my grandma played this for me all the time as a child, i loved dancing with her in her arms until the sun came up early in the morning, such sweet childhood memories. now 30 years later, we are finally getting married. Thanks!!!!
final update: this is lowest point of my entire life. i went to the store to get something to eat to console myself, they called my an ugly peice of shit and said i was a weirdo for fucking my own grandma, whats worse is my opps stopped me on the way home and had their way with me. low key was fuckin w it. after finally getting home i took a long look in the mirror and explored myself, not like exploring my body on sum weird cay shit but like i wouldnt be opposed to it in the future, looking into my eyes i found a person staring back i didnt hardly know, a man who was troubled by the divorce of his grandma and wife, the death of his unborn son and father, and a man who needed love desparatley. the same love i expeireced dancing to this son all those years ago. Im offically working on forgiving myself for thesed actions even tho i think i was low key valid for allat. dont mattah tho, grandma fucker, father aborter. penis sucka, depressed loser, im starting to accept all these things about the man in the man in the mirror and loving the man that stares back at me. nay hetero. i truly love you and all the things you are. edit: who up ticklin it rn?🤔
You are the promised kiss of springtime That makes the lonely winter seem long You are the breathless hush of evening That trembles on the brink of a lovely song You are the angel glow that lights a star The dearest things I know are what you are Some day my happy arms will hold you And some day I'll know that moment divine When all the things you are, are mine You are the angel glow that lights a star The dearest things I know are what you are Some day my happy arms will hold you And some day I'll know that moment divine When all the things you are, are mine
How do I manage to make a melody while keeping up with chord changes every second? I have been practicing this song for a while and all I can do is play arpeggios at 75% speed.
Transcribe the vocal of the song first and then try to do your own. Probably will feel easier after you figure out the original melody line and how that connects all the chord tones
That's a great question ! It takes years to be able to do that, and tones of exercises that can help you with that. Dig into my channel and others, you'll get better at it
In classical and Jazz theory triangle means major triad, and triangle7 means major 7. but in this case i guess the writer actually meant major seventh by the triange symbol.
@@aleksgodson5125 the triad is normally signified by the letter name only. writing capital C is writing the major triad. the bits at the end are additions(with exceptions for sus chords) so triangle has to be the maj7. triangle7 would be maj7 add maj7, so its a little redundant :) hope this didnt come across as condescending, cheers.
You are the promised kiss of springtime That makes the lonely winter seem long You are the breathless hush of evening That trembles on the brink of a lovely song You are the angel glow that lights the star The dearest things I know are what you are Someday my happy arms will hold you And someday I'll know that moment divine When all the things you are, are mine
What? The bass and drums parts are awful. Listen again and compare them to the original real jazz players recordings (sonny stitt, mehldau et al) The bass part is flat and totally without syncopation. Likewise the drum part . ( sound like a cheesy 90's casio swing loop). The guitar voicing are good, but he way too often lands on the "One" instead of ahead of beat. "This kind of comping drags, rather than creating the tension between the instruments needed to make it swing." (Mark Levine: Jazz Piano) It will not benefit you "internal metronome" to saturate your brain with this kind of playing. You are what you eat. You will play as you practice.
The messed up thing about UA-cam is that the commercials just keep on coming. You can't abandon your computer because you have to be there to keep pushing that damn button. It's infuriating.
Hey is this copyrighted material ? i wanted to upload me playing this song but not sure if instagram will allow me to upload this backing track ? Can i use this ?
Love these, extremely useful, thank you for making them! They are the 1st thing I look for on youtube when learning to comp a new tune. and also my number one choice as backing tracks for improv.
