Trevor Horn-The Genius Producer that defined a decade!
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- Опубліковано 19 жов 2023
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Trevor Horn has been described as the man who invented the 80s due to his involvement in music production advancements during the that decade. From his own bands the Buggles and Art of Noise, to working with Dollar, ABC, Yes, Frankie Goes to Hollywood, Grace Jones, Seal and many more. His sonic identity is etched all over these records and its a sound that continues to thrill people to this day. This video looks into the methods used and the use of new technology that enabled whole new soundscapes to be created.
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#trevorhorn #fairlight #frankiegoestohollywood #yes #buggles #80smusic #recordproduction #theartnoise #seal
It's about time that someone nominated Trevor Horn for the Rock & Roll Hall of Fame!
It is! Trevor was part of the artists that we recognized when _Yes_ were inducted in 2017! But you are correct : Trevor Horn needs to be inducted to 'The Rock and Roll Hall of Fame and Museum' .
His production on “Left to my own devices” single by Pet shop boys is legendary.Still sounds awesome today.
It really does, his work with them sounds great!
The 12"-Version is great
I was obsessed with ZTT in the eightees.
Samehere, I was at the record stores here in California checking the IMPORT SECTION for 12inch remix singles of anything with Ztt & Produced by Trevor Horn on the record sleeve….Horn’s singles were very expensive because they were imported here from England…..Art Of Noise, Frankie, McLaren, Yes, Act, Propaganda, Buggles & all the other artist he remixed were highly sought after by my friends & I
Same. ZTT is the one ☝🏾
Owner of a lonely heart and Relax, two of the best sounding songs ever-much respect
Don’t forget he produced ‘Duel’ by Propaganda and re-mixed a 6.1 surround version of the album. Simon Mayo said ‘Duel’ is one of his favourite songs.
Same for me
Steve Lipson did that, Horn was an executive producer I think.
Dr Mabuse is the only Propaganda song he produced, and it shows. For me, its their best track, by a country mile.
The word genius gets thrown around but this guy Trevor special ❤
Thank you Fairlight Australia 🎹 for helping shape the 80’s sound
I sat 15th ish row on the Drama tour, in the round. Remember Whites drum riser turning the opposite direction of the stages rotation and thinking what a nightmare cables must have been. To start the show a cylinder came down, then opened a circular curtain dropped raised and the band was standing there. I still love that lp !
Note: the Lexicon 480L debuted in 1986. If Horn was using a Lexicon unit in 1982-1983 to record Yes, it would most likely be a Lexicon 224 (released 1978).
Cheers for the info!
That's actually pretty cool information.
Yes, it doesn't even sound like a 480 either which is more 'real' sounding. The 224 is more spooky and more characterful and one of Trevor's favourites. Also AMS-RMX16 would be used a lot too.
Definitely caught my ear when he said it! 🤔
Seal Crazy!!! ....Petarda!!!:)
DRAMA is one of my favorite YES albums !!
There's one Art of Noise track that uses the 'I' from Bing Crosby's 'White Christmas.
One tiny sample is the base of the entire track.
Wonderful stuff!
Now that's creative!
Thank you for this! Clearly, Trevor Horn has been an invisible force in my life since I was a child in the 80s! Wow.
Very cool! I never knew that Art of Noise was sampling Yes. I always assumed Yes was using Art of Noise samples. Learned something new!
Thank you! I learnt quite a bit about the samples doing the research. There a great couple of video going through lots of Art of noise samples, this is the first one ..ua-cam.com/video/ul0zAXzbzYA/v-deo.htmlsi=O6yJd5XRvz56VtHK
@@mixingmasteringonlinewell very confusing when it comes to the sampling between Art Of Noise & Yes during the 1983 album 90125 Years…..for which all the Art Of Noise members are in charge of studio production on the 90125 album behind the scenes…..HOWEVER, the Malcolm McLaren DUCK ROCK Lp (A FULL YEAR BEFORE 90125), is responsible for all the Art of noise, Dum Dum samples MONTHS BEFORE YES LEAVE IT 12INCH EXTENDED REMIX)….Trevor Horn, Malcolm McLaren & Art of Noise engineer (Gary Langan), travel for the four corners of the world to obtain those unique samples for the Fairlight team at Ztt…..ABC LEXION OF LOVE & MALCOM MCLAREN’s DUCK (both albums in 1982) is the birthplace of the Art Of Noise…..BEATBOX does use drums from the late Yes drummer ALAN WHITE, because the drums for beatbox was actually a song they recorded but dropped it on the 90125 album, so J.J. JEZALIK (Keyboardist & Fairlight whiz kid) took those drums & played with it, on his Fairlight & BEATBOX was born….90125 is primarily all played by the powerful Yes band w/sampling created & performed by J.J., Gary & Anne Dudley aka: (Art Of Noise) in a Post-Production kind of way…..ArtOf Noise really only used Yes drum track, but everything else you hear (interms of studio efx’s) is all Art Of Noise…..btw, the late Bass Player for Yes (Chris Squire) was very involved with Art Of Noise on the Leave It & Owner Of A Lonely Heart) 12inch extended’s,….great video, thank you,….
