It is not hell, but heaven. These are the sonic refractions of sonic gems, silent in electricity, and then realized through a speaker. The cables are woven for us to climb to new heights.
I heard the word "quadrature" and had to drop everything I was doing to stare intently at the video. The mention of the dome filter in the frequency shifter for the Hilbert transform is exactly the missing piece I have been searching for in one of my projects! And as always thanks for the killer music!
The more I have been listening to demos of this, the more excited I am about it. I've really enjoyed the sounds of test equipment on your channel for a long time. And I love how you both didn't just try to recreate that one for one, but you tried to think more creatively - how to take it a step further and harmonize the old and the new to create something really remarkable. I am not swimming in money, so it takes me a while to save up for the things I want. For all this does it seems fairly priced and it's now on my short list of gear that I am saving up for!
I am unlikely to buy this, not having gone into modular (yet?), but the sounds are amazing. I also love that you mentioned cost and gave a recommendation to those of us who can't buy it or don't have modular systems. My favourite video of yours is the How to Hainbach on a budget. This might actually come close as a source of ideas. Thanks!
You could probably just buy this and maybe one other thing to interact with it and call it there. It seems to have a lot of cool individual functions in a single package.
This is awesome! There are a bunch of haters on the first Reddit thread, chanting "influencer!" and whatnot, and even on the Divkid video, people are asking if this module only makes dirty distorted sounds, without having paid attention to the gain knob that this video clearly shows - This module is clearly well thought out, as are all Joranalogue modules, and I'll be happy to add one to my rack.
What I've love about Joran's modules is that rather than tailoring the modules to specific sonic characters or workflows (which isn't itself bad) his modules intelligently expand, open up, and expose the signal paths of tried and true concepts to users in the true spirit of modular synthesis. That results in patch-programmable "lab" modules that have deliberately very clean, sterile sounds by default to provide building block signal chains and paths to build/patch out the specifics of what one may need/want at any given time/patch, and plenty of modulation options to tailor custom grit and character along the way. I'd been wondering what he'd make once he'd worked out a stable of the staples, which I think he's definitely done now, and I'm stoked to see him taking that same design philosophy forward with this collaboration with you! So many other manufacturers would completely bury the curcuit behind the panel and say "Here's your input and here's your output, how it sounds is how it sounds" whereas here you've together taken a classical (relatively speaking) amplifier/signal-identification circuit and made a musical instrument out of it by providing multiple input and output taps to and from its signal path(s) that ultimately provide modulatable takes on other well known (to the Eurorack world) functions like band-pass filters, low-pass filters, pinging filters, frequency shifting, phase shifting and signal mixing the results of all of those things while still then making new output signal (X' and Y' mag & phase outputs) available.
What a lot of work you should all be proud of! So cool to get all that stuff condensed down into such a small package and in the eurorack standard. Seeing the bouncing ping pong ball made me think of a recent video from @NileRed (Inspired by @SteveMould) where he made an "atmoic trampoline" which is basically just extremely "bouncy" metal that another piece of metal (like a ball bearing) bounces for a long time on. It ends in a really cool tone because it keeps bouncing so fast right at the end. Would be interesting to hook up with one of those guys and get it sampled with a contact mic or maybe even borrow one!
When I ordered a Collider at Schneider's today they mailed me back that you - personally - were in stock too. I consider mine to be 'quantum entangled with the creators' now. Can't wait to give it a go and thank you so much this collision to happen. I can't help wondering. They used this equipment in the 50's, so they're probably using something less heavy and more digital these days. Ever wondered what they're using in the 21st century?
Congrats with this excellent module, you both!! Taking interesting older scientific T&M functionallities into 2024 is just awesome!! This might be the place to thank Belgium radio man Jan Cosemans who offered me a LIA (besides some other instruments I bought from him) in around 2006 at trainstation Maastricht :-) When it became part of Willem Twee Studios (WTS) as from 2015 it was discovered by Dennis Verschoor in a WTS PDF and later Hainbach as being a super interesting signal processing device :-) COMPLIMENTS!!!!
