You know why I like this video. You don't ramble on. This is the kind of video you might want to come back to from time to time and when you do, there's nothing worse than a rambler. There should be more videos like this on 'filmmaking and how I did it'. So sick of those 'who has the best camera and the longest lens' vids. It's really not that important.
That was incredible! Can you please post more videos like this. This is EXACTLY what I needed. I love seeing you work and how you conceptualize something and this is by far the best of all the video tutorials you've posted. Bravo Brandon!
Snappy editing and straight to the point. I love it. Too many YTers make it all about them. Also, you were really efficient in your filming. Very impressive.
I love the genius idea of filming with a go pro and simultaneously showing us the feed of your camera in the corner. Kobe is absolutely gorgeous, by the way.
Fantastic! Tight shots + shallow dof, you wouldn't even know you were in a normal hotel room. Shooting at night with those city lights definitely helped too. :)
You'd think something like this would be common sense among amateur film makers and yet this idea never occurred to me. Super terrific idea and it was not cheesy at all. Im still left wondering what she was looking for and how she got herself out of that situation. Just the right amount of time and left us right on the edge. Very well done and thanks for the setup and idea. Subbed!
That's how I felt too, I was ready to watch the short just for the technical content but found myself totally caught in the story and curious about what was going on.
I'm hooked, you got me. This is exactly what I've been thinking. And needing hear. I'm sitting in a hotel now, always in hotels, not that I want to do a video or a movie clip of a hotel. I'm a noob, and I've been questioning myself over and over again, does it really matter where you are what you're doing? You can always come up with something. Creativity comes outside the box. I'm leaning. TY. Another thing, how do you not like this video. WOW!
"Great video" is an understatement. You nailed it in showing how a PRO actually do it. You literally let the audience fit in your shoe. Love the simultaneous POV and camera shots
Check out D4Darious. He has a lot of videos where he does the exact same thing as this guy, mounting a GoPro on his head and showing how he works on set. These kind of videos are really helpful!
Literally the best filmmaking content on YT. Keep it up! Cheers!
5 років тому+4
Wow! I was really not expecting that kind of minimal lighting setup. The A7SII performed reeaaaaaally good on those shots looking out the window! Loved it!
She's an amazing partner. You guys work wonderfully together. I love how she is patient with you but also how she asks how you want the shot. Thank you!
A pearl to the filmmaking world from Kobe and Brandon! So lucky man that Kobe is so cooperative with you. I know of one (you too) that would have sent me to hell after a couple of takes 😅Cheers guys!
I was thinking about this subject yesterday and I havw found this. Perfect Brandon! It helped me with ideas and also loved to see the behind the scenes! :)
I've only watched two of your videos and subscribed immediately. No rambling on about how big of a shit you took last night, just straight to the point, creative and informative. Love it.
man i lost you for like 3 months !! forgot the name of the channel and couldnt find you again and i just took two hours today and i found your channel againn !!!! im a subscriber now!! i love your work !!
Michael Yi he does it to give the scene a more dramatic feel as you can slow it down to 80% speed in post to give a slow motion effect but still look like real time speed. Very clever use of the camera!
Daniel Walther you can do that but sometimes 60p looks weird when you try to slow it down to anything higher than 50% not all the time but in some motion situations. Also he is a filmmaker so he planned the scene and in his mind so he could shoot for it on set rather than make the edit for it with what you have in post which often helps to tell a story better.
Daniel Walther i think is because he wanted more of a feel of a Movie at 24p that way he has more control in each scene shot at 30p and keep tje 24p feel.
@@TrumptPking uhh thanks? i did watch that video, and my question still stands. The framerate video gives an overview on framerates and when to use them in a general sense. My question was inquiring about the use of framerates in this specific case. I wanted to get a better understanding of how the different frame rates helped him tell this specific story, and what did the framerates help accomplish in the different scenes... i’m not sure if you were trying to help, or be a jerk, but that comment was not helpful at all.
