So I've been owner and user of a "silver" Moytze for a bit over half a year now. And let me begin by saying that it's an awesome instrument. My Kairos and Moytze have rendered my existing collection of didgeridoos to dust-collecting artifacts. But why? Well, first of all, there is the sound. Moytze is not as easy to play as Kairos, as it needs a bit of training to get adequate output levels. It's back pressure is good, breathing is easy, but there's a twist: Moytze is a black hole for air. You can put - to my experience - any amount of air into it, and it will just suck you out. Mind you, not without creating a nastily loud response, but the instrument doesn't peak. It just asks for MORE. Do you know the feeling when you are doing a workout involving a concentrated fraction of muscles? You do one exercise and put your everything into it, and it feels good. But somehow you know, that's not peak performance. With premeditating what you are doing, concentration, and practice you know you can improve your movement. On a global scale, taking a big hammer and smashing in some wall, with each hit you feel like, "this is 22% of what my muscles can do" And you hit again, with more force. Your brain tells you like "nice, but this feels more like 24.5% of what your muscles can do". Spastic repetitions later, your muscles ache while your brain tells you you peaked at well, 30-x%. Moytze is the same. So you want to do a drum sound. And you make that t. Well, let's say, you make that T. Let's even say you make that super-charged precrompressed T on steroids followed by an exclamation mark or three. You put it into moytze. The wood rings and vibrates and you get a wonderful sustain...but ... your air is just gone. Poof. And the pipe tells you: You know, I can do more. I can sustain longer. I can vibrate more. I can take more air. I can take more pressure. I can be louder. I can be clearer. I can shift those frequencies more to the right, left, up, down. I can output a punch that makes the wardrum of the uruk-hai sound faint. So you inhale, compress, and try again. And there it sits, laughing at you. Not in an insulting way, but in a encouraging way. Come on, it says, hit me harder. You'll like it! And this story extends to every sound you throw in there with force, thought, precision or a plan. I haven't been able to find its peak performance. This is because its peak performance is MY peak performance. And I know I can improve, and so the Moytze sound will improve and keep on improving, ever taunting me to do more, go bigger, go faster, clean up that embouchure, tighten those face muscles, raise that back of the tongue, compress and release more air more quickly ... it'll be there, waiting for you, just like in the story of the race of the hare and the tortoise. But that's not all it will do for you. It doesn't haunt you as unplayable until you've progressed to world domination. No. Instead it invites you, at any level (well, as soon as you get a tone out of it) to PLAY. So you aren't an industrial grade A compressor like Dubravko Lapaine? Pah, doesn't matter. Those tiny transients where you just open your lips while you're thinking about what to play? Moytze resonates. You whisper into the stick? It resonates. You sing with throat, mouth or head? It resonates. You push a little? It resonates. You push more? It resonates harder. You go slow? It, guess what, resonates with you. You wanna go fast with a deep didge? Guess what. It'll take your hand, mesmerize you and you embark onto a trip beyond space and time, a voyage of pure drool inducing joy all the while sucking out the air out of you like outer space. And you're talking to gods of old and they answer you. This is what you get when you get a moytze. To say playing it is bliss is a harsh understatement. It is an instrument that is insultingly cheap for what it allows you, compared to the rest of the economic world. So let's be thankful Du is sharing this with us. I suggest you get one and enter the rabbit hole of physical and psychic enlightenment.
@@eternal_way_of_light man it's been four years! wow. Just to let you know, with all the didges I have acquired in the meantime, this is still my main workout and playing buddy!
AAAAAA Some day I will make a Didge like this one. I just have a pvc pipe xD But I've all ready taken some Agave to make my own instument. Mesmerized with Didgmo... Amazing sound you have! Thank you for your channel!
this one seems to be very long for the note. i guess the inner shape gets narrow at the beginning and then its light conical till the bellend. this gives good pressure with lots of toots and good resonance for aircode. And, I wouldnt sell it because in my opinion its a centerpiece in your compositions, a part of your soul :).
So I've been owner and user of a "silver" Moytze for a bit over half a year now. And let me begin by saying that it's an awesome instrument. My Kairos and Moytze have rendered my existing collection of didgeridoos to dust-collecting artifacts. But why?
