Cante Alentejano | Celina da Piedade, Paulo Ribeiro, Bernardo Espinho | quinta-feira da ascensão

Celina da Piedade, Paulo Ribeiro, Bernardo Espinho |
Live at Casa da Música, Porto, 2015 |
Cante Alentejano |
"Quinta-feira da Ascensão" |
Cante Alentejano,
polyphonic singing from Alentejo, southern Portugal.
2014 - Representative List of the Intangible Cultural Heritage of Humanity, UNESCO
Cante Alentejano is a genre of traditional two-part singing performed by amateur choral groups in the region of Alentejo in southern Portugal and among its migrants in the Lisbon Metropolitan Area, characterized by distinctive melodies, lyrics and vocal styles, and performed without instrumental accompaniment.
Cante groups consist of up to thirty singers divided into three musical roles.
The "ponto" starts the singing, followed by the "alto", who duplicates the melody a third or a tenth above, often adding ornaments.
The entire choral group then takes over, singing the remaining stanzas in parallel thirds.
The alto is the guiding voice heard above the group throughout the song.
A vast repertoire of traditional poetry is set to existing or newly created melodies.
Lyrics explore both traditional themes such as rural life, nature, love, motherhood and religion, and contemporary issues in the cultural and social context.
Cante is a fundamental aspect of social life among Alentejo communities, permeating social gatherings in both public and private spaces.
Transmission occurs principally at choral group rehearsals between older and younger members.
For its practitioners and aficionados, Cante embodies a strong sense of identity and belonging.
It also reinforces dialogue between different generations, genders and individuals from different backgrounds, thereby contributing to social cohesion.
unescoportugal...
Note
Music, images, lyrics and poems belong to their rightful owners.
No copyright infringement intended.

[@bentocaeiro9906]

Vozes lindas.Meu alentejo do coraracao