This sounds just wonderful! I’m not in the market for one at the moment (no Eurorack so far), so thank you for the reminder about Lines/Dials. Hope sales of this module take off, condensing a wall of test equipment into 20HP is no mean feat. Congratulations!
God damn, and I was 100% sure Oneroi was my module of the year. This is about to give it some fierce competition! 2024 has been an awesome year for eurorack.
What an amazing module. ❤ I have a PAR lock in but it needs a recap. The saturation and sound reminds me of off center/side band radio signals. Def one for my wish list.
What a magnificent opportunity for everyone who can't afford the money, space, and technical knowhow for lab equipment. I wish I had Eurorack to put this fascinating module into! Love it!
You have the best toys in the world. My little kid self back in the 70’s would be SO jealous! All I had was my Radio Shack electronic experiments board to make sounds with, or my kid guitar that I would bang on the strings with the eraser-end of a pencil to make weird noises. I never could have imagined back then that there would be so many more wonderful noises in the future!
Impressive! Lovely sounds, always loved Joranalogues approach of multi-functional modules vs multi-modal modules, it's how I imagine Serge systems operate, though I have no experience in that. I'll take two of these to go please, and will put them also in their own tiny case with some modulation. I particularly like the sounds at 19:40
20hp == Maths so...a lock in amplifier in the same space seems more than fair. Thanks a lot, Hainbach! Just when I was happy with my eurorack setup you've given me a reason to buy a whole new rack :P But seriously, lovely. Just lovely. And I hope I can get it some day.
This module was one of the absolute highlights of Machina Bristonica (a show with many highlights). Don't think I've ever sat and played with one Eurorack module at a show as long as I did with Collide. Awesome sound possibilities.
I combine it with Orbit 3 in two of the patches in my video. It's indeed a great combination! But then I've used Orbit 3 in almost everything since I got it anyway 😁
Nice! Yeah, it does the yowl and crunch thing spectacularly well, plus the tracking function is a whole new way to make entire sequential lines of pitches, not merely the one or two you get off of a typical lock-in amp. This thing screams "abuse potential"! Lo-fi producers will love it, it fits into ACIIEED really well, or you can just let it evolve textures. It's everything I love about my own PAR and EG&G gear, minus the hernias! I ought to get back in touch with Trogotronics...several years ago, they were rebuilding the iconic Hewlett-Packard 200 oscillators into lo-fi synths. I mentioned that if he wanted one particular module that would be guaranteed to fly off the shelves, he should try to make use of the UBM as the core of such a module. We all know what THAT box can do...but the idea of putting it into Eurorack AND giving it some CV abilities would be simply amazing. It 100% would take a tube-talented designer to make it happen, but I think it's more than merely possible.
Just when I thought I was able to wrap my head around what was going on in most modules ... I bet this would work well in an experimental case with a Benjolin, Doepfer PLL, Compare 2, and maybe a Turing Machine.
Im very happy for you brother. You sound so proud and happy that it is contagious. I am not an Eurorack aficionado, but as an engineer, I can tell (and hear) that this is avery well crafted piece of equipment (Joran captured very well the essence of the devices). My two cents is not only promote this beautiful module tonus (synth-nerds). You should also try this with bass and guitars. Since we are talking about amplifiers, in this case the C4 most add some unique saturation and grit as a pa for the guitar couple with a beautiful reverb. Congratulations and hope the C4 sells like hot cakes! Sincerely Sid
Great video! I don’t have anything Eurorack but this is inspiring! It would be a nice video if you could go over your setup and why you chose the other modules for touring, specially any tricks with the Maths module.
amazing coincedence that i was one of the handful passionately begging for a lock-in amp plugin on one of your original videos on the subject many years ago, and i just happen to be getting into eurorack right now. destiny has granted you the perfect customer edit: okay well, having seen the price maybe not the perfect customer... but hopefully it sticks around long enough for me to save up
If you are missing the big knobs you could always add Control by Music Thing Modular, adds 4 nice big knobs to give it that test equipment look and feel!
