Samba de Orfeu - Luiz Bonfá (arr. Heitmeyer)

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  • Опубліковано 25 сер 2024
  • Brazilian Jazz for the Classical Guitar - Steven Saulls, Classical Guitarist
    About the music and the composer…
    “Samba de Orfeu” was originally written in 1959 for the movie “Orfeu Negro” (Black Orpheus) and performed in the final scene when the children play the song to make the sun rise just like Orfeu used to do. (The opening notes strongly resemble Jacob de Bandolim's Noites Cariocas).
    Luiz Floriano Bonfá (October 17, 1922 - January 12, 2001) was a Brazilian guitarist and composer. He was best known for the music he composed for the film Black Orpheus.
    Luiz Floriano Bonfá was born on October 17, 1922, in Rio de Janeiro. He began studying with Uruguayan classical guitarist Isaías Sávio at the age of 11. These weekly lessons entailed a long, harsh commute (on foot, plus two and half hours on train) from his family home in Santa Cruz, in the western rural outskirts of Rio de Janeiro, to the teacher's home in the hills of Santa Teresa. Given Bonfá's extraordinary dedication and talent for the guitar, Sávio excused the youngster's inability to pay for his lessons.
    Bonfá first gained widespread exposure in Brazil in 1947 when he was featured on Rio's Rádio Nacional, then an important showcase for up-and-coming talent. He was a member of the vocal group Quitandinha Serenaders in the late 1940s. Some of his first compositions such as "Ranchinho de Palha", "O Vento Não Sabe", were recorded and performed by Brazilian crooner Dick Farney in the 1950s. Bonfá's first hit song was "De Cigarro em Cigarro" recorded by Nora Ney in 1957. It was through Farney that Bonfá was introduced to Antônio Carlos Jobim and Vinicius de Moraes, the leading songwriting team behind the worldwide explosion of the great Bossa Nova in the late 1950s to 1970s, becoming a fever in the US. Bonfá collaborated with them and with other prominent Brazilian musicians and artists in productions of de Moraes' anthological play Orfeu da Conceição, which several years later gave origin to Marcel Camus' film Black Orpheus (Orfeu Negro in Portuguese). In the burgeoning days of Rio de Janeiro's thriving jazz scene, it was commonplace for musicians, artists, and dramatists to collaborate in such theatrical presentations. Bonfá wrote some of the original music featured in the film, including the numbers "Samba de Orfeu" and his most famous composition, "Manhã de Carnaval" (of which Carl Sigman later wrote a different set of English lyrics titled "A Day in the Life of a Fool"), which has been among the top ten standards played worldwide, according to The Guinness Book of World Records.
    As a composer and performer, Bonfá was at heart an exponent of the bold, lyrical, lushly orchestrated, and emotionally charged samba-canção style that predated the arrival of João Gilberto's more refined and subdued bossa nova style. Jobim, João Donato, Dorival Caymmi, and other contemporaries were also essentially samba-canção musicians until the sudden, massive popularity of the young Gilberto's unique style of guitar playing and expressively muted vocals transformed the music of the day into the music of the future. Camus' film and Gilberto's and Jobim's collaborations with American jazzmen such as Stan Getz and Charlie Byrd did much to bring Brazilian popular music to the attention of the world, and Bonfá became a highly visible ambassador of Brazilian music in the United States beginning with the famous November 1962 Bossa Nova concert at New York's Carnegie Hall. (Wikipedia)
    About the performer...
    Steven began studying the guitar at age nine and has attended some of the finest music schools in the world including the Berklee College of Music (Boston), and the Mozarteum (Salzburg, Austria). He holds both a Bachelor of Arts degree from Western Washington University (1980) and a Master of Music degree from the University of Arizona (1982).
    Over the past 40 years, Steven has performed hundreds of concerts throughout the United States, Central & South America, and Europe. His debut recordings ‘Espressivo’ and ‘Steven Saulls Plays Works by Ponce, Torroba & Bach’ have received wide acclaim both nationally and internationally. In addition to solo concerts, he has performed over 200 chamber works including guitar concerti (with orchestra) by Vivaldi, Ponce, and Rodrigo.
    About the recording...
    Recorded at The Steven Saulls Guitar Studio, Sahuarita, Arizona 2023/Guitar handcrafted by Martin Blackwell.
    Copyright© 2023 Steven Saulls, Sahuarita, Arizona
    For additional information please contact Steven Saulls at sdsaulls@gmail.com

КОМЕНТАРІ • 14

  • @icemluna
    @icemluna Місяць тому

    ❤❤❤❤❤

  • @signaldrift2274
    @signaldrift2274 Місяць тому

    another top-notch performance, thanks for dropping by

    • @stevensaullsguitarist
      @stevensaullsguitarist  Місяць тому +1

      Thank you so much for your positive comments and for watching this video!

  • @801oap
    @801oap Місяць тому

    That was great!

    • @stevensaullsguitarist
      @stevensaullsguitarist  Місяць тому

      Thank you... Your comments and visit to my UA-cam channel are greatly appreciated!

  • @berndtwagner9184
    @berndtwagner9184 Місяць тому

    Bravo maestro!

  • @jmmartz6095
    @jmmartz6095 Місяць тому

    ❤ Steven revient d’un voyage au Brésil....ça s’entend 🎉

  • @davidlippincott5890
    @davidlippincott5890 Місяць тому

    Nicely done Steve! Best wishes, David L.

    • @stevensaullsguitarist
      @stevensaullsguitarist  Місяць тому

      Thanks and great to hear from you! I'll complete this playlist with a total of 10 Brazilian favorites. I'll probably redo one or two as I go along but I think it will be worth the effort to complete it! I wish you well and perhaps see you for a visit someday when you venture down here!

  • @juanmiguelsuarez
    @juanmiguelsuarez Місяць тому

    Lovely piece!