@@sociablemisanthrope9066 yeah but there's one little detail, that the name Bdiminish is wrog, the correct name is D diminish, because this chord is Eb's dominant and thats why is a substitution of Bb7. if he was actually a Bdim it would be a substituit of G7 (dominant of Cm)
The highted chord is off putting. You need to be able to see clearly at least the next chord in bold to know where you're going. Improvisers need to read ahead. Thank you
Alejo Nuñez u can cooperate with all of us, explaining the mistakes and making yourself an edition, with the right ones and make it available for free for everyone, as he did here. This is called, constructive criticism :)
@@MarkTarmannPianoCheck_it_out The "right" way ? ? Lol. Which version? By whom? Of the 100s (1000s?) of recorded individual performances, creative interpretations and arrangements of this song -- some with chord substitutions chosen by careful consideration, or by accident, or perhaps misheard "in transcription", which version does Mr. Arbiter Of All Righteousness deem the "right" one? The most famous? The loudest? The most obscure? Your particular favorite? The earliest? One perhaps from the original cast album of the short-lived 1939 Jerome Kern musical that introduced this song? (Here's a performance of original orchestration: ua-cam.com/video/Kf80ntbCLCc/v-deo.html ). Listen carefully. Oh, my my . . . where is the now cliché Bird/Diz intro . . . . ? Those naughty lads shouldn't have tampered with the original, eh? Such wrong, wrong chords. Tsk tsk tsk. And as for 'transcribing' being the (presumably only) "right" way to learn chords, or a tune, or anything else: Not to diminish the manifold benefits of transcribing for improving one's ear-training to note details, in my opinion, to admonish and insist upon this as the "right way" is simply a moldy fig notion perpetuated by the self-appointed, snobbish, cliquish and apparently dyspeptic jazz police who, in musical performance situations, take not-so-secret pleasures in subtle or overt forms of "vibing" others and in exhibiting other forms of "hipper-than-thou" intimidation. A jack-booting of the spirit. Life is way too short in any case, especially when practice and preparation time is at a premium, not to choose from manifold technologies available (print, digital, video, sound, whatever) to quickly obtain and internalize the info one seeks. One method does not preclude another. Several things may be "right". Of course, this is simply an opinion. But I guess you learned Giant Steps and ATTYA entirely by ear, never once consulting lead sheets. Good for you! I couldn't . . . was way too impatient, alas.
my grandma played this for me all the time as a child, i loved dancing with her in her arms until the sun came up early in the morning, such sweet childhood memories. now 30 years later, we are finally getting married. Thanks!!!!
update: we're inviting our first child into the world on wednsday. everybody meet my father, Jereminthius. Thanks for the like kind stranger!!!
final update: this is lowest point of my entire life. i went to the store to get something to eat to console myself, they called my an ugly peice of shit and said i was a weirdo for fucking my own grandma, whats worse is my opps stopped me on the way home and had their way with me. low key was fuckin w it. after finally getting home i took a long look in the mirror and explored myself, not like exploring my body on sum weird cay shit but like i wouldnt be opposed to it in the future, looking into my eyes i found a person staring back i didnt hardly know, a man who was troubled by the divorce of his grandma and wife, the death of his unborn son and father, and a man who needed love desparatley. the same love i expeireced dancing to this son all those years ago. Im offically working on forgiving myself for thesed actions even tho i think i was low key valid for allat. dont mattah tho, grandma fucker, father aborter. penis sucka, depressed loser, im starting to accept all these things about the man in the man in the mirror and loving the man that stares back at me. nay hetero. i truly love you and all the things you are.
edit: who up ticklin it rn?🤔
Pardon
😦‼️
huh
As a student of jazz piano I find your standards to be the best to play along to - no piano accompaniment and a high quality backing band.
You are the promised kiss of springtime
That makes the lonely winter seem long
You are the breathless hush of evening
That trembles on the brink of a lovely song
You are the angel glow that lights a star
The dearest things I know are what you are
Some day my happy arms will hold you
And some day I'll know that moment divine
When all the things you are, are mine
You are the angel glow that lights a star
The dearest things I know are what you are
Some day my happy arms will hold you
And some day I'll know that moment divine
When all the things you are, are mine
thx
This is so useful in learning the guitar chords. I don't really have them down till I can keep up with your track!
How do I manage to make a melody while keeping up with chord changes every second? I have been practicing this song for a while and all I can do is play arpeggios at 75% speed.
