thank you so much, just spent a couple hours applying this and finally was able to hear the snare with the sound I have in my head! amazing tutorial, thnk you MR PENSADO
this is great. I love this. The tips and advice and general thoughts you give is very well suited for ANY genre. Be it Trance, Hardcore, Rock, Punk, Hip Hop or anything, this is very very good advice. Thanks!
Yeah! Great demonstration. I use this technique a lot, but Dave's demonstration made it so clear and obvious, and his choice of compressor and EQ has given me a few pointers - Stillwell audio do a great DBX-style plug-in that is pretty economical, and it is an under-used plug-in in my selection, so next mix, I'm gonna try to USE IT!
Love this, trying to get upfront CRACKY snares. So would you route both these snare tracks to a single "snare buss"? If so, is that where you would put your EQ?
great tips, thanks, do you have any ITL that tell how you set up our session, beside bass, drums, guitars, keys, vocals, where do they go?..like sub mix..master, sub master..not sure what is best routing and why..what is the final piece in the chain
Just for clarification, does the d3 works as a compressor+limiter at the same time? I can never crank up my parallel kick track that much, the transients are killing me!
It's set to an automatic time, so it has different thresholds that change the release time. So for example, .5ms over 10 db, 20 ms over 20 db, 100ms over 30db etc.
MORE GOOD STUFF as if you are an artist, then the more you know, the better to help you shape your own sounds and desired end results. More vids pop up after this to watch and learn for hours. Do an "ADD TO" a playlist to keep for reference.
In pop or rock, that's probably true. IMO, you don't need to compress crunch guitars; they are already compressed. Which is one of the reasons they sound so great. This is not true of jazz, classical, broadway, cinema music though.
thank you so much, just spent a couple hours applying this and finally was able to hear the snare with the sound I have in my head! amazing tutorial, thnk you MR PENSADO
Dave, you are such a great teacher.
this is great. I love this. The tips and advice and general thoughts you give is very well suited for ANY genre. Be it Trance, Hardcore, Rock, Punk, Hip Hop or anything, this is very very good advice. Thanks!
Thanks for spendin so much time into these videos, they're priceless!
Yeah! Great demonstration. I use this technique a lot, but Dave's demonstration made it so clear and obvious, and his choice of compressor and EQ has given me a few pointers - Stillwell audio do a great DBX-style plug-in that is pretty economical, and it is an under-used plug-in in my selection, so next mix, I'm gonna try to USE IT!
That Pultec EQ is my all time favorite plugin by far.
Thank you for your videos. They are some of the most helpful videos out here. Dave is my Idol!!!!!!
Forever grateful for the knowledge
I love watching ITL, awesome tipps and tricks!
“Mo Betta makes it Mo Betta” Mo Betta Blues movie Spike Lee. Great vid
BRILLIANT!!!! Just changed my mixing life!
"We all know the importance of dynamics in music" I completely agree.
I'm curious why the 160XT (Focusrite) for the kick & 160 VU (UAD) for the snare?
so when you mix it's a common thing to put a compressor on almost every single track?
Hey David! Can you tell us why do you think about your NS10 and when do you check your mixes there?
thanks!
Love this, trying to get upfront CRACKY snares. So would you route both these snare tracks to a single "snare buss"? If so, is that where you would put your EQ?
great tips, thanks, do you have any ITL that tell how you set up our session, beside bass, drums, guitars, keys, vocals, where do they go?..like sub mix..master, sub master..not sure what is best routing and why..what is the final piece in the chain
Just for clarification, does the d3 works as a compressor+limiter at the same time? I can never crank up my parallel kick track that much, the transients are killing me!
From of Chile, thanks Dave..
Great lesson Dave, thank you so much :-)
When hes doing kick with and without it sounds exactly the same to me ?
thank you Dave!
Are there ever any phasing/cancellation ?
THANKS DAVE.
thanks for your videos...
So generous. Thanks!
great tip
thank you dave!!
the 160 is just a nasty monster...
I dont understand the release times. I understand the attack but what does 1 sec/ 125 db mean? Every 125 of threshold?
It's set to an automatic time, so it has different thresholds that change the release time. So for example, .5ms over 10 db, 20 ms over 20 db, 100ms over 30db etc.
did you get an answer to this question?
MORE GOOD STUFF as if you are an artist, then the more you know, the better to help you shape your own sounds and desired end results. More vids pop up after this to watch and learn for hours. Do an "ADD TO" a playlist to keep for reference.
Thank you
Yes, most tracks or send a group to one for eg the drums
3:03 subtle... might muddy a mix though
Thank You !!!!
un pesado Dave pensado
In pop or rock, that's probably true. IMO, you don't need to compress crunch guitars; they are already compressed. Which is one of the reasons they sound so great. This is not true of jazz, classical, broadway, cinema music though.
💛💛💛
Awesome
great
TTTHHHHUUUUMMMMBBBS UUUPPP!!
These drums sound like Toontrack's Avatar kit.
Thank god for cracking waves 🙏🏻
Jeez! More tracks to kill my cpu... Damn..
Superior drummer
snare gives me such a hard time bro
Thanks Dave!!