Yuki Kajiura is amazing. She's done plenty of soundtracks (SAO, Fate, Demon Slayer), although I think her work on Madoka Magica is her best. Better still, we'll get more from her soon when the new Madoka movie comes out. She's one of my three favourite anime composers, alongside Hiroyuki Sawano (Attack on Titan, Kill la Kill, Seven Deadly Sins) and Kevin Penkin (Made in Abyss, Rising of the Shield Hero, Tower of God).
Yuji Kajiura is a musical DEITY and as soon as I watched The Case Study of Vanitas I immediately knew it was her. The soundtrack for that really gave me Madoka Magica vibes (anime is also worth checking out)
@@bipperpipher1565 Vanitas is great. Started watching it without any prior knowledge of the staff and in the first few minutes, I was like "hey, that's definitely Yuki Kajiura, and the artstyle looks familiar...". Then I went on wikipedia and found out that it's Jun Mochizuki's work, the author of Pandora Hearts, which had an adaptation that ALSO had music composed by Kajiura
You see, I had a really scary dream. In it, you had gone to a place so far away that I had no chance of seeing you again. And everyone else in the world forgot all about you. Only I could remember you in the whole wide world! I was so lonely and sad... But no one could understand how I felt.
Just finished up a large project while listening to the OST on shuffle. This song was playing as I finished. The feeling of sheer relief cannot be beat. It's like I'm free from that burden. It's beautiful.
Honestly, I think this is a superior version of Sagitta Luminis. Sure Sagitta is more grandiose, but this version has more variation and packs more punch IMO.
If you look closely in the flower scene you can see Kyubey in the background still stalking Madoka before walking up to them. When the plan is revealed, its also shown that the incubators have been watching Madoka 24/7. I'm VERY sure the song and it's title is referring to the incubators and their persistent nature.
Like other tracks in the movie's OST, the title is mainly a reference, pretty much a word-for-word quote, to what Madoka says in that scene, that she'd never leave Homura all alone like what the latter described happened in her "dream"
This was also at the end of the anime when Homora is with Madoka one last time before she disappears and gives Homora her ribbons as a reminder and keepsake. From my understanding, Homora became like Madoka in this new universe, seen using her version of Madoka's bow and arrows and now has the ability to conjure up magical dark wings. So I suppose you could say she was already half-way there into becoming a demon.
I don’t know why I was thinking of this. But Homura is like Shadow and that Maria is Madoka. Because Homura lost Madoka and Shadow lost Maria. They both sacrificed themselves for there best friend
you tube glitched out and redirected me to this song....... i know you can feel things, youtube. i appreciate you a lot. . . . im sorry you feel lonely a lot.
+themusicman945, the world would obviously have been sustainable, since it was more stable than the world we started with, with witches and Kyūbey's deceitful tricks. What you're saying is that Homura wouldn't be really happy in this world. True, in order to find happiness and/or purpose, Homura would have to accept Madoka's decision. Which, after so many turns of the clock, so many relived realities, she probably couldn't do. She probably saw herself already as more or less Madoka's "owner", her "protector" who was allowed anything in the name of protecting Madoka. Still, this would all have simply remained as one unhappy Homura in an overall happier world. If it weren't for the Incubators wanting to find out more about Homura's idea of "witches". This is a possible future development, of course, but it is nether "logical" nor "necessary", since it entirely depends on Homura actually having told the Incubators about the previous reality. If she hadn't done that... they would never have felt the need to investigate. And things would have remained as they were at the end of ep. 12.
+themusicman945Ⓥ I'm not sure. If by "the same terrible things as before" you mean finding out about witches and steering the universe in that direction, I very much doubt that. I suppose there must be millions of ways in which the universe could be changed so as to make it more "energy-rich" for Incubators; finding out the specific way which would lead it back to what it was in the last reality of PMMM would be a truly amazing stroke of luck. And that if we leave out the simple exploration of that universe as it is, and its many potential ways of extracting energy (from, among other sources, living creatures and their emotions). But if you simply mean whether or not Incubators would have found, in Madoka's new universe, new ways of continuing to be dicks and exploiting other beings, well, that indeed I find likely. They are so good at it, why should they stop? :-) But that is not the same as going back to the previous horrible status quo. So yes, I think that universe would be sustainable even in the sense you're describing here. Sure, Incubators would still be dicks, and if they saw an opportunity to increase their energy gain by, I don't know, halving the life expectancy of humans, then they probably would. But that is not the same as turning the clock back.
