Edvard Grieg - Violin Sonata No. 3, Op. 45 [With score]
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- Опубліковано 7 лют 2025
- Composer: Edvard Hagerup Grieg (15 June 1843 -- 4 September 1907)
Performers: Uto Ughi (violin), Bruno Canino (piano)
Sonata for Violin and Piano in c minor, op. 45, written in 1886-87
00:00 - I. Allegro molto ed appassionato
09:50 - II. Allegretto espressivo alla Romanza - Allegro molto - Tempo I.
15:54 - III. Allegro animato
In January 1900, Grieg performed his three violin sonatas with Wilma Neruda-Hallé in Copenhagen. Afterward, he wrote to his friend the Norwegian poet Bjørnstjerne Bjørnson that his violin sonata trilogy was closely related to his own life's experiences. "They characterize the three periods of my own evolution," he explained. "The first, ingenious and full of new ideas; the second, nationalistic, and the third, turned toward vaster horizons." Indeed, in the series of violin sonatas we do sense a logical, natural progression that may well seem autobiographical.
The set of three culminates with the massive C minor sonata, Op. 45, written in 1887. Whereas each of the previous sonatas had been set down in a matter of just a few weeks, Op. 45 was begun in the autumn of 1886 and was finished, according to the composer's journal, on January 21 of the following year. The work was dedicated to the painter Franz von Lehnbach, and had its premiere at the Neues Gewandhaus in Leipzig on December 10, 1887, in a performance by the Russian violinist Adolf Brodsky with Grieg himself at the piano. The work was enthusiastically hailed by critics and public alike. Within a very short time, it had entered the repertories of other leading violinists of the day, among them Wieniawski, Ysaÿe, and Kreisler.
Although Grieg characterized the piece as the product of newfound inspiration found during a time of personal happiness, such origins are hardly reflected by the terse urgency of the thematic material -- nor by the choice of key, a defiantly Beethovenian C minor. The dimensions are expansive, and the work takes about 25 minutes to perform. The opening movement (Allegretto molto ed appassionato) offers a tense first-subject motif, with the second group altogether more relaxed and consoling in mood. The darkly somber development section is based entirely upon the first theme, which also makes a further appearance after the recapitulation just prior to the very dramatic coda. There follows a slow movement (Allegretto espressivo alla Romanza) in the serene tonality of E major. Interestingly, piano and violin assume quite independent roles here; though each is heard in the noble main theme (some 44 measures in length), there is little sense of dialogue or equitable exchange between the two. The individuality of the two instruments is heightened to a surprising extent here, and even in the final section the two are never fully reconciled. The finale (Allegro animato) has a sonata structure (ABAB-Coda) without a development section, the lack of which is compensated for in a series of daring modulations that involve digressions into A flat major and F major. In the words of Rune J. Andersen, the piece contains "universal and national elements fused into something deeply personal and specifically Griegian."
[allmusic.com]
Original Audio: • Video
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Edvard Grieg:3.c-moll Hegedűszonáta Op.45
1.Allegro molto ed appassionato 00:00
2.Allegretto espressivo alla Romanza - Allegro molto - Tempo I 09:50
3.Allegro animato 15:54
Uto Ughi-hegedű
Bruno Canino-zongora
Köszönöm az értékelést
Köszönöm az értékelést Damon J.H.K.
@@davidrehak3539 c'ha detto
😅
I am beginning to learn this for the JIC international violin competition in 2022. It is quite a captivating piece of music. Quite excited, especially when I'll finally be able to play it with the piano!
Good luck
So, how was it ?
How did it go?
This is the most achieved of the three sonatas for violin and piano of Grieg and probably his best score of chamber music with hte sonata for cello and piano. It is amazing to hear how rapidly the beginning of the sonata changes from drama to elegiac mood. This" light and shadow" character runs all along the sonata.
I think String Quartet #1 is his best chamber score.
@gerardbegni2806 -- Excluding all else, I think that for gorgeous complex Melodies alone, Grieg is with Chopin, Puccini and Tschaikowsky. Auguroni from Acapulco!
I attended the graduation recital(?) in Juilliard the other day and heard this piece for the first time. The performer was so great and became to love this music.
Шикарная музыка!!! Спасибо за удовольствие!!! Браво исполнителю!!!
Final melody of the first movement is absolutely incredible (8:50). Listening it again, and repeat etc.. fantastic. Something from Brahms' Final of Piano quartet 1
Spirituelle, sensorielle et rebelle, la musique de ce compositeur reflète encore des impostures secrètes, explore des plaisirs sereins, un monde de rêves renaissants🌺🕊
after a few relistens of this piece, i honestly don't feel like the 3rd movement really stands up to the quality of the first two. The first two though, are absolutely amazing
I love them all. The first makes me nostalgic for my youth. The second movement of the second is definitely my favorite movement of them all. The third is my least favorite of the sonatas but I still enjoy it a lot:
I feel the same
i feel like the 3rd movement is just a typical finale. it is brilliantly written, but does lack some of the more "griegian norweigian" music in the first two movements. there's a contrast in the color, and while it is an outstanding movement, it's not ideal to perform it individually, similar to how we can't just listen to the 4th movement of beethoven 5 on its own. Without the previous setup, there is no finale.