Shooting at a higher frame rate on a 24/25 FPS timeline makes the footage slow motion. On the opposite end of the scale where you shoot at a lower frame rate than your timeline will make the footage look fast (but not the kind of fast that looks likes it's being fast forwarded)
This also puzzled me. I get using 60fps for the bed touching scene that would be slowed down a bit, but for the other parts? beats me. My only guess is just that slower fps would mean a bit more light for the darker scenes...
Why shoot at 30 and conform to 24? I tried looking this up in forums and they tell you that you shouldn't do that. Is this a pretty standard thing to do? What is the benefit? I understand shooting in 60 for the slow mo parts, but why 30 to 24? Also, why switch cameras to the 6500 for the hall shot...? Great video btw!!!
Conforming 30 to 24 will still create a slowmo effect, but not as slow as 60fps. Both frame rates are a standard thing to do. It depends "how slow" you want it to be. 30 to 24 is not much, but it causes it to be almost a "dreamy" effect, without making the viewer notice it being "slowmo". I think the forums that are saying not to do that is talking about shooting 30fps, then trying to get it to look normal speed at 24fps, aka, throwing away frames, and trying to make 30fps LOOK like 24p footage. Whereas conforming 30 to 24 keeps all of the frames, and slows it down. I'm thinking the switch to the a6500 is purely so he could use the handheld gimble, as the a7sII might be too heavy / large for the gimble he has. Hope that helps!
Agree with you on the frame rate aspect. I believe he switched cameras to use the 1.6 crop factor of the a6500, oppose to the a7sII's full frame. Just helps to add a bit more focal length without having to use a different lens that might not be available to him.
@@tuttmasterc on regular film shoots with ACs yes. But I shot 3 seasons of a web show with bare bones crew just using gimbal and Sony with AR. Worked well
Aeronautist probably for slower motion effect. Similar to shooting at 120fps and then playing it back in 60fps (half speed) or 30(1/4 speed). Edit: looks like comments further down confirm this.
I wondered that as well. Then I watched it again and looks like he put everything at 24 frames per second. So a dream effect/slow motion/slower motion.
This is brilliant. I learned so much watching this video. Thank you for posting the behind scenes footage, it makes all the difference for a beginner. I loved the finished film too. Awesome.
yeah id like to know the reason as well. usually you get some frame stutter when you conform 30 to 24, but i haven't played around with it much...wondering if there is an advantage to shooting that way for a look.
Glad this video is back! If anyone wants to see my submission for the challenge it's here: ua-cam.com/video/mbD46B7UK2A/v-deo.html I was just a 1 man crew/'actor' so couldn't be as creative with the camera movements as I wanted to be.
Really nice! Love to see more of this type of video where can see the before and after simultaneously. It helps beginners like me to see how many lens, fps and reshooting done when shooting a scene.
Just excellent! Really appreciating your tack on this channel; Your creative focus, in which the technical follows behind, as it should. I esp appreciated your piece on pacing. So important and that's part of what is captivating about your videos, besides your observant and thoughtful videography. I'm home sick right now (nothing major) so have been catching up on what others are doing on out there. Lots of great stuff, but yours is a stand-out. You are demonstrating the process of thinking through a camera. I came to photo/video as a communication tool for passions already in place. Your tack is refreshing, and very much appreciated. Cheers.
![Improving Your Camera Movement - A Filmmaking Lesson [Sony A7siii + DJI RS2 Gimbal]](http://i.ytimg.com/vi/pMavOuJ2RSo/mqdefault.jpg)
Keep posting your Boring Room Challenge videos..I'll do a review video soon once I get time to watch them all.
Awesome idea
Can I borrow you A7 and a couple lens? My dumbphone only shoots standard def.
Were your lens changes in real time? Very fast and smooth. This is actually an excellent little clip and you could turn it into a short.
Why did you shoot in 30fps then switch to 24fps? I'm a beginner, so i was wondering.
Hey dude, thanks for the idea. Buddy and me decided to take on your challenge. Thanks for giving us a fun afternoon.