Funny thing- I was watching Ben DivKid Wilson make some extremely odd noises with this a couple hours back, and I said to myself: no. Then a friend sent me the link to this, and I’d pre-ordered the damn’ thing inside five minutes. Can’t wait!
Amazing collaboration, thanks for all this effort -- it connects totally to sonic ideas I have in mind. Could you please elaborate on the potential musical interactions and patch ideas for a single-module install and the alternative options/concepts which require 2 of the Collide4 modules? Any details on this would be great
Man, that sound at like 18:15 sounds JUST like the sound at the start at "Milkman" from Aphex Twin....I wonder if he was using test equipment for that...
@Hainbach: What is this tiny little case at 6:43 in the Video, where the Collide 4 is fixed in? I would need something like that, because I don‘t own any eurorack.
Can we please pause to applause Jamie Lidell 👏👏
@Hainbach, you will be responsible for my descent into hell of eurorack modules.
Well, addicts are known for dragging other people into their addiction. So now that we have you ... we will not let you go. 🤪
It is not hell, but heaven. These are the sonic refractions of sonic gems, silent in electricity, and then realized through a speaker. The cables are woven for us to climb to new heights.
Wizardry loves Company
He's already done that with me...
Hell yeah, i stayed strong for so many years of not falling into that rabbit hole......today i feel extremely weak!
OMG i would love to see a video of this being used like the original equipment in the original context!!!
Yeah I hope someone who has experience sees it
I heard the word "quadrature" and had to drop everything I was doing to stare intently at the video. The mention of the dome filter in the frequency shifter for the Hilbert transform is exactly the missing piece I have been searching for in one of my projects!
And as always thanks for the killer music!
Joran and company do outstanding work. This module seems to be very special, even by such high standards. Cheers to all involved.
Fantastic sounds. Love to see such an original module hit the market.
The more I have been listening to demos of this, the more excited I am about it. I've really enjoyed the sounds of test equipment on your channel for a long time. And I love how you both didn't just try to recreate that one for one, but you tried to think more creatively - how to take it a step further and harmonize the old and the new to create something really remarkable.
I am not swimming in money, so it takes me a while to save up for the things I want. For all this does it seems fairly priced and it's now on my short list of gear that I am saving up for!
I am unlikely to buy this, not having gone into modular (yet?), but the sounds are amazing. I also love that you mentioned cost and gave a recommendation to those of us who can't buy it or don't have modular systems. My favourite video of yours is the How to Hainbach on a budget. This might actually come close as a source of ideas. Thanks!
You could probably just buy this and maybe one other thing to interact with it and call it there. It seems to have a lot of cool individual functions in a single package.
^^^^^^ He said "and call it there". That provided a well needed laugh.
@@stolencoats63 yeah, music gear is already a bad addiction. I know modular would only make it worse!
Well you guys certainly didn’t phone this one in. This is absolutely fantastic! ❤
Super cool, I love electronics/test equipment they're all so fascinating and sound so interesting.
This is awesome! There are a bunch of haters on the first Reddit thread, chanting "influencer!" and whatnot, and even on the Divkid video, people are asking if this module only makes dirty distorted sounds, without having paid attention to the gain knob that this video clearly shows - This module is clearly well thought out, as are all Joranalogue modules, and I'll be happy to add one to my rack.
I like dirty distorted sounds so that doesn't bother me. Cost and space are considerations. At least this thing is small.
