How To See As An Artist And Not As A Camera for Landscape Painting Tutorial
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- Опубліковано 9 вер 2024
- A camera sees things differently than what we see with our eyes when we want to paint the landscape. The photos can be a bit flat and the dark shadows can go black. We want to interpret things in terms of shape, value, and color, instead of being so literal, like a camera. This will give our landscape paintings more life to our compositions.
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I really believe Phil does the most useful landscape tutorials on UA-cam because he always addresses this - the interpretation/simplification of a scene. Nobody else seems to do it in such depth.
Thanks John!
Agreed! Just saying "use three values" t9 create form is somehting I haven't heard from other instructors, but is really Importent to build up a form "dark, half tone, lights." Also how to mix them ie "add a little more yellow to the greens as they turn into the sunlight ' - such simple but overlooked solutions to flat looking paintings.
Found this discussion and video on how to simplify and adjust values, temperature, and color in photos so helpful someone who primarily uses photos when painting.
Glad it was helpful!
Very, very helpful tutorial. Seeing how the photo evolves to be a great painting is a reminder that the artist is the one in charge to make it happen. Thanks Phil.
Your welcome!
Exactly! Until recently, th3 scene was the one in charge, and I would try to copy what I could see, not thinking about making important decisions such as "what color and temp is the shadow, and how can i make it stand out from other near values and hues"- decisions like those really begin to show who is in charge, and it reflects in the painting and really is what makes an artists slicks apparent in the finished piece- it's not enough to capture a scene faithfully- the artists artistic decisions must be seen and apparent - it is what gives the paintings their real,character!
Thanks so much Phil
You're welcome Carol
This was very helpful! Thank you for this excellent demo!
Glad it was helpful!
Great reminders that we, as artists, are the ones that own and dictate/interpret the scene - not the photo. Like everything else in life, this is something that requires practice. I've been focusing on it more when doing sketches and thumbnails, and asking myself: "What do I want to emphasize in this painting or composition?".
Thanks for the discussion and inspiration, Phil 🙂.
Your welcome Sonya
Thank you so much for sharing all these videos, Phil!!! You are very generous... and your explanations are so clear and helpful!!!
Thanks Diana, glad they are helpful
this video is really helpful for an amateur artist,sir phil thank you so much .GOD BLESS ALHAMDULILLA
Thank you Jul, glad it was helpful
Really useful, thank you.
Glad it was helpful!
Thanks.
your welcome!
Hi Phil, I love your content! I notice an autumn scene on the floor behind you. Could you please speak to the method you used to create backlighting? Thank you 🤩
To suggest the light in a landscape its always a matter of finding the shadow and light patterns to suggest what the light is doing.
You can also watch this video I did on backlighting ua-cam.com/video/OJ0ODRz4ptk/v-deo.html
Thank you :)
You're welcome!
Thanks!
Thanks
As always, helpful and clarifying. Thank you.
Glad it was helpful!
Great job Phil, love your work
Thanks for listening
Appreciate your videos. I use painterly techniques in my wood carving art, do a lot of suggesting
Looks interesting Mark, Thanks
Great 👍
Thank you 👍
Thanks, you help me to see in values and shadows. Which program do you use?
Your welcome Karen, I use photoshop