Thanks for all your hard work Jerry. To those that care for the history side, the guitar is a 1963 Gibson J-45 purchased in 1963 from the Harrison Music Store in Salem, MO by my dad and the original warranty card, not filled out, is still in the original Gibson case. Thanks again Jerry and we will see you tomorrow to pick it up.
Its a beautiful guitar. I learned something new. Never knew Gibson had ever used those bridges. It was kind of shocking. Glad someone came in and put an end to them being used. Lol
I feel your pain, saso792. My 1964 Gibson had a plastic bridge that pulled up after about 10 years, and the new walnut bridge fabricated by a local luthier is still holding strong. Nice video, Jerry.👍
Man you have a nice ax there. Jerry really did a number on it, the action is crazy low and no buzz. I find that many Gibsons just don't sound that great until a luthier like Jerry gets a hold of it. I find it night and day different, congratulations!
I've seen these several times now and I'm convinced the plastic bridge really doesn't act like a bridge much at all in this design and it basically just holds the ceramic saddle in place.
I agree with that, Jerry has taught me quite a few things through the years. I was afraid to fool with them back then, now I'll set up your 10k guitar, no problem.
Hello Jerry from Bonnie Scotland 🏴 This is my second year of being rejected from college stringed Instrument Making & Repair course, I've played Acoustic guitar on & off for 22 years, I am a scaffolder since 1999 mostly on ships & oil rigs so I have a decent amount of construction experience in high risk environment's, unfortunately I have been diagnosed with the dreaded Arthritis, Ankylosing Spondylitis/Sacroillitis basically in my spine & pelvis so injuries & pain are becoming regular & lack of decent sleep is sending me crazy, magnifying every little thing that usually wouldn't irritate me! Since the pandemic I've bought an Acoustic guitar every month to restore from good will and charity shops even charity auctions I'm happy to say I have 30 guitars in total with 19 fully restored to the best of my ability & understanding, thanks to your videos I've basically got the basics down for setting up properly, upgrading plastic parts to bone & adjusting action & intonation, I've decided to go it alone to become a Luthier, I have the first 200 maybe 250 things mastered so just 750 things to go before I can do a 1000 things & make it look easy like you, I know there's no substitute for experience & trying these methods myself, all in all a long story to basically say thank you for taking the time to video & share your experience & knowledge with me doing this & watching & learning gave me hope & purpose during this chaos with the hope to become a Luthier & make my own Guitar using everything I've Learned & will Learn, thanks for all your hard work & effort to film what you do as I know it takes up so much of your time but you've helped this old dog realise some new tricks & the spark came back to connect me with music again only now I'm a lot more Connected & Confident because I know my instruments are ringing & sustaining better than I've ever heard so I can actually play & sound like it's supposed too 👍 ☝️ ♥️ 🌍 🏴 🍀 🌈 🕊️ ♾️ 🙏 💪 🌞 😎
The course I did in Edinburgh, 36 years ago, no longer exists: SCOTVEC HNC Orchestral Strings, and Brass Musical Instrument Technology. There is another course in Glasgow; I've done a repair for a graduate, who couldn't! Say no more
After watching this segment, I am just totally floored that the engineers at Gibson would even think of such idiocy! ! However, with your technical know-how and, talents, I could clearly hear the difference. Thank you for the tutorials ! You have taught me a lot. For I vert Grateful !
The sound difference is incredible. Honestly, that’s one of the biggest changes I’ve ever heard. I didn’t think that it would make that big of a difference. I knew it would make a difference, but that’s drastic. Great work!
The "after" tone was warmer than the "before"... nice job, I would feel comfortable playing fingerstyle with the new tone. Thanks for showing us your common sense technique and eliminating some of the complexed barriers that one doesn't need to do most repairs. I've made many attempts to set up and repair my own instruments, mostly with success minus the learning curve, but you have confirmed things that I thought were reasonable and set me straight on a few things too, Thank you
Hi Jerry, you have done a great job and you looks like my Father in his Workshop. You make great Videos, thank you, Greatings, Tom from Germany, Cologne
For the hands and the stiffness in them, I take two turmeric curcumin with ginger powder 500 MG per serving. This should help quite a bit. Love the video man you do great work.
Congrats on your retirement. "The hands have had it!" You have the knowledge, you have the tools, and certainly the passion. As a novice that does his own set-ups on my acoustics, I appreciate these videos very much.