"slam it"
*slams it*
"ok not that much"
I die over this comment every time XD
@@AsiatiqueMedia aww goochi goochi goo 🤗
You know why I like this video. You don't ramble on. This is the kind of video you might want to come back to from time to time and when you do, there's nothing worse than a rambler. There should be more videos like this on 'filmmaking and how I did it'. So sick of those 'who has the best camera and the longest lens' vids. It's really not that important.
Gosh! That was a nice step by step video. Short, precise and useful. Always awesome content, legend!
Mas olha quem também curte o Brandon Li ! hahaha Good to see you here, bro :) Quem sabe a gente não se esbarra pelo CBD qualquer dia... =D
I'm quite amazed how well this camera shoots at low light conditions. I mean, the room was pretty much pitch black, yet the footage was all clear.
a7sii is good in low light
@@mannyzarate It's the A7Sii...master of low light. I have it too and the III can't compare.
@@BrandonLiUnscripted Good! its fan-bloody-tastic. That's it. I'm saying goodbye to Canon.
also remember the other footage is filmed on a gopro
That was incredible! Can you please post more videos like this. This is EXACTLY what I needed. I love seeing you work and how you conceptualize something and this is by far the best of all the video tutorials you've posted. Bravo Brandon!
Snappy editing and straight to the point. I love it. Too many YTers make it all about them. Also, you were really efficient in your filming. Very impressive.
It's back online! Thanks everyone, your comments and messages did wonders and the situation is resolved.
Brandon Li Power of the Internet :p This is a truly amazing tutorial, a real challenge and some awesome tips, thank you for your work!
Right on!!!
Brandon Li did you use on your cameras for this project or just the a 6500?
Brandon Li YESSSSS
yes,congrats Brandon !
I love vid.
I love the genius idea of filming with a go pro and simultaneously showing us the feed of your camera in the corner.
Kobe is absolutely gorgeous, by the way.
Kobe died man...
Fantastic! Tight shots + shallow dof, you wouldn't even know you were in a normal hotel room. Shooting at night with those city lights definitely helped too. :)
Matt WhoisMatt Johnson you should have one of your brides act out this scene. would be fun in the wedding vid I think :)
You'd think something like this would be common sense among amateur film makers and yet this idea never occurred to me. Super terrific idea and it was not cheesy at all. Im still left wondering what she was looking for and how she got herself out of that situation. Just the right amount of time and left us right on the edge. Very well done and thanks for the setup and idea. Subbed!
That's how I felt too, I was ready to watch the short just for the technical content but found myself totally caught in the story and curious about what was going on.
The sound of switching lens is just awesome!
Yeah it's a satisfying click for sure
Like cocking a gun.
Like loading a magazine ;)
locked in and ready to SHOOT!
1:12 expanding skyscraper rooms' lights look dope with music
"Without breaking any obscenity laws." very important clarification!
Giggity
Brilliant, Brandon. With so much fuss about gear... cameras, lights and modifiers. This is a breath of fresh air. Good stuff.
I'm hooked, you got me. This is exactly what I've been thinking. And needing hear. I'm sitting in a hotel now, always in hotels, not that I want to do a video or a movie clip of a hotel. I'm a noob, and I've been questioning myself over and over again, does it really matter where you are what you're doing? You can always come up with something. Creativity comes outside the box. I'm leaning. TY. Another thing, how do you not like this video. WOW!
It's been exactly 2 years and still the greatest!!!!!
Yes Yes YES!!!! This was so much fun to watch! I was smiling the entire time! Tell Kobe she did an awesome job being intense!!!
"Great video" is an understatement.
You nailed it in showing how a PRO actually do it. You literally let the audience fit in your shoe.
Love the simultaneous POV and camera shots
You are just great
i know its hard but you make it looks like so easy
those step by step making and color grading
you are just awesome THANKS !!!
Excellent
Love this, rare you actually get to watch another creators workflow and process!