Transcribe the vocal of the song first and then try to do your own. Probably will feel easier after you figure out the original melody line and how that connects all the chord tones
That's a great question ! It takes years to be able to do that, and tones of exercises that can help you with that. Dig into my channel and others, you'll get better at it
Can someone tell me what the triangle/delta symbolizes in a chord? Should I guess, is it a Major 7th?
Yes !
Yes
YES
In classical and Jazz theory triangle means major triad, and triangle7 means major 7. but in this case i guess the writer actually meant major seventh by the triange symbol.
@@aleksgodson5125 the triad is normally signified by the letter name only. writing capital C is writing the major triad. the bits at the end are additions(with exceptions for sus chords) so triangle has to be the maj7. triangle7 would be maj7 add maj7, so its a little redundant :) hope this didnt come across as condescending, cheers.
You are the promised kiss of springtime
That makes the lonely winter seem long
You are the breathless hush of evening
That trembles on the brink of a lovely song
You are the angel glow that lights the star
The dearest things I know are what you are
Someday my happy arms will hold you
And someday I'll know that moment divine
When all the things you are, are mine
awrsome track, super fun trying to adapt to the key changes on my guitar while improvising.
Fantastic guitar comping! As a bass player I am also listening to the bass lines. And the drummer on brushes! So smooooooth!
thanks! did you notice this playlist for bassists? Backing tracks : No Bass : ua-cam.com/play/PLUExMPmFbP3qDKX4EEWe2xfJX2WaIKQCS.html
@Guitare Improvisation can you tell me what that number " % " means in the chord chart ?
@@kennethbeavers6903 The "%" sign means it is a repeat of the chord before. Two bars of C Major. Two bars of G Major. Two bars of Ab Major.
@@tomneedham1937 thank you
What? The bass and drums parts are awful. Listen again and compare them to the original real jazz players recordings (sonny stitt, mehldau et al)
The bass part is flat and totally without syncopation. Likewise the drum part . ( sound like a cheesy 90's casio swing loop).
The guitar voicing are good, but he way too often lands on the "One" instead of ahead of beat.
"This kind of comping drags, rather than creating the tension between the instruments needed to make it swing." (Mark Levine: Jazz Piano) It will not benefit you "internal metronome" to saturate your brain with this kind of playing.
You are what you eat. You will play as you practice.
good
Break it up, break it up you guys
Only thing lacking is the last bar turnaround to bar 1 (fm).
I need to stop overplaying shit in this tune its becoming an issue
140bpm, for anyone wondering
Excellent. Thank you for sharing.
140bpm, It is.
why Abmaj? The secret is the C-!
I Agree ! Cm7 is much nicer, but the idea for me was to make it pretty basic.
with Abmaj "Dbm7-Gb7" is backdoor dominant progression
I mean c- is the upper extension of abmaj so yeah
Yeah in that c minor! Nice descending bass line.
I dnt agree with all the chord choices, but this is still a very nice backing track to improv too.
oui il manquerait un petit II V pour la dernière mesure....
Lovely stuff. You've helped me so much with my practice !
What a gorgeous song! Thank you.
The messed up thing about UA-cam is that the commercials just keep on coming. You can't abandon your computer because you have to be there to keep pushing that damn button. It's infuriating.
Hey, i uploaded a video using your backing track, hope you don't mind. I have a link to your video in the description. Thanks for the track.
If im not mistaken, triangle/ delta means Major 7
You are right.
Hey is this copyrighted material ? i wanted to upload me playing this song but not sure if instagram will allow me to upload this backing track ? Can i use this ?
공부하기너무좋은곡 ^^
251 на 251 и 251 погоняет 🌚
Hi there. do you have any tab charts for your tracks?
Great Backing Track !
Great backing track for piano too! Thanks...a lot! Greetings from Greece!
very nice. But personally I solo over families of chords (mostly). having the chords dark with one highlighted doesn't work for me. Great track.
