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Using Endora: ORTF with Dual Output Microphones

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  • Опубліковано 3 лис 2023
  • This covers how to use two dual output microphones such as Endora to record in ORTF. Then in post, how to adjust the microphone patterns while listening. I presented a paper on the technique at the Fall 2023 AES convention in NY. I use Reaper to do this without any plugins.
    You can expand or collapse the stereo field in a subtle or not subtle way. It is a really cool technique that has little published info on to date.
    You can use any dual output microphone to do this but I am using Endora.
    Endora is a fantastic microphone kit that is easy to build. FInd her here: www.jlielectronics.com/diy-mi...
    #Endora #soundsleuth #microphone #ORTF #stereo

КОМЕНТАРІ • 14

  • @jackgrewe
    @jackgrewe 7 місяців тому +1

    Great work. The most to the point and informative, yet simple, source of information on the mechanics of a dual output microphone I've come across so far. Very appreciated!

  • @JamesGrieve-kt4su
    @JamesGrieve-kt4su 5 місяців тому +1

    I love this ORTF variant. It adds numerous perspectives to what is already a fabulous sound scene.

  • @jonathanduckett6602
    @jonathanduckett6602 9 місяців тому +1

    Well done! Very illustrative. Thank you for contributing to the understanding of stereo recording and microphone technique.

    • @SoundSleuth
      @SoundSleuth  9 місяців тому

      Thank you, really appreciate the feedback.

  • @claudedicesare6817
    @claudedicesare6817 9 місяців тому

    Very nice contol with your Endora's captation. I hope buying an couple of Endora when i can and founding the time for build (or buying) your special XLR 5 pins ;). Great Job and video ! Thank you from Fr and you get all my respect and admiration.

  • @ScottGrammer
    @ScottGrammer 9 місяців тому +1

    Great video, and I'd love to have a pair of those mics. Maybe someday. BTW, what you're referring to as distance factor is similar to what sound reinforcement folks refer to as "critical distance." The difference is that critical distance is used with loudspeakers, not mics. In sound reinforcement, the critical distance is the distance from the speakers at which the energy from the reverberation of the room is equal to the energy coming directly from the speakers. Beyond this distance, speech quickly becomes unintelligible.

    • @SoundSleuth
      @SoundSleuth  9 місяців тому

      Yes critical distance and distance factor are very similar

  • @grape5995
    @grape5995 9 місяців тому +1

    Hi, I was wondering if you can give me your opinion about the RK-47 vs the JLI-86u capsules? Thx!

    • @SoundSleuth
      @SoundSleuth  9 місяців тому +1

      I have built 4 mics with the JLI-86u and like them. They are good edge terminated capsule and all four were consistent. I have not built any RK-47 mics yet.

  • @jdjd2922
    @jdjd2922 8 місяців тому +1

    would adding delay between the mics in post create a wider base?

    • @SoundSleuth
      @SoundSleuth  8 місяців тому

      Yes it would. 1msec equates to about 30cm or so.