Check out D4Darious. He has a lot of videos where he does the exact same thing as this guy, mounting a GoPro on his head and showing how he works on set. These kind of videos are really helpful!
Literally the best filmmaking content on YT. Keep it up! Cheers!
Wow! I was really not expecting that kind of minimal lighting setup. The A7SII performed reeaaaaaally good on those shots looking out the window! Loved it!
She's an amazing partner. You guys work wonderfully together. I love how she is patient with you but also how she asks how you want the shot. Thank you!
Wow this was awesome seeing it from the gopro point of view!
Thanks heaps for this tutorial Brandon! One of the most streamlined, informative and didactic videos I have come across on YT. Also inspiring. Cheers.
A pearl to the filmmaking world from Kobe and Brandon! So lucky man that Kobe is so cooperative with you. I know of one (you too) that would have sent me to hell after a couple of takes 😅Cheers guys!
Finally. Somebody that shows there is no such thing as a "Boring" environment, just boring minds. Subbed.
I was thinking about this subject yesterday and I havw found this. Perfect Brandon! It helped me with ideas and also loved to see the behind the scenes! :)
loved this video, great work!
I've only watched two of your videos and subscribed immediately. No rambling on about how big of a shit you took last night, just straight to the point, creative and informative. Love it.
Brandon Li is worth much more than 213K subbed by million times. MVP content creator and educator.
Kuro Wanna totally agree with you... he is awesome
Dudes content is a gold mine!
She's a great actor. I like how you put small ideas together and make them create a greater outcome. Great stuff man!!!
Wow! It doesn't matter where you are. You can still make an amazing short film using the "boring things around you".
This is too good! never thought you can do this in confined boring room. Pure creative!!!
awesome! you did not mention the sound fx. #littlesecret
brotha.. that shot walkthrough is pure melted gold in fire!!!!! i hope you realise how valuable this video is for every aspiring film makers. #love
So the answer is: BOKEH
RYSE the bokeh okeh or not ok
For me it was all of the shifting FOVs that made me love it.
The answer is if you put an attractive female in any room, it becomes interesting.
man i lost you for like 3 months !! forgot the name of the channel and couldnt find you again and i just took two hours today and i found your channel againn !!!! im a subscriber now!! i love your work !!
Just found this and love your style and explanations. Also digging how u show us how u did everything.
Every friggin time I watch our videos, I just wish I could subscribe again. What an inspiration.
This video is absolutely superb. Phenomenal job man. Super helpful and inspiring.
Best explanation thus far!
I'm taking the challenge stay tuned for my boring room quick film!
Damn you're a beast! I'm blown away with how you used the lights!
Editing plays a huge role in these short films 😭
Yes, editing is major.
WOW! Your techniques are insane!
OMG! free workshop! people pay for this shit. Thank you!
Technically he is getting paid.
You are simply amazing. Never saw such less use of apparatus while filming a super scene. Well done Sir.
Great video man!
Thanks for showing the whole process. Most wont do this
for me, that room wasnt that boring tho 😐
Ebi Febriyanto hhhhh feeling the same
Exactly bro
he doesn't see my room, probably wouldn't say that word
Na it’s boring
its just a room lol you could make this exact video with any room and hallway
Maravilhoso vídeo. Uma verdadeira aula com poucos equipamentos, mas criando algo grandioso!
Thank you so much, this was really inspiring! Can you explain why you kept switching between 30p and 24p? Are you talking about FPS?
Michael Yi he does it to give the scene a more dramatic feel as you can slow it down to 80% speed in post to give a slow motion effect but still look like real time speed. Very clever use of the camera!
AntonTV.HD Ah I see. I was wondering if it had to do with motion blur but hadn't even considered slow motion. Thanks!
but why don't film everything in 60fps and export it as you wish?
Daniel Walther you can do that but sometimes 60p looks weird when you try to slow it down to anything higher than 50% not all the time but in some motion situations. Also he is a filmmaker so he planned the scene and in his mind so he could shoot for it on set rather than make the edit for it with what you have in post which often helps to tell a story better.