Well, first of all, there is the sound. Moytze is not as easy to play as Kairos, as it needs a bit of training to get adequate output levels. It's back pressure is good, breathing is easy, but there's a twist: Moytze is a black hole for air. You can put - to my experience - any amount of air into it, and it will just suck you out. Mind you, not without creating a nastily loud response, but the instrument doesn't peak. It just asks for MORE.
Do you know the feeling when you are doing a workout involving a concentrated fraction of muscles? You do one exercise and put your everything into it, and it feels good. But somehow you know, that's not peak performance. With premeditating what you are doing, concentration, and practice you know you can improve your movement. On a global scale, taking a big hammer and smashing in some wall, with each hit you feel like, "this is 22% of what my muscles can do" And you hit again, with more force. Your brain tells you like "nice, but this feels more like 24.5% of what your muscles can do". Spastic repetitions later, your muscles ache while your brain tells you you peaked at well, 30-x%. Moytze is the same.
So you want to do a drum sound. And you make that t. Well, let's say, you make that T. Let's even say you make that super-charged precrompressed T on steroids followed by an exclamation mark or three. You put it into moytze. The wood rings and vibrates and you get a wonderful sustain...but ... your air is just gone. Poof. And the pipe tells you: You know, I can do more. I can sustain longer. I can vibrate more. I can take more air. I can take more pressure. I can be louder. I can be clearer. I can shift those frequencies more to the right, left, up, down. I can output a punch that makes the wardrum of the uruk-hai sound faint. So you inhale, compress, and try again. And there it sits, laughing at you. Not in an insulting way, but in a encouraging way. Come on, it says, hit me harder. You'll like it!
And this story extends to every sound you throw in there with force, thought, precision or a plan. I haven't been able to find its peak performance. This is because its peak performance is MY peak performance. And I know I can improve, and so the Moytze sound will improve and keep on improving, ever taunting me to do more, go bigger, go faster, clean up that embouchure, tighten those face muscles, raise that back of the tongue, compress and release more air more quickly ... it'll be there, waiting for you, just like in the story of the race of the hare and the tortoise.
But that's not all it will do for you. It doesn't haunt you as unplayable until you've progressed to world domination. No. Instead it invites you, at any level (well, as soon as you get a tone out of it) to PLAY. So you aren't an industrial grade A compressor like Dubravko Lapaine? Pah, doesn't matter. Those tiny transients where you just open your lips while you're thinking about what to play? Moytze resonates. You whisper into the stick? It resonates. You sing with throat, mouth or head? It resonates. You push a little? It resonates. You push more? It resonates harder. You go slow? It, guess what, resonates with you. You wanna go fast with a deep didge? Guess what. It'll take your hand, mesmerize you and you embark onto a trip beyond space and time, a voyage of pure drool inducing joy all the while sucking out the air out of you like outer space. And you're talking to gods of old and they answer you.
This is what you get when you get a moytze. To say playing it is bliss is a harsh understatement. It is an instrument that is insultingly cheap for what it allows you, compared to the rest of the economic world. So let's be thankful Du is sharing this with us. I suggest you get one and enter the rabbit hole of physical and psychic enlightenment.
Thank you for this world class review!
This is the best review I've ever read. Thank you for this.
Yes, I feel your feedback in a right way))! Powerful review! Thanks!
@@eternal_way_of_light man it's been four years! wow. Just to let you know, with all the didges I have acquired in the meantime, this is still my main workout and playing buddy!
@@Wergiftfresch 💪🗿
Wow $1,000 holy cow but this is a great lesson I like the Drum Lesson a lot and I appreciate you not swimming while you're teaching this lesson
Thank you! Clear and helpful 💪🤝!
AAAAAA Some day I will make a Didge like this one. I just have a pvc pipe xD But I've all ready taken some Agave to make my own instument. Mesmerized with Didgmo... Amazing sound you have! Thank you for your channel!
Merry Christmas Dubravko
Lake of awareness is amazing!
AMAZING Vibation !
I wish you a lot of success with Twoytze... ☺☺☺ ❤ Ti
You understand everything and more.
Happy new year !
To you too Axel! In advance for 2019!
Haha just stumbled onto this new year eve 2019.
Epic Dù
this one seems to be very long for the note. i guess the inner shape gets narrow at the beginning and then its light conical till the bellend. this gives good pressure with lots of toots and good resonance for aircode. And, I wouldnt sell it because in my opinion its a centerpiece in your compositions, a part of your soul :).
take the shirt off so we can see it (:
move along people, nothing to see here...