This particular recording hasn't been "released" for sale. I have been considering putting together a project of more material like this. Thanks for your interest Bernd!
Hi Marcus, thanks! Listening to it again, I remember using the 480 to filter the organ sounds coming from MI Rings. The sawtooth sounds were filtered by a .com Q150. The 480 is very clean, as you most likely have noticed. I really like it a lot, and find myself using it in most patches. This may or may not be up your alley, but here is something I recorded a while back with the 480 as the only filter used: soundcloud.com/spinach-pizza/agnus-dei-thomas-morley
Pardon my ignorance about modular... what is sequencing/starting the sound here? Or is this whole thing just oscillators patched into this complex sound?
Hi jmacatx, thanks for listening! I didn't use a dedicated sequencer for this. I made a sequence by mixing some noise with a slow ramp wave from an LFO, and routing that mixture to a sample and hold. The S&H has an internal clock, which provided the basic tempo of the music (until around 4:40, when I switched away from the internal clock and triggered it manually--the module I used for that is in the little desktop case. I reverted to the internal clock at around 6:00). I split the output of the S&H and offset the splits to varying degrees, and sent each offset split to a separate channel of my Synthesizers.com quantizer bank. The splitting and offsetting gave me three distinct, but related, sequences, which never entirely repeated themselves. These voltages I then used to control the pitches of the Rings module and the various oscillators. These were then fed into filters, the cutoff frequencies I controlled manually and also with LFOs. I didn't use any envelope generators in this patch.
This is one of the most beautiful modular pieces I have ever heard.
Thanks so much Amleth, what a nice compliment!
This is so perfectly, beautifully done! Inspiring! And you definitely need to be releasing this stuff for sale, I would buy without hesitation.
Wow, thanks so much for your encouragement and support!
This sounds like something beyond a modular... Awesome!
Thank you, masyst!
The most beautiful stuff I have ever heard from a modular. Epic. Should never end...
Thank you so much, Bernd!
Really impressive synth work. They are serious recordings and really good to hear.
Thank you!
This is a very nice modular composition!
Thank you, I’m glad you enjoyed it!
Beautifully awesome, my friend! I'm sorry I didn't hear it until now!
Hey, thanks John!
I don't know, but if it were me I'd record a whole collection of these for later. Quite a remarkable patch. Gorgeous sounds Rich!
Arrgghh too late!
Thanks David!
Very nice! Impressive.
Thank you MrFirechild!
beautiful!
Thank you Miguel!
So good!!!!!!! And I repeat, so good!!!!!
Thank you, KoryB!
Awesome!
Thanks!
Is the music somewhere to buy????
This particular recording hasn't been "released" for sale. I have been considering putting together a project of more material like this. Thanks for your interest Bernd!
Just got the MOTM 480 and this was the first video I hit that really dug. How much work is the CS-Mode doing in this composition?
Hi Marcus, thanks! Listening to it again, I remember using the 480 to filter the organ sounds coming from MI Rings. The sawtooth sounds were filtered by a .com Q150. The 480 is very clean, as you most likely have noticed. I really like it a lot, and find myself using it in most patches.
This may or may not be up your alley, but here is something I recorded a while back with the 480 as the only filter used: soundcloud.com/spinach-pizza/agnus-dei-thomas-morley
Pardon my ignorance about modular... what is sequencing/starting the sound here? Or is this whole thing just oscillators patched into this complex sound?
Hi jmacatx, thanks for listening!
I didn't use a dedicated sequencer for this. I made a sequence by mixing some noise with a slow ramp wave from an LFO, and routing that mixture to a sample and hold. The S&H has an internal clock, which provided the basic tempo of the music (until around 4:40, when I switched away from the internal clock and triggered it manually--the module I used for that is in the little desktop case. I reverted to the internal clock at around 6:00). I split the output of the S&H and offset the splits to varying degrees, and sent each offset split to a separate channel of my Synthesizers.com quantizer bank. The splitting and offsetting gave me three distinct, but related, sequences, which never entirely repeated themselves. These voltages I then used to control the pitches of the Rings module and the various oscillators. These were then fed into filters, the cutoff frequencies I controlled manually and also with LFOs. I didn't use any envelope generators in this patch.
Brilliant. There is a kind of "madness" in the sound. THis makes me really crazy :-)