One minor clarification about ABC's Lexicon of Love. Trevor and the team programmed the tight version of the live recordings and then got the band to mimic / rerecord to the tight version. So the band played / recorded the teams version of the album.
Trevors book, shown in the video is very good too.
Thanks for the clarification!
Wow, that’s insane….didn’t this kind of live verses studio break up Frankie Goes To Hollywood during the Pleasuredome & Liverpool Lp’s……I also heard the 12inch singles of FGTH cost more to make than most other 80’s Artist entire albums😂😂😂😂…..good lord this 12inch singles were just mind blowing…,FULL ORCHESTRA in there too….wow
Good stuff, nice piece. I was at the Music Producers Guild Award night in 2014 in a hotel in South London where Trevor was presented by Seal with a lifetime achievement award from the MPG. He'd been a hero of mine for decades and one of the key reasons why I always wanted to be a producer.
I was on the fringe of a conversation between him, Steve Levine, and two other known producers and didnt have a damn clue whether to say anything or just keep schtum and watch and learn. And thats when I noticed that he was constantly looking around, while he was talking to these other guys, but it was like he was looking around to make sure he always knew where the escape door was, if he had to leg it. It was a really odd thing, to see him talking to people but furtively looking elsewhere every three to five seconds. After he walked away, I asked one of the other producers who I had been stood next to and knew a lot better,, am I seeing things or did he really just do that? And the reply came back, "oh dont worry, he does that to everybody, even me. Its just Trevor being Trevor"
Nonetheless, he is the most prolific and industry changing producer the UK has had since Sir George Martin, that is undisputed. He and Lipson inspired a generation of producers, I know I'm definitely one of them.
Thank you! And thanks for sharing your interesting encounter with him, it often goes that interesting and unique people have odd quirks..
Thanks for saying he’s on equal footing as Sir George Martin,…I get alot of flack from my friends when I tell them that overhere in America….Horn is really that important to music….I also say he’s right there with Quincy Jones, when it comes to production, hooks & melodies…..I also think Trevor horn Microphone studio placement & vocal qualities is better than most I’ve heard in dance & pop genre….
Basically a short attention span of an over achiever who has to keep producing and creating, constantly
@@popnfresh2928 No doubt about it. I heard many of the contemporary members of the Producers Guild say it as well. What Horn achieved was absolutely as relevent to and shaping of the music scene of the 1980s as Sir George was to the 1960s. No doubt about it.
@@stevem-h3562 God bless you for telling me that, I needed to hear that for decades that his contemporaries agree with his importance to the recording arts of music....I told my friends many moons ago, Trevor Horn is just as important as Engineer/Producer Reinhold Mack of Queen & Black Sabbath fame...Just as important as Roy Thomas Baker (Queen's Bohemian Rhapsody production work)....hell, I personally always thought the YES track LEAVE IT is on equal footing as Bohemian Rhapsody, I tell you I had a many heated arguments with my buddies back then, with that comment, until I tell them that GARY LANGAN (of Art Of Noise) so happens to be the Mix Engineer of Bohemian Rhapsody & that comment usually Shuts them up😂😂😂😂
When you scratch the surface of these huge icons, you invariably find there’s a team standing behind them, who contributed greatly to a lot of the things the icon is famous for. Of course Trevor made it happen and set a standard for them all to shoot for - he obviously called the shots. But a lot of those iconic sounds were created by his collaborators. The story behind Frankie’s Relax is emblematic: "And Trevor was blown away by what they did". Yeah , that was pretty much the end result they came up with that evening. (Except they wouldn't have gotten there without Trevor's patience and perfectionism).