I was actually surprised by how it sounded noticeably more resonant after. I wasn't actually expecting that much difference. Great job making a good guitar as nice as it could be.
I have a 1965 Gibson B25 with this exact issue in the same finish. Even with the plastic bridge and slight belly as this one, it sounds so great. I put silk and steel gypsy jazz strings on to lighten the tension for the time being. I'll get it to Joe Glaser for repair at some point. I'm sure you do not accept mail in repairs. Congrats on winning the lottery by the way.
Intonation: I have the Panotuner on my cellphone, which displays the number of Hz in numbers. I play the twelfth harmonic and compare the number in Herz with the pressed string. Much easier to compare instead of the floating pointer. I stole your idea of an extension to determine the intonation for classical guitar. Because there is no strap button, I made a kind of box, lined with cork, that you can slide over the bottom of the guitar and to which two strings can be attached. You can then tighten this over a floating bridge and thus determine the intonation. Works very well. Great work as always Jerry!
I bought a Gibson B25 back in 1965 as a kickaround, beachparty guitar (I didn’t want to bring my D-18 or 00-28 into that environment). The Gibson had the plastic bridge, which I replaced with a rosewood unit. I also replaced the thick plastc pick guard with a thinner Martin style to try to brighten up the sound. The biggest problem was the plywood back and sides which just killed the resonance. Plastic and plywood... Just the thing for a nice playing guitar... Not!
57:39 was thinking of Randy right when you mentioned the chrome polish. It really brightens the frets. Randy's channel is what brought me here. Always wondered if you and Randy ever collaborated on a project. That would make a nice video series.
No way, the lack of plastic is messing with its tonal possibilities :-P hahaha just kidding. Yeah this guitar new NEVER was as good as it is with what hes done here. :-) Talk about breathing life into a guitar, but this guitar barely was breathing with that terrible bridge. Hearing it with the work done here must of been like hearing a completely new guitar for the first time.
I had a 64 cherry sunburst j 45 and i loved it. It had the smallest neck ever. I hated the cherry sunburst finish. I gave it to a aspiring young student.
That ceramic saddle was a common "feature" on mid '60s Gibsons & Epiphones. One thing you didn't mention is that the screws on either end of the saddle allowed the user to set the height of the saddle for the desired action. I have a '65 Epiphone Texan (bought it new in '65) that came with that adjustable ceramic saddle however the bridge itself is rosewood. Many years ago I had all that hardware mass removed and the saddle replaced with bone. The luthiers at Gryphon Strings carved a rosewood insert for the wide slot and routed it for a modern skinny saddle.
That easily adjustable string height made it easy to experiment and taught me an interesting lesson about how saddle height can affect the sound of the instrument. With the action high, the guitar was noticably louder and I heard more separation between the strings when strumming a chord while strumming with low action resulted in a smoother sound, something akin to striking a chord on an organ. I think it had to do with changing the break angle of the string behind the saddle.
As usual Jerry you've improved another guitar with your expertise. Great work Jerry. By the looks of the comments from the customer, their very happy as well.
The sound opened up, it's more detailed. I think it's because the dead mass of the plastic bridge solution with all the metal parts and ceramic saddle was heavier than the rosewood bridge. Concerning the low frets, I first make sure that surrounding frets are well seated, in fact I check all frets by knocking them gently with a small screwdriver. Badly seated, loose frets will have a dull sound and usually they are high. All in all you made an exquisite job again! Thank you for posting.
Ha Ha! I knew right away what was wrong. I had a 1963 Gibson B 25 with the same set up. It was my first "real" guitar. I bought it used in 1968 and I loved it. Years later it needed work so I took it to a good luthier I knew. he replaced the bridge & saddle with rosewood and bone and also replaced the plastic nut with a bone one. the difference was phenomenal! That "student" guitar turned pro!
