Let's keep in mind that Ms. Sierra was 27 when she performed this. I personally believe she does excellently, but to those who may disagree, note she is comparatively very young and still has a far to go in her career. I hope we see more of her soon, once it is safe to perform again.
Their actual ages may be close, but relative to voices, this is excellently cast. Sierra's voice has the warmth of maturity, and Oropesa's the clarity of youth.
Never imagined this combination in this duet, but it works-nicely sung by both (love Oropesa’s surprising but perfect little vocal flourish at the end). It’s an example of one of the things that make her one of today’s most exciting artists.
@@junemayoff8110 no tanto, lo que pasa es que el concepto soprano era más amplio en otros tiempos y una mezzosoprano era incluida en el conjunto de los cantantes soprano sin discriminar por subtipos
Actually. are both excellent. This is six years ago after all. Nadine is beautiful and graceful - a young Countess who still has so.e of Rosina's playfulness but tempered by the realities of the life she embraced so suddenly in IL BARBIERE. Lisette acts as a young woman of lesser rank but quick wit. Both are keenly aware of the disadvantages inherent in their situations - the spoiled young Almaviva has become a petty Tyrant - his privileges enshrined in Custom and Law. Beautiful singing from both ladies.
ok,if it wasn't for Shawshank Redemption, l probably would never have heard this. l have searched and listened to a lot of ladies sing this. But l can't find a better version. These two ladies are my absolute favorite! 🤗🥰💯
Hopefully someone (rich enough) would think (seriously enough) about producing Cosi fan tutte with Oropesa and Sierra. Can you imagine Soavia sia il vento? I can and it's getting me shivers. Many thanks for posting.
Dorabella's role asks for a mezzo. These two are sopranos. It's true, nevertheless, that Oropesa could be a splendid Fiordiligi, although, maybe, a little too light for the low notes in _Per pietà ben mio perdona_
@@robert111k mezzosoprani didn't exist formally when Mozart wrote his operas. Dorabella is written with lower notes than Fiordaligi, but both are mostly within the standard soprano range (C4-C6). In the end, it depends on how comfortable a soprano feels singing more in her lower register than her upper register.
@@robert111k Actually there was no classification 'Mezzo Soprano' in Mozart's time. One was either Soprano or Contralto. Dorabella is the second Soprano part - usually sings in harmony with Fiordiligi in ensembles. This is like DON GIOVANNI - Anna and Elvira are both Soprano roles - so is Zerlina, and of course Despina. Dorabella's solo music is not lower overall than Fiordiligi's. It's just that Fiordiligi has those crazy wide Intervals which are intended to show how unstable she is. A bit nuts actually.
@@suzannederringer1607, tradition, wich is important in opera too, asks for a mezzo in Dorabella's role. If you remember, all the great Dorabellaas of the XXth century have been mezzi. Btw, Mozart used to write for (sometimes against, like Ferrarese's Fiordiligi) actual singers, not for any fachs.
Sull'aria ... che soave zeffiretto / Lyrics Main Results Sull'aria Che soave zeffiretto Zeffiretto Questa sera spirerà Questa sera spirerà Sotto i pini del boschetto Sotto i pini Sotto i pini del boschetto Sotto i pini del boschetto Ei già il resto capirà Certo, certo ei capirà Certo il resto ei capirà Canzonetta sull'aria Soave zeffiretto Sotto i pini del boschetto Ei già il resto capirà Certo, certo ei capirà Ei capirà Certo, certo ei capirà Ei capirà Ei capirà Ei capirà Ei capirà Ei capirà Ei capirà
È sempre sorprendente scoprire come il genio di Mozart ha tratto un gioiello simile da un testo certamente grazioso ma di per sé non eccezionale... la freschezza delle interpreti fa il resto. Impagabile!
“I have no idea to this day what those two Italian ladies were singing about. Truth is, I don’t want to know. I like to think they were singing about something so beautiful it can’t be expressed in words, and makes your heart ache because of it.”
Actually they are making reference to a song that was popular in the time of Beaumarchais, who wrote the play on which this opera is based. Dual purpose within the story and as a story-telling device!
I WAS there!! Sadly, my (not inexpensive) seat on the main floor was just a dead spot for acoustics, I had trouble hearing most everyone throughout the opera.
Sierra is a full lyric coloratura. It’s a completely lovely performance but she just lacks the vocal tone and dynamics, scale to be a convincing older noblewoman passed by. It’s better with a lyric soprano at least towards a spinto voice that has great control. She sounds more like Susanna. Oropesa is also a lyric coloratura with a faster vibrato and she is absolutely fine as Susanna.
@@orion8835 I don't think the Countess is actually that much older. If I'm not mistaken this is meant to be shortly after Il Barbiere di Siviglia. Like. 3 years later. Shes not a matron.