Начало 1 части - 0:04
Основная тема 2 части - 9:50
Тема среднего раздела - 11:53
3 части, ГП - 15:55
Тема эпизода - 17:53
10:52 where the violin part of the second movement starts (for my own reference cuz I’m learning this)
11:53 bottom of first page
12:09 second page
12:48 like, 8 bars before C??
12:58 part c
13:40 page 3 start
14:03 part e
Bellissima sonata, magistralmente interpretata.
Grieg foreshadowed minimalism in the 3rd movement
Absolutely.
Also with the wonderful piano figurations with a fixed arpeggio and descending bass, 3:14 and 8:31
I worship Grieg but though full of melody this piece doesnot have the unique melodic, unsurpassed, captivating quality of his immortal piano concerto and many of his Lyric Pieces for piano. Yet I am grateful to having heard a wonderful performance.
Favorite part is 5:10
does anyone know any other pieces that have a similar sort of section?
Exactly my style (Piano solo composition/arrangement)
@@ChristineWang just find Sarasate
Ayyy me too!!
Heard that Liszt sight read this perfectly...
Asriel Meemurr Perhaps that’s what it was. I know he did sight read one of Grieg’s pieces while in the presence of Grieg.
liszt is an absolute madlad
@Constantinos Aspris I think you’ll find it was the G major Violin Sonata.
That's amazing, considered that Liszt was already dead when this sonata was composed.
@@WinrichNaujoks oh my goodness you’re right. It must have been on of Grieg’s earlier sonatas then. Either way, very kind of Liszt to return to the living world and do this favor for Grieg.
Idk why but I feel proud to be Norwegian
Da bør du skrive Norsk.
Det er for gale at det er flere kommentarer på koreansk under Edvard grieg sine stykker enn på Norsk.
Bare fordi du kan snakke Engelsk betyr ikke at du må, skal eller bør, Engelsk behøver ikke være et sammlende språk i 2021, alle har google translate.
@@gehstur7150 Hvem gidder å bruke translate på en kommentar?
Me too , especially in the third mouvement haha😂
@ConanQT -- You SHOULD be Proud! Just because you're Norwegian does NOT automatically make you a Bad Person! Cheers from Acapulco!
....and I STILL agree with myself......
A first time listen. I am really quite ignorant of his chamber music. This is wonderful.
me, to
Awesome Composition!
La plus belle des 3 sonates de Grieg, très bien interprétée (bien que j'aie un petit faible pour la version plus nerveuse de Kogan ou même de Dumay) Mille mercis à Damon J.H.K. pour la mise en ligne et la partition !
The gorgeous, lyrical melody in one section inspired John Rutter in his choral Candlelight (if I'm not mistaken) !
5:10 ❤️❤️❤️❤️❤️❤️
Two set violin
They did it again
we ling ling wannabes are slowly but surely taking over the internet
@@hannahseling1513 Yup.
Mañana la escuchare por un violinista estadounidense que bella pieza
One question: Why did Grieg use E major (very distant key from C minor) for 2nd movement?
It’s called doubly chromatic relationship and it was quite commonly used by the late Romantic composers.
Thanks! Would you please explain to me what doubly chromatic relationship is?
Nevermind, I found it out...
Also, I now realized that Beethoven used a similar technique in Piano Sonata No.8 in C minor (my personal favourite) movement 1. Exposition: c minor to eb minor
@@eunsungkwon485 You may also look at Brahms First Symphony.(Mvt 1 in C minor with ending in C major. Mvt 2 in E major, Mvt 3 in A flat major. Fourth Mvt has intro in C minor but then switches to C major for the Allegro) . By the way, I find the performance with Mr. Ughi and Mr Canino to be absolutely wonderful. They really capture the spirit and character of the work beautifully. And of course the playing is impeccable.
@mizzothify mizzothifi Yes. It appears in Piano Sonata No.8 Movt.1 as well (c minor -> eb minor)
thank you!
Pure bliss
good !!!!!!!!!
It's alright. I give it 6.5/10.
21:30-21:43 wwowowowowo
정말 좋다
and i have to play the first movement in 2 months...
How did it go? I'm in your same situation now!
@@BronzeSeiya went pretty well, did better than i anticipated
❤❤❤❤❤
Edvard Grieg!!! 👍❤😁❗
0:00
They say Grieg was Norwegian but he was more Russian than a Czar. 💅
Pffshh
PTSD of francois
Pedal compeletlynot used properly
Is there a PDF available to download?
imslp.org/wiki/Violin_Sonata_No.3%2C_Op.45_(Grieg%2C_Edvard)
Thank you!
You're welcome :)
Grieg não é aquele moço que faz os animais do zoológico, dormirem?
From Twoset 👀
Same
First time i heard it on two set violin piano accompaniamt improvasation and god, i hate the original accompaniamt