I had a Gibson LG-O model with a ceramic saddle in the late 1960s. I wonder if it had a plastic bridge ... (probably... but I sold it so long ago, I cannot quite recall for sure.) It had heavy medium gauge strings and hurt like heck to play for a long time. Great video and a proper fix to be sure - it clearly sounds better, less harsh and more natural as it should. Nicely done as always. TT
The plastic anj 5:54 bridges gave these acoustics a metalic sound to them. I used to have a 61 just like the one you are working on now. I just recently purchased a 64 gibson hummingbird from the same era that used to sport the same plastic adj bridge that also undoubtedly had the over sized bridge plate under the top that I would bet yours has as well. My 64 hummingbird had the plastic adj bridge replaced with a rosewood fixed bridge with a bone saddle and replaced bridge plate as well as a refinished top. It's one of the nicest sounding Hummingbird I have ever heard and it plays like butter. The catch, even though it plays and sounds better I was able to get this guitar for half as much as it would of cost if it was all original including the dreaded plastic adj bridge. So it may not be worth anything to a collector, but to a player like me I have a really sweet vintage gibson acoustic guitar I wouldn't have been able to afford to have bought. I love Gibson guitars. They have have had some strange ideas on & off over the years. Of course we won't even discuss their Norlin years lol
Great job, Jerry. I had a Gibson L-00 with a plastic bridge a few years ago. I think it was a 1967 model. It disgusted me so bad that I got rid of it and used a piece of walnut my friend gave me to whittle out a new bridge. I had never tried anything like that before but I turned out fine and made that little guitar sing.
PS...My man Rosa. '''Have a cake of soap on your bench at all times. When you fear that the wood is to dry and may split on you... ''Poke your little drill into the soap and you will find that the soap will stop the wood from splitting. ''Do it my friend. ''It works. ''My late uncle was a builder for over 40 years and he showed me that handy little trick. 👍🙂
I've been watching your videos for several years, and I'm frequently amazed at your solutions to some of the problems you encounter. You are a true artist. This video hit close to home for me. I never knew Gibson used a plastic bridge on the J-45/50. For my 18th birthday, I was given a 1966 J-50 with the adjustable ceramic saddle, but it has a rosewood bridge that matches the fret board . The neck is also thinner and narrower than the one on my hummingbird. I had the J-50 set up locally about 30 years ago when I started playing it again. The action and intonation are fine, and I have never owned a guitar that stays in tune as well.
Hi Jerry; At about 50 minutes into the video, you mention that it's hard to turn the nut driver, because of your hands. Most nut drivers are a hex shape and can be turned with a Cresent wrench and some with a socket. This might help you turn it without hurting your hands. Anything that lessens the pain is a good thing. My hands give me pain as well. I think the after tone is richer and warmer. It's just more pleasant to listen to. Thanks for this fine video. Keep on truckin.
I have a 1966 Epiphone FT45N Cortez (original owner from new) which has the same plastic bridge and adjustable saddle. I'll be dropping it with my local luthier after the Christmas rush is over - mainly to repair some soundboard damage - but definitely will have him replace the plastic bridge and ceramic saddle with rosewood/bone. Thanks to this video, I'll be able to ask some questions about the process that will make it sound like I know what I'm talking about!
Beautiful LG1! A common problem, my 1964 pulled up at the backend of the bridge causing the top to warp. The spongy spruce bridge plate had warn to the point that the pegs didn't hold. My friend Pete 2ho iw no2 2orking on her, put on a new rosewood bridge and bone saddle, plus a koa bridge plate. Now she's getting new frets and tuning pegs, Sounds and plays like a dream.
Incredible job Jerry super interesting. I’ll have the nerve now to do pretty much things I need to on my guitar. Great job on “why you been gone so long” there at the end…..great singing!
Hi Jerry Thx for all of your hard work and postings !! I had a Epiphone Masterbilt with a Satin finish. saw a you tube about taking off satin finish. so.. I got some macguires blue semi chrome and took off the satin on the back and front . then I waxxed it up. now Beautiful wood !! I cant believe they would cover it up and I swear it sounds so much better . anyways your the 1st Ive seen that puts wax on a finish. my friends wouldnt believe me when I told them I waxxed the guitar. Going to try on on my Yairi DY-62. it may be really beautiful. Stay Well !!!
A couple years ago I received a "harp Bandurria" which was weaponised in a bar fight, so 'cause the sound box was badly damaged, I glued in a brace crossways of the splitting under the bridge. Then tuned it: 6)f# octave,5)c# ww,4)g# ww,3)d#w w,2)a#pp,1)e#octave,7)b#octave. It gives me mandolin & upper third of mandola. Sweet sound &less stress on the my amateur repair.
