PITCHING KICKS WITH ADDITIONAL PROCESSING | FL Studio Tutorial | How To Hardstyle
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- Опубліковано 28 лип 2024
- It's just a method to use if you feel like your kick lost some power during the pitching process, not saying you HAVE to do it this way 😁
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Intro (00:00)
Stupid Basics (00:40)
3 Pitch Methods (00:26)
How to Really Pitch (05:35)
Recap (10:53)
Outro (13:58)
#hardstyle #kicks #flstudio
HOW TO ACTUALLY PITCH YOUR KICKS | FL Studio Tutorial | How To Hardstyle - Розваги
this really helped! its so hard to find good hardstyle production tutorials but you make super helpful videos.
Amazing tutorial! Found it very useful
Thank u so much man...U r great...God 'll Bless U...
Actulllly Coolh Tut Man! Thnkwwwh!
This video solve many things in many ways producing Raw, thnxs 🔥🤘🏻
That's a pretty roundabout way of doing it. Just load the kick in two instances of Nimble Kick or Kontakt, one for the punch and one for the tail. Then you can process the kick without committing to audio, giving you the freedom to change not just the punch and the tail but the pattern as well. I do this in one instance of Patcher and keep all of my processing in there. Keep things neat and organized and gives me a lot of flexibility.
That's the way!
both those plugins are expensive
@@ROFEL While I went on the assumption that most people have Kontakt, any sampler would work. And Nimble Kick is $29.99-that's not expensive at all.
@@jetlag1488 $30 for one kick is very expensive
Is it bad that i prefer the other kick? There seems to be way more sub in the kick you pitched regularly. Nice tutorial though.
No, not at all! The video is just an example of what to try out in case you feel like your kick has lost its power during pitching! 🙂
i agree, i know what you're trying to do - i think an inflator at the end might glue the tail and punch together. Good vid
I think the new one opens more space. Not sure.
i totally see your point BUT in defense he could have easily added more subs to his kicks like he has way more space to play around
I will definately using this pack in my hardstyle productions
This was literally going thru my brain today
Game changer!
TY for awsome tutorial!!!!!!
Thanks a lot for the tutorial! Super cool :) What about that lead, any chance to have a tuto about it as well? I really like it
really dope🔥
Thank you for this !
Also, I would love to see a tutorial on how to mix down a kick.
I always struggle when it comes to mixdown every part of the kick.
Like should the punch and the tail stay in the same volume?, how do I know my lead is loud enough compared to the kick or the kick compared to the melody.
I know side chain makes it come cleaner etc I saw your breakdown videos as well and stuff - but still - I find it hard to get the balance.
Sometimes when I’m listening to tracks, the melody is slightly under the kick and sometimes the kick is defiantly lower in volume.
Also, should the tail and the punch be limited so the volume is on straight line in left and right (like mono sounds) or not ?
I don’t have Ozone - how can I make sure my punch and bass is mono below
MEGA TUTORIAL :)
Thx mane… now i can make music
Interesting method. But you could use a dynamic EQ for all that automation madness.
OOOU BROU THNKUH BROU !
awesome
You have regulated the kick with the pitch control in FL, but if you work with the pitch range and then stretch or shorten the tail with the MUL control, then the power still remains in the tail. In mode e3 Mono
Yea definitely a great tip! I just dislike the way FL pitching works on Hardstyle kicks... so I found a different method 😄
Hey Jim! Very nice tutorial! Didn’t now about this many automations stuff to pitch the kicks to be honest 🙃🙈
You said, that in Criminal Rawstyle Kicks you have even the Kick projects, isn’t it?
Can you PLEAAAASE (! 😅) make the same for AOC Eterny / Headhunterz Kicks? Would be really dope 🤩 it’s my favorite kick ❤️
You don't have to use all these automation clips, of course, it's just an extra method to maybe improve your kick (even when you think it's ready)! 🙂 And yea, Criminal Rawstyle Kicks contains the projects as well.
@@OnPointSamples I also do not know when it’s ready 😅 but I will test this 👍🏻 I am unfortunately not into Rawstyle - therefore I‘ve got the question, if you might be making these Heady Style Sample pack in the future 😍
I know you have been busy but i would love to be apart of your team creating cinematic chords 😊
For some reason the kontakt way isn't working for me, the kick repeats on the note, the tail and tok don't seperate either
12 months ago 😮
How do producers like cryex create their punches ?
the one with only nimblekick sounds almost the same. i dont get why you should even call the original kick sample "complete and ready to use" if it needs this much addiitonal processing and overengineering
One more...brother...Hardstyle structure ...like official legends ...how to make...whole project with vocal and cinematic good build up nd drop... 👌 Then Ancient God will come in to your Hardstyle family......
why pitch kick samples, when u can do kicks with synths and fx and play them in the right notes?