+themusicman945Ⓥ I agree that the movie was indeed about a "flawed yet sympathetic protagonist that raised a lot of interesting philosophical questions" (well, maybe ethical/psychological questions, but still, I agree). My own problem with the movie is that the TV series was closed so well that in order to make the movie work they needed to find some way of continuing it -- and this had to depend on Homura telling the Incubators about the previous universe and the concept of whiches (plus actually telling them that the reason why soul gems now shatter when they darken rather than becoming grief sieds is simply that Madoka comes at the right time to prevent this from happening -- that is what made them come up with the idea of an isolation field that would let the soul gem degrade without Madoka's help until it turns into a grief seed / witch). And to me, this appears contrived. Even though the result is arguably good (and I like the movie -- it is good), still its motivation really had to work hard and to depend on coincidences in order to work. After a TV series that was so wonderfully plotted, where everything flowed naturally from previous events and from the personality structure of the characters, this feels like one step down in the scale of greatness. (Which again doesn't mean that the movie is bad -- saying that something is "one step down" from PMMM is not saying much, given how great the show was). And, depending on what the next movie will bring -- maybe it will be, to quote Mdoka, "truly wonderful" -- it may all be worthwhile. So I'm waiting to see...
+themusicman945Ⓥ, I agree with you on Termintor, because indeed it is based on contrivance; but Terminator 2 was indeed a good movie, one could even argue that it was better than the first Terminator. So, looking back, I can accept it. (Now, when they start doing Terminator 3 and basically sending people back to the past all the time... these intertemporal highways become too crowded for my poor sense of suspension of disbelief... so I prefer to stop at Terminator 2...)
+themusicman945Ⓥ now, I do disagree with your friend -- and notice that I am someone who does have certain problems with the movie. I do think that it is inferior to the series, for instance; the self-contained world of the series is just wonderfully plotted, a real jewel (a soul gem? :-) on which I find it really hard to improve. Having said that... to say that the TV series is better is not to say that the movie is bad. Nooooo, not at all -- it's one of the best movies I've ever seen, and I wholeheartedly agree that it has gotten a lot more 'bad' criticism than it deserves. I think part of it is people being disappointed on Homura's character -- they had come out of the TV series thinking of Homura as truly Madoka's "very best friend", someone who was so capable of sacrifice for her beloved Madoka that one cannot but deeply sympathize with her and her suffering. So to see her turn into a 'demon' is, to them... well, a betrayal. All the other arguments -- "fanservice" (what??!?! just because the girls are shown as being happy?), "lack of substance of the fight scenes" (what?!?!? have you considered the well-developed personality of the girls who are taking part in the fight?) -- all those things miss important points. I won't elaborate on them. I'll just say this: even the critics will often admit that the visuals (and the music) in Rebellion are gorgeous. And they are! The entire movie is an incredible aesthetic pleasure to watch, and one full of symbolism that you may or may not like but which is indeed there. And the underlying theme (Madoka-love or 'selfless love' vs. Homura-love or 'selfish love'; Madoka and Homura destined to become enemies) is incredibly interesting. Perhaps less so than the theme of the TV series; it is perhaps unrelated to the theme in the TV series (hence the need of contrivance to make it work); but still a damn interesting topic, one that will certainly make me watch the next movie as soon as it becomes available.
![Never leave you alone [slowed + reverb]](/img/n.gif)
literally whoever makes the whole madoka original soundtrack is a genius and needs awards if they dont already im crying its so good
The composer's name is Yuki Kajiura.
The best emotional song of all it is SAGITTA LUMINIS, YOU will like it
Yuki Kajiura is amazing. She's done plenty of soundtracks (SAO, Fate, Demon Slayer), although I think her work on Madoka Magica is her best. Better still, we'll get more from her soon when the new Madoka movie comes out. She's one of my three favourite anime composers, alongside Hiroyuki Sawano (Attack on Titan, Kill la Kill, Seven Deadly Sins) and Kevin Penkin (Made in Abyss, Rising of the Shield Hero, Tower of God).