10:50 "Everything is a hammer!" 30:00 Before long you will ALL be joining us in Millimetre-land!! Mwahahahaha! 33:00 Thanks for working your weekend to get a video out for us! It is genuinely appreciated (despite the jokey nature of the rest of this comment!) 48:10 We have an expression in English Soccer when you are REALLY nervous (like when you are cutting a saddle slot). It's similar to your "Pucker Factor", but we call that "Squeaky Bum Time"!
Thank you for your great videos Jerry!! I enjoy them and I learn so much from them. I recently saw a very brief video of a guitar with a saddle that had an adjustment on each individual string for intonation. This was not a height adjustment but one for intonation only. I hope you can find time to discuss this and maybe explain the pros and cons. I really don't think it is that usefull but I would like to hear your thoughts on it if you can find the time. Thanks again.
I love what you did to this great guitar. Thank you for the lesson on the action on the first fret. I really appreciate that very very much. For years, I've been having trouble with the action on many a guitar I've ever owned, both acoustic and electric. I love you, Jerry. Thanks so much.
I laughed pretty hard when you found a antler saddle that fit perfectly. As a builder/repair guy myself, I know how rare that is. And having cut myself more times than I care to admit, I can relate. I’m always grateful that it was my fingers and not the guitar that was injured. I will heal in time. The guitar will not.
I first heard it on a tape cassette called "Bluegrass gospel" in the family car and then heard it for years and love it!! That whole album was awesome and I sourced a cd of it recently
Excellent work as always and the rosewood bridge is a noticeable change for the better, mellow sounding was my first thought. Thank you, I'm going to get out there with my Martin if it kills me!!
![Lp. Сердце Вселенной #60 РОЖДЕНИЕ ЛОЛОЛОШКИ [Финал] • Майнкрафт](http://i.ytimg.com/vi/YoR0pAV9FVQ/mqdefault.jpg)
Thanks for all your hard work Jerry. To those that care for the history side, the guitar is a 1963 Gibson J-45 purchased in 1963 from the Harrison Music Store in Salem, MO by my dad and the original warranty card, not filled out, is still in the original Gibson case. Thanks again Jerry and we will see you tomorrow to pick it up.
Its a beautiful guitar. I learned something new. Never knew Gibson had ever used those bridges. It was kind of shocking. Glad someone came in and put an end to them being used. Lol
I have a 1967 Gibson B25, I believe these also were fitted with a plastic bridge. Mine was also replaced with a solid rosewood replacement.
I feel your pain, saso792. My 1964 Gibson had a plastic bridge that pulled up after about 10 years, and the new walnut bridge fabricated by a local luthier is still holding strong. Nice video, Jerry.👍
Man you have a nice ax there. Jerry really did a number on it, the action is crazy low and no buzz. I find that many Gibsons just don't sound that great until a luthier like Jerry gets a hold of it. I find it night and day different, congratulations!
I thought it was an LG1 or LG2. I didn't know Gibson put the plastic bridges on the J45's too. Why did they think that was a good idea?!?
That Gibson has way more resonance than it had before you changed the bridge. Way deeper tone. Great job.
I've seen these several times now and I'm convinced the plastic bridge really doesn't act like a bridge much at all in this design and it basically just holds the ceramic saddle in place.
Jerry I dare say you are a national treasure. Thanks for presenting your work and knowledge. Love watching a real craftsman at work.
I agree with that, Jerry has taught me quite a few things through the years. I was afraid to fool with them back then, now I'll set up your 10k guitar, no problem.
Hello Jerry from Bonnie Scotland 🏴
This is my second year of being rejected from college stringed Instrument Making & Repair course, I've played Acoustic guitar on & off for 22 years, I am a scaffolder since 1999 mostly on ships & oil rigs so I have a decent amount of construction experience in high risk environment's, unfortunately I have been diagnosed with the dreaded Arthritis, Ankylosing Spondylitis/Sacroillitis basically in my spine & pelvis so injuries & pain are becoming regular & lack of decent sleep is sending me crazy, magnifying every little thing that usually wouldn't irritate me!
