La mirabile fibrillazione dei passi sulle punte in veloce eundo della ballerina anche attuati ad incrociamento di difficoltà massima ed eseguiti con una invidiabile non chalance esecutiva d'acchito e il tourbillon vorticoso di giravolte su di un solo appoggio di punta da parte della ballerina rende la performance di assoluta eccellenza.Grande impressione di facilita esecutiva d'acchito e di levità fatta tensione motile sorprendente in questa ballerina che riconduce i passi all'euritmia melodica come se avesse immiato il tema musicale. Superlativa.Bighin Giulio Renzo. 😊😊😊😊😊😊😊😊
Cutting this back really works for modern tastes, (though I missed the sword fight a bit). I super liked that Raymonda was sort of attracted to Abderam.. I liked that the White Lady was included, but she needs an introduction in the very beginning scene.. maybe as an honored statue, to make sense. I love the Russian version, but it seems so consumed with Raymonda's technique in multiple solos that it can make her feel cold. I like it when she is warmer. I also like a slightly more aggressive, out of control, Abderam. I want to feel that Raymonda is sort of tempted between wild sex, and maybe duty/propriety/nobility. I also think there has to be a bit of something that explains such a very Hungarian finale, probably in the excised fight scene.or maybe in the very beginning.
There was always a “decorative” aspect of Raymonda that prevented me from being completely won over by it. Those seven fussy, needlessly treacherous Raymonda solos would leave me particularly unmoved. I’m speaking of the Russian version.
@@avesraggiana Как раз в оригинальных "русских" версиях( прежде всего, конечно, в "доме Петипа", в Мариинском театре, конечно же, с Ириной Колпаковой) смысла и балетного мастерства более всего. Это надо уметь понять.
Anche attorialita ' commediale e mensurata enfatizzazione in questo balletto che contempla una regia ideativa del coordinamento del collettivo danzante che esprime in toto l'esprit de joie della danza e la sua armonia. Ottimi i passi sulle punte in veloce eundo della ballerina e l'impressione di facilità esecutiva d'acchito sorprendente per tutti gli agenti in proscenio.Ottima e ricercata l'ambientazione. Eccellente la levità fatta tensione motile sorprendente nella ballerina e l'impadronimento dello spazio proscenico balzato del ballerino.Ottimo il senso del continuum dato alla pièce danzante. Superlativi tutti gli agenti in proscenio.Bighin Giulio Renzo 😊😊😊😊😊😊😊😊
This is the first entire ballet by the Royal Danish company that I have watched and what an excellent choice! Thankyou for sharing it! PS were they acknowledging someone special on our left at the end?
I loved How the 2nd act was changed. Nevertheless, the cuts and changes in the coreography made it less nice than my favourite version from the Bolshoi Theater...
This is a very beautiful and elegant performance not realy the hungarian Raymonda set in th crusader time. The moorish spanish prince has to bee a mongolish kind, rich and powerfull Khan. It was dangerous saying no to a Khan in this times That is the interesting point in the story! Also different from Petipa or Nureevs Raymonda. I love to see the danish dancers and th e elegance und beauty of Bournonville style, but this last pdd is oi jeh! The music is hungarian, the piano imitates a zymbal, t he choreo is hungarian folkdance inspired and has to be now in elegant france 17 century. Why? The famous "White Lady" belongs into the middle age. Well she is there. Thats new nowhere else. I`m not realy happy with this.Raymonda
За что ж так порезали Глазунова и Петипа в придачу?! Целые номера из партитуры либо выброшены, либо безжалостно искромсаны. В Grand Pas последнего акта танцовщиков в 2 раза меньше, чем положено-это совершенно жалкое зрелище! Не стоило над этим опусом балетмейстеру гордо указывать "after Petipa". Про "машину времени" из XII века в XVIII лучше не распространяться.
I’m sorry. I was expecting SO much more from the Royal Danish, but what we’ve got here looks like a very well funded regional company. Corps is sloppy, under-rehearsed. Right now, the new Dutch production is simply glorious.
Do you mean their current production of Raymonda is better? I’m planning to visit Copenhagen in the spring and wanted to see it, but if it’s similar to what’s shown in this video, I might skip it. This is the worst Raymonda performance I’ve seen, both live and online.