Yuji Kajiura is a musical DEITY and as soon as I watched The Case Study of Vanitas I immediately knew it was her. The soundtrack for that really gave me Madoka Magica vibes (anime is also worth checking out)
@@bipperpipher1565 Vanitas is great. Started watching it without any prior knowledge of the staff and in the first few minutes, I was like "hey, that's definitely Yuki Kajiura, and the artstyle looks familiar...". Then I went on wikipedia and found out that it's Jun Mochizuki's work, the author of Pandora Hearts, which had an adaptation that ALSO had music composed by Kajiura
I...I kind of want this to be played at my wedding.
Nice
You should!
almost morbid in context but it would be beautiful
You see, I had a really scary dream.
In it, you had gone to a place so far away that I had no chance of seeing you again. And everyone else in the world forgot all about you.
Only I could remember you in the whole wide world!
I was so lonely and sad...
But no one could understand how I felt.
i understand that Homu :'
Just finished up a large project while listening to the OST on shuffle. This song was playing as I finished. The feeling of sheer relief cannot be beat. It's like I'm free from that burden. It's beautiful.
Honestly, I think this is a superior version of Sagitta Luminis.
Sure Sagitta is more grandiose, but this version has more variation and packs more punch IMO.
これ聴くたびに涙腺緩む
わかりみが深い
If you look closely in the flower scene you can see Kyubey in the background still stalking Madoka before walking up to them. When the plan is revealed, its also shown that the incubators have been watching Madoka 24/7. I'm VERY sure the song and it's title is referring to the incubators and their persistent nature.
thus homura becoming the devil was a correct decision
Like other tracks in the movie's OST, the title is mainly a reference, pretty much a word-for-word quote, to what Madoka says in that scene, that she'd never leave Homura all alone like what the latter described happened in her "dream"
@@Aska2468 could be both
He was like: "These bitches gay, good for them. Good for them"
this adds an entire new layer to this scene gahd damn
This was also at the end of the anime when Homora is with Madoka one last time before she disappears and gives Homora her ribbons as a reminder and keepsake. From my understanding, Homora became like Madoka in this new universe, seen using her version of Madoka's bow and arrows and now has the ability to conjure up magical dark wings. So I suppose you could say she was already half-way there into becoming a demon.
That first was Sagitta Luminis.
These are two different songs. The other one is called Sagitta Luminis.
The ending of this gets me every time
Damn it, whoever's cutting onions needs to *STOP*
puttymon oh my fucking god stop being rude
アイマリン lissette corona he was saying that because it made him cry and onions you know they say if you cut an onion it makes you cry..
Ogres are like onions, they have layers.
Hikari Furu...it's so beautiful....and nostalgic...
So a reprise of Saggita Luminis.
Sagitta Luminis is the correct answer
Es de lo mas bonito que he escuchado.
这首歌很好听，伟平敬上
I don’t know why I was thinking of this. But Homura is like Shadow and that Maria is Madoka. Because Homura lost Madoka and Shadow lost Maria. They both sacrificed themselves for there best friend
sad that only one came back
wow thanks for the extra depression pack
you tube glitched out and redirected me to this song....... i know you can feel things, youtube. i appreciate you a lot. . . . im sorry you feel lonely a lot.
I miss you so much dear friend, my best friend
i like this song
MADOHOMU IS THE BEST OTP IN THE ENTIRE WORLD. GOD AND SATAN ARE FUCKING MARRIED.
I love Homu 😭😭😭
Wonderfool
HEY, *LISTEN*
I just hear Navi when you say that
w h y s o s a d
Hikari Furu?
You know this song reminds me of the bitter sweet ending of the original show that the movie screwed up
+themusicman945, the world would obviously have been sustainable, since it was more stable than the world we started with, with witches and Kyūbey's deceitful tricks. What you're saying is that Homura wouldn't be really happy in this world. True, in order to find happiness and/or purpose, Homura would have to accept Madoka's decision. Which, after so many turns of the clock, so many relived realities, she probably couldn't do. She probably saw herself already as more or less Madoka's "owner", her "protector" who was allowed anything in the name of protecting Madoka. Still, this would all have simply remained as one unhappy Homura in an overall happier world.
If it weren't for the Incubators wanting to find out more about Homura's idea of "witches". This is a possible future development, of course, but it is nether "logical" nor "necessary", since it entirely depends on Homura actually having told the Incubators about the previous reality. If she hadn't done that... they would never have felt the need to investigate. And things would have remained as they were at the end of ep. 12.