Since the pandemic I've bought an Acoustic guitar every month to restore from good will and charity shops even charity auctions I'm happy to say I have 30 guitars in total with 19 fully restored to the best of my ability & understanding, thanks to your videos I've basically got the basics down for setting up properly, upgrading plastic parts to bone & adjusting action & intonation, I've decided to go it alone to become a Luthier, I have the first 200 maybe 250 things mastered so just 750 things to go before I can do a 1000 things & make it look easy like you, I know there's no substitute for experience & trying these methods myself, all in all a long story to basically say thank you for taking the time to video & share your experience & knowledge with me doing this & watching & learning gave me hope & purpose during this chaos with the hope to become a Luthier & make my own Guitar using everything I've Learned & will Learn, thanks for all your hard work & effort to film what you do as I know it takes up so much of your time but you've helped this old dog realise some new tricks & the spark came back to connect me with music again only now I'm a lot more Connected & Confident because I know my instruments are ringing & sustaining better than I've ever heard so I can actually play & sound like it's supposed too 👍
☝️ ♥️ 🌍 🏴 🍀 🌈 🕊️ ♾️ 🙏 💪 🌞 😎
The course I did in Edinburgh, 36 years ago, no longer exists: SCOTVEC HNC Orchestral Strings, and Brass Musical Instrument Technology.
There is another course in Glasgow; I've done a repair for a graduate, who couldn't! Say no more
👍
The new bridge is a huge improvement in looks and sound. Good work!
After watching this segment, I am just totally floored that the engineers at Gibson would even think of such idiocy! ! However, with your technical know-how and, talents, I could clearly hear the difference. Thank you for the tutorials ! You have taught me a lot. For I vert Grateful !
That is a crazy bridge. When you showed the bottom, I was surprised that it was hollow except at the screw seats.
Wow! you can hear the volume and sustain after the proper bridge was installed!
What a nice job!
*This is extraordinary work mister Jerry !!! Shame on you Gibson !!!*
The sound difference is incredible. Honestly, that’s one of the biggest changes I’ve ever heard. I didn’t think that it would make that big of a difference. I knew it would make a difference, but that’s drastic. Great work!
Much warmer and richer tone now. Great work.
That new bridge ,etc. added depth and color to the sound of that guitar.
I thought it sounded pretty good before but wow what an improvement!
The "after" tone was warmer than the "before"... nice job, I would feel comfortable playing fingerstyle with the new tone. Thanks for showing us your common sense technique and eliminating some of the complexed barriers that one doesn't need to do most repairs. I've made many attempts to set up and repair my own instruments, mostly with success minus the learning curve, but you have confirmed things that I thought were reasonable and set me straight on a few things too, Thank you
Sweet!!!!! Your a champion i am a huge fan of the song at the end of your videos
The depth of the tone is incredible !! Sounded a little brassy before !!! That is no doubt, impressive ! 😮
I had to have the one on my Martin replace because they glued it on top of the varnish
Well done Jerry! Nice version of Panhandle Rag as well!
Hi Jerry, you have done a great job and you looks like my Father in his Workshop. You make great Videos, thank you,
Greatings, Tom from Germany, Cologne
For the hands and the stiffness in them, I take two turmeric curcumin with ginger powder 500 MG per serving. This should help quite a bit.
Love the video man you do great work.
Congrats on your retirement. "The hands have had it!" You have the knowledge, you have the tools, and certainly the passion. As a novice that does his own set-ups on my acoustics, I appreciate these videos very much.
I was actually surprised by how it sounded noticeably more resonant after. I wasn't actually expecting that much difference. Great job making a good guitar as nice as it could be.
It's amazing to me how much of an improvement to the tone you've made by changing the bridge. You truly are an artist.
I have a 1965 Gibson B25 with this exact issue in the same finish. Even with the plastic bridge and slight belly as this one, it sounds so great. I put silk and steel gypsy jazz strings on to lighten the tension for the time being. I'll get it to Joe Glaser for repair at some point. I'm sure you do not accept mail in repairs. Congrats on winning the lottery by the way.
Huge improvement. It resonates much better.
Intonation: I have the Panotuner on my cellphone, which displays the number of Hz in numbers. I play the twelfth harmonic and compare the number in Herz with the pressed string. Much easier to compare instead of the floating pointer. I stole your idea of an extension to determine the intonation for classical guitar. Because there is no strap button, I made a kind of box, lined with cork, that you can slide over the bottom of the guitar and to which two strings can be attached. You can then tighten this over a floating bridge and thus determine the intonation. Works very well. Great work as always Jerry!