If you wan't very professional Hardstyle kicks, you'll have to work in your playlist compared to a VST/Synth. The synths are an insanely good starting point (XFer Serum for example), but if you want to get them to the next level: take them out of Serum, and work with them in your playlist! :)
How do you pitch your kicks? 👇🙂
Wid Adobe Audition Is dHIS cOOLWAY? USING ADOBE?
first one usesing fl pitch to broke to buy plugins :/
@@hunting_shadow No worries! Just use that method, and then follow the steps in the video. It will sound great regardless, no matter the plugin you use!
Nimble kick, period.
🇮🇳🇮🇳🇮🇳
Lol. Je hoort meteen dat Nederlandsche accent.
Edit: hoe lang Ben je al bezig?
pitching kicks with edision and time stretch is more easier than this
It's not a 'TOK' it's a 'Transient'. Where do these kids get their terminology?
Toktoktok 😭
😂😂😂 okay boomer .
made up cause they don't know sound theory lol
You really talking shit about the sampler of fl when you pitch it with the wrong pitch knob lmao.
Just don't like the resampling methods at all 🥳 Which knob should I be turning then?
@@OnPointSamples Yeah ofcourse you don't because you should use the pitch knob right in the upper corner, that way it's stretcher much nicer and you can then shorten or lenghten the tail with the mul knob
@Valido Did you know that the knob you are talking about operates based on the resampling method below it (the one I am tweaking)? Obviously, if your tail is a bit longer it should stretch and fit correctly. But it's still something in which FL is lacking. The resampling methods in Kontakt & Nimble Kick (or other DAWs) are much nicer. But each to their own! 😉
@@OnPointSamples But when i hear the end result i advice you to learn how to make a quality kick and make a good mixdown because now it sounds so off. You learn people how to do it the wrong way and they will actually think it's good. If you need help let me know
@@OnPointSamples Yeah but it sounds different but do it how you want ofc. Algorithms of fl are fine you just showed a bad method.
this whole videois so overwhelming with the eq automation, distortion reverb sends etc.. a beginner would loose their mind watching this video
This way is a real big waste of time. Kick Pitching basically has everything to do with the gain level of the fundamental frequencies in your tail. For example, your kick which has a base note of F# has a great fundamental frequency @ 46 hz. Awesome. But if the second harmonic, which would be around 92-93hz, has no gain the kick would fall flat.
The general rule is that the 1, 2, and 4th harmonics are the most important harmonics, mathematically, to a hardstyle kick. I recommend finding the hz of your kicks fundamental and making sure those frequencies are nicely emphasized, but not overdone. This will give your kick the power in the high notes that it needs. Don't waste your time trying to 'pitch' a kick using an EQ that's a horrible idea, because you're not changing the frequencies of the kick to match your melodies bassline which is like music 101.
The kick isn't pitched by changing frequencies... It's already done in Nimble Kick. The EQ's & distortion are added to find a sweet spot to make the (already pitched) kick a bit more powerful (in case you think it's needed).
@@OnPointSamples Maybe the kick just sounds like shit then lol. Nimble does a good job of pitching a kick if it's well made. Just focus on the bass frequencies as I described and as long as the tail isn't out of key, a kick should sound good pitched through nimble.
brother, you need to clean up that tail...
I can't find head and tail in this tutorial ?
1. do you know that you can solo the punch and the tail inside nimble ? so you dont have to export them and do it ?
2. the only real diffence you can hear is all the other elements and the big eq boost you add... i'm not really seeing the point of the tutorial ? or is there
something i have missed... you don't " Pitch " the kick different... you simply altering the kick... os you start showing 2 ways of " pitching " where you don't eq and alter the kick... and then you say you got the " right way " where you alter the kick... the 2 other examples would have sounded exactly the same if you did the same processing to them...
3. if you goal is to alter the kick, why not make a tutorial and simple can it that ?
4. the kick has now completely lost its ability to translate to different speakers, by destroying it's phase multiple times, by making a huge roundabout way of doing things...
finally I don't think that is a great way of promoting your sound and sample packs, because if the lack in producing abillity is this extreme in pitching understanding alone... I guess someone might start to question the overall quality of the sounds from " on point samples " in general... or is that just me
Must say this is one of our outdated tutorials… Never the less, it definitely helps people realise they can keep improving their kicks even if they think they are ready 😁