I will be glad if Уou can clarify. Thank Уou

    • @manfredifaldi8003
      @manfredifaldi8003 8 місяців тому

      @@СььсТьб I let it dry for about a week before applying the flesh color.

  • @sushmasabnis6454
    @sushmasabnis6454 Рік тому

    Very interesting . Certainly going to try Their techniques. Thank you v much

  • @eddierivera2698
    @eddierivera2698 Місяць тому

    That was great! Would be nice to see one on Vermeer.

  • @kingyo9783
    @kingyo9783 8 місяців тому +1

    Thank You so much😍🙏

  • @NikBG24
    @NikBG24 9 місяців тому +2

    Unique!

  • @AngelaJulbe-Saca
    @AngelaJulbe-Saca 4 місяці тому

    Very interesting thx for sharing the techniques do help.

  • @mtmirian
    @mtmirian 2 роки тому +5

    Muito interessante e bonito de ser ver. Obrigada.

  • @gulsharma6146
    @gulsharma6146 Рік тому +1

    Thank you for uploading This video this video is very helpful

  • @frhythms
    @frhythms Рік тому

    Excellent video! Thank you!!!

  • @rodrigopamplona
    @rodrigopamplona 2 роки тому +1

    Excellent!

  • @jakovj.m.5322
    @jakovj.m.5322 Рік тому +3

    very nicely explained and helpful :)

  • @joseivanburgos3259
    @joseivanburgos3259 Рік тому +1

    escelente. clases. de. la. ternica. del. maestro

  • @elietedarce1266
    @elietedarce1266 9 місяців тому

    Incredible video demonstration
    .
    I'm curious...
    I had heard years ago that nobody, even with advanced science investigation managed to recreate Leonardo's sfumato glazing with the same quality as hin.

    • @ARTEnet1
      @ARTEnet1  9 місяців тому

      I don't understand the meaning of this statement, if that were the case he wouldn't have succeeded either. What is certain is that the effect of time on the color layers cannot be artificially reproduced.

    • @elietedarce1266
      @elietedarce1266 9 місяців тому

      ​​@@ARTEnet1 Leonardo was a ultra perfectionist, taking years to finish some paintings. Who today can have such time and patience?
      Well, correct me if I'm wrong, but Leonardo had up to 30 layers if glazzing in some sections of his paintings, and some layers was so thin as 1,2 or 2 microns. Even today most oil paints use pigments of average size of 15 microns. Modern technology can create pigments of 1 micron if desired, but today's science can't figure how ancient technics of Flemish School in Leonardo's time could had create so fine grain pigments to allow glazing layers as thin as 1,2 microns.
      Anyway, decades ago scientists didn't knew how the pyramids was built, but today they get a very close idea about.
      It's probably a matter of time to find out ancient secrets. Perhaps was a way to separate fhe smaller grains from the large ones after grinding. All grinding produces larger and very smaller grain pieces, like when you broke a glass. The problem is about get only very tiny ones. Maybe some sort of agitation could let smaller grains bellow and larger ones above. But in microscopic level I don't know if it works.

    • @MijoShrek
      @MijoShrek 3 місяці тому

      The layering in glazes were so thin that they added up to less than a width of a single hair. Their are no sharp edges on a davinci portait.

  • @jimqartworks
    @jimqartworks 2 роки тому +4

    awesome, thanks, it's just the used of hands with lead white will be dangerous

  • @GnaReffotsirk
    @GnaReffotsirk 2 роки тому +2

    Puntasecca and black brown pigment, does this mean he used his pen with black brown pigment to draw his under drawing?

    • @ARTEnet1
      @ARTEnet1  2 роки тому +3

      With puntasecca we mean a pointed tool with which a furrow is traced on the surface, the drawing was done with a brush with ink or watercolor

  • @aleksandarjovancic6947
    @aleksandarjovancic6947 Рік тому

    Beautiful 👋👋👋

  • @helmutdanninger1510
    @helmutdanninger1510 Рік тому +1

    thank you for this very interesting video! is there a book available where this technique is described? or does the artist of this video give workshops? Thank you!

    • @ARTEnet1
      @ARTEnet1  8 місяців тому +1

      I didn't see this question, sorry if I'm only answering now. In the description of the video there is a bibliography of scientific texts where Leonardo's technique is discussed. The author of the video does not give workshops

  • @richardhill6669
    @richardhill6669 3 місяці тому +1

    The best art show on the Internet!!! I have an unfinished Altar Painting that is unguilded gold for your to see, That is dated around 1626. Thank you for your help with my painting, Best regards, Richard hill.