Big, big difference before and after, great job
Nice job and really liked the song at the end. Thanks.
I bought a Gibson B25 back in 1965 as a kickaround, beachparty guitar (I didn’t want to bring my D-18 or 00-28 into that environment). The Gibson had the plastic bridge, which I replaced with a rosewood unit. I also replaced the thick plastc pick guard with a thinner Martin style to try to brighten up the sound. The biggest problem was the plywood back and sides which just killed the resonance. Plastic and plywood... Just the thing for a nice playing guitar... Not!
Nice job on that old Gibson! It was fun to watch the process!!
I’m so impressed by your patience and craftsmanship
I always learn from watching
The rosewood bridge is noticeably mellower less harsh than the plastic & ceramic. Very nice tone. Cheers
Great set up Jerry, your customer should love it.
57:39 was thinking of Randy right when you mentioned the chrome polish. It really brightens the frets.
Randy's channel is what brought me here. Always wondered if you and Randy ever collaborated on a project. That would make a nice video series.
I love the color of that guitar. I was a great move to let us hear the before and after. Homerun.
This guitar is much better than new. Looks great and sounds really good. Nice job.
No way, the lack of plastic is messing with its tonal possibilities :-P hahaha just kidding. Yeah this guitar new NEVER was as good as it is with what hes done here. :-) Talk about breathing life into a guitar, but this guitar barely was breathing with that terrible bridge. Hearing it with the work done here must of been like hearing a completely new guitar for the first time.
I had a 64 cherry sunburst j 45 and i loved it. It had the smallest neck ever. I hated the cherry sunburst finish. I gave it to a aspiring young student.
Still have my ‘66 with a rosewood bridge.
It looks and sounds great, nice work. You put the "Rosa" on it big time. It sounds more solid now, like a fine instrument instead of a toy.
That rosewood bridge you made is totally gorgeous! Thanks for the video!
That ceramic saddle was a common "feature" on mid '60s Gibsons & Epiphones. One thing you didn't mention is that the screws on either end of the saddle allowed the user to set the height of the saddle for the desired action. I have a '65 Epiphone Texan (bought it new in '65) that came with that adjustable ceramic saddle however the bridge itself is rosewood. Many years ago I had all that hardware mass removed and the saddle replaced with bone. The luthiers at Gryphon Strings carved a rosewood insert for the wide slot and routed it for a modern skinny saddle.
That easily adjustable string height made it easy to experiment and taught me an interesting lesson about how saddle height can affect the sound of the instrument. With the action high, the guitar was noticably louder and I heard more separation between the strings when strumming a chord while strumming with low action resulted in a smoother sound, something akin to striking a chord on an organ. I think it had to do with changing the break angle of the string behind the saddle.
Sounds a 1000% better imo. Great Job
I always look forward to your projects!
What kind of guitar world would put a plastic bridge on a Gibson...🙄
Thank you Jerry! 🎶🎶🎶
As usual Jerry you've improved another guitar with your expertise. Great work Jerry. By the looks of the comments from the customer, their very happy as well.
Amazing. The wooden bridge obviously engages the top more fully, resulting in a fuller resonance. I'm learning a ton from you, Jerry!
Well. It sounds like a proper guitar now..Thanks Jerry for the videos...Very informative . Greetings from Greece..
The sound opened up, it's more detailed. I think it's because the dead mass of the plastic bridge solution with all the metal parts and ceramic saddle was heavier than the rosewood bridge. Concerning the low frets, I first make sure that surrounding frets are well seated, in fact I check all frets by knocking them gently with a small screwdriver. Badly seated, loose frets will have a dull sound and usually they are high. All in all you made an exquisite job again! Thank you for posting.
I watched this from beginning to the end, great job, all the best from me here in England.
More warmer and better sound with the wood bridge! 👍😀
Good grief , plastic. You fixed it real good.
The sound is much richer fuller. Good job.
much clearer tone after..also more sustain..great
Huge improvement. Warmer tone. 👍
Totally noticeable tone improvement!
Ha Ha! I knew right away what was wrong. I had a 1963 Gibson B 25 with the same set up. It was my first "real" guitar. I bought it used in 1968 and I loved it. Years later it needed work so I took it to a good luthier I knew. he replaced the bridge & saddle with rosewood and bone and also replaced the plastic nut with a bone one. the difference was phenomenal! That "student" guitar turned pro!