La mirabile fibrillazione dei passi sulle punte in veloce eundo della ballerina anche attuati ad incrociamento di difficoltà massima ed eseguiti con una invidiabile non chalance esecutiva d'acchito e il tourbillon vorticoso di giravolte su di un solo appoggio di punta da parte della ballerina rende la performance di assoluta eccellenza.Grande impressione di facilita esecutiva d'acchito e di levità fatta tensione motile sorprendente in questa ballerina che riconduce i passi all'euritmia melodica come se avesse immiato il tema musicale. Superlativa.Bighin Giulio Renzo. 😊😊😊😊😊😊😊😊
Cutting this back really works for modern tastes, (though I missed the sword fight a bit). I super liked that Raymonda was sort of attracted to Abderam.. I liked that the White Lady was included, but she needs an introduction in the very beginning scene.. maybe as an honored statue, to make sense. I love the Russian version, but it seems so consumed with Raymonda's technique in multiple solos that it can make her feel cold. I like it when she is warmer. I also like a slightly more aggressive, out of control, Abderam. I want to feel that Raymonda is sort of tempted between wild sex, and maybe duty/propriety/nobility. I also think there has to be a bit of something that explains such a very Hungarian finale, probably in the excised fight scene.or maybe in the very beginning.
There was always a “decorative” aspect of Raymonda that prevented me from being completely won over by it. Those seven fussy, needlessly treacherous Raymonda solos would leave me particularly unmoved. I’m speaking of the Russian version.
@@avesraggiana
Как раз в оригинальных "русских" версиях( прежде всего, конечно, в "доме Петипа", в Мариинском театре, конечно же, с Ириной Колпаковой) смысла и балетного мастерства более всего.
Это надо уметь понять.
GRANDE IL ROYAL DANISH BALLET. BRAVI!
Beautiful.
Trop beau j'adore❤❤❤❤❤❤❤❤❤❤❤
Anche attorialita ' commediale e mensurata enfatizzazione in questo balletto che contempla una regia ideativa del coordinamento del collettivo danzante che esprime in toto l'esprit de joie della danza e la sua armonia. Ottimi i passi sulle punte in veloce eundo della ballerina e l'impressione di facilità esecutiva d'acchito sorprendente per tutti gli agenti in proscenio.Ottima e ricercata l'ambientazione. Eccellente la levità fatta tensione motile sorprendente nella ballerina e l'impadronimento dello spazio proscenico balzato del ballerino.Ottimo il senso del continuum dato alla pièce danzante. Superlativi tutti gli agenti in proscenio.Bighin Giulio Renzo 😊😊😊😊😊😊😊😊
Thank you!
0:20:26 La Romaneska
This is the first entire ballet by the Royal Danish company that I have watched and what an excellent choice! Thankyou for sharing it! PS were they acknowledging someone special on our left at the end?
possible the danish queen as she sits in the royal box on their right.
❤❤❤❤wonderful performance and thanks a lot for sharing with me this ❤ 💖 💕 ♥ 💗 💜 ❤ 💖 💕
Which ballett piece is this? Beautiful music and dance.. Thanks for sharing
Raymonda.
@@KittensAreEvil Composer Alexander Glazunov
#오전4시부터오전5시까지발레클래식레슨입금체크감사합니다^^♡
1:00:02 a bailarina bate o pé no senário
kkkkkkk
❤❤❤❤
I love Nureyev raymonda production😍
This is not Nureyev.It is Nikolaj Hübbe after Petipa.
@@hk6970 most variations are Nureyev’s
@@catullo1983 Ok sorry. I thought Hübbe rechoreographed every variaton to be suitable to Danish style.I expected too much I guess.
@@catullo1983 No,most variations are M.Petipa`s!
@@galinaextesy2654 of course! But they’re the same variations modified by Nureyev
I loved How the 2nd act was changed. Nevertheless, the cuts and changes in the coreography made it less nice than my favourite version from the Bolshoi Theater...