But yeah, the big picture is Trevor was one of those responsible for the sound of 80s. Along with Hugh Padgham and a few others. And both of those guys influenced music production way beyond the decade they're famous for.
Very true! I'm actually working on a Hugh Padgham video at the moment..
@@mixingmasteringonline Great, looking forward to it.
Like Ann Dudley?
Trevor...you're a top man..
Trevor Horn should get any Grammy Awards for all the great job he did for the music industry. So many artists who worked with him; its amazing!!!!
He did get one for Seal's, 'Kiss from a Rose'. Should have many more though!
Should have won a Grammy for SLAVE TO THE RHYTHM album….good lord that’s a beautiful piece of creativity…..powerful album that👍
"So many artists who worked with him;" And most of them hate him, or have sued him and his company. He is a greedy bastard, and was always dilluting down pop music to make more commercial
@@foljs5858 same can be said about James Cameron (Movie Director), Christopher Nolan (Movie Director) , Kanye West, Will.I.AM, Bill Belichick (won 8 Superbowls/2 as a Defensive Coordinator & SIX AS A HEAD COACH), Ridley Scott (Movie Director)….alot of actors, musicians & athletes hated working with these legendary giants in there fields, but as always, what comes with greatness is not easy & nothing will get in their way, no matter what anyone says about them…..also, Trevor Horn & these people I mentioned have THICK SKIN& heard all the negativety before,….either way you slice & dice the name calling, Horn is a business man first & foremost and the music business is incredibly competitive, just ask Ehmet Ertegun (founder of Atlantic Records), Berry Gordy (Motown Records) or Adrian Sherwood (founder of On U Sou d Records) etc….all been talked and about when dealing with these giants aswell, Trevor Horn is not alone in this endeavor…..part of the game my friend
@@popnfresh2928 tks for pointing out ..the work done on Slave is legendary...tks for the advice...am sure it's all and around , more of such ...in that album...noted to listen soonest
I have listened to the man himself tell his story on his audiobook (from ABC to ZTT) and would recommend it to any music fan. Such a lovely, modest and talented bloke.
Never been a producer, more a consumer of music and I’ve loved Trevor Horn and ZTT team from the ABC / Frankie days. I was mesmerised by the sequencers and vast range of unusual, yet funky sounds he could produce. Later, he teamed up with my favourite band from that period - Simple Minds - and that cemented him as a legend in my book. Looking back through my music collection from that period Horn’s name appears on virtually all of the tunes I bought. Always said if I had been in a band I’d have done everything in my power to get him to produce! 😂
Thank you so much for showcasing one of my TOP 5 PRODUCERS of all time…..and a massive thank you for not just talking about Buggles, Seal, Yes, ABC & Frankie Goes To Hollywood when honoring this genius…..because most folks who talk about Trevor Horn only spend about 20 seconds on his works with MALCOLM MCLAREN & ART OF NOISE…..for which, without McLaren suggestion to Horn to travel with him around the world to create the DUCK ROCK Lp & also McLaren wanted to record African sounds to add to the the Fairlight Keyboard mainly because (THE FAIRLIGHT KEYBOARD HAD PRE-PROGRAMMED EFFECTS WITHIN ITS LIMITED LIBRARY) so because of this all the 1980’s pop/dance artist started to sound the same with the Same effects…ABC, Look Of Love 12inch single & Malcom’s Buffalo gals 12inch single was the starting point for AON’s unique sound effects before Beatbox& Close To The Edit really put TREVOR HORN on the map….before his Yes & Frankie albums high utilized the AON Fairlight efx’s new library to the max…..THANK YOU AGAIN FOR A WONDERFUL WELL PUT TOGETHER TRIBUTE TO THE MAN WHO INVENTED THE 80’s👏🏾👏🏾👏🏾👏🏾👏🏾…R.I.P. Jill Sinclair🕊…she’s responsible for bringing Seal to Trevor Horn & great many other things aswelll..truly missed😢
Thank you, really happy you enjoyed it! I could definitely have done much more but I tried to keep it concise as an introduction for those that aren't aware of his work. Out of interest, who are your other favourite producers?