  • @cenid2011
    @cenid2011 Рік тому

    This was very, very helpful. I am a little unsure that I understand what it means to say that indigo is not a pigment. Isn't anything -- vegetable, or mineral -- that contributes colour a pigment? Please clarify! Thanks.

    • @ARTEnet1
      @ARTEnet1  Рік тому +2

      Dyes and pigments are substances that give color to a material. The main difference between dyes and pigments lies in solubility, or the tendency to dissolve in a liquid.
      The pigments are made up of more or less fine, colored powders, insoluble in the dispersing vehicle (medium) with which they form a more or less dense mixture to be applied on a chosen surface. Pigments are generally inorganic compounds.
      Dyes are transparent substances of organic nature, of both vegetal and animal origin, generally soluble in the medium, capable of imparting color to non-coloured substances.
      In the classic palette there are no real organic pigments but rather organic colorants fixed on a semi-transparent inorganic support (powders) mostly made up of hydrated aluminum oxide. Examples of this are the various types of lacquers (madder, carmine, etc.) and the various colors derived from tar.

    • @cenid2011
      @cenid2011 Рік тому +1

      Many, many thanks. I could not find this basic distinction anywhere on the Net. I can become sometimes too preoccupied this way, and afraid to progress. GREAT VIDEO, GREAT CHANNEL!

  • @MPVania
    @MPVania 4 місяці тому

    Olá, poderia ativar a legenda para que eu possa usar os recursos de tradução?

    • @ARTEnet1
      @ARTEnet1  4 місяці тому

      ua-cam.com/video/B0zaE1cJQI0/v-deo.html

  • @katielvesoilpaint
    @katielvesoilpaint Рік тому

    I’m so impressed by the technique and would love to try, however is there anything that can replace lead white with boil linseed oil? Thank you!

    • @ARTEnet1
      @ARTEnet1  Рік тому +1

      Of course yes, the problem is the drying times which will tend to lengthen. Lead white is a good desiccant and also acts on the layers superimposed on it but it can be replaced with zinc white (it is also possible to adjust its opacity by adding a little titanium white). Raw linseed oil can be used instead of cooked oil but also in this case drying will be slower.

  • @kristianhelgesen4455
    @kristianhelgesen4455 Рік тому +1

    Wow this was great information 👍👍

  • @MKFG-t6i
    @MKFG-t6i 11 місяців тому

    I own a small oil painting, and I think it is his first work. It bears his signature and the date in reverse. He painted himself and his mother teaching him to walk in their farm house. Is it possible to express an opinion?

  • @maryanmuryn5174
    @maryanmuryn5174 Рік тому +1

    You need to get rid of this background noise. The content itself is gorgeous.

  • @createurimage
    @createurimage Рік тому

    Touching lead with bare fingers? Is this information true? Thank you.

    • @ARTEnet1
      @ARTEnet1  Рік тому

      Much appreciated since ancient times, especially by the ancient Greeks, the
      Biacca or cerussa, i.e. the lead-based white pigment, was usually used both for artistic and cosmetic productions.
      Queen Elizabeth I was an assiduous user, as were other noblewomen who covered skin rashes actually caused by this same substance and, sometimes, died without even knowing why.
      According to the testimony of Palma the Younger, reported by Marco Boschini, 1613-1681, Titian painted more with his fingers than with brushes in finishing."
      There are numerous fingertip imprints on the surface of the paintings of many authors of the past.

  • @almostacrone8046
    @almostacrone8046 Рік тому

    Would using your finger cause accumulation of heavy metals in the blood from the pigments in the oil paint

    • @ARTEnet1
      @ARTEnet1  Рік тому

      Thank you but it is only a demonstration of a procedure often adopted by the artists of the past.
      The very precious testimony of Palma il Giovane, reported by Marco Boschini, 1664, attests that in the finishes Titian "painted more with his fingers than with brushes".