What I've love about Joran's modules is that rather than tailoring the modules to specific sonic characters or workflows (which isn't itself bad) his modules intelligently expand, open up, and expose the signal paths of tried and true concepts to users in the true spirit of modular synthesis. That results in patch-programmable "lab" modules that have deliberately very clean, sterile sounds by default to provide building block signal chains and paths to build/patch out the specifics of what one may need/want at any given time/patch, and plenty of modulation options to tailor custom grit and character along the way.
I'd been wondering what he'd make once he'd worked out a stable of the staples, which I think he's definitely done now, and I'm stoked to see him taking that same design philosophy forward with this collaboration with you! So many other manufacturers would completely bury the curcuit behind the panel and say "Here's your input and here's your output, how it sounds is how it sounds" whereas here you've together taken a classical (relatively speaking) amplifier/signal-identification circuit and made a musical instrument out of it by providing multiple input and output taps to and from its signal path(s) that ultimately provide modulatable takes on other well known (to the Eurorack world) functions like band-pass filters, low-pass filters, pinging filters, frequency shifting, phase shifting and signal mixing the results of all of those things while still then making new output signal (X' and Y' mag & phase outputs) available.
Now this is a super cool idea.
3:35 is perfect 😁 great atmo
Love the creation of this module, Hainbach! Great to to see Joel, Tyler (?), Knobs and crew on here too 💙
Wow! Another creative and characterful module! Love the processed vocals. But it’s so versatile. Wow ❤
HAINBACH! You must stop doing so much cool stuff so fast! All your plugins are great and I’d already *finished* my jouranalogue sytem! lol ❤️
What a lot of work you should all be proud of! So cool to get all that stuff condensed down into such a small package and in the eurorack standard.
Seeing the bouncing ping pong ball made me think of a recent video from @NileRed (Inspired by @SteveMould) where he made an "atmoic trampoline" which is basically just extremely "bouncy" metal that another piece of metal (like a ball bearing) bounces for a long time on. It ends in a really cool tone because it keeps bouncing so fast right at the end. Would be interesting to hook up with one of those guys and get it sampled with a contact mic or maybe even borrow one!
Oh yeah indeed! Love watching NileRed, curiously calming
Congrats, it's amazingly versatile and sounds amazing!
When I ordered a Collider at Schneider's today they mailed me back that you - personally - were in stock too. I consider mine to be 'quantum entangled with the creators' now. Can't wait to give it a go and thank you so much this collision to happen. I can't help wondering. They used this equipment in the 50's, so they're probably using something less heavy and more digital these days. Ever wondered what they're using in the 21st century?
Stanford Research Systems SR860 is an example of a modern lock-in amp.
that's awesome! a good friend of mine works at Joranalogue. chances are he's at least in part responsible for the design of this module. ☺
Congrats with this excellent module, you both!! Taking interesting older scientific T&M functionallities into 2024 is just awesome!! This might be the place to thank Belgium radio man Jan Cosemans who offered me a LIA (besides some other instruments I bought from him) in around 2006 at trainstation Maastricht :-) When it became part of Willem Twee Studios (WTS) as from 2015 it was discovered by Dennis Verschoor in a WTS PDF and later Hainbach as being a super interesting signal processing device :-) COMPLIMENTS!!!!
Once I get back into buying synths and modules, this and a Moog Spectravox will be the next part of my journey. Very inspiring!
This sounds just wonderful! I’m not in the market for one at the moment (no Eurorack so far), so thank you for the reminder about Lines/Dials. Hope sales of this module take off, condensing a wall of test equipment into 20HP is no mean feat. Congratulations!
Great concept and wonderful sounds.
Congrats on the release! 👏
"Good enough for science" is such a great metric
Hainbach hits differently… always ❤
God damn, and I was 100% sure Oneroi was my module of the year. This is about to give it some fierce competition! 2024 has been an awesome year for eurorack.
What an amazing module. ❤ I have a PAR lock in but it needs a recap. The saturation and sound reminds me of off center/side band radio signals. Def one for my wish list.
Amazing engineering and sounds!