Raymond Royal Dansh Ballet
#천주교원주교구천곡동성당클발요체크카드결제감사합니다체크카드결제영수증감사합니다^^♡
#오전클발요스타뱅킹자연외과시술태아분만제왕절개자연이란말뜻에서양태입금감사합니다체크카드결제입금감사합니다출산199999일째감사합니다^^
Il cast per favore ?
what year is this recorded?
Around 2017/2018 🙂
1:42:33
#사랑해요우영오빠랑아들딸낳고결혼해사니깐좋네요감사해요^^♡
53:56
#인스타그램계정명2015년도꺼요체크결제입금감사합니다김도우마리아공인성명결제체크영수증감사합니다♡
#동해
#우영오빠랑결혼사진찍고요예쁘게사니좋네요^^사랑해요원래예쁘게살지만결혼해서도예쁘게살아서좋다라는말뜻이예요^^안예뻐서좋게사니깐좋다라는말뜻은아니고요사랑해요♡
This is a very beautiful and elegant performance not realy the hungarian Raymonda set in th crusader time. The moorish spanish prince has to bee a mongolish kind, rich and powerfull Khan. It was dangerous saying no to a Khan in this times That is the interesting point in the story! Also different from Petipa or Nureevs Raymonda. I love to see the danish dancers and th e elegance und beauty of Bournonville style, but this last pdd is oi jeh! The music is hungarian, the piano imitates a zymbal, t he choreo is hungarian folkdance inspired and has to be now in elegant france 17 century. Why? The famous "White Lady" belongs into the middle age. Well she is there. Thats new nowhere else. I`m not realy happy with this.Raymonda
#미국산자연산중에있는딸기우유랑요미국산자연산중에있는해산물자연볶음밥요조식덤체크결제입금감사합니다♡
Что за крестьянские костюмы с чепчиками( прислуга? 😮)
в сюжете, хоть и сказочном, из жизни столбового дворянства? У Петипа такого в помине не было.
За что ж так порезали Глазунова и Петипа в придачу?! Целые номера из партитуры либо выброшены, либо безжалостно искромсаны. В Grand Pas последнего акта танцовщиков в 2 раза меньше, чем положено-это совершенно жалкое зрелище! Не стоило над этим опусом балетмейстеру гордо указывать "after Petipa". Про "машину времени" из XII века в XVIII лучше не распространяться.
Nah, at least this one isn't as racist as the other one
@@theoriginalfreremarto9432 which other one is racist and how?
#스타뱅킹,신한쏠,올원뱅크,상상뱅크체크결제입금감사합니다.체크영수증감사해요♡
Lo sto guardando con la mia ragazza, molto bravi ma il balletto è noioso rispetto ad altri.
#오전클피반자요^^❤
#대학원병원명강릉아산병원체크카드결제감사합니다^^
#대학원병원명강릉아산병원부서명외과입금체크카드결제감사합니다
#이화여자대학교태아보기수업체크결제감사합니다^^
#옷값1벌당돈7천500만원수표38000원입금감사합니다♡
#미국산덤오렌지쥬스감사요
#양태자연제왕절개시술분만잘올라감에감사합니다^^체크카드결제스타뱅킹입금감사합니다^^신한쏠체크카드결제입금감사합니다^^올원뱅크체크카드결제입금감사합니다상상뱅크체크카드결제입금감사합니다
#국시용국가고시간호사자격증시험합격감사합니다^^국시용국가고시용증명사진파스텔스튜디오감사해요제증명사진예쁘게잘나왔네요
잘찍어주시고요고급시각장애인답게시력거로예쁘게뽑아주셔서감사합니다자격증만드는데에사진찍은거로잘썼어요감사합니다체크카드스타뱅킹결제감사합니다^^시집주공체크결제감사해요조식덤감사해요잘먹을게요잘마실게요
I’m sorry. I was expecting SO much more from the Royal Danish, but what we’ve got here looks like a very well funded regional company. Corps is sloppy, under-rehearsed. Right now, the new Dutch production is simply glorious.
Do you mean their current production of Raymonda is better? I’m planning to visit Copenhagen in the spring and wanted to see it, but if it’s similar to what’s shown in this video, I might skip it. This is the worst Raymonda performance I’ve seen, both live and online.
오전2교시요
오후소변1