@@mestewart82 that's what I was thinking. I mean let's be real, do we REALLY always cast the role for the exact right voice type and age?? Netrebko is singing anything and everything under the sun at the MET so I kind of feel like we can let this one slide. Lol
There is no such thing as "come scritto" in Mozart. You are encouraged, and expected to add variations. Some singers even change the variations every night.
@@PIPEBITE These days, no singer gets to choose their own variations. Conductors have nearly all of the power and they consider what is in style or not. Patrick Summers (The conductor) is likely to be the one who added the variations.
Let's keep in mind that Ms. Sierra was 27 when she performed this. I personally believe she does excellently, but to those who may disagree, note she is comparatively very young and still has a far to go in her career. I hope we see more of her soon, once it is safe to perform again.
Both are Great. I m so Lucky to see Nadine 1st, the my dear friend Lisette...
Man of culture ❤
Their actual ages may be close, but relative to voices, this is excellently cast. Sierra's voice has the warmth of maturity, and Oropesa's the clarity of youth.
Two of the greatest singers, and also two of the nicest and most generous people...
only a genius could create this. Bravo, Herr Mozart.
Como El ninguno.
Never imagined this combination in this duet, but it works-nicely sung by both (love Oropesa’s surprising but perfect little vocal flourish at the end). It’s an example of one of the things that make her one of today’s most exciting artists.
Wonderful to see these two young stars in the making.
Боже, я нашла эту красоту!!! 2 райские птицы парят высоко в чистом небе! Люблю, люблю, люблю!!!! ❤️❤️❤️
Дуэт двух сопрано в опере- редкость.
@@junemayoff8110 no tanto, lo que pasa es que el concepto soprano era más amplio en otros tiempos y una mezzosoprano era incluida en el conjunto de los cantantes soprano sin discriminar por subtipos
Actually. are both excellent. This is six years ago after all. Nadine is beautiful and graceful - a young Countess who still has so.e of Rosina's playfulness but tempered by the realities of the life she embraced so suddenly in IL BARBIERE. Lisette acts as a young woman of lesser rank but quick wit. Both are keenly aware of the disadvantages inherent in their situations - the spoiled young Almaviva has become a petty Tyrant - his privileges enshrined in Custom and Law.
Beautiful singing from both ladies.
Good god! How much beauty in these voices!
They did this wearing those constricting outfits. Absolutely incredible!!!
Just the most exquisite duet ever ❤
Two of the greatest singers! Bravo!
che duetto fantastico lisette oropesa e la straordinaria nadine sierra
ok,if it wasn't for Shawshank
Redemption, l probably would
never have heard this. l have
searched and listened to a
lot of ladies sing this. But l
can't find a better version.
These two ladies are my
absolute favorite! 🤗🥰💯
Sou fã de Oropesa...uma das poucas intérpretes da atualidade que consegue fazer algo de útil.
OMG!! BRAVIII !!!
No tengo palabras....
it's so beautiful ^^ a perfect duo!!! I hope I can see them performing together in the near future!!
Magnifique !!!!!
This is excellent cast!
Que naturalidad y frescura, me encanta.
Wish I'd been there. I love them both.
Two goddesses
Hopefully someone (rich enough) would think (seriously enough) about producing Cosi fan tutte with Oropesa and Sierra. Can you imagine Soavia sia il vento? I can and it's getting me shivers. Many thanks for posting.
Dorabella's role asks for a mezzo. These two are sopranos. It's true, nevertheless, that Oropesa could be a splendid Fiordiligi, although, maybe, a little too light for the low notes in _Per pietà ben mio perdona_
They two are sop, no mezzo！
@@robert111k mezzosoprani didn't exist formally when Mozart wrote his operas. Dorabella is written with lower notes than Fiordaligi, but both are mostly within the standard soprano range (C4-C6). In the end, it depends on how comfortable a soprano feels singing more in her lower register than her upper register.
@@robert111k Actually there was no classification 'Mezzo Soprano' in Mozart's time. One was either Soprano or Contralto. Dorabella is the second Soprano part - usually sings in harmony with Fiordiligi in ensembles. This is like DON GIOVANNI - Anna and Elvira are both Soprano roles - so is Zerlina, and of course Despina.
Dorabella's solo music is not lower overall than Fiordiligi's. It's just that Fiordiligi has those crazy wide Intervals which are intended to show how unstable she is. A bit nuts actually.
@@suzannederringer1607, tradition, wich is important in opera too, asks for a mezzo in Dorabella's role. If you remember, all the great Dorabellaas of the XXth century have been mezzi. Btw, Mozart used to write for (sometimes against, like Ferrarese's Fiordiligi) actual singers, not for any fachs.
What a crossover!