What a magnificent opportunity for everyone who can't afford the money, space, and technical knowhow for lab equipment.
I wish I had Eurorack to put this fascinating module into! Love it!
This will probably be the next module I buy. Such a versatile and unique module.
That sounds very beautiful. And seems so versatile. Nice!
Congratulations Hainbach! Sounds and looks great 👍🏾
This looks AWESOME! Congratulations! Great sounds!
You have the best toys in the world. My little kid self back in the 70’s would be SO jealous! All I had was my Radio Shack electronic experiments board to make sounds with, or my kid guitar that I would bang on the strings with the eraser-end of a pencil to make weird noises. I never could have imagined back then that there would be so many more wonderful noises in the future!
Broooo....you know what I'm going to say
That BASSSSSS , more gnarly wooohooo 👌 Daamn I WANT this!
Impressive! Lovely sounds, always loved Joranalogues approach of multi-functional modules vs multi-modal modules, it's how I imagine Serge systems operate, though I have no experience in that. I'll take two of these to go please, and will put them also in their own tiny case with some modulation. I particularly like the sounds at 19:40
This sounded fantastic, I got to play it, and wow, some lovely crunch and huge range, nuclear ❤
20hp == Maths so...a lock in amplifier in the same space seems more than fair.
Thanks a lot, Hainbach! Just when I was happy with my eurorack setup you've given me a reason to buy a whole new rack :P But seriously, lovely. Just lovely. And I hope I can get it some day.
this is brilliant. bravo on the release. 😍
Jamie Lidell is one seriously creative fella.
Oh yes! Releasing an album with him in December
We are indeed in an era of innovation in music hardware
Congratulation on your new album, Ghost! I'm listening it 24/7
Thank you!
This module was one of the absolute highlights of Machina Bristonica (a show with many highlights). Don't think I've ever sat and played with one Eurorack module at a show as long as I did with Collide. Awesome sound possibilities.
Beautiful and interesting, as expected with Joranalogue circuits. Congrats on the new module, Hainbach! You should pair it with Orbit 3.
I combine it with Orbit 3 in two of the patches in my video. It's indeed a great combination! But then I've used Orbit 3 in almost everything since I got it anyway 😁
This highly interests me
Ha you need one of these mate!
😎😎😎
love to see my favorite new youtuber here at an old mainstay
at 9:01 those deep sounds, really great.
Woah this is incredible module, you are geniuses! Thanks, even like I would need more modules in my shopping cart..
Lovely. Ordered. Dream come true.
Thanks! Congratulations and good luck on the road! 👍
Thank you for making this happen. Can't wait to run it with my Bugbrand with some adaptor cables.
Nice! Yeah, it does the yowl and crunch thing spectacularly well, plus the tracking function is a whole new way to make entire sequential lines of pitches, not merely the one or two you get off of a typical lock-in amp.
This thing screams "abuse potential"! Lo-fi producers will love it, it fits into ACIIEED really well, or you can just let it evolve textures. It's everything I love about my own PAR and EG&G gear, minus the hernias!
I ought to get back in touch with Trogotronics...several years ago, they were rebuilding the iconic Hewlett-Packard 200 oscillators into lo-fi synths. I mentioned that if he wanted one particular module that would be guaranteed to fly off the shelves, he should try to make use of the UBM as the core of such a module. We all know what THAT box can do...but the idea of putting it into Eurorack AND giving it some CV abilities would be simply amazing. It 100% would take a tube-talented designer to make it happen, but I think it's more than merely possible.
That lo-fi pad at 3:03 reminds me of one in Kraftwerk's Autobahn.
What a lovely module. Quite unique. Ordered!
