Raga Bihag | Vidushi Manik Bhide | Bajeri Mori Payal Jhanana and Lat Ulajhe Suljha Ja Balam

Raga Bihag - Manik Bhide - The music in this video is the original recording from the album 'The Sanctity Of Parampara' by Vidushi Manik Bhide, released by Rhythm House in 1987.
00:00 - Bajeri Mori Payal Jhanana
24:18 - Lat Ulajhe Suljha Ja Balam
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Raga: Raga Bihag
Taal: Teen Taal(Vilambit) - Bajeri Mori Payal Jhanana
Teen Taal - Lat Ulajhe Suljha Ja Balam
Vocalist: Vidushi Manik Bhide
Style: Jaipur-Atrauli Gharana
Tanpura: Vandana Shirodkar
Tabla: Omkar Gulvadi
Harmonium: Baban Manjrekar
______________________________________________________
📝Lyrics:
Bajeri Mori Payal Jhanana:
बाजे री मोरी पायल झनन
कैसे घर आऊ तोरे पास ||
सास मोरी दुतिन ननन्द मोरी बैरन
कहे न आवत तोहे लाज ||
*******************************
Lat Ulajhi Suljha Ja Balam:
लट उलझी सुलझा जा बालम
हाथो मे मेहंदी लगी है मोरे ॥
माथे की बिंदीया बिखर गयी मोरी
अपने हाथ लगा जा बालम ||
______________________________________________________
About Artists:
Vidushi Smt. Manik Bhide:
Smt. Manik Bhide was born in Kolhapur, in 1935, into a family of discerning listeners and music lovers. Her father S. R. Potnis initiated her into learning music after recognizing her liking towards the art. Maniktai’s musical training began at the age of 15, under the guidance of Madhukarrao (Nana) Sadolikar, a disciple of his elder brother Wamanrao Sadolikar, and Bhurji Khan (the youngest son of Alladiya Khan). Thus she received a strong foundation in the Jaipur-Atrauli gharana. She then learnt from Manik Varma, the veteran Kirana and Agra gharana vocalist, in Pune for a few months.Maniktai also learned from Kishori Amonkar for a period of nearly 16 years (1963-1980) in which she deeply studied Kishoritai’s gayaki and grasped the crux of raag-sangeet.Endowed with a rich and mellifluous voice, Maniktai’s style shows fluidity and strong adherence to raagdaari, whilst maintaining a rich sense of aesthetics and a highly emotive quality. The influence of Kishoritai can be clearly detected in the lilting feel that her gayaki creates.

[@Swaralankar]

Lyrics for both compositions are in description.
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[@geetikavardequreshi1536]

Aaha...!!!!🙏

[@geetikavardequreshi1536]

Thank you so much for uploading this 🙏

[@ravindrajoshi3399]

Tribute

[@manjirideshpande2809]

Thank you swaralankar for posting these gems 🙏🙏

[@Swaralankar]

Thank you for appreciation Manjiri Ji🙏. It's all our pleasure😊

[@babasahebpawar4223]

अप्रतिम.गायन

[@classicalmusicwithsanjeevk199]

Bhut khub🌹

[@VrushaliDeshmukhMusic]

Sublime 🙏😊

[@Swaralankar]

🙏Thank you for commenting Vrushali Tai. Your presence made our day🥰

[@_parthsharma_]

Love how Manik Tai and Ashwini Tai both have recorded this marvel❤ Like mother, like daughter

[@arundhatinawarange]

निःशब्द निव्वळ अप्रतिम...

[@deepavalimatkar9516]

गान सरस्वती किशोरीताईंच्या पट्टशिष्या माणिकताईच्या अशा अनेक मैफली यू ट्यूबवर उपलब्ध झाल्या तर ताईंची नक्कल न करता स्वत:च्या आत्मचिंतनातून ताईंचे गायन जतन करणा-या आपल्या अनेक शिष्यांना तयार करणा-या माणिकताईंचे योगदान महत्वपूर्ण आहे.

[@abhimanyukhullar3214]

As usual Manik Bhide is superb

[@heartchakra2]

Brilliant as always. Manik tai

[@viv4638]

Thank you so much for these beautiful renderations . I’ve been trying for years to hear but, for some reason couldn’t access on ITC. Thank you again.

[@Swaralankar]

You're welcome 😊

[@anandnamjoshi5938]

Treat to ears .

[@hemantghayal7709]

Stamp of authority.

[@novadrax8951]

♥️

[@ramprakash3521]

Only quality people here ✨✨✨💞

[@classicalmusicwithsanjeevk199]

🙏🌹🙏🌹