I really liked the scratching on the Mclaren records, it fitted the music perfectly, nothing wack about it.
Absolutely!
@@maccagrabme Thank You Thank You & Thank You…..Worlds Famous Supreme Team (who were extremely popular in New York & New Jersey) as Dj’s on radio….at the time, were both very STREET, interms of SCRATCHING…..with Kool DJ Herc, Grandmaster Flash, DJ Cheese & Afrika Bambaataa we’re all friends of there’s….and even tho, Afrika Bambaataa & Soul Sonic Force helped us & brought us Planet Rock that changed the game….BAMBAATAA & SOUL SONIC DIDN’T LIKE THE TRACK, because it was too FUTURISTIC & they called Planet Rock WHACK aswell, because they wanted a backing band like Sugarhill Gang had….thank god producer’s ARTHUR BAKER & JOHN ROBIE we’re steadfast in there beliefs that they new Planet Rock, Like McLaren, Horn & Langan knew, Buffalo Gals songs was gonna change everything in 1982 moving forward….Buffalo Gals is just about as FUTURISTIC as they come in 1982 & because of this..,Buffalo Gals, that song & its absolutely perfect scratching effects that is just as important as HERBIE HANCOCK’S ROCKIT song, in that…the scratching is pretty much AN INSTRUMENT to created the uniqueness of the track Buffalo gals….was waaaaay over the head for a couple radio DJ’s😂😂😂😂…..by the way, Bambaataa, Eric B & Rakim & KRS One all stated that Malcolm McLaren’s DUCK ROCK Album is THE WHITE ALBUM ala’ (The Beatles) of Freestyle/Hip Hop….it’s that important 🤘🏾…..Lastly, I’ve always felt the best representation of Scratching Effects TO SET THE TONE & RHYTHM of a track is ofcourse BUFFALO GALS, ROCKIT (Herbie Hancock) & LOOKING FOR THE PERFECT BEAT (Bambaataa & Soulsonic Force w/ Producer’s Arthur Baker & John Robie Production)….all 3 of these mind blowing creations in 1982,83 & 84 took MONTHS TO DO…..and all should be in the rock & roll hall of fame……
@@mixingmasteringonline great job on the video & your right….if you tried to showcase all the details of Horn from Buggles, Dollar & Yes onward, your video would be longer than all 3 of the Special Director Extended Versions of the LORD OF THE RINGS MOVIES (in other words) a 12hour plus video😂😂😂😂😂…..my top 5 Producers are Quincy Jones, Trevor Horn, George Martin, Maurice White & Arthur Baker w/ his right-hand man John Robie👍👍👍👍…..after that, Eddie Offord (his work with Yes/I don’t have the words, my god), Bill Laswell (I’ve learned so much in the world of music, thanks to this man) also Alex Paterson of the U.K. Outfit called THE ORB (Alex or LX, to my ears, just might be the best sampler & creator of where music is going now & into the next 50 plus years into the future, you can’t label him & his ORB music). Gamble & Huff, Ashford & Simpson, George Clinton, Green Gartside & David Gamson of Scritti Politti (this gentleman has the most unique lyrics on the planet & a voice that’s from another planet, just beautiful musicianship, melodies, hooks & keyboard tricks that deserves more attention in the industry for decades, man is another rare genius that no one gives credit too)….Jimmy Page, Shep Pettibone, Steven Lipson, Thomas Dolby, Gary Numan, Trent Reznor…..ok ok ok….I’m going on way to long here, but…..you get it…1960, 70 & Trevor Horn’s 80’s….spoiled us rotten…..Thank You again for your video🤘🏾👍🤘🏾👍🤘🏾👍🤘🏾👍🤘🏾👍
Very good video indeed.
The demo for Slave To The Rhythm was recorded by Toyah Willcox, and she recently released it with guitar work by her husband Robert Fripp. She's surprisingly silky, very good track.