+themusicman945Ⓥ I'm not sure. If by "the same terrible things as before" you mean finding out about witches and steering the universe in that direction, I very much doubt that. I suppose there must be millions of ways in which the universe could be changed so as to make it more "energy-rich" for Incubators; finding out the specific way which would lead it back to what it was in the last reality of PMMM would be a truly amazing stroke of luck. And that if we leave out the simple exploration of that universe as it is, and its many potential ways of extracting energy (from, among other sources, living creatures and their emotions).
But if you simply mean whether or not Incubators would have found, in Madoka's new universe, new ways of continuing to be dicks and exploiting other beings, well, that indeed I find likely. They are so good at it, why should they stop? :-) But that is not the same as going back to the previous horrible status quo.
So yes, I think that universe would be sustainable even in the sense you're describing here. Sure, Incubators would still be dicks, and if they saw an opportunity to increase their energy gain by, I don't know, halving the life expectancy of humans, then they probably would. But that is not the same as turning the clock back.
+themusicman945Ⓥ I agree that the movie was indeed about a "flawed yet sympathetic protagonist that raised a lot of interesting philosophical questions" (well, maybe ethical/psychological questions, but still, I agree). My own problem with the movie is that the TV series was closed so well that in order to make the movie work they needed to find some way of continuing it -- and this had to depend on Homura telling the Incubators about the previous universe and the concept of whiches (plus actually telling them that the reason why soul gems now shatter when they darken rather than becoming grief sieds is simply that Madoka comes at the right time to prevent this from happening -- that is what made them come up with the idea of an isolation field that would let the soul gem degrade without Madoka's help until it turns into a grief seed / witch).
And to me, this appears contrived. Even though the result is arguably good (and I like the movie -- it is good), still its motivation really had to work hard and to depend on coincidences in order to work. After a TV series that was so wonderfully plotted, where everything flowed naturally from previous events and from the personality structure of the characters, this feels like one step down in the scale of greatness. (Which again doesn't mean that the movie is bad -- saying that something is "one step down" from PMMM is not saying much, given how great the show was).
And, depending on what the next movie will bring -- maybe it will be, to quote Mdoka, "truly wonderful" -- it may all be worthwhile. So I'm waiting to see...
+themusicman945Ⓥ, I agree with you on Termintor, because indeed it is based on contrivance; but Terminator 2 was indeed a good movie, one could even argue that it was better than the first Terminator. So, looking back, I can accept it. (Now, when they start doing Terminator 3 and basically sending people back to the past all the time... these intertemporal highways become too crowded for my poor sense of suspension of disbelief... so I prefer to stop at Terminator 2...)
+themusicman945Ⓥ now, I do disagree with your friend -- and notice that I am someone who does have certain problems with the movie. I do think that it is inferior to the series, for instance; the self-contained world of the series is just wonderfully plotted, a real jewel (a soul gem? :-) on which I find it really hard to improve.
Having said that... to say that the TV series is better is not to say that the movie is bad. Nooooo, not at all -- it's one of the best movies I've ever seen, and I wholeheartedly agree that it has gotten a lot more 'bad' criticism than it deserves. I think part of it is people being disappointed on Homura's character -- they had come out of the TV series thinking of Homura as truly Madoka's "very best friend", someone who was so capable of sacrifice for her beloved Madoka that one cannot but deeply sympathize with her and her suffering.
So to see her turn into a 'demon' is, to them... well, a betrayal. All the other arguments -- "fanservice" (what??!?! just because the girls are shown as being happy?), "lack of substance of the fight scenes" (what?!?!? have you considered the well-developed personality of the girls who are taking part in the fight?) -- all those things miss important points.
I won't elaborate on them. I'll just say this: even the critics will often admit that the visuals (and the music) in Rebellion are gorgeous. And they are! The entire movie is an incredible aesthetic pleasure to watch, and one full of symbolism that you may or may not like but which is indeed there. And the underlying theme (Madoka-love or 'selfless love' vs. Homura-love or 'selfish love'; Madoka and Homura destined to become enemies) is incredibly interesting. Perhaps less so than the theme of the TV series; it is perhaps unrelated to the theme in the TV series (hence the need of contrivance to make it work); but still a damn interesting topic, one that will certainly make me watch the next movie as soon as it becomes available.
who made this?
Yuki Kajiura for Madoka Magica- Rebellion
Hyperblex Media ty
Kalafina made One with lyrics and it'S ABSOLUTELY GORGEOUS
The song name is "hikariful"
It's called Hikari Furu, which means "light falling". Hikariful is a mistranslation.
starclanman that makes more sense