Daniel Walther i think is because he wanted more of a feel of a Movie at 24p that way he has more control in each scene shot at 30p and keep tje 24p feel.
One word! EPIC! Loved this challenge!
wow awesome, I can never nail manual focus, I tend to rely on auto too much I think
Love the blocking. And transitions.
Great video!, greetings from Argentina. I only film with Webcams C-920 Logitech with Carl Zeiss lens and GoPro Heros 4 Black Edition. Thank you.
So cool! Awesome that you're sharing the behind the scenes!
Can we resurrect this challenge now that we’re all stuck inside? 👣
One of the most useful videos I ever see ! thank you
That was awesome wtf
This was so inspiring. No excuses for any creative genius out there. That was my takeaway.
Awesome video! What went behind your decisions to switch bw 30p and 24p?
he has a whole video on frame rates
@@TrumptPking uhh thanks? i did watch that video, and my question still stands. The framerate video gives an overview on framerates and when to use them in a general sense. My question was inquiring about the use of framerates in this specific case. I wanted to get a better understanding of how the different frame rates helped him tell this specific story, and what did the framerates help accomplish in the different scenes... i’m not sure if you were trying to help, or be a jerk, but that comment was not helpful at all.
@@Just_Manny305 If you shoot at 30p then interpret it as 24p it goes 80% speed.
Excellent challenge! Thanks for sharing the behind the scenes and equipment.
Hey Brandon, i had a quesiton:
why did you switch between 30p and 24p?
what effect does that achieve ? what should i look for to see a difference?
Anyone have an answer for this? That part really interested me. Also, the section shot at 60p too. Why?
@@DaveTheMedic put 60p footage into a 30p or 24p movie, just for slow motion effect.
Shooting at a higher frame rate on a 24/25 FPS timeline makes the footage slow motion. On the opposite end of the scale where you shoot at a lower frame rate than your timeline will make the footage look fast (but not the kind of fast that looks likes it's being fast forwarded)
This also puzzled me. I get using 60fps for the bed touching scene that would be slowed down a bit, but for the other parts? beats me. My only guess is just that slower fps would mean a bit more light for the darker scenes...
i love this. please do more
Bro, Useful tips 100%. Thanks so much, I was qurious about many things when I watch Movies. So now I know the Secret. *#Subscribed*
Great job. Very inspiring
Hi Brandon, do you use post stabilization? The footages are so smooth I'm amazed it is handheld
he doesn't..the cam he used has IBIS
Chris Cheek humm I heard IBIS on full frame sensor is not that good...I heard M43 sensor has better IBIS performance compared to FF due to its size
Martin Putra possibly true, but it still works great
The Ibis works great with proper technique ..Which Brandon has..He has mentioned before about not liking to use post stabilization ..
I love how quick but informative that was!
Why shoot at 30 and conform to 24? I tried looking this up in forums and they tell you that you shouldn't do that. Is this a pretty standard thing to do? What is the benefit? I understand shooting in 60 for the slow mo parts, but why 30 to 24? Also, why switch cameras to the 6500 for the hall shot...?
Great video btw!!!
Conforming 30 to 24 will still create a slowmo effect, but not as slow as 60fps. Both frame rates are a standard thing to do. It depends "how slow" you want it to be. 30 to 24 is not much, but it causes it to be almost a "dreamy" effect, without making the viewer notice it being "slowmo".
I think the forums that are saying not to do that is talking about shooting 30fps, then trying to get it to look normal speed at 24fps, aka, throwing away frames, and trying to make 30fps LOOK like 24p footage. Whereas conforming 30 to 24 keeps all of the frames, and slows it down.
I'm thinking the switch to the a6500 is purely so he could use the handheld gimble, as the a7sII might be too heavy / large for the gimble he has.
Hope that helps!
Agree with you on the frame rate aspect. I believe he switched cameras to use the 1.6 crop factor of the a6500, oppose to the a7sII's full frame. Just helps to add a bit more focal length without having to use a different lens that might not be available to him.