What’s was Lp or is it under the name Torah Willcox….would love to hear it
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ua-cam.com/video/jchzXXNXjsA/v-deo.htmlsi=AZ4IFoiyGxOMFe9E
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Saw them last year at The Phil, storming performance! 🙂
Trevor Horn’s brilliant
Musical genius
I was working in Torquay in the late seventies and used to frequent a pub called The pelican ( owned by a fellow Liverpudlian called Ernie ) and would get to see live bands on a Thursday night . One such band was Bruce Woolley and The camera club singing their own composition called “video killed the radio star ( another track I liked was called “eyes open” ) . It was sometime later that I heard The buggles performing the song . Just a couple of weeks ago. I went to see Seal at The philharmonic in Liverpool with Trevor on bass …
Bruce co-wrote VKTRS, they decided the rights to the track on the toss of a coin, Bruce got 50% of VKTRS & Clean Clean was split 3 ways between Bruce, Trevor & Geoff. Bruce was in a couple of bands with my Dad in the early 70s; Medusa & Jet Pacey and the Planes.
All good stuff my friend . I’m a songwriter myself and have always ( at least I like to think so ) had a good ear for a tune 👍
Only mistake is at 6:51 - they recorded Relax in the summer of 1983, not 1984. Even more impressive.
Great overview. What a genius. Glad you also mentioned Steve Lipson - as I understand it, he was another integral part of the sound of some of those records - still very much active today eg he produced the Billy Eilish James Bond theme - and a few years ago the stellar Jeff Beck album Emotion and Commotion. There are a couple of cracking interviews with him on YT.
Thank you, I could definitely do a whole separate video on Steve, another incredible talent!
In the mid-80s the teenage band that I was in somehow found out his home address in the Letchmore Heath area and mailed him a demo there. He wrote us back a sternly worded letter telling us to never do it again :) Fair enough really. Kind of wish I still had the letter.
Obviously liked to keep his business and work separate! It is a shame you you don't still have the letter..
Harsh!
My mum's best friend is the sister of Dave Thomas, legendary producer. He's a multimillionaire, miserable and really selfish.
A name I've seen on great projects for decades, great video!
Thank you!
Great chapter! Looking forward for more videos. Essential channel for music producers!
Thank you! Definitely lots more videos to come!
a brilliant musician and producer. a hero of my youth. I make music because of him 🥰🥰🥰
I always had questions about who was responsible for my ears to love and wanted to make music and now I know. I need to meet this man 💯🎶🥀🌺🔥🔥
GENIUS¡¡
Nice video, thank you for posting it. I think Trevor’s finest work is Terry Reid’s 1991 album, “The Driver.” Great stuff!
I saw Yes live in 1980 when Trevor Horn was the singer
I've always loved Trevor's sound - it has a magical quality. One of things my production team is trying to capture is a little piece of that magic... watch this space
Nice, definitely a great inspiration to have!
Fantastic job.. Trevor is a treasure
Thank you, he certainly is!
Video Killed the Radio Star - An iconic track, still love it today
Oh yeah...he's still That Guy 😎
Most of us would be proud to have been involved with one of these bands, but to have been involved with all of these Incredible bands is just a master work.
I wanted to TWIST KNOBS because of Trevor!!!
Trevor is a 1 (thousand) hit wonder.
My scratching sounded whack! Can I have your 808. Trevor Horn was years ahead of the times. Just think what he could do now with all the latest technologies. He is a legend in the electronic music industry. We don't need to go back to far, yet the truth will be manipulated to suit.
A musical genius
Great video.
Thank you!
great videos!!!!! this channel deserves waaaaaay more subs!!!!! QUALITY!!!!!
Thank you! That’s very kind of you to say 😃
Relax was released in 83.
Sweet God, just think about it…..between 1982, 83 & 84….this man gave us….ABC, YES, ART OF NOISE, FRANKIE, BUGGLES & MALCOM MCLAREN🤘🏾😲🤘🏾
MTV, FGTH, Art of Noise, Yes rebirth, amazing Buggles albums...
he produced SLAVE TO THE RHYTHM?!??! OH MY GOD!!!!!!!
Nice channel mate! keep on the good work.
Thank you for the encouragement, will do!
Until I watched this I did not relalise the massive influence he had on my early development as a person who loved good music that was well produced thank you for this it had me swearing almost every 30 seconds lol.
Brilliant! Me too, when I was younger, I wasn’t piecing together the fact it was the same guy behind all these records that kept grabbing me.
Brilliant! Me too, when I was younger, I wasn’t piecing together the fact it was the same guy behind all these records that kept grabbing me.
