Another great workshop. Thanks so much! I really appreciate these. Side note, I didn't have any UA-cam commercial interruptions this time. Although I was still reaching for the mute button after every segment just in case, haha. But much better. And I saw your note about making them available elsewhere. Wonderful! Thanks again, Patrick
I 've been trying to free up my vocal chords from the restrictions being placed on themby Parkinsons. In the earrly mornings I try to development a good bass resonance imy chest. Like whatyou arevdoing as I try to regain my fiddle playing Ron
I'm moved by your work here, Ron, and really grateful that this can be part of the combination. Slowness and gentleness with both of those areas is absolutely the correct path to lead towards resonance. When you think about volume, it's from reverberations and vibrations moving and reflecting inside of a vessel, as opposed to force and pushing. That 'power' comes from the body working in concert with itself, or the body easing out the sound from an instrument, as opposed to something forced.
a great experience and very satisfying presentation as well, thank you!
Another great workshop. Thanks so much! I really appreciate these.
Side note, I didn't have any UA-cam commercial interruptions this time. Although I was still reaching for the mute button after every segment just in case, haha. But much better.
And I saw your note about making them available elsewhere. Wonderful!
Thanks again,
Patrick
www.laurelpremo.com/store
I 've been trying to free up my vocal chords from the restrictions being placed on themby Parkinsons. In the earrly mornings I try to development a good bass resonance imy chest. Like whatyou arevdoing as I try to regain my fiddle playing
Ron
I'm moved by your work here, Ron, and really grateful that this can be part of the combination. Slowness and gentleness with both of those areas is absolutely the correct path to lead towards resonance. When you think about volume, it's from reverberations and vibrations moving and reflecting inside of a vessel, as opposed to force and pushing. That 'power' comes from the body working in concert with itself, or the body easing out the sound from an instrument, as opposed to something forced.