András Schiff Brahms Intermezzo in A major op.118 no.2 (Encore)
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- Опубліковано 19 бер 2022
- (Encore) Brahms Intermezzo in A major op.118 no.2
Johannes Brahms, Klavierstücke, Op.118 - 2
6 Pieces for Piano
András Schiff
Tsinandali Festival, 2019
Notes:
I know what you're thinking.. too fast
But is it too fast..
or you’re just used to hearing others playing it super slow?
Give it a couple more times. It’s sublime.
I like how the music just flows into the heart, effortlessly
My usual go-to rendition for this piece is Radu Lupu's slower version, which I always find nostalgic and pensive, but as I am listening to this by Sir Schiff, actually I realize I don't mind the faster tempo. The way that he brings out the main melody, together with his efficient use of the sustain pedal, goes well with the speed he sets, which adds crystal-clear purity and graceful fluidity to this romantic intermezzo. Chapeau!
This piece gets me every time.
One of the greatest masterpiece played by one of the greatest interpreter! The audience barely even moved, everyone there was deeply touched. Seems makes the applause unnecessary if one wants to stay in heaven forever
What a lyrical interpretation of this piece! His tempo gives it a different character as so many others play this one quite a bit slower.
I personally prefer this piece slightly slower than his performance, but I find no fault with his interpretation and certainly not his musicality. I was moved as deeply from this performance as I have, which is my 'gold standard' for artistic greatness. As to your question about his tempo, everyone who is as skilled , talented and educated as Sir Andras Schiff is, has license to interpret music how they see fit, which is always based on study and understanding of the music they have chosen to share with us. I have heard him say that he is open to discussion about musical differences and opinions other than his, but they need to have supportive evidence and not just phrased as "I like the way it feels". Even though I might disagree with his tempo, he more than makes up for that minor difference with his purposeful use of rubato and phrasing. When this beautiful piece is performed as he does in this video, I cry every time I hear it. He understands, interprets and tells Brahm's musical story for us to hear, and I am grateful for having seen this video. Thank you for posting this!
1:29 I agree...e.g. the left hand plays a beautiful phrase, rising to a lovely climax, but it is totally lost in his interpretation. Gould, on the other hand, really brings it to the fore. Check it out.
Absolutely beautiful, it’s not too fast at all. The maestro knows best.
No way this is "andante teneramente" as the score indicates
Tears lingering in my eyes since the first note drops.
Just perfect! And you’re right: Sublime. Thank you.
An absolutely beautiful piece of music.
Actually I have noticed that Mr. Schiff always likes to mention in his masterclasses/lectures that people nowadays usually play andante too slowly (e.g. in Beethoven sonata 30, the last movement), not in a walking speed. In this video ua-cam.com/video/oiVRwRGc_L8/v-deo.html (27:17) Arthur Rubinstein also wanted the student to play this piece in a quicker tempo. It is not suffering, he said.
Beautiful...
It's andante, not adagio or largo or lento. It's definitely not too fast!
That doesnt mean anything. Ultimately it's how you feel/think an andante tempo should be in a particular piece. To me, it's a bit too fast.
@@pabloalfonsoechaurren6406 composer writes Andante for a reason, interpreter needs a strong reason to overrule, that would be fine. Just don't feel it that way is not a strong reason for players. As for listener, nobody should really care. Lot of them are just stuck in their first favorite version and compare everything else with it without even read the score. Your comment made me highly believed you are of of those people
@@user-ev2ho9qu3h i believe youre highly confused. 1st of all, listeners should not care? If there is a reason the composer writes everything they write is for listeners my friend. Secondly and most important, you missed the whole point of my comment. Can you tell me what exact metronome is "andante"?
@Pablo Alfonso Echaurren 1st I make my decision of how to play a good piece by study the score, don't care about listeners. 2nd, Brahms write lots thing for his friends which all of them are highly musical educated, and he certainly writes also for himself, like a journal. Lots of composers do. If they write things for hobby music lovers there is not many information written, because they all know lot of people wouldn't comprehend. This piece is certainly a piece for himself. 3rd, Andante for you means doesn't matter, as in your first comment. That made me little pissed, so please don't my friend me and I'm not confused.. For me and lot others Andante means walking pace, not a single metronome number but has a rang depending on people and moods. Because lot of brahms's works sound beautiful slower or faster, and Andante is often played on a slow side.. I actually compared all his Andante music, and read lots of the story's behind them. That's our differences
@@user-ev2ho9qu3h every piece is Made to be listened at, and listeners listen. Also, you didnt understand at all. I didnt say andante doesnt matter, i said that it's relative. You can't give me a metronome number so that proves my point. Walking piece can be walking faster or slower. Everything you say proves my point.
Brilliant! Intricate!
Truly a spectacular performance, just a bit too fast for my preference. I’m currently learning this one, and it’s a heavily expressive piece, which Mr Schiff clearly demonstrates here.
The whole piece is really beautiful (and I love his interpretation).The section starting at 2:47 never ceases to affect me.
if you all please listen to Dominic Cheli play the same piece at a different speed, not forgetting sometimes comparison is the source of unhappiness. No judgement her.
👏
did he have a plane to catch? "andante TENERAMENTE" (tenderly..)
Tempo is not just about how fast or slow the piece should be played, more often it’s about the feelings and spiritual sides of the piece. For me, this feels too rush for Andante. Nonetheless, the melodic lines are very pretty and chords’ voicing is really good.
😢
These are subjective impressions, so I'm not arguing with anyone here who likes the tempo Schiff has chosen. But to me, it says "let's get this over with."
It doesn't feel that way to me at all. On the contrary the rhythm feels natural and radiates a hopeful tone. It can be a case of familiarity for us. I heard Schiff's playing with this preferred tempo first before I've heard Lupu, Kovacevich and many others. As a consequence, some of these seem to me to be excruciatingly too slow as if 'milking it' but I know it's not so.
I agree you, Allan!!
Schiff will play an entire program the day before the performance just to check if he is happy with the acoustics of an auditorium. There is no ''let's get this over'' with a man of this calibre.
Three comments: 1. I LOVE the tempo, finally someone who understands this piece has been DRUG to DEATH! It's about love and passion, NOT sorrow! 2. The inner voices in the repeat of the 2nd part is spectacular because so few pay attention! 3. However the last section continuing to the end is disappointing because it could have so much more to say than a drudgery march off to war! I've never been a great fan of Shiff, but he comes close on this one.
The ending is very difficult to get the right mood
역시, 거장
This piece needs to MOVE, most pianists meander and lose the sense of forward momentum that Brahms intended. Schiff does it brilliantly!
Послушайте Погорелича!
Lars vogt is the best pianist
Why is he rushing?
Becos it is an encore piece
The bus is coming...
브람스 118-2 는 누가 뭐래도 Radu LUPU
ua-cam.com/video/1h4Re5WBEAc/v-deo.html
이걸 들어야 …. 내감성이 움직입니다
Schiff 는 아니네요
まじでシフのどこがいいのか全くわからん
His Bach maybe?
His piano sounds too metallic
He's playing Brahms like Mozart or Bach 😒
Brahms needs heart and passion: sorry for Schiff, but there are better performances
Pizzaland non è interessante.
not a good performance on this piece. the phrasing and rubato was really lacking.
But we win the melodic lines, I find it interesting 🤗