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it gives me thrills😍
Best track EVER from Season 2. Only improved when you did "Lazarus" in Season 3 based on this track but even BETTER.
It was super interesting to be able to develop these themes over all the Seasons. Thanks for listening. M
This is so great! I’m getting chills every time I’m listening to it. Wonderful piece!
You are a bloody master man. Been binging the series. Just finished scandal in Belgravia. Fantastic stuff
Ta, Joe. M
So good 👏🏻👏🏻
Cheers! M
Is the Jim Moriarty's Theme??
Grandiose !
Love this! Time for a Sherlock re-watch methinks!
Such a great Piece, Thank You for sharing!
Can't believe that was ten years ago when I first attempted to cover this piece on a piano, time flies!
Time flies, doesn't it! M
Is there a way of creating the atonal string parts at 1:53 as part of the mockup or is it something you can only do live?
Hi Nick - there are a bunch of sample libraries with string FX patches, like CAGE and some of the Spitfire ones. Then, if you’re recording live, you can use some graphic notation, or instructions for the players, and make some strange noises!
it gives me thrills😍
Best track EVER from Season 2. Only improved when you did "Lazarus" in Season 3 based on this track but even BETTER.
It was super interesting to be able to develop these themes over all the Seasons. Thanks for listening. M
This is so great! I’m getting chills every time I’m listening to it. Wonderful piece!
You are a bloody master man. Been binging the series. Just finished scandal in Belgravia. Fantastic stuff
Ta, Joe. M
So good 👏🏻👏🏻
Cheers! M
Is the Jim Moriarty's Theme??
Grandiose !
Love this! Time for a Sherlock re-watch methinks!
Such a great Piece, Thank You for sharing!
Cheers! M
Can't believe that was ten years ago when I first attempted to cover this piece on a piano, time flies!
Time flies, doesn't it! M
Is there a way of creating the atonal string parts at 1:53 as part of the mockup or is it something you can only do live?
Hi Nick - there are a bunch of sample libraries with string FX patches, like CAGE and some of the Spitfire ones. Then, if you’re recording live, you can use some graphic notation, or instructions for the players, and make some strange noises!