Autofocus is much better on the A6500 than on A7SII and therefore better for Gimbal shots.
@@sebastianheinrich6430 you'd never use autofocus while shooting a film
@@tuttmasterc on regular film shoots with ACs yes. But I shot 3 seasons of a web show with bare bones crew just using gimbal and Sony with AR. Worked well
Learning more and more as I watch your videos. Amazing work Mr. Li, thank you.
Why do you switch your frame rate if the end video is constantly 24 or 30????
Aeronautist probably for slower motion effect. Similar to shooting at 120fps and then playing it back in 60fps (half speed) or 30(1/4 speed).
Edit: looks like comments further down confirm this.
I wondered that as well. Then I watched it again and looks like he put everything at 24 frames per second. So a dream effect/slow motion/slower motion.
Why so many question marks?
This is brilliant. I learned so much watching this video. Thank you for posting the behind scenes footage, it makes all the difference for a beginner. I loved the finished film too. Awesome.
reason you coformed 30p to 24p? this is an awesome challenge going to try it soon!
Im guessing so he can slow it down to 80% on a 24 frame timeline to make it look more cinematic.
yeah id like to know the reason as well. usually you get some frame stutter when you conform 30 to 24, but i haven't played around with it much...wondering if there is an advantage to shooting that way for a look.
Read my comment again to understand why.
Thanks, I'll have to give it a shot and see how it looks. I bet it helps with a bit to smooth handheld motion.
30p to 24p gives you 80% slower playback
That was AWESOME!! I'm so impressed right now!! you sir deserve much more subscribers! Thank you for your work, much love from Greece!
Glad this video is back! If anyone wants to see my submission for the challenge it's here:
ua-cam.com/video/mbD46B7UK2A/v-deo.html
I was just a 1 man crew/'actor' so couldn't be as creative with the camera movements as I wanted to be.
Well done Luke !
Thanks Bernard!
pretty bloody good
Thank you Sam!
Wow! Great job, this is really inspiring me.
Stumbled upon your videos! They're great!
I know its late, but I think I made the best boring room challenge video here- ua-cam.com/video/9Luxq7Uzk4k/v-deo.html
That was hilarious. Great sound fx editing. Your family is nuts.
omg thank you
Must have skipped over the "Please dont try this at home" warnings before every show...
Wow...so miraculous how you played with lights
Well, most of the student films are made out of a boring room...
blown away mate awesome can't wait to watch the rest of your vids cheers
just what I needed
Really nice! Love to see more of this type of video where can see the before and after simultaneously. It helps beginners like me to see how many lens, fps and reshooting done when shooting a scene.
Quick simple beautiful... Love it.
Awesome short film. Very creative idea! Really liked the behind the scenes explanation and footage as well!
Thanks Brandon. This was not just educational but also entertaining.
BRILLIANT!!!!!
This is literally so cool. I’m in love with this
Great work of perfection Brandon. Thanks for sharing your behind the scenes. Learned a lot with this. Have a great day ahead.
That was clean. Love the way you break it down step by step. Thanks!
Just excellent! Really appreciating your tack on this channel; Your creative focus, in which the technical follows behind, as it should. I esp appreciated your piece on pacing. So important and that's part of what is captivating about your videos, besides your observant and thoughtful videography.
I'm home sick right now (nothing major) so have been catching up on what others are doing on out there. Lots of great stuff, but yours is a stand-out. You are demonstrating the process of thinking through a camera. I came to photo/video as a communication tool for passions already in place. Your tack is refreshing, and very much appreciated. Cheers.
Always wanted to see a video like this! Behinds the scene shot plus the final version to compare!! 🙌🏼👏🏼
Brandon, you are amazing....thanks.
Such a great tutorial! Get so much inspiration about film shots and the work process.
really cool stuff !
Just discovered this channel now and I'm hooked. This is video number 3 and I'm impressed
Freaking amazing and thanks for the helpful Ideas!
The step by step was so Amazing to see and so helpful!