Horn , Lipson, & Blank, for me.
Yep.. Subbed
Drama was a great Yes album
Are you not going to mention Bruce Woolley?
The ‘band ‘ image at the front of this item is actually of a band playing at the Moon club in Cardiff in the 70s .I don’t think that the bass player is Trevor horn!! And by the way the guy on guitar is the brilliant Pino Palladino !!! The is a very famous image .
Great spot! There aren't any photos of Trevor playing at this time so I used the photo to show a typical UK club/pub gig.
started as a drum n bass player in london?
‘Jobbing’ bass player. Certainly would have been way ahead of his time if he was playing drum n bass ! 😂
Back when making music required artistry, imagination and talent.
@luke5100 not so much when you have single chord “bangers”
Well this video didn't tell me much about what Trevor Horn actually did on the the tracks, or provide exact examples of what he did versus others.
It's better understood if you're were already aware of Trevor Horn's work right back to hearing The Buggles for the first time in the 80's. His work embraced digital, sequencing and recording technology in a way nobody else was doing at that time
Wikipedia on this thing called the World Wide Web 🤦♂️🙄😆
One question. Is Trevor wearing any pants @ 6:45?
😂.Some proper 80s shorts going on there! 😮
@@mixingmasteringonline I think he’s just wearing a jock. I recall seeing footage of him with Yes performing Tempus Fugit and he was wearing just these little short shorts and nothing else while the rest of the band were in their 70’s garb. Squire, Howe, and White seemed to have stoic expressions of “I am politely ignoring this,” as they played. I felt embarrassed for him. But every genius has their quirks I guess.
It's sad really that people attribute a singer's musical success (writing, producing, arranging, etc.) to them alone while the producers get shortchanged.
What a wonderful video. Such a great attention to the small details that most people will have absolutely no idea of the significance and relevance of. My takeaway other than Horn's brilliance is that the Fairlight made 80s music as great as the DX7 made it awful. Certainly there are good uses of both, but the DX7 was far more abused. The descendants of the Fairlight -- the Emulator and MPC...far more important to modern music than FM synthesis. Sorry Sega Genesis fans.
Thank you! I'd swap my DX7 for a Fairlight anyday, I'm even sure Sonic would!
@@mixingmasteringonline Don't get me wrong, I love the DX7 even though I got rid of mine as well as my DX7 II...but the Fairlight and the Emulator...they are what made 80s music wonderful. FM synthesis and DX7 so abused during that period. Fairlight shines through that decade. ABCs How to Be a Millionaire is a classic. Here in the states WaxTrax abused the Fairlight to a terrific degree during this time. Ministry's Twitch produced by Adrian Sherwood, such a pivotal turning point for music on mainstream labels. EDIT: To thank you again for directing attention towards Horn. I had no idea of his tremendous influence.
You're welcome! He is one of those guys that surprises you, a lot of his influence was probably subconscious but very much felt.
@@mixingmasteringonline I had no idea he did Owner of A Lonely Heart. I always loved Art of Noise and now I can see a direct connection thanks to you.
Proof if you don't dig where pop music is going, wait 2 seconds for it to sound dated- with very few exceptions.
Propaganda? Propaganda? Propaganda? Propaganda? How have you missed Propaganda?
Note: Propaganda!
BTW: Propaganda!
ps: Propaganda!
Did I miss something 😂
@@mixingmasteringonlineP R O P A G A N D A 😂
😂😂
If only for the videos - ua-cam.com/video/660ZCEhvbnw/v-deo.htmlsi=FDkb7JW94desMriS
More accurately A Secret Wish.
An amazing album produced by Lipson, not Horn. Horn produced the single, Dr Mabuse, but realised that Lipson had a better handle on what to do with Propaganda and left him to it.
A genius ? 🤣😂🤣😂
well to be fair one decade is nothing
genius ? well, where is the masterpiece?
in the live video by The Producers where he bangs out the bassline for Two Tribes for the whole song without one off note, sortof a master class in credibility
Ladies and Gentleman under 20 with their Mac Laptop and a DAW, are Not Producers. They might say they are but , really, they are just tinkerers
Most of these songs sound like crap. Just gimmicky noises...
Great video.
Thank you!
@@mixingmasteringonline Most Welcome 😊