Sull'aria ... che soave zeffiretto
/
Lyrics
Main Results
Sull'aria
Che soave zeffiretto
Zeffiretto
Questa sera spirerà
Questa sera spirerà
Sotto i pini del boschetto
Sotto i pini
Sotto i pini del boschetto
Sotto i pini del boschetto
Ei già il resto capirà
Certo, certo ei capirà
Certo il resto ei capirà
Canzonetta sull'aria
Soave zeffiretto
Sotto i pini del boschetto
Ei già il resto capirà
Certo, certo ei capirà
Ei capirà
Certo, certo ei capirà
Ei capirà
Ei capirà
Ei capirà
Ei capirà
Ei capirà
Ei capirà
È sempre sorprendente scoprire come il genio di Mozart ha tratto un gioiello simile da un testo certamente grazioso ma di per sé non eccezionale... la freschezza delle interpreti fa il resto. Impagabile!
“I have no idea to this day what those two Italian ladies were singing about. Truth is, I don’t want to know. I like to think they were singing about something so beautiful it can’t be expressed in words, and makes your heart ache because of it.”
the theme of the song is very trivial .
@@ascendien But the music is not.
The plots of many operas are preposterous and silly but....... the music, the MUSIC !!!!
@@ascendien they are writing a fake love letter, it's not trivial, it's baroque
Actually they are making reference to a song that was popular in the time of Beaumarchais, who wrote the play on which this opera is based. Dual purpose within the story and as a story-telling device!
The recording used in that film is by Gundula Janovitz and Edith Mathis. Although I love Oropesa, that version is still the best on earth)
Wow, what a great acting, Lisette! Sincere, no faking. You even act a bit aggressively, I like this new shade in your palette!
She is brilliant and evidently loves her work.
Bela música de um gênio ! E muito bem interpretada por essas italianas. Essa música foi usada no filme Um sonho de liberdade.
Adoro Lucia Popp e ascolto quasi sempre Lei però queste due cantanti son riuscite ad emozionarmi...sono bravissime....
I WAS there!!
Sadly, my (not inexpensive) seat on the main floor was just a dead spot for acoustics, I had trouble hearing most everyone throughout the opera.
Lovely
I liked it! I thought it was lovely
No importa tanto entender el idioma, igual que cuando escuchamos musica do Mozart o cualquier otro genio... es solo sentirla, captar su belleza..
in nessun'altra lingua diversa dall'italiano avrebbe avuto lo stesso effetto: Mozart ben lo sapeva
Me encanta que Lisette Oropesa escriba con la zurda, además de cómo canta, obviamente.
멋져요~~
Slendide
que hermosa escena
Perfect
Suangarrr cuk , musik yg indah..🌹🌹💖💖💖💖
Oreposa un miracle!
Nadine Sierra needs to be singing at the Kennedy Center!
Qué locura de Canzonetta. Sonno Conmozzo
Bravi!!!
Tickets would be so expensive!
Exquisite
Una delle opere più belle... Le nozze di Figaro di Mozart... con due cantanti eccellenti
Bravissimo!
Good version
Where can I find this full production?
좋다
Certified hood classic
💛
جميل جدنا
Interessante
❤🥰👍👏👏👏👏
Shawshank redemption
..sto genio di Wolfi..
"canzonetta sull'aria" brano di Mozart suonato anche nel film 'le ali della libertà'..
MOZART!!!!
Aqui depois do filme : um sonho de liberdade
At least proper costumes, sets, and staging.
Bravo ... Think about shawshank redemption and soob !!!
I know that laugh
00:42
A certain Kind of magic Mozart is missing…
It’s attractive. However Sierra as La Contessa is under cast greatly to almost a comic level.
How so? Her voice seems to fit the role well to me. Maybe I don't understand enough about the character.
Sierra is a full lyric coloratura. It’s a completely lovely performance but she just lacks the vocal tone and dynamics, scale to be a convincing older noblewoman passed by. It’s better with a lyric soprano at least towards a spinto voice that has great control. She sounds more like Susanna. Oropesa is also a lyric coloratura with a faster vibrato and she is absolutely fine as Susanna.
@@orion8835 I don't think the Countess is actually that much older. If I'm not mistaken this is meant to be shortly after Il Barbiere di Siviglia. Like. 3 years later. Shes not a matron.
@@mestewart82 that's what I was thinking. I mean let's be real, do we REALLY always cast the role for the exact right voice type and age?? Netrebko is singing anything and everything under the sun at the MET so I kind of feel like we can let this one slide. Lol
True. She's closer to Susanna than the countess for me.
A little mismatched.
Two soubrettes singing… not at all how it should be cast.
Too fast :(
It always is. I think the Kiri version is the perfect speed.
Oropesa is a bit of a show-off, even adding fioreturi at the very end where there are none come scritto.
There is no such thing as "come scritto" in Mozart. You are encouraged, and expected to add variations. Some singers even change the variations every night.
@@operapassion3468 if that is correct then they have the responsibility of choosing and delivering carefully those “variations”.
@@PIPEBITE These days, no singer gets to choose their own variations. Conductors have nearly all of the power and they consider what is in style or not. Patrick Summers (The conductor) is likely to be the one who added the variations.
Two singers that I hate the most in one place.. great, now I can decide who's worst. 😂
Why? They are the best singers of our time.
@@tuulakrzywacki5296 It's a question of taste