👍👍👍
Sounds like a Bb dominant chord instead of a B diminished as you wrote, can you verify?
Yes, B is played at the bass so it's B°
I can't make out the chord symbols
Love these, extremely useful, thank you for making them!
They are the 1st thing I look for on youtube when learning to comp a new tune. and also my number one choice as backing tracks for improv.
good
Excelente!!
How many choruses?
Beautiful track. Thanks!
5 choruses
What chord Is B°?
It's a diminished chord : Si Re Fa and Sol# I think.
really good video for learning this is\\\1\!
joya
Tempo??
What chord Is the %
The same as the previous one
hello, would you mind if I use this backing track in my youtube video??
i'll put a link to your channel!!!
Yes, please do !
0
0:28
Very nice...but I used to sing to my dad when he was in the hosp 😭
😎
Doesn't the pitch go wrong? It sounds like all the chord have been half note down.
can anyone please explain what the "%" means??
It means that the previous chord continues in that bar. In the case of the Cmaj7 is another bar of Cmaj7, the same happens later with Gmaj7 and Abmaj7
@@ferminduran20 many thanks :)
use ya ear
the B dim should be Bb7
That is called a chord substitution.
@@sociablemisanthrope9066 yeah but there's one little detail, that the name Bdiminish is wrog, the correct name is D diminish, because this chord is Eb's dominant and thats why is a substitution of Bb7. if he was actually a Bdim it would be a substituit of G7 (dominant of Cm)
@@elidasilvalapa the name is wrong but b dim and d dim essentially share the same notes
@@elidasilvalapa A diminished chord can be named from any note in the chord.
@@elidasilvalapa it's named Bº cause there's a B played on the bass, the uploader said so in other comment dicussions :)
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0:37
The highted chord is off putting. You need to be able to see clearly at least the next chord in bold to know where you're going. Improvisers need to read ahead. Thank you
Lmao just memorize the progression
9 years ago tho
wrong chords
Alejo Nuñez u can cooperate with all of us, explaining the mistakes and making yourself an edition, with the right ones and make it available for free for everyone, as he did here. This is called, constructive criticism :)
@@tomvitti2415 or you can take his advice, and go transcribe and learn the right chords the right way, by ear.
@@MarkTarmannPianoCheck_it_out The "right" way ? ? Lol.
Which version? By whom? Of the 100s (1000s?) of recorded individual performances, creative interpretations and arrangements of this song -- some with chord substitutions chosen by careful consideration, or by accident, or perhaps misheard "in transcription", which version does Mr. Arbiter Of All Righteousness deem the "right" one? The most famous? The loudest? The most obscure? Your particular favorite? The earliest? One perhaps from the original cast album of the short-lived 1939 Jerome Kern musical that introduced this song? (Here's a performance of original orchestration: ua-cam.com/video/Kf80ntbCLCc/v-deo.html ).
Listen carefully.
Oh, my my . . . where is the now cliché Bird/Diz intro . . . . ?
Those naughty lads shouldn't have tampered with the original, eh? Such wrong, wrong chords. Tsk tsk tsk.
And as for 'transcribing' being the (presumably only) "right" way to learn chords, or a tune, or anything else: Not to diminish the manifold benefits of transcribing for improving one's ear-training to note details, in my opinion, to admonish and insist upon this as the "right way" is simply a moldy fig notion perpetuated by the self-appointed, snobbish, cliquish and apparently dyspeptic jazz police who, in musical performance situations, take not-so-secret pleasures in subtle or overt forms of "vibing" others and in exhibiting other forms of "hipper-than-thou" intimidation. A jack-booting of the spirit.
Life is way too short in any case, especially when practice and preparation time is at a premium, not to choose from manifold technologies available (print, digital, video, sound, whatever) to quickly obtain and internalize the info one seeks. One method does not preclude another. Several things may be "right". Of course, this is simply an opinion.
But I guess you learned Giant Steps and ATTYA entirely by ear, never once consulting lead sheets. Good for you! I couldn't . . . was way too impatient, alas.