En la proximidad que me unio a Marthita por mi familia de musicos herederos de la enseñanza del gran Maestro Vicente Scaramuzza jamas podre olvidar una respuesta estudiando n casa de mis padres esta " noble y sentimental" obra de como transformarla en algo tan trascendental en su finisima interpretacion a lo que me respondio ... Dejar conectar con el espiritu vivo del compositor . Ahi realize el poder mediumnico de esta Artista unica e irrepetible , una vez mas gracias por tanto amiga !!!
Ravel's friend and contemporary Charles Kœchlin said that waltzes were sarcastically laughed at when first performed. Who were those people to be laughing at THIS...
They did not know it was a new piece by Ravel, this and other pieces were first performed anonimously!! This is my favorite piano piece by Ravel, ex-aqueo with Le Tombeau du Couperin. I love Miroirs too, but with too many pianists it becomes boring. Alas, Argerich never recorded it and I don't know if she ever performed it in public.
1st track: Too much pedal. Pace is too consistent. Not "French" enough as Ravel's direction on the score states. Kinda boring. Arcadi Volodos version is spot on.
as far as i am concerned this is heaven. it is perfect. divinely inspired music played by a goddess. it rocks TOTALLY. xox
That last page always makes me forget to breathe somehow, magnificent playing.
Très belle musique ! Très belle interprétation ! Merci beaucoup pour la partition qui suit le déroulement des divers thèmes !
0:05 I
1:24 II
3:46 III
5:08 IV
6:13 V
7:46 VI
8:28 VII
11:08 VIII
Gracias
9:44 is just pure transcendence
Suddely I've become an Argerich fan again. She uses her phenomenal technique to play casual without missing the point. Nice listening.
Ok
She is arch musical, which is certainly not the case of her pal Nelson Freire, who has awful taste.
En la proximidad que me unio a Marthita por mi familia de musicos herederos de la enseñanza del gran Maestro Vicente Scaramuzza jamas podre olvidar una respuesta estudiando n casa de mis padres esta " noble y sentimental" obra de como transformarla en algo tan trascendental en su finisima interpretacion a lo que me respondio ... Dejar conectar con el espiritu vivo del compositor .
Ahi realize el poder mediumnico de esta Artista unica e irrepetible , una vez mas gracias por tanto amiga !!!
Chi se ne frega?
Grazie mille per la condivisione, fenomenale 💕
I couldn't even begin to explain how difficult it is to play Ravel as is, let alone play this as well as Argerich does here
Waltz No. 4 @5:08 and parts of No. 7 sound music straight out of his orchestral work La Valse!
Ravel's friend and contemporary Charles Kœchlin said that waltzes were sarcastically laughed at when first performed. Who were those people to be laughing at THIS...
They did not know it was a new piece by Ravel, this and other pieces were first performed anonimously!! This is my favorite piano piece by Ravel, ex-aqueo with Le Tombeau du Couperin. I love Miroirs too, but with too many pianists it becomes boring. Alas, Argerich never recorded it and I don't know if she ever performed it in public.
❤❤
👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍
11:52 best part, very very deep
Almost identical harmony appears in Jeux d'eau (C/F#)
@@anonunknown7999 Love that piece, which timestamp exactly?
7:00 it's lovely
I am inclined to agree with you Lemi
6:30 what is that high note? I don’t see it in the sheet.
Куперен , Рамо , Дебюсси , Равель , Мессиан , Булез. Что дальше , Франция? Спасибо.
2:55 did she mess up?
No
No? That's exactly how it's written, and it sounds godly.
1st track: Too much pedal. Pace is too consistent. Not "French" enough as Ravel's direction on the score states. Kinda boring.
Arcadi Volodos version is spot on.