In my last comment I mentioned the checking of sheets for color and register. This press could just passing sheets through the press. Interested printers would very much like to see these tasks performed so as to determine their interest of purchase. As one commented on a job that was printed with hickeys and no one noticed.
Depending on the artwork and actual hue and colour saturation required press operators world over every once in a while change the sequence that allows them to better control the final output. The paper used, the colour domination involved per job and the ink transparency all play a crucial role in determining if an odd approach works better. There is of course the factor of ink imulsification that depends on how good the dampening system is such that it allows better control over press output.
It really does not matter if magenta down first or cyan. I've tried it in my 29 inch Komori 5color. Inks are formulated to trap any sequence. As long as black down first and yellow down last.
Me and my bro run a 6 colour speedmaster and always run slower at 6,000iph.I learned the hard way one time when I didn't see a huge hickie on a solid.I was running a job of 120,000 sheets at 10,000iph and I spent lots of time in toilet looking out window and having a smoke while i thought my bro was checking job, he was in bindery chatting up the old fat ladies.When I saw the bullseye on job I hoped it was only on a few hundred sheets.Not to be,it was there on over 32,000 sheets.I got a final written warning and had to reprint the waste on my own time,without pay.Me and my bro I-roy won't ever run press fast again. No siree bob.
In my last comment I mentioned the checking of sheets for color and register. This press could just passing sheets through the press. Interested printers would very much like to see these tasks performed so as to determine their interest of purchase. As one commented on a job that was printed with hickeys and no one noticed.
Spent some time on one similar and it ran fine. Miss working in the press room
Depending on the artwork and actual hue and colour saturation required press operators world over every once in a while change the sequence that allows them to better control the final output. The paper used, the colour domination involved per job and the ink transparency all play a crucial role in determining if an odd approach works better. There is of course the factor of ink imulsification that depends on how good the dampening system is such that it allows better control over press output.
It really does not matter if magenta down first or cyan. I've tried it in my 29 inch Komori 5color. Inks are formulated to trap any sequence. As long as black down first and yellow down last.
The last century. For which tasks does this press exist?
Where do you sell the machine?
Nice, I run a Heidelberg 2 colour speedmaster, the fastest we usually run it is at 8500, then she gets too temperamental. 9500 tops.
Me and my bro run a 6 colour speedmaster and always run slower at 6,000iph.I learned the hard way one time when I didn't see a huge hickie on a solid.I was running a job of 120,000 sheets at 10,000iph and I spent lots of time in toilet looking out window and having a smoke while i thought my bro was checking job, he was in bindery chatting up the old fat ladies.When I saw the bullseye on job I hoped it was only on a few hundred sheets.Not to be,it was there on over 32,000 sheets.I got a final written warning and had to reprint the waste on my own time,without pay.Me and my bro I-roy won't ever run press fast again. No siree bob.
I need to buy a used machine. Does your company have?
y'a possibilité de faire stage là-bas??
She’s gonna blow!!
hola buenas tardes que gran empresa
La secuencia no es lo correcto si es que es selección de colores, pero la máquina excelente 👍
need to stir that ink down onto the inkball what the fuck
mantap
2020 corona