I had a Gibson LG-O model with a ceramic saddle in the late 1960s. I wonder if it had a plastic bridge ... (probably... but I sold it so long ago, I cannot quite recall for sure.) It had heavy medium gauge strings and hurt like heck to play for a long time.
Great video and a proper fix to be sure - it clearly sounds better, less harsh and more natural as it should. Nicely done as always. TT
Can't get enough of these videos. Keep 'em coming!
this is my new favorite channel.
Panhandle rag has been one of my favorite songs since I was around 5 so 30 years now. Just a great tune
Probably the best condition i have even seen one of these
FINALLY.. the HOLY GRAIL of Luithers.
What a great video title, Jerry! So true!
Jerry wasn't that an adjustable bridge you took off that j45 cherry blend Gibson? I have one just like that.
As a finish carpenter I am officially impressed!!
The plastic anj 5:54 bridges gave these acoustics a metalic sound to them. I used to have a 61 just like the one you are working on now. I just recently purchased a 64 gibson hummingbird from the same era that used to sport the same plastic adj bridge that also undoubtedly had the over sized bridge plate under the top that I would bet yours has as well. My 64 hummingbird had the plastic adj bridge replaced with a rosewood fixed bridge with a bone saddle and replaced bridge plate as well as a refinished top. It's one of the nicest sounding Hummingbird I have ever heard and it plays like butter. The catch, even though it plays and sounds better I was able to get this guitar for half as much as it would of cost if it was all original including the dreaded plastic adj bridge. So it may not be worth anything to a collector, but to a player like me
I have a really sweet vintage gibson acoustic guitar I wouldn't have been able to afford to have bought. I love Gibson guitars. They have have had some strange ideas on & off over the years. Of course we won't even discuss their Norlin years lol
Great job, Jerry. I had a Gibson L-00 with a plastic bridge a few years ago. I think it was a 1967 model. It disgusted me so bad that I got rid of it and used a piece of walnut my friend gave me to whittle out a new bridge. I had never tried anything like that before but I turned out fine and made that little guitar sing.
I love this channel so much!!! I wish I could call you or just go over and pick/work on stuff!!! Becoming my favorite UA-cam channel
PS...My man Rosa. '''Have a cake of soap on your bench at all times. When you fear that the wood is to dry and may split on you... ''Poke your little drill into the soap and you will find that the soap will stop the wood from splitting. ''Do it my friend. ''It works. ''My late uncle was a builder for over 40 years and he showed me that handy little trick. 👍🙂
Fantastic job as always Jerry !
Another excellent repair video. Thanks Jerry !!!
that old guitar is in beautiful shape anyway. wow.
Has been. A collector's item in mint condition. Now it's basically guitar store garbage.
You work miracles fixing these guitars! Amazing and entertaining. Best wishes.
The sound is sparkling. Good job ! b_b
Sounds much richer and more sustained ringing out great job hopefully you're sore hands don't get worse use herbal and oils fir them 👍
Love your work and your sense of humor! Thank you!
This is such a great video and your explanation of the critical importance of a quality bridge/saddle/top+bracing is perfect.
Massive improvement to a beautiful instrument! Excellent workmanship!
I've been watching your videos for several years, and I'm frequently amazed at your solutions to some of the problems you encounter. You are a true artist. This video hit close to home for me. I never knew Gibson used a plastic bridge on the J-45/50. For my 18th birthday, I was given a 1966 J-50 with the adjustable ceramic saddle, but it has a rosewood bridge that matches the fret board . The neck is also thinner and narrower than the one on my hummingbird. I had the J-50 set up locally about 30 years ago when I started playing it again. The action and intonation are fine, and I have never owned a guitar that stays in tune as well.
Hi Jerry;
At about 50 minutes into the video, you mention that it's hard to turn the nut driver, because of your hands. Most nut drivers are a hex shape and can be turned with a Cresent wrench and some with a socket. This might help you turn it without hurting your hands. Anything that lessens the pain is a good thing. My hands give me pain as well. I think the after tone is richer and warmer. It's just more pleasant to listen to. Thanks for this fine video. Keep on truckin.
Nicely done Jerry. Thanks.