Just when I thought I was able to wrap my head around what was going on in most modules ... I bet this would work well in an experimental case with a Benjolin, Doepfer PLL, Compare 2, and maybe a Turing Machine.
in love with the part around 2.22
so good, i love it
Im very happy for you brother. You sound so proud and happy that it is contagious. I am not an Eurorack aficionado, but as an engineer, I can tell (and hear) that this is avery well crafted piece of equipment (Joran captured very well the essence of the devices). My two cents is not only promote this beautiful module tonus (synth-nerds). You should also try this with bass and guitars. Since we are talking about amplifiers, in this case the C4 most add some unique saturation and grit as a pa for the guitar couple with a beautiful reverb. Congratulations and hope the C4 sells like hot cakes! Sincerely Sid
Thank you Sid! Yeah it does work with guitar and bass, I should indeed film that. Good call!
Great video! I don’t have anything Eurorack but this is inspiring! It would be a nice video if you could go over your setup and why you chose the other modules for touring, specially any tricks with the Maths module.
amazing coincedence that i was one of the handful passionately begging for a lock-in amp plugin on one of your original videos on the subject many years ago, and i just happen to be getting into eurorack right now. destiny has granted you the perfect customer
edit: okay well, having seen the price maybe not the perfect customer... but hopefully it sticks around long enough for me to save up
Absolutely love the drum sounds coming out of this. Wonder if I could approximate using a resonater of some kind
Ohhhh my goodness!!! Very exciting. Must have
Im hella envious🎉
Jamie Lidell is also Nuclear. Love this guy.
So much depth with this. Might have to rearrange my rack! Haha
Suh dude! Fabulous sounds as always!
If you are missing the big knobs you could always add Control by Music Thing Modular, adds 4 nice big knobs to give it that test equipment look and feel!
Yeah for a bigger system that seems like a good way to go
2:22 Hohner Guitaret! Yes!
Video on that next week or so
I AM SO EXCITED
Sounds amazing! I must have this computational unit for my sonic laboratory. Instabuy!
i look forward to more in this series .. if you can could you offer this as a VCV module also i would buy
Oooh, man, that bouncing ball immeadiatly took me back to the Pi OST Aphex track, awesone stuff!
The frequency shifted piano sounds really lovely
Funny thing- I was watching Ben DivKid Wilson make some extremely odd noises with this a couple hours back, and I said to myself: no. Then a friend sent me the link to this, and I’d pre-ordered the damn’ thing inside five minutes. Can’t wait!
If I ever get back into modular synths (I really miss it...)I think this will be the first module I'd get to start again :D
I've been dreaming of something like this...
Amazing collaboration, thanks for all this effort -- it connects totally to sonic ideas I have in mind. Could you please elaborate on the potential musical interactions and patch ideas for a single-module install and the alternative options/concepts which require 2 of the Collide4 modules? Any details on this would be great
Noted! Will collect all questions and make an in depth video.
It has arrived!
Wow. Sounds amazing!
Man, that sound at like 18:15 sounds JUST like the sound at the start at "Milkman" from Aphex Twin....I wonder if he was using test equipment for that...
mad scientist this guy :D Love it
sounds lovely
Absolute jawdropper!
The nuclear football of nuclear test equipment.
@Hainbach: What is this tiny little case at 6:43 in the Video, where the Collide 4 is fixed in? I would need something like that, because I don‘t own any eurorack.
4MS pod, you can get them in various sizes. This is the smallest at 26 HP (I think)
@@Hainbach Thank you so much for that fast response!
It's New-clear! Very nice.
oh man that bread board development layout is insane .
Called it on Modwiggler! Haha it is a lock-in amp! Now what to sell to fund this beauty 😢
so killer!
i so so want this, hopefully i get a company bonus, and its the first thing i am buying lol!
This sounds SO good. Want.
I see awesome sound design potential in it for film ❤ great, know i have to save money 😅
next level!
Thank you!!!
Very interesting.
oh wow. this sounds nice!
Awesome sauce!
18:17 Is that the start of Milkman by Aphex Twin?
Not intentionally, but I do love Apex
@ChaseBlissAudio "Clean" from 2:35?
Clean was not use here.