    • @el8638
      @el8638 11 місяців тому +1

      If you use only lead white or lead based pigments, then in the long term, yes, there will most likely be an accumulation of heavy metals in your blood. According to one of my art professors, it is best to substitute these pigments with others or use gloves
      Hope this helps you out

  • @Tsknv
    @Tsknv Рік тому +1

    Did he used white paint in galsing? Dont think so )

    • @ARTEnet1
      @ARTEnet1  Рік тому +3

      That's right, he doesn't use white for glasing (velature in italiano) but for damping (smorzature).
      Thanks for the remark

    • @Tsknv
      @Tsknv Рік тому +2

      Thanks for unswering back. 👍

  • @Mikaelaverse
    @Mikaelaverse Рік тому +1

    Fun Fact: Leonardo da Vinci is one of the most famous artists in Italy (however, I am a Filipina).

  • @xiaomizoli-mx6fu
    @xiaomizoli-mx6fu Рік тому +1

    Is this technique called after Leonardo or is it Leonardo's technique?

    • @ARTEnet1
      @ARTEnet1  Рік тому +2

      Leonardo's technique is the result of information obtained from historical sources, from technical-scientific examinations of the author's works and is the topic of the video.
      It also includes techniques named after Leonardo such as "sfumato" and aerial perspective.

  • @HNLinh
    @HNLinh Рік тому

    Please send me the link of Manfredi's Faldi book.

    • @ARTEnet1
      @ARTEnet1  Рік тому

      artenet.it/tecniche-fotografiche-documentazione-opere-darte/
      this is the link but the text is not available.

    • @HNLinh
      @HNLinh Рік тому +2

      @@ARTEnet1 Thank you Sir.

  • @joeswampdawghenry
    @joeswampdawghenry Рік тому

    He musta had the patience of a saint!!!!!😂😂😁😁😁🎈🎈🎈🎈🎈🎈🎈🌠🌊🌊🌀🐳🐳🐬🐬🐬🐬🐉🐉🐉💜

  • @juancamilomeneses5699
    @juancamilomeneses5699 9 місяців тому +1

    Súper

  • @joeswampdawghenry
    @joeswampdawghenry Рік тому

    Grazi senorena!

  • @kevinwoodward6411
    @kevinwoodward6411 8 місяців тому

    Good stuff

  • @mithatkorler7070
    @mithatkorler7070 2 роки тому +2

    👍👍👍

  • @jonbasa
    @jonbasa Місяць тому

    1:28

  • @jesusofsuburbia8987
    @jesusofsuburbia8987 2 роки тому +3

    Español please

    • @ARTEnet1
      @ARTEnet1  2 роки тому +2

      La versión en español está en preparación, sin embargo, los subtítulos están disponibles.

  • @harakatabdelmjid9449
    @harakatabdelmjid9449 5 місяців тому

    LEONARDO'S GRANDE ECOLE

  • @liliyasoloshenko
    @liliyasoloshenko 2 роки тому

    Я в захваті. Дякую!

  • @byronbuchanan3066
    @byronbuchanan3066 Рік тому +14

    Da Vinci spread the lead primer with his fingers?! yikes.

  • @liviairene572
    @liviairene572 Рік тому

    *Promosm* 🍀

  • @nadiyakucherenko3817
    @nadiyakucherenko3817 Рік тому

    А использовал ли он что то между точайшими слоями? Тут пишуи писать пальцами вредно а сколько прожил Леонардо 😂 в целом спасибо

    • @ARTEnet1
      @ARTEnet1  Рік тому

      Mi spiace ma proprio non riesco a capire la domanda.
      Извините, но я действительно не могу понять вопрос.

  • @JustANamedCat
    @JustANamedCat 3 місяці тому

    Lol i suppose every master just uses their fingertips to blend

    • @ARTEnet1
      @ARTEnet1  3 місяці тому +3

      @@JustANamedCat The invaluable testimony of Palma the Younger, reported by Marco Boschini (1602-1681), allows us to fully understand the artist's work,
      ...Ed il Palma mi attesta per verità che nei finimenti dipingeva più con le dita che con i pennelli”.
      ...And Palma attests to me in truth that in the harnesses he painted more with his fingers than with brushes”.
      Lol

  • @Braun09tv
    @Braun09tv Рік тому

    The underdrawing was a drawing with thin drawing lines.

    • @Braun09tv
      @Braun09tv Рік тому +3

      And not to forget the usage of a cloth. Not all is done with finger, especially the later glazing like Mona Lisa. Very thin layers you can distribute with a cloth.