I have a 1966 Epiphone FT45N Cortez (original owner from new) which has the same plastic bridge and adjustable saddle. I'll be dropping it with my local luthier after the Christmas rush is over - mainly to repair some soundboard damage - but definitely will have him replace the plastic bridge and ceramic saddle with rosewood/bone. Thanks to this video, I'll be able to ask some questions about the process that will make it sound like I know what I'm talking about!
It's now twice the guitar it never was. ;-) I think saso792 is going to be a happy camper.
That rosewood bridge sure looks much better on that ole Gibson.
Beautiful LG1! A common problem, my 1964 pulled up at the backend of the bridge causing the top to warp. The spongy spruce bridge plate had warn to the point that the pegs didn't hold. My friend Pete 2ho iw no2 2orking on her, put on a new rosewood bridge and bone saddle, plus a koa bridge plate. Now she's getting new frets and tuning pegs, Sounds and plays like a dream.
It’s a J45.
Incredible job Jerry super interesting. I’ll have the nerve now to do pretty much things I need to on my guitar. Great job on “why you been gone so long” there at the end…..great singing!
Hi Jerry Thx for all of your hard work and postings !! I had a Epiphone Masterbilt with a Satin finish. saw a you tube about taking off satin finish. so.. I got some macguires blue semi chrome and took off the satin on the back and front . then I waxxed it up. now Beautiful wood !! I cant believe they would cover it up and I swear it sounds so much better . anyways your the 1st Ive seen that puts wax on a finish. my friends wouldnt believe me when I told them I waxxed the guitar. Going to try on on my Yairi DY-62. it may be really beautiful. Stay Well !!!
A couple years ago I received a "harp Bandurria" which was weaponised in a bar fight, so 'cause the sound box was badly damaged, I glued in a brace crossways of the splitting under the bridge. Then tuned it: 6)f# octave,5)c# ww,4)g# ww,3)d#w w,2)a#pp,1)e#octave,7)b#octave. It gives me mandolin & upper third of mandola. Sweet sound &less stress on the my amateur repair.
Wow.. big improvement in resonance and overall sound after you were done.
It's almost like a comic routine another nut and Another washer another nut thanks for sharing
A clown car of hardware.
Was the bridge Richlite? I HATE those screws....and the screw you don't see is the one they give you when you buy that plastic. 😞
10:50 "Everything is a hammer!"
30:00 Before long you will ALL be joining us in Millimetre-land!! Mwahahahaha!
33:00 Thanks for working your weekend to get a video out for us! It is genuinely appreciated (despite the jokey nature of the rest of this comment!)
48:10 We have an expression in English Soccer when you are REALLY nervous (like when you are cutting a saddle slot). It's similar to your "Pucker Factor", but we call that "Squeaky Bum Time"!
Thank you for your great videos Jerry!! I enjoy them and I learn so much from them. I recently saw a very brief video of a guitar with a saddle that had an adjustment on each individual string for intonation. This was not a height adjustment but one for intonation only. I hope you can find time to discuss this and maybe explain the pros and cons. I really don't think it is that usefull but I would like to hear your thoughts on it if you can find the time. Thanks again.
Generally those are used on electric guitars they're not that great for acoustic because of what they do to the sound
Wow, it sounds much warmer and full after you worked your magic.
Excellent job upgrading the bridge on tnat guitar!! Sounds terrific after the setupyou completed.
Wonderful job. 👍👍👍👍👍👍👍
I love what you did to this great guitar. Thank you for the lesson on the action on the first fret. I really appreciate that very very much. For years, I've been having trouble with the action on many a guitar I've ever owned, both acoustic and electric. I love you, Jerry. Thanks so much.
I laughed pretty hard when you found a antler saddle that fit perfectly. As a builder/repair guy myself, I know how rare that is.
And having cut myself more times than I care to admit, I can relate. I’m always grateful that it was my fingers and not the guitar that was injured. I will heal in time. The guitar will not.
I first heard it on a tape cassette called "Bluegrass gospel" in the family car and then heard it for years and love it!! That whole album was awesome and I sourced a cd of it recently
Found it very educational. Thank you!
Excellent work as always and the rosewood bridge is a noticeable change for the better, mellow sounding was my first thought. Thank you, I'm going to get out there with my Martin if it kills me!!